Tony Ray Movies

Director Paul Mazursky's follow-up to his 1978 hit An Unmarried Woman found this filmmaker creating a feature-length homage to the François Truffaut classic Jules and Jim. Willie and Phil begins with Jewish intellectual schoolteacher Willie (Michael Ontkean) meeting gregarious Italian-American fashion photographer Phil (Ray Sharkey) at a screening of Jules and Jim. The two hit it off immediately and soon find their circle of two expanding to three when they meet Jeanette (Margot Kidder), a free-spirited Southerner who has moved to New York City to figure out her life. Jeanette soon moves in Willie, but the three find themselves in a romantic triangle that constantly shifts over the next nine years as each of the three struggles to find their destiny while honoring the love they feel for each other. Mazursky would later remake another foreign classic (Boudu Saved From Drowning) into his hit Down and Out in Beverly Hills ~ Donald Guarisco, All Movie Guide

A New York wife learns about the satisfactions of single life in this landmark 1970s "woman's film." Unlike her dysfunctional friends, vibrant Erica (Jill Clayburgh) seems to have it all: a nice Upper East Side home, a well-adjusted teenage daughter (Lisa Lucas), a job at a Soho art gallery, and a loving husband, Martin (Michael Murphy). Erica falls apart, however, when Martin leaves her for a younger woman. Finally, at her female therapist's urging, Erica ventures out into the world of singlehood, finding solace in female bonding and even casual sex. As she adjusts to her new life, Erica realizes that she likes her freedom and independence. But when she falls in love with sensitive bearded artist Saul (Alan Bates), Erica must decide whether to turn down a lucrative job to spend the summer with her man in Vermont or forge ahead with her new existence. One of a group of new "women's pictures" made in the wake of post-1960s feminism, including Alice Doesn't Live Here Anymore (1974) and The Turning Point (1977), An Unmarried Woman updated the genre's concern with relationships and love by turning the heroine's unwedded status into a positive growth experience. The great female stars of the past like Joan Crawford and Bette Davis may be gone, as Erica and her friends mourn, but so is the all-consuming suffering of classical weepies, as writer/director Paul Mazursky ends the film on a note of reserved affirmation. While some critics (including feminists) complained that Saul was too much of a romantic fantasy, An Unmarried Woman was praised for Clayburgh's performance, and earned Oscar nominations for Best Picture, Best Actress, and Best Screenplay. A hit with 1978 audiences, An Unmarried Woman provoked viewer debate over Erica's final choice and its meaning for women. Either way, An Unmarried Woman astutely pointed to how far the new 1970s woman had come -- and how far she still needed to go. ~ Lucia Bozzola, All Movie Guide

In Paul Mazursky's rueful character drama, 57-year-old Art Carney plays Harry, a 70-plus Manhattan widower who loses his tiny apartment to the wrecking ball. Accompanied by his pet, an aged cat named Tonto, Harry sets out on an odyssey to Los Angeles. During his journey, he finds a kindred spirit in a youthful hitchhiker (Melanie Mayron), who eventually finds happiness with Harry's grandson (Joshua Mostel). Harry makes stops at the homes of his grown children (Philip Bruns, Ellen Burstyn, and Larry Hagman), but each visit is more disappointing than the last; he also touches base with an old flame (Geraldine Fitzgerald), who has slipped into senility. By the time he arrives in L.A., Harry has become dispirited by his desultory visits with friends and family, but he eventually realizes that each new day can be a beginning rather than an end. ~ Hal Erickson, All Movie Guide

In this western set at the turn-of-the-century, an outlaw finds himself at one of life's crossroads as he must decide whether to go straight or continue a life of crime. After bungling a train robbery he decides he should go straight and settle down. He chooses the town of Dime Box, Texas. There he undertakes a series of simple jobs under the watchful, ever-suspicious eye of the town sheriff. Try as he might, the outlaw cannot resist the lure of robbery. He ends up stealing a local factory's Christmas payroll and taking off into the desert with some renegade Indian pals. ~ Sandra Brennan, All Movie Guide

Adapted from an Elmore Leonard novel, Valdez is Coming stars Burt Lancaster in the title role. A scrupulously honest Mexican-American marshal, Bob Valdez is double-crossed and humiliated by wealthy, unscrupulous rancher Jon Cypher. Since Cypher has the law on his side, Valdez is obliged to mete out his own justice. He kidnaps Cypher's mistress Susan Clark to force the rancher's hand. At first, Cypher is able to rally a group of tough hombres against Valdez, but one by one they side with the marshal. Director Edwin Sherin, who'd helmed the Broadway production of The Great White Hope, makes several rather anachronistic points regarding the film's racial issues; on the other hand, Valdez is Coming is one of the most-authentic looking westerns ever made-right down to the deglamorization of Susan Clark, who in a 1950s film might have looked as though she'd just visited a frontier branch of Max Factor. ~ Hal Erickson, All Movie Guide

In this political drama, a bourgeois Cuban landowner and his family flee to Miami to escape Castro's rule. There he meets his eldest son, an ardent supporter of Castro who is planning to ruin the Bay of Pigs invasion. The patriotic father takes extreme measures to keep his son from his treachery. ~ Sandra Brennan, All Movie Guide

Veteran Hollywood song-and-dance man Dan Dailey essays one of his most unusual roles as Karate expert Dexter Lloyd Bayliss. Elliot Ness (Robert Stack) is suspicious when Bayliss, who is known to be "tight" with the mob, sets up a martial-arts classroom for teenage kids. As it turns out, Bayliss is teaching these impressionable youngsters how to become professional assassins for the Underworld...and he's very, very good at his job. This is the only episode of The Untouchables to be written by a woman $Kitty Buhler). ~ Hal Erickson, All Movie Guide