Vanessa Redgrave Movies
Dignified, passionate Vanessa Redgrave is widely regarded as one of Great Britain's finest modern dramatic actresses. She is perhaps the most internationally famous of the Redgrave dynasty of actors that includes her father Sir Michael Redgrave, mother Rachel Kempson and siblings Corin and Lynn Redgrave. Born January 30, 1937 in London, Redgrave studied drama at London's Central School of Music and Dance. She made her theatrical debut in 1957 and her film debut the following year in the dreadful Behind the Mask, which starred her father. Redgrave would not venture into films again for another eight years, and during the early '60s established herself as a key member of the distinguished Stratford-Upon-Avon Theater Company. During her time with the repertory, she gave life to Shakespeare's works with some of her country's finest performers and met her future husband, the director Tony Richardson.Redgrave returned to films in 1966, making an unbilled appearance as Anne Boleyn in Fred Zinneman's all-star adaptation of A Man for All Seasons, and co-starring in Karel Reisz's comedy Morgan. In the same year, she played a small but key role as the girl in the photograph in Michelangelo Antonioni's first English language film, Blow-Up. In 1967, Redgrave appeared in the first of several films directed by her husband, Red and Blue and The Sailor from Gibralter. Also in 1967, she made a radiant Guenevere opposite Richard Harris' King Arthur in Joshua Logan's adaptation of the stage musical Camelot. That same year, Redgrave divorced Richardson on grounds of adultery. She had two children, Joely and Natasha Richardson, by him, and in 1969 had a child by her Camelot co-star Franco Nero.
During these early years of her career, Redgrave hovered on the brink of stardom, due in large part to the uneven quality of the films in which she appeared. In 1968, she played the title role in Isadora, the biography of avant garde dancer Isadora Duncan, earning her first Oscar nomination and her second best actress award at Cannes (her first was for Morgan). The film represented one of Redgrave's first attempts at creating an independent, strong-willed, feminist character with strong socialist leanings. Throughout the 1970s, Redgrave continued to appear in films of varying quality, although her characters were almost always complex and controversial; the highlights from this period include The Trojan Women (1971), her Oscar-nominated turn in Mary Queen of Scotts (1971) and most notably the tragic Julia (1977), which won Redgrave an Oscar for best supporting actress. At the Oscar ceremony, the actress generated considerable controversy during her acceptance speech by using the ceremony as a forum for her tireless campaign for Palestinian rights in Israel. That, coupled with her outspoken support for the communist-oriented Workers' Revolutionary Party, made life difficult for Redgrave, who at one time was considered the British equivalent to actress/social activist Jane Fonda. Though she continued appearing in mainstream as well as politically oriented films and documentaries such as Roy Battersby's The Palestinians (1977), her views cost Redgrave roles on stage and screen and damaged her popularity, particularly in the U.S. Redgrave's television debut in Playing for Time (1980) generated further controversy when Redgrave won an Emmy for her portrayal of a Jewish violinist interned in a Nazi death camp who is ordered to help serenade women on their way to the gas chambers. Due to her anti-Zionist stand, many, including Fana Fenelon, the real-life violinist whom Redgrave was portraying, objected to her playing a Jewish woman.
