Corin Redgrave Movies

Enduring Love is director Roger Michell and screenwriter Joe Penhall's adaptation of Ian McEwan's acclaimed novel. Joe (Daniel Craig, who starred in Michell's previous film, The Mother), a college professor, is out on a romantic picnic with his long-time girlfriend, Claire (Samantha Morton), a sculptor. Joe seems about to propose marriage to Claire when their world is upended by a freak accident. A hot air balloon lands in the field behind them -- its passengers in obvious distress. Joe and a handful of other men run to help. Despite their efforts, a man falls to his death. Standing helplessly over his shattered body, Joe is joined by another would-be rescuer, Jed (Rhys Ifans, who co-starred in the director's Notting Hill), who suggests they kneel and pray. Joe, strictly a rationalist, does so reluctantly. Joe tries to get back to his routine, but he can't get the incident out of his head, and he is haunted by feelings of guilt and by ruminations about how things might have gone differently. Jed calls him out of the blue and urgently suggests that they meet. Jed soon makes it clear that he feels a connection to Joe that goes beyond their shared participation in the traumatic accident. He begins turning up everywhere Joe goes, sitting outside Joe's apartment at night. Worse yet, he insists that Joe is somehow sending him secret messages and leading him on. This potentially dangerous stalker begins to put a strain on Joe and Claire. As their relationship starts to disintegrate, Joe finds himself being pushed further and further from the rational, secure life he lived before that fateful day. ~ Josh Ralske, All Movie Guide

A hypnotist with psychic talents is drawn into a criminal case with bizarre implications in this thriller from Great Britain. Dr. Michael Strother (Goran Visnjic) is a psychologist and hypnotherapist who has relocated from the United States to England after an ugly incident in which a boy under Strother's care died while swimming, possibly due to a mistakenly triggered hypnotic suggestion. Strother sometimes sees visions which he believes are images from the minds of his patients, and while hypnotizing Janet Losey (Shirley Henderson), a police detective who is trying to give up cigarettes, he sees a terrifying vision of a girl trapped beneath the surface of a stream. Strother learns that the girl in his vision is Heather, a teenager who has recently disappeared; when found, she's disoriented, unable to speak, and has strange new tattoos on her arms. Despite the pleas of his wife Clara (Miranda Otto) to keep his distance, Strother becomes involved in the case, and with the help of Elliot (Paddy Considine), a dealer in fantasy games, he learns that the bizarre gibberish Heather has been spouting are part of the rituals of an outmoded religious rite. As Strother and Losey dig deeper into the bizarre crime, they're led into a twisted web of intrigue, violence, and religious fanaticism. Hypnotic was adapted from the Madison Smartt Bell novel Doctor Sleep, which was also the film's working title. ~ Mark Deming, All Movie Guide

The fascinating story of King George VI and Queen Elizabeth is recounted in this British made-for-TV effort. It all begins in 1920, when the then-Duke of York Albert (James Wilby), known affectionately as Bertie, meets and falls in love with the aristocratic, 19-year-old Elizabeth Bowes-Lytton (Juliet Aubrey). Although their marriage makes international headlines, the mild, unprepossessing Bertie knows that he will always play second fiddle to his dashing older brother, the Prince of Wales, in the hearts and minds of the British people. This is never more true than when Bertie's brother ascends to the throne as King Edward VIII in 1936. That same year, however, the new King abdicates so that he may marry the woman of his choice, thereby thrusting the reluctant Bertie into the limelight as Monarch of the British Isles. Spurred on by the love and devotion of his lifelong helpmate Elizabeth, Bertie -- now King George -- proves more than worthy of his new burdens and responsibilities, especially during the darkest days of WWII. Although the King passes on in 1952 (a death hastened by his fondness for tobacco), Elizabeth lives well past the century mark, beloved by her subjects as the mother of the future Queen Elizabeth II and the impulsive Princess Margaret. A co-production of Carlton Television and PBS, Bertie and Elizabeth was telecast in America as part of the Masterpiece Theater anthology on February 4, 2002. ~ Hal Erickson, All Movie Guide

