Marge Redmond Movies

1967  
 
Sr. Bertrille is among the travelers taking a pack-mule trip into the mountain community of Santa Thomasina. Upon her arrival, the exuberant little nun is confused by the residents' eccentric behavior. It turns out that the locals are convinced that Sr. Bertrille is their patron saint. Trouble arises when a rival village insists that our heroine is their saint, and are willing to fight over the matter. Written by James Henerson, "The Patron of Santa Thomasina" first aired on November 30, 1967. ~ Hal Erickson, All Movie Guide

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1967  
 
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The two-part opening episode of The Flying Nun introduces Sister Bertrille (Sally Field), a spunky young American novice stationed at Convent San Tanco in San Juan, Puerto Rico. Not long after discovering that her light weight and her winglike coronet enable her to take flight whenever the trade winds blow, Sr. Bertrille earns the undying gratitude of local bistro owner Carlos Ramirez (Alejandro Rey) by helping him collect an old gambling debt -- which he promptly donates to the convent. In subsequent episodes, Sr. Bertrille tries to keep her flying abilities under wraps on the orders of her superiors, the Reverend Mother (Marge Redmond) and Sister Jacqueline (Madeleine Sherwood), but the dictates of the various plotlines just plain won't let her do so. The best of the first-season episodes include "Flight of a Dodo Bird," guest-starring John Astin as a young priest-psychologist who is convinced that the Reverend Mother's tales of a flying nun are signs that the old dear is a few bricks shy of a full load; "Days of Nuns and Roses," in which Sr. Bertrille and the other nuns begin selling "sea-grape juice" to raise funds; "The Dig In," featuring future "alternative" filmmaker Henry Jaglom as an embittered derelict who is trapped with Sr. Bertrille in a cave-in; "With a Friend Like Him," wherein our heroine comes to the rescue of hopeless bumbler Brother Paul (Rich Little); "My Sister, the Sister," in which Carlos falls in love with Sr. Bertrille's obstetrician sister, Jennifer (Elinor Donahue); and "Reconversion of Sister Shapiro," which finds Sr. Bertrille gently attempting to dissuade a Jewish girl from renouncing her religion and joining the convent. ~ Hal Erickson, All Movie Guide

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Starring:
Sally FieldMarge Redmond, (more)
1966  
 
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The British title of Billy Wilder's classic comedy was Meet Whiplash Willie -- for, despite Jack Lemmon's star billing, the movie's driving force is Oscar-winning Walter Matthau as gloriously underhanded lawyer "Whiplash" Willie Gingrich. CBS cameraman Harry Hinkle (Lemmon) is injured when he is accidentally bulldozed by football player Luther "Boom Boom" Jackson (Ron Rich) during a Cleveland Browns game. Willie, Harry's brother-in-law, foresees an insurance-settlement bonanza, and he convinces Harry to pretend to be incapacitated by the accident. To insure his client's cooperation, Willie arranges for Harry's covetous ex-wife Sandy (Judi West) to feign a rekindling of their romance. Harry's conscience is plagued by the solicitous behavior of Boom Boom, who is so devastated at causing Harry's injury that he insists on waiting on the "cripple" hand and foot. Meanwhile, dishevelled private eye Purkey (Cliff Osmond) keeps Harry under constant surveillance, hoping to catch him moving around so the insurance company can avoid shelling out a fortune. Wilder and usual co-writer I.A.L. Diamond were at their most jaundiced and cynical here, even if, after a sardonic semiclimax, the last ten minutes succumb to the sentimentality that often marred Wilder's later movies. ~ Hal Erickson, All Movie Guide

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Starring:
Jack LemmonWalter Matthau, (more)
1966  
PG  
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The Trouble With Angels opens on the first day of school for a new batch of students at St. Francis Academy, run by a very strong-willed Mother Superior (Rosalind Russell). She is used to having things her way, but she may have met her match in the headstrong and independent Mary Clancy (Hayley Mills) and her newfound friend, Rachel Devery (June Harding). Mary, easily bored and ready to rebel at the drop of a hat, comes up with an endless series of "scathingly brilliant" schemes designed either to amuse her and Rachel, torture insufferable schoolmate Marvel-Ann, or in some way help them get ahead. Rachel, who would never come up with such ideas on her own, is delighted to go along with them. The duo starts right away by convincing several of the girls to join them in giving fake names to the sisters that register them. Future escapades include guided tours of the nuns' living quarters, illicit cigarette smoking that brings about the fire brigade, replacing sugar with soap bubbles, and many others. Several times the Mother Superior is on the brink of expelling the girls, but she relents, knowing something of their home lives and that they will benefit from the more nurturing environment of the school. By the end of the film, the girls have indeed grown, and Mary, in particular, has developed a special love for the Academy. ~ Craig Butler, All Movie Guide

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Starring:
Rosalind RussellHayley Mills, (more)
1965  
 