During the '80s, Redgrave came into her own as a leading character actress. She has subsequently appeared in a number of distinguished television movies, including Second Serve (1986) and a remake of Whatever Happened to Baby Jane (1991), which co-starred her sister Lynn Redgrave. Her film work also remains distinguished and she has received Oscar nominations for James Ivory's The Bostonians (1984) and Howards End (1992). Her taste for playing a variety of characters has not changed, as evidenced by portrayals ranging from Oscar Wilde's mother in Wilde (1997) to her role as a doomed earthling in the 1998 summer blockbuster Deep Impact. Redgrave's television work was singled-out for recognition as she took home the 2000 Golden Globe for Best TV Series Supporting Actress in for her role in If These Walls Could Talk 2. ~ Sandra Brennan, All Movie Guide
Bille August directed this film version of the Isabel Allende novel, featuring a cast that includes Jeremy Irons, Meryl Streep, and Glenn Close. The story is a sweeping and brooding melodrama, spanning generations and filled with violence, revenge, and telekinesis. The tale begins in South America in 1926, when a young man, Esteban (Jeremy Irons), falls in love with the daughter of a rich man, Rosa Del Valle (Teri Polo). He vows to become rich enough to make her his wife and spends months of toil in the gold fields to earn enough money to do just that. Before the two marry, however, Rosa is killed by poison meant for her father. After the tragedy, Esteban moves to Trés Marias, an abandoned ranch, and spends 20 years of his life turning the ranch into a thriving estate, exploiting the labor of the poor who live off the land. When he returns to the city, he comes across Rosa's younger sister Clara (Meryl Streep), now a woman with telekinetic abilities. Clara took a vow of silence years before, but upon the arrival of Esteban, she speaks for the first time in years -- "You have come to propose marriage to me," she says. Esteban and Clara marry, and Esteban takes her back to the ranch, where they have a daughter, Blanca (Winona Ryder). Their daughter falls in love with the son of one of Esteban's foremen, a hot-headed revolutionary named Pedro (Antonio Banderas). Now, the country is in the throes of revolution. Esteban banishes his sister Ferula (Glenn Close) from the ranch, beats his wife, and rapes a peasant woman. The product of Esteban's rape (Joaquin Martinez) grows into an angry young man who convinces Esteban to send him away to military school. When there is a military coup, the illegitimate son returns to Trés Marias with revenge and torture on his mind. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeremy Irons, Meryl Streep, (more)
- 1993
It is the 19th century in Italy, and Maria (Angela Bettis) has joined a convent in order to explore her strong feeling that she has a calling to become a nun. She has adapted to live at the convent quite nicely, and is relatively untroubled, but a cholera outbreak sends her back to be with her family for a while, near the steaming peak of Mount Etna. She enjoys her freedom to move around the countryside, and is wooed (unsuccessfully, it seems) by a charming young man named Nico, but returns to the convent when the danger is past. There, she is troubled by the thought that she truly loved Nico, and that her calling may not be as firm as she thought. When she learns that Nico has married her sister, she nearly goes mad with self-recrimination, but eventually weathers the storm. All the dialog in this Italian-made film by Franco Zeffirelli is in English. ~ Clarke Fountain, All Movie Guide
- Starring:
- Angela Bettis, Johnathon Schaech, (more)
One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Hopkins, Emma Thompson, (more)
- 1992
- R
The physical and emotional wounds suffered by tubercular Italian veterans from WW II living in a sanitarium provides the basis of this episodic psychological study. ~ Sandra Brennan, All Movie Guide
- 1991
This made-for-cable adaptation of the Tennessee Williams play documents the romance between a lonely Southern belle (Vanessa Redgrave) and a young drifter (Kevin Anderson). ~ Jason Ankeny, All Movie Guide
