Sheila Raynor Movies
- 1984
In this downbeat trilogy on the life and times of a man who had every reason to be depressed, director Terrence Davies has delivered a fascinating but decidely miserable 94 minutes. The first segment relates little Robert Tucker's days walled up in a tough, unsentimental boys' school, or at home with parents who are alternately violent or callous, and have no discernible redeeming qualities. When his father dies, Robert is still wracked by grief - perhaps the loss of the hope of love was too final to bear. In the next vignette, Robert has a nowhere job in a foreboding office environment. He still lives at home with his mother, and faces his own personal and emotional issues in silence. In the final segments, flashbacks and flash forwards show Tucker remembering his childhood and life, as an old man in a sterile hospital. With a hard-hitting emotional punch, this trilogy is effective cinema - but many viewers surely would have preferred some color to balance the unremitting gray tones of the story. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Wilfrid Brambell, Sheila Raynor, (more)
Satan's son has arrived on Earth and He's not about to let human parents get in the way. When his wife Katherine's (Lee Remick) pregnancy ends in a stillbirth in a Rome hospital, U.S. diplomat Robert Thorn (Gregory Peck) substitutes another baby, whose mother died. Little Damien (Harvey Stephens) thrives, but, at his fifth birthday party, his nanny mysteriously dies; Father Brennan (Patrick G. Troughton) also expires after warning Thorn that he has adopted Lucifer's son. While sinister new nanny Mrs. Baylock (Billie Whitelaw) assiduously protects Damien, Thorn's fears escalate when photographer Jennings (David Warner) shows him pictures from Damien's party with marks suggesting how the nanny and Brennan would die. Thorn seeks out Bugenhagen (Leo McKern), an exorcist who confirms Damien's identity and tells Thorn that the only solution is to kill his adopted son. As the bodies pile up, Thorn tries to do his duty, but trust the law to get in the way of saving the world from future Armageddon. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Gregory Peck, Lee Remick, (more)
British glam rock superstars Slade made their collective acting debut in this downbeat drama about a pop group's struggles with success. In the late '60s, Barry (Dave Hill), Paul (Jim Lea), and Charlie (Don Powell) are musicians who are barely making a living playing pub dates, weddings, and socials backing up egocentric vocalist Jack Daniels (Alan Lake). One night, the boys find themselves opening for a ghoulish show band called The Undertakers, and a prank played on their lead vocalist, Stoker (Noddy Holder), backfires and leads to a car chase which lands both groups in jail for the night. After a long night of thinking, Barry, Paul, and Charlie decide that they have no future with Daniels, and bring new pal Stoker aboard as their singer. Calling themselves Iron Rod, the new quartet clicks musically, but manager Ron Harding (Johnny Shannon) doesn't care for their new style and stops booking the group. Robert Seymour (Tom Conti), a marketing man from a wealthy family who thinks there's quick money in pop music, enters the picture and informs the band that he can make them major stars. Wary of Seymour but eager for success, the group signs a new management deal, and after Seymour changes their name to Flame and gives them an image makeover, the band scores a hit record and is soon playing a series of sold-out shows. But as fame beckons, tensions rise between the musicians and is not at all helped when Harding reenters the picture. Slade members Jim Lea and Noddy Holder wrote a set of original songs for the film, two of which ("Far Far Away" and "How Does It Feel") became hit singles in the U.K. ~ Mark Deming, All Movie Guide
- Starring:
- Noddy Holder, Dave Hill, (more)
Hammer Films apply their characteristic Gothic touch to this offbeat psychological thriller about a bombastic 19th-century Baron (Robert Hardy) who keeps his two adult offspring imprisoned in the family estate, convinced they are afflicted by an evil curse of madness passed down from their late mother. Unfortunately, they're not the only ones to worry about: it seems a spate of recent murders in the surrounding village are being committed by his son (Shane Briant), who is being manipulated by his father's deranged will to leave the castle and act out Dad's twisted, violent fantasies. Superb photography and good use of locations lend a rich atmosphere to this psycho-costume-drama, and Patrick Magee turns in a good performance as the family doctor (somewhat reminiscent of his role in Coppola's Dementia 13). Director Peter Sykes keeps the horror fairly subdued until the bloody "shock" ending, which seems to spoil the mood a bit. ~ Cavett Binion, All Movie Guide
- 1971
