Michael Redgrave Movies

This well-animated version of Dickens' classic Christmas story stays quite faithful to its source as it chronicles the painful lesson learned by a bitter old miser whose money lust alienates him from humanity. His lesson comes in the form of ghostly intervention from a trio of spirits who force him to reassess the direction of his life. ~ Sandra Brennan, All Movie Guide

You've seen the Disney classic, now experience the tale of Alice in Wonderland as never before in this live-action adaptation of the timeless tale from the BBC and director Jonathan Miller. Capturing all of the menace and wonder of Lewis Carroll's age-old classic while injecting the story with a pinch of subversive Victorian gothic satire, this surreal updating of the children's fantasy classic features an all-star cast including Sir Michael Redgrave, Sir John Gielgud, Leo McKern, Peter Cook, Peter Sellers, and Alan Bennett. ~ Jason Buchanan, All Movie Guide

James Bond-flick director Guy Hamilton helmed this episodic, all-star World War II film. With Sir Laurence Olivier heading up an ensemble cast as flight commander Sir Hugh Dowdling, The Battle of Britain pays tribute to other nationalities instrumental in fending off the waves of Luftwaffe planes, notably the expatriate Polish and Czech pilots. Trevor Howard, Michael Caine, and Michael Redgrave also populate the cast. ~ Hal Erickson, All Movie Guide

Originally conceived as a musical (called Asking for Trouble) to showcase the talents of leading lady Jessie Matthews, Climbing High emerged as a straight romantic comedy, albeit one that sometimes sets up musical numbers that don't occur. Michael Redgrave plays Nicky Brooke, a millionaire unhappily involved with a society dame who is primarily interested in him for his money and name. Matthews plays a beautiful young girl of limited means, Diana Castle, who works as a model (along with her roommate, Alastair Sim, portraying a communist forced to take a job as the loincloth-clad "before" picture in a muscle-building ad). While out driving, Brooke nearly runs over Diana; in the process, he falls for her but decides that he will have a better chance of getting his love returned if he courts her in disguise. Disguised as another ordinary working man, he succeeds -- until his real identity is revealed. More complications ensue -- including an escaped lunatic and a finale in which all of the characters end up climbing the Alps -- before Brooke and Diana end up together, where they always belonged. ~ Craig Butler, All Movie Guide

This lackluster 1970 version of Charles Dickens' classic novel, David Copperfield (made as a film twice before) turns Dickens' picaresque tale into an extended flashback, with David Copperfield (Robin Phillips) as a young man, brooding on a deserted beach, recalling his youth. The characters are all trotted out in choppy flashbacks as David remembers his life as a young orphan, brought to London and passed around from relatives, to guardians, to boarding school. ~ Paul Brenner, All Movie Guide

This made-for-TV musical adaptation of the oft-filmed Robert Louis Stevenson tale is a curious novelty -- not only because it predated the Tony award-nominated Jekyll & Hyde: The Musical by nearly 25 years, but also because the musical numbers (by Lionel Bart and Irwin Kostal) are tackled by some of the least likely musical performers in movie history. Viewers will scarcely have the opportunity to recover from Kirk Douglas' opening number before having their senses assaulted by a capering, cackling Donald Pleasence belting out strains of "Smudge's Song," and the equally questionable vocal talents of Susan George. These aberrations aside, this is a noticeably threadbare, stage-bound production filmed entirely on a soundstage (whose walls are evident in several shots), giving the proceedings a dark, two-dimensional feel. The rugged-looking Douglas, though miscast as the tender, love-struck Jekyll, manages a clever turn as the doctor's leering alter ego, and there are some interesting twists added to Stevenson's story, particularly at the climax. ~ Cavett Binion, All Movie Guide