This first film directorial effort of actor Simon Callow is based on a novel by Carson McCullers -- which, in turn, was adapted for the stage by Edward Albee in 1964. Vanessa Redgrave plays a powerful Southern matriarch who, sequestered in her café/general store, holds her home town in the palm of her hand. Redgrave's benevolent despotry is threatened by the arrival of her hunchbacked cousin, Cork Hubbert (in the role played on stage by dwarf actor Michael Dunn), and her jailbird husband Keith Carradine. Unable to remove this threat to her authority by her usual means, Redgrave is reduced to challenging Carradine to a bare-knuckle fight! Carson McCullers' fascination with the disintegration of the Old South coupled with her preoccupation with the grotesque requires delicate handling (as witness Heart Is a Lonely Hunter). Callow works overtime keeping things controlled and tasteful; unfortunately, this results in a very mannered and stilted production, all too obviously betraying its stage origins. ~ Hal Erickson, All Movie Guide
- Starring:
- Vanessa Redgrave, Keith Carradine, (more)
- 1991
Whoever hit upon the idea that What Ever Happened to Baby Jane? would make a good TV movie remake forgot one essential fact. The original 1962 Baby Jane was at best a ludicrous melodrama, which only reached the level of art thanks to the bravura performances of Bette Davis and Joan Crawford. This time around, real-life sisters Vanessa and Lynn Redgrave play, respectively, invalid former film star Blanche Hudson and her insanely jealous sister "Baby" Jane Hudson. As before, Jane launches a campaign of terror against her helpless sister, all the while planning her own show business comeback with a smarmy musician (John Glover). Part of the problem with this misfire remake, beyond its overall lack of tension, is the character makeup: With her head shaved, Vanessa looks more like Susan Powter than a former cinema queen, while Lynn, decked out in garish "little girl" makeup, resembles Bozo the Clown. The 1991 Whatever Happened to Baby Jane should be seen at least once just to satisfy the curiosity. ~ Hal Erickson, All Movie Guide
- 1991
The internationally renowned Soviet poet Yevgeny Yevtushenko was among the many who attended the March 1953 funeral of Joseph Stalin, the justly feared head of state. The celebrated American novelist John Steinbeck read about the macabre scene Yevtushenko described in his autobiography and suggested that he make a film of it. Many decades later, the poet directed and wrote this movie. After Stalin's death, his body was displayed for a few days in the Palace of the Unions, and citizens were required to pay their respects to the dead leader. Thousands of people flooded the streets around the palace waiting for their turn. At one point, when the gathering was especially crowded, a stampede broke out which resulted in many people being trampled or killed. Some commentators believe that this was a secret action planned by the KGB (or whatever it was called back then) in order to heighten the sense of fear and awe among ordinary people, a sort of human sacrifice similar to those practiced by pagans in ancient times. ~ Clarke Fountain, All Movie Guide
- Starring:
- Denis Konstantinov, Yevgeny Platokhin, (more)
- 1991
The made-for-cable costume drama Young Catherine is the story of Catherine the Great (Julia Ormond). As the film begins, Catherine is a teen-aged German girl who marries into the Russian royal family of the 18th century; by the end of the long production, she has ascended to the throne of Russia. Though the film looks fantastic, it is slightly too long and slowly paced to be consistently compelling. ~ Stephen Thomas Erlewine, All Movie Guide
- 1991
Every conflict has at least two sides, and this documentary unapologetically allows members of the Irish Republican Army (IRA) to tell their view of the long conflict between its members and the British and the (in their view) British-supported Protestants of Northern Ireland. Each of the people interviewed was formerly imprisoned or "interned" for IRA activities but claims no status within the organization, perhaps to avoid being imprisoned again. Nonetheless, they openly espouse views and attitudes which many people find frightening, claiming that they are simply working to defend the underdog Catholics of the region against persecution by Protestant and British forces. The interviewees are reportedly quite eloquent in putting forward their case, but it is unlikely that any large audience of American viewers will have a chance to see this documentary, given the politically unpopular views which it advocates. ~ Clarke Fountain, All Movie Guide
- 1990
Despite the use in this film of voices dubbed by greats of English theater, the casting of long-haired cats to play the roles of Romeo and Juliet seems somewhat perverse. Nonetheless, the lines are well read, and the movie contains some fine original musical compositions. Among the voices: Maggie Smith, Ben Kingsley, Vanessa Redgrave, and John Hurt. ~ Clarke Fountain, All Movie Guide
