Stephen Rea Movies

The inimitable Vincent Price puts an interesting spin on this otherwise pedestrian witch-hunt exercise -- a rehashing of Witchfinder General (aka The Conqueror Worm) and several of Roger Corman's numerous Poe variations from the previous decade. Here Price plays Edward Whitman, a corrupt, sadistic magistrate in 16th-century Ireland who puts a quick and deadly stop to the activities of a local Druidic coven... but not before the sect's leader Oona (Elisabeth Bergner) puts a curse on him and the Whitman family line, calling up a vengeful spirit known as a "sidhee" which takes flesh in the form of an otherwise mild-mannered stable boy (Patrick Mower). As swift and violent retribution works its way through the Whitman family, so does this film snowball toward its bizarre and muddled conclusion -- made all the more confounding by rather choppy editing. Just like Conqueror Worm and half a dozen others, this was fallaciously marketed by distributor American International Pictures as yet another adaptation of the works of Edgar Allan Poe -- as if AIP hadn't kicked Poe's corpse around enough in the '60s. ~ Cavett Binion, All Movie Guide

When attempts have been made on a rich British industrialist, a husband-and-wife detective team is called in to investigate. (AKA Color Him Dead) ~ All Movie Guide

Two strangers with almost no common ground are stuck travelling across Europe together in this British comedy. Sally (Lindsay Duncan) is an ardent feminist from London who, with the help of two of her closest friends, builds her own car. Sally and her comrades are to attend a conference on women's rights in Germany, and they intend to drive the new vehicle there as a symbolic gesture. However, when the time for the symposium rolls around, her friends are unable to attend, and Sally doesn't care to drive that far on her own. Searching for a travelling companion, at the last minute she settles on Harry (Stephen Rea), whom she's told is a leftist gay man. However, Harry is not the person Sally thought he was; he turns out to be a bullheaded and thoroughly heterosexual football supporter who regards the women's movement as little more than a joke. Will these two make it all the way to Germany without killing each other? ~ Mark Deming, All Movie Guide

Company of Wolves is Little Red Riding Hood for the Alien generation. Sheltered 13-year-old Sarah Patterson, living on the edge of a foreboding woods, is visited by her grandmother Angela Lansbury. The old lady delights in telling Sarah the most horrific stories, usually involving what happens to little girls if they trust wolves--the actual, rather than symbolic kind. Later on, Sarah sets out through the woods to visit her grandmother. She makes the acquaintance of a seductive young huntsman (Micha Bergese), who turns out to be.....well, what big teeth he's got. The ads for Company of Wolves, showing a wolf springing from the open mouth of poor little Sarah Patterson, were warning enough for the faint of heart. Actually, the horror is secondary to the remarkable Grimms-Fairy-Tale ambience which the film successfully sustains from beginning to end. And, in keeping with the original unexpurgated versions of most fairy tales, the sexual subtext is never far from the surface. Director Neil Jordan would further develop some of the subliminal themes in Company of Wolves in his 1994 production Interview with the Vampire. ~ Hal Erickson, All Movie Guide

A movie version of the stage play The Doctor and the Devils, written in the 1950s by Welsh poet/playwright Dylan Thomas, had been planned and shelved by several filmmakers before producer Mel Brooks and director Freddie Francis finally brought the project to fruition in 1985. Essentially, the story is the old one about grave robbers Burke and Hare and Scottish surgeon Dr. Robert Knox (which also yielded the 1945 Val Lewton classic The Body Snatcher). Timothy Dalton plays 18th century doctor Thomas Rock, who must rely upon the disreputable Robert Fallon (Jonathan Pryce) and Timothy Broom (Stephen Rea) to provide fresh cadavers for Dr. Rock's teaching hospital. When they can't dig up corpses fast enough to suit Dr. Rock, Fallon and Broom decide to streamline their methods via murder. ~ Hal Erickson, All Movie Guide

In this successful psychological thriller, a reluctant agent of the Irish Republican Army discovers that some people just aren't who you expect them to be. Fergus (Stephen Rea) is an IRA "volunteer" who, despite personal misgivings, takes part in the kidnapping of a black British soldier, Jody (Forest Whitaker), stationed in Northern Ireland. The IRA hopes to use Jody as a bargaining chip to win the release of IRA operatives behind bars, but, while guarding Jody, Fergus becomes fast friends with his prisoner. Jody makes Fergus promise him that if he dies, Fegus will look in on his girlfriend, Dil (Jaye Davidson), and see if she's all right. Jody escapes, and Fergus doesn't have the heart to shoot him; as fate would have it, Jody runs from the woods into a street only to be run over by a British police vehicle, which then flushes out the IRA compound. Fergus escapes to London, where he's wanted by the law for Jody's kidnapping and also by his former girlfriend, IRA operative Jude (Miranda Richardson), who thinks he knows too much to fall into the hands of the British authorities. Good to his word, Fergus tracks down Dil, and soon the two outcasts find themselves entering into a love affair, although Fergus discovers that Dil is not the sort of woman he thought she was. Writer/director Neil Jordan won an Academy Award for his screenplay; the title song, which was a U.K. hit for Dave Berry in 1965, was re-recorded for the film by one-time Culture Club vocalist Boy George with backing by the Pet Shop Boys. ~ Mark Deming, All Movie Guide