As the BBC forensics drama Waking the Dead enters into its second series, the Cold Case team attempts to capture a frightening copycat serial killer, delves deep into the dangerous London criminal underworld, attempt to solve the murder of a prominent Home Officer Advisor while being audited by the Home Office, and makes a series of unfortunate mistakes while attempting to finally bring closure to an unsolved murder case. ~ Jason Buchanan, All Movie Guide

Erika Mann and her brother Klaus Mann were the oldest children of renowned German author Thomas Mann; while the siblings strove to earn the love and approval of their father, the elder Mann was a cold and distant person, and Erika and Klaus came to depend upon each other for the emotional support they did not receive from their parents -- so much so that they often referred to themselves as twins, even though they were actually born a year apart. As they grew to adulthood, Klaus went on to a successful career as a writer, and Erika also distinguished herself in literature while making a name for herself as an actress. The Mann siblings were also outspoken pacifists and anti-fascists, and both were homosexual, two factors which would complicate their lives in Europe in the 1930s, with little respite when Erika emigrated to England and Klaus to the United States. Escape to Life: The Erika and Klaus Mann Story combines vintage photographs, a rare interview with Erika Mann, and dramatic re-creations of events from the lives of Klaus and Erika, as well as readings from their works by Vanessa Redgrave and Corin Redgrave. ~ Mark Deming, All Movie Guide

Greta Schiller's The Man Who Drove With Mandela takes us to South Africa in 1962, when Nelson Mandela organized an armed struggle against the apartheid regime as he drove a shiny limousine across the country, disguised as the chauffeur of a distinguished gentleman. What happened to Mandela following his arrest is history. However, little is known of the mysterious, elegant white gentleman who was chauffeured by Mandela. Cecil Williams (Corin Redgrave) was born in Cornwall, England. He arrived in South Africa in 1928 as a son of a blacksmith, then went on to become one of the best known stage directors of his time in Johannesburg. He was a committed communist and a homosexual. In public he was greatly admired and respected for his artistic merits, but his life between two forbidden worlds -- the underground network of organized freedom fighters and the gay subculture -- was always in danger in the repressive political atmosphere of the forties and fifties. In spite of his fame, he was often arrested, interrogated and even banned from working. Acting as a wealthy businessman, with Mandela posing as his chauffeur, Williams helped the wanted black leader move undetected through South Africa for several months, attending party meetings and organizing anti-government activities. Finally, Williams had to flee South Africa during a dramatic escape over the border. He died in London in 1978. The Man Who Drove With Mandela describes the freedom struggle in South Africa from an unusual perspective. Veteran director Greta Schiller and writer/researcher Mark Gevisser mix documentary and fiction styles to create a remarkable portrait. The film received the Teddy Award (given to films with a homosexual subject) for documentary at the 49th International Berlin Film Festival where it was screened as part of the Panorama. ~ Gönül Dönmez-Colin, All Movie Guide

Along a dark country road in Cumberland, England, a ghoulish woman in white steps from the shadows to confront a foot traveler, Walter Hartright (Andrew Lincoln), bound for Limmeridge House three miles off. She asks senseless questions: "You don't suspect me of wrong, do you, Sir? Why do you suspect me of wrong?" Hartright assures her he suspects her of no wrong, but she gibbers on. When a carriage happens by, the woman dissolves into the darkness and Hartright accepts the offer of a ride the rest of the way to Limmeridge House, a mansion where eccentric esquire Frederick Fairlie (Ian Richardson) has arranged for Hartright to tutor his nieces -- half-sisters Marian and Laura Fairlie -- in the art of drawing. Soon, Hartright falls in love with Laura, a wealthy heiress. Strangely, she is the near mirror image of the woman in white. Laura, in turn, falls in love with him. Marian, who wants only the best for Laura, approves of the romance. Unfortunately, Hartright loses his job when falsely accused of bad conduct. Before he leaves Limmeridge House, he warns Laura that she and her sister are in grave danger. Deeply disappointed in him, Laura ignores his caveat and fulfills a pledge to marry Sir Percival Gylde (James Wilby). He seems amiable and even invites Marian to live with him and Laura after the wedding. But when Laura returns from the honeymoon, she is melancholy and morose, hardly speaking a word to Marian. Glyde and a sinister visitor named Count Fosco (Simon Callow) are the reasons. Apparently, they are plotting to seize her inheritance using the tidiest of stratagems: murder. Meanwhile, dark secrets unravel involving Glyde's family background and the mysterious woman in white, and Hartright returns in an attempt to save the sisters and exorcise the evil possessing Limmeridge House. ~ Mike Cummings, All Movie Guide