- Starring:
- John Hurt, Robert Powell, (more)
- 1988
Originally telecast in December of 1988, A Man for All Seasons was the first made-for-TV film produced on behalf of the TNT Cable Service. Charlton Heston makes his film directorial debut herein, and also plays the central role of Sir Thomas More, 16th century lord chancellor of England. Unswerving in his belief of the Pope's supreme authority, Sir Thomas refuses to support King Henry VIII's plan to divorce his wife Catherine of Aragon to marry the (hopefully) fertile Anne Boleyn. Declaring himself head of the Church of England, the King annuls his marriage and weds Anne. In concert with his administrator Cromwell, Henry further demands that all British subjects take an oath to uphold Henry's action. More cannot bring himself to do this, and as a result is imprisoned in the Tower of London. Tried for high treason, More is found guilty on the basis of the false testimony of sycophantic Sir Richard Rich. Sentenced to death, More continues to denounce Henry's behavior, walking proudly towards the headsman secure in the knowledge that he will die "the king's good servant, but God's first." Adapted from the play by Robert Bolt A Man For All Seasons was previously filmed in 1966, with Paul Scofield repeating his stage role as More. Heston's version restores much of the text that had been removed from the earlier film--as well as the ubiquitous expository character "The Common Man", here played by Roy Kinnear. More's harsh but loving wife Alice is played in the remake by Vanessa Redgrave, who'd appeared unbilled as Anne Boleyn in the 1966 version (Arch-conservative Heston and ultra-liberal Redgrave in the same film? Fear not: each respected the other's acting skills, and they got along famously). Heston had previously directed and starred in a London stage revival of Man for All Seasons; this splendid cable-TV version manages to retain all the virtues of that production while remaining a thoroughly cinematic experience. ~ Hal Erickson, All Movie Guide
- Starring:
- Charlton Heston, Vanessa Redgrave, (more)
- 1988
- R
A British production created by Monty Python alumni, this film concerns an inept chocolate-factory executive (Tyler Butterworth) who accidentally knocks three workers into a vat. The product is an incredible hit with consumers, though one of the workers' widows (Vanessa Redgrave) is considering blackmail. ~ John Bush, All Movie Guide
- Starring:
- Vanessa Redgrave, Jonathan Pryce, (more)
This unadorned biography of playwright Joe Orton (Gary Oldman) charts his bawdy, dangerous relationships. Alfred Molina plays Orton's brutish lover, Kenneth Halliwell, a pathetic figure who becomes horrific and then tragic before the film is over. The hilarity of scenes from such Orton plays as Loot and What the Butler Saw is evenly balanced by the bleakness of the playwright's tormented (and tormenting) off-stage existence, which ended suddenly at age 34 with half a dozen blows to the head from a hammer. Prick Up Your Ears is based on the book by theater critic John Lahr, who is played in the film by Wallace Shawn. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Oldman, Alfred Molina, (more)
- 1986
Set in the 1830s, this historical drama stars Robin Soans as George Loveless, a Methodist minister whose flock is a group of working families in Tolpuddle, a small town in the British Southwest. Most of the workers in the community are under the thumb of Frampton (Robert Stephens), a ruthless land owner, and his overseer Clerk (Murray Melvin); Frampton and Clerk demand long hours from their workers and pay meager wages. Convinced that the workers deserve a better shake, Loveless, encouraged by organizer Mr. Pitt (Michael Hordern), forms the Society of Friends, an early labor union, and organizes the men to negotiate with Frampton for better pay. When their salaries are instead cut, Loveless and his men go on strike, which could cripple Frampton financially. However, Frampton is well-connected, and soon both the government and private militias are sent in to break the strike and punish the rebellious laborers. The supporting cast includes James Fox, Freddie Jones, and Vanessa Redgrave. ~ Mark Deming, All Movie Guide
- Starring:
- Robin Soans, William Gaminara, (more)
- 1986