Loosely based on an actual incident, this family-friendly British comedy is also a sly satire of class consciousness. Phoebe Cates stars as a woman who appears in the English countryside of 1817 wearing exotic garb and speaking gibberish. Delivered to a nearby manor, the mystery woman is sheltered by the Worralls (Wendy Hughes and Jim Broadbent), who are then persuaded by their suspicious Greek butler Frixos (Kevin Kline, Cates' real-life husband) to have the drifter tried for vagrancy and begging, capital crimes. At the hearing, however, the woman persuades the magistrate through pantomime that she is a princess of Javanese origin named Caraboo, escaped from pirate kidnappers. The Worralls welcome Caraboo back into their home, lavishing upon her the deference due a royal. A society sensation, Caraboo wins over a linguist (John Lithgow), the prince regent (John Session), and even Frixos. Only an Irish reporter, Gutch (Stephen Rea), remains skeptical about Caraboo's origins. ~ Karl Williams, All Movie Guide

Vietnamese director Pauline Chan, known for short films, made her feature debut with this story about a woman living in colonial Indochina. Chan co-wrote the screenplay based on a novel, Dreamhouse, by Kate Grenville. The sexual and emotional awakening of Louise Duffield (Saskia Reeves) takes place against the backdrop of the Vietnamese people awakening to the possibilities of liberation. Duffield is a British photographer who comes to southeast Asia with her husband Michael (Robert Reynolds), an Australian journalist, to fashion an article for a French rubber manufacturer. Louise is emotionally starved in her marriage and feels slighted by playing second fiddle to her husband professionally. Michael discovers that the rubber company is mistreating its workers, and he is trapped between his compulsion to tell the truth and his desire to please his corporate bosses, who may give him a job at their Paris headquarters if he turns in a favorable story. Michael and Louise are staying at the home of a tyrannical French plantation boss, Daniel Renouard (Sami Frey), whose little empire is crumbling as the natives become increasingly restless. His daughter Viola (Jacqueline McKenzie) is rebelling against her abusive father and looking for adventure. She finds some with her new housemates soon enough. ~ Michael Betzold, All Movie Guide

Two very different people become friends and partners in this nautical drama. Nikos (Stephen Rea) is a radio man working on a Greek freighter when he finds himself stranded in Hong Kong after the firm that owned his ship suddenly goes out of business. Nikos is already depressed over his recent breakup with his girlfriend, and this latest turn of events hardly makes him feel any better; he develops a dependence on opium as he works a variety of odd jobs trying to keep himself together while waiting for his ship to return to the sea. Li (Ling Chu) is a ten-year-old Chinese girl, cut off from her mother and father, who has a sampan and asks Nikos to help her get the boat ready for the water. Nikos doesn't much care for Li at first, but her youthful optimism and determination to succeed make an impression on him, and in time he leads her on a voyage to find the family she left behind years before. Director Marion Hansel's work on this film was honored with a Golden Palm nomination at the 1995 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Stephen Rea stars as a relentless Russian investigator in this made-for-cable thriller. Based on an actual case, this taut film tells the story of Burakov (Rea), a Russian forensic pathologist assigned to track down a brutal serial killer who is targeting young drifters. The nature of the assignment takes its toll on Burakov's personal life, as he tracks the killer for years despite the red-tape and bureaucracy of the Soviet state. Nominated for several awards overall that year, Donald Sutherland won an Emmy and a Golden Globe Award for his co-starring role as Rea's supportive superior, Fetisov. The movie was filmed in Hungary. ~ Bernadette McCallion, All Movie Guide

The rise and fall of one of the most important and controversial figures in Ireland's struggle for independence is chronicled in this biographical drama. In 1916, the British government ruled Ireland with a firm and cruel hand, as they had for 700 years. When a group of Irish rebels staged a six-day siege at Dublin's General Post Office, only one of the leaders was able to escape execution -- Eamon De Valera (Alan Rickman), an American citizen of Irish blood. A number of De Valera's followers are sent to prison, and one of them, Michael Collins (Liam Neeson), walked out of jail convinced that a new approach was needed to free his homeland from British rule. With his compatriot Harry Boland (Aidan Quinn), Collins formed the Irish Volunteers, who used a combination of terrorist violence and guerilla warfare to attack the British where their defenses were weakest, and employed espionage and a key inside informant (Stephen Rea) to learn what the British planned to do next -- and what they knew about Collins and his supporters. Collins' strategic skills and talent for warfare made a major impact on the British, and he became the hero of the new-born Republican Movement, which seemed to offer a real hope of freedom, despite the violent reprisals of the vicious paramilitary police, the Black and Tans. De Valera, however, was often in conflict with Collins in terms of the methods and approach of their struggle. Collins also found himself in a different sort of conflict with Boland when he fell in love with his girlfriend, a strong-willed advocate of Irish freedom named Kitty Kiernan (Julia Roberts). Eager to gain support for the Republican cause, De Valera sought economic and military support from the U.S.; when he returned, the Volunteers seemed to have finally won a real victory, as the British government announced that they were willing to formally negotiate with them. While Collins was once the radical and De Valera was the moderate, once negotiations began, Collins sought to end the violence that he saw killing so many young people and was willing to agree to a compromise that would create the Irish Free State. While the agreement would still leave final political control with the British, it would bring a greater self-determination to Ireland, and Collins believed that it was a crucial first step that could lead, in time, to true freedom for his people. De Valera, however, was strongly opposed to the treaty with Britian, and this led to violence among pro- and anti-treaty factions; soon Ireland's most loved leader was now branded a traitor by many of his countrymen. Michael Collins was voted Best Picture at the 1996 Venice Film Festival, and Liam Neeson was awarded the prize for Best Actor. ~ Mark Deming, All Movie Guide