Perry Mason (Raymond Burr) is taken by surprise when a young woman (Mary Mitchell) sweeps into his office, begging him to "identify" her. Claiming to be Dorrie Ambler, the girl explains that she has been hired by private eye Joe Billings (Paul Lambert) to pose as her lookalike, heiress Minerva Minden, allegedly to verify if Minerva was involved in a hit-and-run accident. It turns out, however, that Dorrie really is Minerva, and that Billings is blackmailing her. Before long, Perry is not only defending Minerva on a charge of murdering Billings, but also of bumping off the "real" Dorrie Ambler, who may or may not have perished in the accident. Wesley Lau makes his farewell appearance as Lt. Anderson in this final episode of Perry Mason's eighth season, which is based on a novel by series creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

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1965  
 
Although Herman (Fred Gwynne) blanches at the thought of Eddie (Butch Patrick) having his tonsils removed, the boy undergoes the operation and spends the night in the hospital. Hoping to pay an after-hours visit to his son, Herman sneaks into Eddie's ward, whereupon he is mistaken for an accident victim and rushed to the operating room! A few whiffs of laughing gas later, Herman manages to escape and get home--where his incessant giggling leads Lily (Yvonne DeCarlo) to once again jump to the wrong conclusion. Featured as one of the doctors is comic actor Dayton Allen, a legendary fixture of such early TV series as Howdy Doody and The Steve Allen Show. ~ Hal Erickson, All Movie Guide

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1965  
 
Martin (Ray Walston) needs to lose a just a little bit of weight to fit into his spacesuit. Unfortunately, Tim (Bill Bixby) flips the wrong switch on the weight-loss machine, which promptly shrinks Martin's spaceship to the size of a toy. Worse still, the teeny-tiny vessel is carried off by a dog and ulimately retrieved by a toy manufactuer, who plans to mass-produce the item and make a fortune. Martin and Tim conduct a desperate search for the spaceship--but how will they find the real one amidst all those duplicates? Featured in the cast are Leave It to Beaver's former "Miss Landers" Sue Randall) and The Flying Nun's future "Sister Jacqueline" Marge Redmond. ~ Hal Erickson, All Movie Guide

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1965  
 
Herman (Fred Gwynne) comes to the rescue of little Galen Stewart (Brian Nash), who has gotten his head caught in an iron fence. Unfortunately, Galen's parents don't believe his story about being saved by a benevolent monster, and the bundle the boy off to a Viennese psychiatrist (played with a broad musical-comedy accent by Harvey Korman). It is up to Herman to convince Mr. and Mrs. Stewart that he actually exists--but this proves to be more difficult than he thinks. This is the final episode of The Munsters' first season. ~ Hal Erickson, All Movie Guide

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1964  
 
Eluding the local authorities, Richard Kimble (David Janssen)--aka "Peter Broderick"--hops a freight car containing three other passengers: A hobo named Preacher (Royal Dano), a woman named Carol (Diana Hyland), and a little baby. Carol claims to be the infant's mother, and further insists that she is searching for her husband. But it soon turns out that the woman has been mentally unbalanced since becoming a widow--and that she has kidnapped the baby. Kimble's efforts to help Carol and return the baby to its parents are complicated by the child's precarious health...to say nothing of the treacherous Preacher. ~ Hal Erickson, All Movie Guide

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1963  
 
Former streetcar conductor Julius Moomer (Jack Weston) aspires to be a highly paid TV writer, but he is handicapped by a severe talent deficiency. Julius' fortunes take a sudden upswing when, practicing a bit of black magic in his tiny apartment, he conjures up the ghost of William Shakespeare (John Williams). Unfortunately, not even Shakespeare's brilliance is any match for the formidability of bullheaded TV sponsors and network censors. A young Burt Reynolds steals the show as Brandoesque actor Rocky Rhodes, while star Jack Weston's wife Marge Redmond appears in a supporting role. Written by Rod Serling, "The Bard" was the last of the hour-long Twilight Zone episodes to be telecast; it first aired May 23, 1963. ~ Hal Erickson, All Movie Guide

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Starring:
Jack WestonJohn Williams, (more)
1963  
 
The latest quarry of Elliot Ness (Robert Stack) is Ed "The Duke" Monte (Torin Thatcher), who has broken out of a Federal penitentiary to bump off the stoolie who turned him over to the Feds. Monte suspects that he might have been betrayed by his own son-in-law Lou Sultan (Paul Richards), but he doesn't want to run the risk of alienating his daughter Barbara (Peggy Ann Garner) by killing Lou himself--especially now that he is slowly dying from a bullet wound. Thus, Monte dispatches his henchman Janos (Karl Lucas) to determine if Lou is guilty--and if so, to turn Barbara against her husband. But Barbara claims to be loyal to her husband and renounces Janos' story...until an unexpected incident transforms her from innocent bystander to "giant killer". ~ Hal Erickson, All Movie Guide

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1961  
 
Combining elements from William Faulkner's novel Sanctuary, its sequel Requiem for a Nun, and a stage adaptation of Requiem for a Nun by Ruth Ford, director Tony Richardson's film is set in 1920s Mississippi and recounts the story of Temple Drake (Lee Remick), a young, lustful white woman who falls for a man who rapes her, only to marry another when she is told that her lover has died. The story is told as a flashback in an attempt to explain what led to the film's present, in which a black maid is on trial for the murder of Temple's baby. This was Richardson's first film made for a studio; he agreed to make Sanctuary to fund his next film, A Taste of Honey. ~ Matthew Tobey, All Movie Guide

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Starring:
Lee RemickYves Montand, (more)

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