While it might not have been the best idea on earth to remake the 1939 classic Goodbye Mr. Chips as a musical, the end result is not altogether displeasing. Peter O'Toole steps into the old Robert Donat role of Arthur Chipping (originally Charles Chipping), a young by-the-book schoolmaster at a 1920s British boys school who is humanized by the love of good-natured music-hall singer Katherine Bridges (played by Petula Clark; Greer Garson essayed this role, then named Katherine Ellis, in the original). Though Chips must endure the tragedy of Katherine's death during the 1940 London blitz (a scene filmed from the bomb's point of view!), he is able to persevere by devoting himself to his young charges. In retrospect, this version of Goodbye Mr. Chips might have worked better without the songs, which never rise above banality. And though Petula Clark can't match the poignancy of Greer Garson's performance (in all fairness, she didn't have much of a script to work with), Peter O'Toole is terrific as the title character, convincingly ageing and mellowing as the story unfolds. Originally road-shown at 151 minutes, Goodbye Mr. Chips is today generally available in its 131-minute general-release version. ~ Hal Erickson, All Movie Guide

Barbara Mullen stars as Jeannie, a spirited Scots girl who comes into an inheritance. She heads for her family castle after encountering numerous adventures on a Continental holiday. Jeannie also finds romance in the form of handsome washing machine salesman Stewart Granger, who wins out over the romantic overtures of gigolo Albert Lieven. Based on a play by Aimee Stewart, Jeannie overcame its attenuated budget with a plethora of good cheer, enabling the film to garner good reviews on both sides of the Atlantic (in America, the film was retitled Girl in Distress). The story was musicalized for its 1957 remake, Let's Be Happy, in which the heroine (Vera-Ellen) was changed into an American girl who comes to Scotland, rather than using the Highlands as a starting point. ~ Hal Erickson, All Movie Guide

Adapted from the novel by C. Virgil Gheorghiu, this satirical concentration-camp drama from Turkish-born French director Henri Verneuil stars Anthony Quinn as Johann Moritz, a Romanian peasant who experiences the horrors of World War II when the Nazis invade his country. Because local police chief Dobresco (Gregoire Aslan) is anamorous towards Moritz's wife Suzanna (Virna Lisi), he has the lowly fieldhand falsely labeled a Jew and sent to a work camp. Moritz's troubles continue to mount, as his wife is threatened with losing their property unless she divorces him. Also starring Michael Redgrave, La Vingt-cinquième heure is also known as The 25th Hour, though it should not be confused with and bears no resemblance to the 2002 Spike Lee film of the same name. ~ Matthew Tobey, All Movie Guide

A father discovers that being a good role model for your son isn't always easy -- especially when you're a criminal -- in this bright British comedy. Percy Brand (Michael Redgrave) is an all-purpose con artist and small-time crook who makes a good living on the wrong side of the law but often finds himself behind bars as a result. Not wanting to present too bad an example to his son and needing an explanation for his frequent time away, he tells young Colin (Jeremy Burnham) that he's a missionary working with a religious group, and his good deeds take him all over the world on sudden missions of mercy. Colin accepts his father's word to the letter, and he grows up to be a law-abiding citizen who works as a barrister for Judge Crichton (Robert Morley), who has had to deal with Percy a number of times over the years. By this time, Percy has retired to a village by the ocean and is living nicely off his ill-gotten gains, but he gets roped into a scheme smuggling brandy and soon finds himself in trouble with the law again. Rather than go back to the pokey (and embarrass Colin), Percy and his mates concoct a bizarre plan by which they'll implicate Judge Crichton in the smuggling and send him to jail in their place. Director Charles Crichton directed a number of fine British comedies, right up to his final picture, A Fish Called Wanda, which he completed at the age of 78. ~ Mark Deming, All Movie Guide

Also known as Mr. Arkadin, this flawed late effort by director Orson Welles recalls the structure of Citizen Kane, centering around an investigation into the past of a powerful millionaire. This time around, however, the millionaire is very much alive; in fact, it is Gregory Arkadin (Welles) himself who orders the inquiry, claiming to suffer from amnesia. The investigator soon gets a taste of the difficulty of his task, however, when several witnesses to Arkadin's past suspiciously turn up dead. Indeed, the closer he comes to the truth about Arkadin, the more he fears that he himself may be the next victim. While it aspires to intense suspense, Confidential Report suffers more than most of Welles' films from budgetary limitations and erratic shooting habits, with the final result often seeming choppy and needlessly confusing. Nevertheless, any Welles effort is by definition at least partially worthwhile, if only for further demonstration of his brilliant visual sensibility. ~ Judd Blaise, All Movie Guide