In this melodrama, a runaway flees a bad home life and ends up working on an aging widower's farm. Time passes, and the man gradually begins falling in love with his young employee. He is just about to pop the question when she suddenly breaks his heart by running away with a handsome young gamekeeper. ~ Sandra Brennan, All Movie Guide
Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Malcolm McDowell, Patrick Magee, (more)
- 1971
- PG
Not a sequel to Richard Harris' A Man Called Horse as is sometime alleged, 1971's Man in the Wilderness nonetheless bears a marked resemblance to that earlier film. Star Harris plays a trapper who joins a Northwest Territory expeditionary group. Left for dead after running afoul of a grizzly bear, Harris struggles to regain his strength and exact vengeance against John Huston, the man who deserted him. Flashbacks reveal who Harris is and how he's come to this. Man in the Wilderness alternates between a blood-spattered retribution tale and a gutsy one-man show for frostbitten Richard Harris. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Harris, John Huston, (more)
- 1965
Also known as Monster of Terror, this British-made horror opus is very loosely based on H.P. Lovecraft's story "The Colour Out of Space". The story begins with an American scientist (Nick Adams) paying a visit to the remote estate of his fiancee's family (located in Lovecraft's fictional Arkham County, Massachusetts) and finding many of the surrounding flora and fauna horribly mutated by strange radiation. The source of the contamination is discovered to be a glowing meteorite kept hidden in the basement by his girlfriend's father (Boris Karloff), who has been using the radiation to mutate local plant life. As one might expect, the experiment has gotten a bit out of hand... and poor mommy has changed into something unspeakably horrible. Designed as a vehicle for Karloff (who is excellent), this is a decent freshman effort from director Daniel Haller (formerly Roger Corman's production designer), but the effectively creepy atmosphere would have been greatly assisted by a better script -- perhaps one more loyal to the source material. The same story was adapted (again, loosely) in 1987 for The Curse. ~ Cavett Binion, All Movie Guide
- Starring:
- Boris Karloff, Nick Adams, (more)
- 1960
In this melodrama, a mentally retarded young man inadvertently causes an auto accident and brings the injured woman driver back to the isolated farm he shares with his sister. The poor fellow is sure that the woman is his deceased mother. His sister and a helpful telephone lineman do their best to help him with the truth, but it backfires and the young man becomes equally obsessed with the idea that the lineman is his cruel, abusive father--who is also dead. The boy is so convinced that he becomes determined to kill him. Bloodshed ensues until the sister accidentally shoots her out-of-control brother. ~ Sandra Brennan, All Movie Guide
- 1958
Violent Playground opens with a few West Side Story style shots of a Liverpool street gang, commandeered by a very nasty-looking David McCallum. We're going to be seeing a lot more of McCallum before the final fadeout: His sister (Anne Heywood) is in love with an upright police officer (Stanley Baker). The film plods along predictable grounds until the climactic rumble sequence, which is as good as anything ever seen in Hollywood "J.D." picture. Violent Playground didn't get much American play in 1957, principally because there was a glut of such films at the time. The picture received a new lease on life in the early 1960s to cash in on the Man From UNCLE popularity of David McCallum. ~ Hal Erickson, All Movie Guide
- Starring:
- Stanley Baker, Anne Heywood, (more)
- 1958
The Reluctant Debutante is a vintage example of the sort of elegant, witty "polite" comedy that Hollywood used to pull off so well. Real-life husband and wife Rex Harrison and Kay Kendall are cast as newly wed Jimmy and Sheila Broadbent, two of London's more attractive aristocrats. Jimmy has a daughter, Jane (Sandra Dee), from a previous marriage; though the girl is dead set against it, Jimmy insists that Jane make her society debut in London. Daddy wants his darling daughter to meet the "right" kind of husband, but she's more interested in handsome-but-shady American musician David Parkson (John Saxon). Little does anyone know that David, secretly a titled millionaire, is actually the prize catch of the season. The matchless Kay Kendall manages to walk away with the picture, though she's given a run for her money by fifth-billed Angela Lansbury. The Reluctant Debutante was based on the play by William Douglas Home. ~ Hal Erickson, All Movie Guide
- Starring:
- Rex Harrison, Kay Kendall, (more)
- 1957
