Eric Berry Movies

This film is essentially the original pilot for the popular 1960s television series The Man from U.N.C.L.E. It was expanded to 92 minutes and shot in color for theatrical release. Robert Vaughn plays the master spy and adept action hero Napoleon Solo. He works for a shadowy supra-governmental enforcement agency called U.N.C.L.E. His partner is the suave Russian secret agent Illya Kuryakin (David McCallum). In this pilot, a sinister organization called W.A.S.P. assassinates the president of an African republic and his assistants. Solo is enlisted to stop W.A.S.P.'s plans to take over the country and turn it into a dictatorship. The plot and action proceed at lightning speed against the backdrop of a brewing Cold War superpower confrontation. Through a series of mishaps, a housewife, Elaine May Donaldson (Pat Crowley) is dragged into the fight and helps Solo thwart the coup attempt. Also released as a film in 1966 was another expanded episode from the TV series, The Spy with My Face. ~ Michael Betzold, All Movie Guide

In this action-filled crime drama, a tough journalist relentlessly pursues a fleeing racketeer. When the gangster realizes that he is being pursued, he captures the reporter and then goes after his moll whom he suspects of ratting on him. The reporter escapes and rescues the girl. Meanwhile, the mobster is shot down in a police shoot-out. ~ Sandra Brennan, All Movie Guide

In this drama, a physician operates on a man he knows nothing about. The whole thing is terribly fishy, and trouble ensues when his personal secretary is murdered for revealing the patient's identity. Later, with the help of the police, the mystery is solved. ~ Sandra Brennan, All Movie Guide

Robert Morley and Maurice Evans play W.S. Gilbert and Arthur Sullivan, 19th-century composers of such imperishable comic operettas as H.M.S. Pinafore, Pirates of Penzance and The Mikado. Much is made of the inescapable fact that Gilbert and Sullivan grew to dislike each other intensely. Also touched upon is the fact that both men felt they were writing "beneath" their talents, and yearned to do something more serious than their witty frivolities. And of course, we are treated to generous excerpts from several of Gilbert and Sullivan's works, performed by such D'Oyly Carte veterans as Martyn Green. Gilbert and Sullivan was originally titled The Story of Gilbert and Sullivan; its US release title was The Great Gilbert and Sullivan. ~ Hal Erickson, All Movie Guide

Michael Powell and Emeric Pressburger's influential musical tragedy set the stage for the climactic dance ballets that became a staple of the Arthur Freed-MGM musicals (An American in Paris, Singin' in the Rain and The Band Wagon) of the early 1950s. Hans Christian Andersen's tragic fairy tale forms the basis of this film about betrayal, love and art. The story begins as struggling composer Julian Craster (Marius Goring) attends a performance of the Lermontov Ballet Company and recognizes his own score in the production of "Hearts of Fire." Julian protests to ballet company director Boris Lermontov (Anton Walbrook) about the unauthorized use of his music. Impressed by Julian's talent, Boris hires him to compose the score for his next ballet -- a dance version of "The Red Shoes." Boris also hires an attractive young dancer, Victoria Page (Moira Shearer), to perform in the ballet. When the lead ballerina announces that she plans to get married, Boris, in a pique over being abandoned, casts Victoria in the starring role. As Julian works on the score and Victoria struggles to perfect her dance technique, the two fall in love. When "The Red Shoes" ballet is premiered -- seen in a stunning and glorious fifteen-minute sequence -- it is a raging success and it makes Victoria a star. But when Boris learns that Julian and Victoria have fallen in love, Boris, who is secretly in love with Victoria, in a fit of rage forces Julian to leave the ballet company; Victoria leaves with him. Since Boris owns the rights to "The Red Shoes" ballet, he forbids Victoria to perform the dance and she becomes unemployable. Time passes and Julian and Victoria are now happily married. Julian's compositions have made him an international success. One day, with Victoria disembarking from a train in Paris, she meets Boris, who implores her to do one performance of "The Red Shoes" in Monaco. Victoria agrees as Julian cancels an engagement in London to travel to Monte Carlo in order to convince his wife not to perform the ballet. But Victoria goes on with the performance, with tragic results. ~ Paul Brenner, All Movie Guide

A key film in the career of director Michael Powell, The Edge of the World was his first original idea to be realized onscreen, and its success attracted the attention of producer Alexander Korda. Korda's bankrolling of Powell's next several films catapulted the filmmaker into the first rank of British directors. Powell was attracted to the idea of building a dramatic story around the evacuation of St. Kilda, an island north of Scotland, whose aging population could not sustain life there. Forbidden from filming on St. Kilda, Powell and his crew journeyed farther north to Foula, an island whose sheer cliffs play an important role in the story. Two young men, Robbie Manson (Eric Berry) and James Gray (Niall MacGinnis), disagree on their island's economic future. James loves Robbie's twin sister Ruth (Belle Chrystal). The rivalry between the two men and their strong-willed fathers threatens to tear apart the island community, but an unexpected pregnancy and a rescue in dangerous seas serve to unite the islanders in common purpose. Powell took full advantage of the magnificent locations to tell this simple but affecting story of survival and adaptation to changing times. A restored version of the film, available on video, also includes the documentary Return to the Edge of the World. ~ Tom Wiener, All Movie Guide