William Redfield Movies

William Redfield guest stars as Howard Borden's brother, Gordon, a bird-sanctuary warden with a history of claiming things that rightfully belong to Howard. Arriving in Chicago to witness the mating ritual of two rare whooping cranes, Gordon makes himself right at home in Howard's apartment. Unfortunately, brother dear also begins making the usual moves on Howard's fiancée (and Bob's sister), Ellen. Written by Gordon and Lynne Farr, "Warden Gordon Borden" originally aired on January 17, 1976. ~ Hal Erickson, Rovi

With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, Rovi

Barbra Streisand returns to the screwball-comedy milieu of What's Up Doc? in the lightweight For Pete's Sake. As a Brooklyn hausfrau named Henry (!), our heroine will do anything to help her cabdriver husband Pete (Michael Sarrazin) get ahead. When Pete begins to play the stock market, Henry borrows three grand from a loan shark, thereby setting off a series of comic catastrophes. Molly Picon is perfection itself as a money-savvy madam who holds the key to Pete and Henry's happiness and well-being. For Pete's Sake was originally titled July Pork Bellies, a curious cognomen that makes perfect sense within the context of the plotline. ~ Hal Erickson, Rovi

After attending a party where virtually all the guests are doting parents, Bob and Emily are even more determined to conceive. Finally, they discuss the possibility of adopting a child, and the benefits and drawbacks attending such a decision. The large supporting cast includes Louise Lasser as Mrs. Radford, William Redfield as Arthur Hoover, and M. Emmet Walsh as Jack Hoover. Written by David Davis and Lorenzo Music, "P-I-L-O-T" was originally written to be the pilot episode for the series. After several changes, including Newhart's insistence that he didn't want to be in a show "about kids," the series was held back from release until November 18, 1972, by which time the series was firmly entrenched in the ratings. ~ Hal Erickson, Rovi

Based upon the novel by Lois Gould and adapted (under the pseudonym Esther Dale) by Elaine May, Such Good Friends focuses on Julie Messinger (played by Dyan Cannon), a woman with intense, often wild emotions that are held in check beneath a rather conventional façade. After her chauvinistic and self-centered husband Richard checks into the hospital for a simple mole removal that goes seriously wrong, Julie discovers that he has been titanically unfaithful to her. This is the straw that breaks the camel's back, and Julie decides it is time for her to break out of her shell, no matter what the consequences. She begins to exhibit a sexual interest in other men (sometimes indiscriminately, as when she seduces her family doctor, played by James Coco), and speaks her mind to others, including her egocentric mother (Nina Foch) and her hypocritical best friend (ennifer O'Neill). At the end, Julie wanders into Central Park and, presumably, a new life. ~ Craig Butler, Rovi

Melvyn Douglas made his TV-movie debut in Companions in Nightmare. Douglas plays a famous psychiatrist who conducts a group-therapy session with several high-priced professionals. One of the patients turns out to be a murderer; the truth will come out, and it will be a shocker. Gig Young, Anne Baxter, Patrick O'Neal, Dana Wynter and Leslie Nielsen are among the special guest suspects (aren't they always?) Filmed late in 1967, Companions in Nightmare was first telecast on November 23, 1968. ~ Hal Erickson, Rovi

Frontier scout Jess Remsberg (James Garner) is crossing the desert when he spots a dead army scout and group of Apaches pursuing someone -- it turns out to be a white woman, Ellen Grange (Bibi Andersson); he gets her away from them and returns her to her home and her husband Willard (Dennis Weaver), who seems much more upset that the horse she was riding when she left is dead than he is glad that she is back. Ellen was kidnapped by the Apaches two years before and rescued a year after that, and had fled a town where her husband and everyone else had treated her as an outcast since her return. Apart from preventing her from being raped by some drunken townsmen, however, Remsberg barely has time to worry over what goes on between them, as he has a mission of his own -- tracking down the men who murdered his wife, a Comanche woman. A key clue is in the hands of the town marshal in Fort Conchos and to get there he has to scout for a cavalry unit bringing horses, ammunition, and fresh recruits to the fort, with Grange and his wife -- and the infant son she had by the Indian chieftain who took her as his squaw -- going along, with ex-buffalo soldier-turned-horse wrangler Toler (Sidney Poitier). Their party ends up under siege by Chata (John Hoyt), the Apache Indian chief and grandfather to Ellen Grange's baby, who has jumped the reservation; he wants his grandson back, and the ammunition the troop was carrying, and also intends on killing Ellen for inadvertently causing the death of his son. They all end up trapped in a box canyon while Remsberg tries to survive to get help from Fort Conchos. If this all sounds complicated, it's not, especially as told by director Nelson, in a straightforward, unpretentious, brisk, and decidedly violent fashion that anticipates his own Soldier Blue, made four years later. Every plot element links up neatly in this script, which quite effectively recalls (and weaves together) elements of the book and the movie Hondo as well as any number of revenge westerns of the 1960's. ~ Bruce Eder, Rovi

Darrin cannot understand why so much bad luck has befallen his friend Adam Newlarkin (William Redfield). Doing a bit of research on her own, Samantha discovers that the accident-prone Adam is plagued by an ancient curse. With the "help" of dotty old Aunt Clara, Sam tries to lift the curse by following a strict -- and very odd -- antidotal procedure. Written by Bernard Slade, "We're in for a Bad Spell" originally aired on September 30, 1965. ~ Hal Erickson, Rovi

This 199-minute Broadway production of Shakespeare's classic tragedy was directed for the stage by John Gielgud, who also provides the voice of the Ghost. Richard Burton plays the lead in Hamlet, the dramatic and tragic tale of a Danish prince whose obsessive desire for certainty is his ultimate undoing. The entire production was filmed by director Bill Colleran in Electronovision, employing 15 cameras to film the action with no interruptions. Burton gives one of the best stage performances of his career as the ill-fated prince of Denmark. ~ Dan Pavlides, Rovi

Experimental director Shirley Clarke's first feature film is a no-compromise look at the dead-end world of drug addiction in Manhattan. Awaiting their next "connection", eight dopers sit in a bleak New York loft. The addicts agree to allow filmmaker William Redfield to shoot a documentary of their lifestyle--for a price. When their connection arrives, he suspects the filmmaker of being a narc and abruptly runs away. The film ends with Redfield agreeing to try some heroin himself in order to more thoroughly understand his "actors". While it appears totally improvised (especially a supposedly impromptu jam session with four musician junkies), The Connection was adapted from a play by Jack Gelber. Roscoe Lee Browne appears in the cast in one of his earliest movie roles. ~ Hal Erickson, Rovi

En route to prison by train, convicted robber Steve Fontaine (William Redfield) is manacled to his captor, Sgt. Rockwell (Gary Merrill). Hoping to escape his fate, the fast-talking Fontaine attempts to bribe the stalwart Rockwell -- and when this fails, more drastic measures are required. The key to the outcome of the story is literally a key, the one which opens the complicated "Oregon Boot" which holds Fontaine prisoner. ~ Hal Erickson, Rovi

In this war romance, set during WW II, a widow falls for a Marine colonel. ~ Sandra Brennan, Rovi