This British biopic attempts to chronicle the life of 17th-century tunesmith Henry Purcell. The filmmakers have had to do much speculating about Britain's first great composer, as little is known about his life back then. It is known that Purcell had been a chorister as a child and then became the court composer for three kings: Charles, James and William. Before his death at age 37, Purcell penned over 1,000 songs and sired a few children, most of whom died at birth. While little is actually known of Purcell, the film successfully recreates the tumultuous era in which he lived. Also running parallel to Purcell's story is a set in the 1960s when English society and values seemed to be rapidly eroding, just as they were in the composer's time. The story concerns a playwright's attempts to research the life of Purcell for his next play. In the last part of the film, several lavish musical numbers from Purcell's vast repertoire are presented. ~ Sandra Brennan, All Movie Guide

This acclaimed British comedy centers on the intermittent romance between a charming (if slightly bumbling) Englishman and a beautiful American woman, who seem to always run into each other at weddings. Indeed, it is at the first of the title's four weddings that Charles (Hugh Grant) and Carrie (Andie McDowell) meet, enjoying a brief but fleeting connection. The spark is rekindled several months later, when they unexpectedly meet at another wedding. Unfortunately, however, Carrie has become engaged to another, a fact that complicates matters for them both. The story may seem simple, but the film is elevated by screenwriter Richard Curtis' ear for witty dialogue and a colorful supporting cast. Director Mike Newell's sympathetic attention to character keeps the proceedings believable, and prevents the film's more serious moments from seeming mawkish. These elements, along with Grant's star-making performance as Charles, helped the film achieve unexpected international success, including an Academy Award nomination for Best Picture. ~ Judd Blaise, All Movie Guide

Husband and wife producers Richard Goodwin and Christine Edzard return to the same milieu as in their epic version of Little Dorrit in The Fool. This slight story stars Derek Jacobi as Mr. Frederick, a theatrical clerk in the London of 1857, who concocts a monetary scam to bilk the rich. In order to carry off this deception, Mr. Frederick passes himself off as the well-heeled Sir John. But problems arise after he is recognized by some theater people, and he begins to take his false identity a bit too seriously. ~ Paul Brenner, All Movie Guide

John Boorman directed this gloriously savage interpretation of Arthurian legend loosely based on Thomas Malory's novel Le Morte d'Arthur. By turns gleaming and filthy, tender and bloody, the film is a visually stunning epic which is never less than compelling. Nigel Terry is perfectly cast as Arthur, whose unwavering trust and faith are shown to be both quietly heroic and achingly naïve. Interestingly, the quest for the Grail is the least effective part of the film, despite bold cinematography by Alex Thomson (who was nominated for an Oscar) and a fine performance by Paul Geoffrey as Perceval, whose greatest desire is attained in his dying sight. It is the scenes of Camelot in which Boorman is at his most effective, as Arthur is betrayed by the burning passions of Guenevere (Cherie Lunghi) and Lancelot (Nicholas Clay), whose boiling internal forces cannot be denied, whatever the cost. The wicked Mordred (Robert Addie) and Morgana (Helen Mirren) are commanding when onscreen, and Nicol Williamson's performance as the grandiosely self-sacrificing Merlin is outstanding. Liam Neeson and Patrick Stewart also appear in this dense, passionate, and stirring triumph featuring a marvelous Trevor Jones score. The gruesome effects by Peter Hutchinson and Alan Whibley, however, and sights such as a knight having sex in full body armor make this a fairy tale strictly for adults. ~ Robert Firsching, All Movie Guide

Eric (Corin Redgrave) is a novelist whose imagination is unusually powerful. While exploring a run-down mansion in the French countryside, looking for sites for his stories, he meets a girl dressed in clothes from another time. Returning to the site, he encounters a modern woman who says he probably met a ghost. He is fascinated by the situation which cannot be what it seems. ~ Clarke Fountain, All Movie Guide