Second Serve is that rare TV movie which refuses to sensationalize its so-called "sensational" material. This is the true story of Richard Raskind (here named Richard Radley): Yale grad, Naval officer, brilliant surgeon and tennis champ. What Richard has successfully hidden from practically everyone is the fact that he feels like a woman trapped in a man's body. In 1975, he goes so far as to endure a sex-change operation, emerging as Renee Richards. The film is not so much about this "alteration" as its ramifications, particularly the fierce opposition from the US Tennis Association when Renee wants to qualify as a female pro player. Rather than cast two actors to play the "before and after" protagonist, Vanessa Redgrave plays both Richard and Renee. While it's no great shock to see Ms. Redgrave with short hair, her performance as a man in Second Serve is the sort of work for which the phrase "tour de force" was coined. ~ Hal Erickson, All Movie Guide
- 1985
- R
This is a story of a group of women overcoming several obstacles by helping each other out, even if that means just listening. Seven different women whose backgrounds are filled in by flashbacks and narration are together in a steambath on ladies' day. Violet (Diana Dors) is the maternal manager of the steambath, and one of the issues to be resolved is how to save the bath from being shut down by the authorities. Nancy (Vanessa Redgrave) is suddenly a single mother of three after being deserted by her husband. Her good friend Sarah (Sarah Miles) has neither children nor husband, even an ex-husband, yet she can empathize with Nancy's increasing loneliness. Josie (Patti Love) is an outgoing, talkative woman whose sex life is her main interest at the moment, and other women include a somewhat reserved mother-and-daughter duo (Brenda Bruce and Felicity Dean). Personal traumas are revealed and shared, and a plan to save the steambath is also cooked up. This was to be the last film for both Diana Dors and Joseph Losey who died not long after the feature was wrapped. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Vanessa Redgrave, Sarah Miles, (more)
In a novel and intriguing approach to storytelling, director David Hare has created an engaging mystery and human drama that ostensibly focuses on an innocent dinner party but is really about something else. Jean Travers (Vanessa Redgrave) is an old-maid schoolmarm who has lived in Wetherby, a small town in northeastern Yorkshire, all of her life. She is still haunted by memories of a passionate love affair with a young man who was later murdered while on military duty in Malaysia nearly 35 years ago in the '50s. One evening, Jean invites a group of friends over for dinner; the group is comprised of two couples, one of which spends the time sniping at each other. A young man, John Morgan (Tim McInnerny) is also in the dinner party. Jean thinks he was brought along by one of the couples; the couples, in turn, believe he was invited by Jean -- in short, he is a total stranger that everyone assumes is a friend of someone there. As the evening progresses, political topics of the moment are brought up and chewed over; Margaret Thatcher, Richard Nixon, and other notables of the era are discussed, and various comments are made on the laziness of today's youth. The dinner party ends, and the next day John Morgan comes back to visit Jean. While she is in the midst of preparing tea for them both, he takes out a gun and kills himself. The shock waves from his senseless act later reverberate among the dinner-party guests, as the police investigator tries to piece together the man's background and the dinner party itself. Questions are raised about his motives, and viewers see the dinner party again, moment by moment, in an entirely new light. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Vanessa Redgrave, Ian Holm, (more)
- 1985
The brutal Salem witch trials provide the setting for this provocative drama that presents the story of an accused woman who survived the ordeal. Like her two older sisters, poor Sarah faces a trial herself. The sisters were tortured, found guilty and burned. Despite her fear, Sarah proves that her family is innocent of the charges. This film originally appeared on PBS television's American Playhouse. ~ Sandra Brennan, All Movie Guide