Three Men in a Boat is the second film version of the comic novel by Jerome K. Jerome. The titular trio is played by popular British comedian Jimmy Edwards, up-and-coming leading man Laurence Harvey and stalwart character actor David Tomlinson. Escaping their dull weekday pursuit, the three pals take a pleasure excursion down the Thames in a small boat, encountering all sorts of comic and romantic complications. Jill Ireland makes an early screen appearance as a young lady who briefly bewitches the bookish Harvey. Though dated, Three Men in a Boat was just as capable of eliciting laughter as it had been in its first cinematic incarnation in 1933. ~ Hal Erickson, All Movie Guide
- Starring:
- Laurence Harvey, Jimmy Edwards, (more)
- 1955
John Gregson stars as Chayley Broadbent, a young Yorkshire businessman leading a dull, perfunctory life. He inherits a sizeable fortune, plus a prosperous textile factory, from his wealthy father. Soon after, he has a fight with his straight-laced girlfriend, Ethel (Susan Stephen) and leaves her, taking off for London. Once there, he plunges into the nightclub circuit, falling in love with showgirl Diana Dors. But she mistakes him for an impoverished chap and thus rejects his marriage proposal. When she finally figures out the truth, she makes a beeline for him, but by then he's onto her golddigging motives and instead opts to return to Ethel. Adapted from a novel by Derick Boothroyd, Value for Money shows no shame in trotting out all the cliches and obvious comic set-ups indigenous to this sort of film farce. ~ Hal Erickson, All Movie Guide
- Starring:
- John Gregson, Diana Dors, (more)
- 1954
Lease of Life was the next-to-last film in the relatively short cinema career of actor Robert Donat. Written for the screen by Eric Ambler, the story is set in a small rural community, where William Thorn (Donat) serves as parson. Upon learning that he has only a year to live, Thorn begins to see his parishioners, and his purpose on earth, in a whole new light. The plot is thickened when a dying villager puts his money into the parson's care; in dire need of cash to pay for his daughter's school tuition, Thorn is sorely tempted to dip into the funds himself. Exceptionally well cast, Lease of Life features Kay Walsh as Thorn's wife, Adrienne Corri as their daughter and Vida Hope as the wealthy villager's grasping missus. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Donat, Kay Walsh, (more)
Wings of Danger was originally released in England as Dead on Course. This early Hammer Studios effort stars Zachary Scott as an airline pilot named Van. When Van's pal Nick Talbot (Robert Beatty) is strong-armed into aiding a gang of smugglers, it's time to take decisive action. Adventure-film veteran John Gilling adapted the screenplay from a novel by Elleston Trevor. Distributed in Great Britain by Exclusive Films, Ltd., Wings of Danger was released in the U.S. by Lippert Pictures. According to some sources, the U.S. version was trimmed by a couple of minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Zachary Scott, Robert Beatty, (more)
- 1949
In this melodrama, a London girl falls happily in love with a Frenchman and immediately goes blind. Convinced her affliction is a Divine punishment for her sins, she joins a convent. The good sisters know she does not belong there and gently convince her to leave. Shortly after returning to secular life, the Frenchman marries her and they move to France to live in his parents' manor. There, the poor bride begins feeling like an unwelcome guest and like someone wants her dead, but cannot prove it. She expresses her fears, but no one believes her and after a particularly terrible fight, she miscarries. Feeling unloved by her own husband, the poor woman returns to England. There she undergoes a potentially dangerous but successful operation to restore her sight. Still upset her husband's lack of belief, she returns to France to prove her allegations. ~ Sandra Brennan, All Movie Guide
- Starring:
- Margaret Lockwood, Paul Dupuis, (more)
- 1947
In this costume drama, a woman finds herself the prize in a battle between two jealous brothers. Eventually she marries the suave one, but finds that he is most displeased by her inability to behave in a matter he deems appropriate for a woman of her station. The sad wife takes her troubles to the other brother who suggests she divorce her husband and take up with him. She ignores the advice and reconciles with her man. The angered brother then poisons the husband and tries to get the wife blamed for the death. ~ Sandra Brennan, All Movie Guide
- Starring:
- Sally Gray, Eric Portman, (more)
- 1945
In this drama, an average man of average income finds his life abruptly changed when the securities he purchased from a speculator pan out and he is rich. Unfortunately, the turn out to be securities are worthless and the newly rich man and the speculator lose everything. Unfortunately, by this time, he has developed a taste for the high life and this leads to his making a foolish decision. ~ Sandra Brennan, All Movie Guide
- Starring:
- Nora Swinburne, Joyce Howard, (more)
