Keith Reddin Movies

Director James D. Stern debuts with this darkly comedic, archly ironic look at America's obsession with guns. The film opens with Helen and Warren Harding (Joan Allen and Jeff Daniels) awaking one night to the sounds of their suburban trophy getting broken into. Warren grabs his trusty handgun and blows away the intruder, only to complain about the blood spots on his newly purchased bathrobe from Sundance. The unlucky guy turns out to be Warren's business partner, and it does not take long for him to wonder out loud if his wife and the dead man were having an affair. Meanwhile, Warren's lawyer Tim (Andre Braugher), whose civil-rights leading father was gunned down when he was a boy, receives a handsome gun from his film fanatic boyfriend Chris (David Schwimmer). Others involved include the young nymphet Annabel Lee (Anna Paquin) and her thuggishly violent brother Sidney (Giovanni Ribisi); Mr. Morgan (Gary Sinise), an eccentric and extremely paranoid Internet tycoon; and Tennel (Josh Brolin), a video store manager turned poet. All of these characters have their own personal axes to grind and all have easy access to guns. The result is as violent as it is senseless. All the Rage was screened at the 1999 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Adapted from the novel by Vladimir Nabokov (previously filmed by Stanley Kubrick in 1962), Lolita stars Jeremy Irons as Humbert Humbert, a college literature professor. In early adolescence, Humbert fell hopelessly and tragically in love with a girl his own age, and, as he grew into adulthood, he never lost his obsession with "nymphets," teenagers who walk a fine line between being a girl and a woman. While looking for a place to live after securing a new teaching position, he meets Charlotte Haze (Melanie Griffith), a pretentious and annoying woman who seems desperately lonely and is obviously attracted to Humbert. Humbert pays her little mind until he meets her 13-year-old daughter Lolita (Dominique Swain), the image of the girl that Humbert once loved. Humbert moves into the Haze home as a boarder and eventually marries Charlotte in order to be closer to Lolita. When Charlotte finds out about Humbert's attraction to her daughter, she flees the house in a rage, only to be killed in an auto accident. Without telling Lolita of her mother's fate, Humbert takes her on a cross-country auto trip, where their relationship begins to move beyond the traditional boundaries of stepfather and step-daughter. Lolita proved to be controversial in the United States due to its clear (if not explicit) depiction of sex between a middle-aged man and an underaged girl; no major studio was willing to release it in America, and it finally had its U.S. premiere on the Showtime cable network. This version, directed by Adrian Lyne, was publicized as being more faithful to Nabokov's book than Stanley Kubrick's adaptation (which was scripted by Nabokov himself); however, it manages to be closer to the letter of the novel without capturing its spirit and tone as well as Kubrick did. ~ Mark Deming, All Movie Guide

In this tense drama a reporter tries to figure out the reason a wealthy young man shot a popular pulp-fiction writer and then shot himself. ~ Sandra Brennan, All Movie Guide

Val Kilmer delivers what was considered one of 1991's best performances as Jim Morrison in Oliver Stone's hallucinatory bio-pic of the seminal 1960s rock group The Doors. Stone cuts a jagged swath through Morrison's life, starting with a childhood memory where Morrison sees an elderly Indian dying by the roadside. It picks up with Morrison's arrival in California and his assimilation into the Venice Beach culture, followed by his film school days at UCLA; his introduction to his girlfriend Pamela Courson (Meg Ryan); his first encounters with Ray Manzarek (Kyle MacLachlan); and the origin of The Doors -- made up of Manzarek, Robby Kreiger (Frank Whaley), and John Densmore (Kevin Dillon). As the fame of The Doors grows, Morrison's obsession with death increases. The band grows weary of Morrison's missed recording sessions and no-shows at concerts. Morrison, meanwhile, sinks deeper into a drug-induced haze, having mystical sexual encounters with Patricia Kennealy (Kathleen Quinlan), an older rock journalist involved with sadomasochism and witchcraft. ~ Paul Brenner, All Movie Guide

Directed by Jan Egleson, Big Time follows a frustrated model (Mia Sara) through the ups and downs of the hectic and drug-addled late '80s fashion scene. The made-for-television feature also stars Ron Silver, Dennis Boutsikaris, and Adrian Pasdar, and is based on a play written by Keith Reddin. ~ Tracie Cooper, All Movie Guide

Can an independent, contemporary woman find happiness with a guy who sells pickles? Isabelle Grossman (Amy Irving) is an attractive, intelligent Jewish woman in her early 30s. She has a good job and a nice apartment on the Upper West Side, and she values her independence; she often visits her grandmother Bubbie (Reiz Bozyk), who lives on the Lower East Side and wants Isabelle to meet a nice Jewish man and settle down. Bubbie goes so far as to obtain the services of Hannah Mandelbaum (Sylvia Miles), a matchmaker who finds the "perfect" man for Isabelle: a pickle salesman named Sam Posner (Peter Riegert). Isabelle thinks Sam is a nice enough guy, but she has a hard time imagining herself spending her life with the pickle man, and she isn't sure if she wants to pursue the relationship. However, Sam is taken with Isabelle and goes out of his way to change her mind. Crossing Delancy was directed by Joan Micklin Silver, whose breakthrough film Hester Street also examined Jewish culture on the Lower East Side, albeit from the vantage point of the 1890s. ~ Mark Deming, All Movie Guide

Quirky comedy, intense drama, and warm nostalgia are all combined in this eccentric look at one night in 1964 amongst the residents of the Five Corners neighborhood of the Bronx. The bulk of the film concerns Linda (Jodie Foster), a young woman who finds herself stalked by a disturbed rapist fresh out of prison. Needing protection, she turns to her formerly tough ex-boyfriend, only to discover that a recent political awakening has transformed him into a pacifist. The tension of Linda's situation is leavened by the film's attention to its bizarre subplots, which include a stolen penguin, partying teenagers who encounter trouble with an elevator, and a pair of detectives investigating a series of mysterious bow-and-arrow attacks. The script by John Patrick Shanley, who won the 1987 Academy Award for Best Original Screenplay for Moonstruck, manages to (for the most part) bring these seemingly unrelated stories together into a fairly logical conclusion. Even though numerous critics felt that Five Corners' mixture of widely disparate tones was not completely successful, the end result is a surprisingly charming and unique tribute to a time and a place. ~ Judd Blaise, All Movie Guide

This is a very enjoyable tongue-in-cheek horror film about some homicidal maniacs who break out of an asylum and terrorize a psychiatrist's family on a dark and stormy night. Martin Landau and Jack Palance are particularly funny, but there are some genuine scares as well. One scene, in which a frightened woman is menaced on her bed by a maniac thrusting a butcher-knife up through the mattress, is a clever send-up that will nevertheless linger in the memory. The coda, in which the crazy Palance has a bizarre encounter with a spaced-out punk chick in a nightclub, is a real gem. Recommended. ~ Robert Firsching, All Movie Guide