Adapted by Ruth Prawer Jhabvala from the novel by Henry James, Merchant/Ivory's The Bostonians is set among the Back Bay uppercrust of the 19th century. Basil Ransom (Christopher Reeve), bored by his opulent lifestyle and his "proper" friends, is fascinated by his cousin, outspoken suffragette Olive Chancellor (Vanessa Redgrave). Basil and Olive's mutual friend is likeable, gregarious Verena Tannant (Madeleine Potter). Soon a triangle develops, albeit an unorthodox one: Basil and Olive both find themselves pursuing Verena, Basil because he is in love with her, and Olive because she wants to exploit Verena's social connections and gift for public speaking to promote her own political ideology. Lurking in the background is Verena's true love, poor-but-honest attorney Henry Burrage (John Van Ness). ~ Hal Erickson, All Movie Guide
- Starring:
- Christopher Reeve, Vanessa Redgrave, (more)
Originally a nine-hour British miniseries, this film on the last four decades in the life of Richard Wagner may have taken its long-winded cue from the lengthy operas of the famous 19th-century German composer and musical theorist -- the Ring des Nibelungen is 14-15 hours in itself, divided into four separate operas. This biographical film begins when Wagner is first recognized for his work, yet in that same year, 1848, he was forced out of his homeland for his radical politics (he supported the unification of separate kingdoms under one Germany) and settled in Zurich for awhile. Focusing on character traits that are well-known and would not endear him to anyone, the film details his bigotry (a confirmed anti-Semitic), his insensitivity, and his obsession with money -- he went after the bottom line even if it meant losing friendships or ruining his marriage. Although Wagner is known for his music theory and the contribution he made to opera during his lifetime, very little attention is given to his actual works in this film. Venerable British thespians (Laurence Olivier, John Gielgud, Ralph Richardson, Vanessa Redgrave, Joan Plowright, and Richard Burton as Wagner) light up the cast but not always with the same brightness. In the final analysis, the slow-paced story is simply too long in the telling, and even the visually sumptuous costumes and production design cannot make up for a slow script, uneven acting, and problems in direction. The film version runs 300 minutes. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Richard Burton, Vanessa Redgrave, (more)
- 1983
- Add Faerie Tale Theatre: Snow White and the Seven Dwarfs to QueueAdd Faerie Tale Theatre: Snow White and the Seven Dwarfs to top of Queue
The classic tale of a kind-hearted princess stalked by a jealous stepmother is brought to life in this early episode of Faerie Tale Theatre. Elizabeth McGovern is Snow White, the princess whose stepmother, the queen, banishes her because she is jealous of the girl's beauty. She takes up residence with a septet of friendly dwarfs in the woods, but eventually falls victim to a poisoned apple delivered by the queen in disguise. Only a kiss from a prince (Rex Smith) will awaken her. Veteran actress Vanessa Redgrave portrays the insanely wicked queen, and Vincent Price lends his incomparable voice and screen presence to the film as the queen's omnipresent magic mirror. ~ Carrie Downes, All Movie Guide
- 1982
Originally telecast as an ABC Theatre of the Month special, My Body, My Child nobly attempts to tackle the abortion issue--but does so with a painfully contrived, mazelike Perils of Pauline script. Irish-American schoolteacher Vanessa Redgrave, married to Italian fireman Joe Campanella and already the mother of three daughters, believes that she's pregnant. Her doctor pooh-poohs the notion and prescribes several forms of drugs to counter her "faux" morning sickness. The effect of the narcotics, coupled with the fact that Redgrave's invalid father (Jack Albertson, in his final role) has been charged with the mercy killing of her mother, lead the poor schoolmarm to attempt suicide. This time the doctor on the scene announces that Redgrave is pregnant, and that her previous drug intake will result in a deformed, retarded child. Now arrive at the abortion issue: With all the cards stacked against her, what will Redgrave do in regards to her body and her child? Unfortunately, after raising so many diverse social issues, My Body, My Child drops many of those issues in order to rush towards its climax. ~ Hal Erickson, All Movie Guide
- 1980
Up on Bear Island -- somewhere off the northeast American coast -- a U.S. meteorological team discovers German submarines stashed with gold. Though the plot is difficult to follow, it does involve murder and a certain amount of intrigue, though many have felt that this movie version of the excellent Alistair MacLean novel left most of the intrigue between the covers of the book. ~ All Movie Guide
- Starring:
- Donald Sutherland, Vanessa Redgrave, (more)
