Jemma Redgrave Movies

Everyone's favorite collie returns to the screen -- and to her native home back in Britain -- in director Charles Sturridge's faithful adaptation of author Eric Knight's sentimental kid and canine novel Lassie Come Home. When Lassie saves a fox from the hunting hounds of the duke of Rudling (Peter O'Toole), the captivated nobleman becomes obsessed with the idea of purchasing the collie for his adoring granddaughter Cilla (Hester Odgers). Unfortunately for Rudling, the pooch already has a loving family in the form of kindly miner Sam Carraclough (John Lynch), his wife, Sarah (Samantha Morton), and their young son, Joe (Jonathan Mason). When Sam is laid off from his job, however, he is forced to sell the loyal dog to the duke in order to put food on the family table. Incensed at the dog's repeated attempts to escape and seek out her original loving family, the villainous duke charges kennel-keeper Eddie Hynes (Steve Pemberton) with the task of teaching Lassie how to stay as World War II looms ever more heavy on the horizon. When the dogs of war finally stop barking and start biting, Rudling beats a hasty retreat to the safety of northern Scotland with both the child and the canine. Realizing that her newfound companion is far from the people she cares about most, Cilla later helps her ever-loyal four-legged friend escape from the family's heavily fortified compound so that she may begin the 500-mile journey back home to Yorkshire. ~ Jason Buchanan, Rovi

Stephen Fry, Jemma Redgrave, Joseph Beattie, and Alex Pettyfer star in director Dave Moore's adaptation of Thomas Hughes' timeless coming of age tale. The time is the mid-1800s, and Tom Brown is a timid student at Rugby Public School. Confronted with relentless bullying, the homesick schoolboy makes the transformation into a courageous student who isn't afraid to face life's obstacles by confronting his fears, standing up for what's right, and fighting to overcome the many pratfalls of adolescence. ~ Jason Buchanan, Rovi

A has-been '80s pop star whose phone stopped ringing some time ago, Paul Kerr (Craig Ferguson) is an alcoholic on a downward spiral. After crashing his motorcycle through a window and into a fountain in his estate, Paul is sent to a mental hospital on the assumption that he has become suicidal. When a woman named Rebecca (Jemma Redgrave) shows up one day with teenage Olivia (Charlotte Church), whom she claims is Paul's long lost daughter, both the girl and the depressed singer slowly begin find a new sense of purpose in their lives. Returning to his home to set his life straight with a little help from a former bandmate, a tentative romance develops between Rebecca and Paul. Subsequently discovering that his newfound daughter shares her father's talent for singing, it appears as if Paul may well be on his way to finally finding post-fame happiness in life. ~ Jason Buchanan, Rovi

This adaptation of three stories from Irvine Welsh's short-story collection of the same name reunites Annie Louise Ross, Kevin McKidd, and Ewen Bremner from the author's previous cinematic success, Trainspotting, which was also set in the author's native North Edinburgh. In the Kafka-esque "The Granton Star Cause," a lazy amateur footballer (Stephen McCole) has a very, very bad day that culminates in God (Maurice Roeves) turning him into an insect. In "A Soft Touch," a young husband and father (McKidd) finds his life disrupted when a psychotic neighbor (Gary McCormack) takes up with his wife (Michelle Gomez) and invades his wretched tenement. And in "The Acid House," a druggie low-life (Bremner) experiences a Freaky Friday-style body switch with the infant son of a pair of self-involved yuppies. After "The Granton Star Cause" was screened separately at the Edinburgh Film Festival, the completed film was shown at Cannes in 1998. The title is a play on the term "acid house," a form of sinister dance music that emerged in Chicago in the mid-'80s and helped fuel the formative years of England's rave culture. Former Doctor Who actor Maurice Roeves, who plays God in "The Granton Star Cause," also has cameos in the other two segments. Jemma Redgrave, niece of Lynn and Vanessa Redgrave and cousin of Natasha and Joely Richardon, appears in the title segment and lends her Bjork-haired visage to the film's poster. ~ Brian J. Dillard, Rovi

In the new tradition of "Tales of the City," this long, complex British satire profiles a decade in the life of a British family. The story opens in a South London suburb where main protagonist Karim Amir lives with his Indian father, Haroon, and his English mother during the 1970's. Haroon is a civil servant who makes extra cash, and gains notoriety for teaching "Eastern Philosophies," of which he knows nothing. Still, as Buddhism is in fashion, people pay him a bundle to hear his vapid, happy ramblings. When not preaching, Haroon is trysting with a rich follower, Eva Kay. Karim's mother learns of the affair and leaves with his younger brother. Karim stays with his father and his new love. He begins a career on the stage. The story also follows Charlie, Eva's boy as he aspires to become a rocker. Other plots and subplots abound in this film. ~ Sandra Brennan, Rovi

Jemma Redgrave is on the verge of marrying caddish Mark Greenstreet. Spending the night in her spooky old family mansion, Jemma stares into a mirror and begins experiencing terrifying dreams. She sees her past, present and future in a Bosch-like kaleidescope. And without knowing how or why, Jemma drags American tourist Kathleen Wilhoite, herself the victim of a troubled past, into her nightmarish visions. Its powerhouse opening sequence aside, Dream Demon tends to be rather slow going, despite some very convincing special effects. ~ Hal Erickson, Rovi