Richard Rebiere Movies

In this frothy drama, the "heavenly bodies" belong to Samantha (Cynthia Dale), a woman determined to open a dance instruction school, and the people who come to learn dance there. Once the deserted warehouse-cum-dance-studio is refurbished, Cynthia's first class already has as much finesse as Fred Astaire at his apogee, so when Cynthia's ideal world is threatened by the owner of a rival health club, it is fairly easy for her students to come to the rescue with their deft dance routines. Life never seems to delve much below the balletic, athletic, or aerobic surface as the adventures of Cynthia, and her students continue along a self-absorbed course. ~ Eleanor Mannikka, All Movie Guide

Certainly the low point in Glenn Ford's acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre's early-'80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer's identity. Though this film brought nothing new to the psycho-horror field, it did feature one of the more interesting ad campaigns of the period. One-sheets loudly boasted, "Six of the most bizarre murders you've ever seen!" and barred all late-arriving patrons from entering the theater during the final ten minutes (a promotional stunt stolen from Psycho). This hype proved less than apropos since the murders in question are not particularly bizarre or original (aside from the shish-kabob impalement depicted in the ads), and the film's climax is so painfully contrived that latecomers may be more able to comprehend it than those bemused viewers who watched the film from the beginning. ~ Cavett Binion, All Movie Guide