Elsa Raven Movies

In this comedy, based on Jimmy Breslin's novel, a bungling gang of hoods make increasingly ludicrous attempts on the life of a Mafia boss. Each attempt ends in failure. ~ Sandra Brennan, All Movie Guide

An affirmative-action program at a major metropolitan hospital is threatened when a young African American resident, who owes his job to the program, is suspected of causing a patient's death through negligence (to use the old cliché, the operation was successful but the patient died). The young man's mentor, Dr. Frank Matthews (Brock Peters), takes the blame for the tragedy, arousing the suspicions of Matthews' longtime friend Quincy (Jack Klugman). Racing against time, Quincy must determine the actual cause of the patient's death--and, hopefully, save the affirmative-action program from being eliminated by a disgruntled hospital official. ~ Hal Erickson, All Movie Guide

Set in the Caribbean, Firepower is one of those "celebrity salads," featuring a glittering all-star cast. Sophia Loren heads the ensemble as Adele, the widow of a murdered chemist. Believing that a multimillionaire industrialist is the culprit, Adele determines that she can expect no help from the authorities. Thus she engages the services of retired professional assassin Jerry Fanori (James Coburn), who in turn enlists the aid of troubleshooter Catlett (O.J. Simpson). Watch for Jake LaMotta, the ex-prizefighter whose life was dramatized in Raging Bull, in a supporting part. ~ Hal Erickson, All Movie Guide

In this dark and sometimes sad comedy, Dominick -- an extremely obese man -- is pushed by his sister Antoinette to shed a few pounds lest he end up dead like his cousin. To do so, she helps him enroll in the fanatical weight-loss group, the Chubby Checkers, who will do anything to keep fellow members from over-eating. Another incentive for Dominick is his love for Lydia, a women whom Dominick fears has deserted him because of his obesity.The process of weight loss is torture, and he is left with a painful choice (one that the naturally thin don't always understand), suffer the pain and lose the weight or somehow learn to live with it. After his initial attempts to lose weight end in failure, and he goes on a gigantic food bender (one of the great binge scenes in movie history), in the end, Dominick learns that Lydia loves him for who he is, and he decides that he should do himself the same favor. ~ Sandra Brennan, All Movie Guide

The directorial debut of actor and stand-up comedian David Steinberg concerns a single man who decides that he wants to be a dad -- without the complication of a wife. Burt Reynolds stars as Buddy Evans, the manager of Madison Square Garden. A longtime lothario, Buddy has always been very content as a bachelor, but he has begun to feel lately that he'd like to experience fatherhood. His yearnings receive plenty of fuel from his best friends Larry (Norman Fell) and Kurt (Paul Dooley), and from his parental-mentor relationship with a young boy, Tad (Peter Billingsley). So Buddy decides to seek out a woman who will bear his baby for a price, with no strings attached. He finds Maggie Harden (Beverly D'Angelo), a beautiful young music student working as a waitress and yearning for the financial resources to study in Paris. She agrees to serve as Buddy's temporary companion, but as the months pass and her pregnancy progresses, Maggie begins to fall in love with Buddy, who doesn't return her affections -- at first. Steinberg would go on to have greater success as a television sitcom director, calling the shots for several episodes of hit series in the '80s amd '90s. ~ Karl Williams, All Movie Guide

Not much time is actually spent in Weasel Creek in this made-for-TV movie, despite its title. Essentially, this is a semiserious "road" picture concerning the misadventures of a rambunctious young girl (Mare Winningham). Linking up with a runaway farm boy (John Hammond), the girl heads to California with only the clothes on her back and the few possessions from her house trailer. En route, the boy stops over in the aptly named Weasel Creek to visit his aunt (Colleen Dewhurst). The film is populated with such familiar rustic types as Barry Corbin, Richard Farnsworth and Trey Wilson. A Few Days in Weasel Creek first aired October 21, 1981. ~ Hal Erickson, All Movie Guide

Based on the popular television series created by Rod Serling, this film of horror and the supernatural tells four separate stories--each by a different director: John Landis, Steven Spielberg, Joe Dante and George Miller. In one, a bigot is taught a lesson when he is transported to experience the lives of three different victims of prejudice and intolerance. Another takes a trip to an old-age home where the arrival of a special man turns some of the residents into youthful people once again. In the third, a woman befriends a timid young child who turns out to be a maniacal brat with bizarre powers. The final segment shows how a man with an aversion to flying has a rough time when he panics and then sees a strange creature on the wing outside his window seat. ~ Kristie Hassen, All Movie Guide

The A-Team gets the opportunity to officially represent Law and Order when they're deputized to keep the peace in Rivertown, a small village in the South American republic of San Marcus. The village, built to house the workers from a local power plant, has been plagued by mysterious accidents in which several workers have vanished. Among those missing is the brother of Nikki Monroe (Wendy Kilbourne), who is conducting her own investigation--and placing herself in serious jeopardy as a result. The climax involves a secret missile base and a spectacular mine cave-in, not to mention the muscular heroics of good old B.A. (Mr. T). ~ Hal Erickson, All Movie Guide

Contemporary high schooler Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, Marty must also endure the acrimonious relationship between his nerdy father (Crispin Glover) and his lovely mother (Lea Thompson), who in turn suffer the bullying of middle-aged jerk Biff (Thomas F. Wilson), Marty's dad's supervisor. The one balm in Marty's life is his friendship with eccentric scientist Doc (Christopher Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must now reunite his parents-to-be, lest he cease to exist in the 1980s. It won't be easy, especially with the loutish Biff, now also a teenager, complicating matters. Beyond its dazzling special effects, the best element of Back to the Future is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Back to the Future cemented the box-office bankability of both Fox and the film's director, Robert Zemeckis, who went on to helm two equally exhilarating sequels. ~ Hal Erickson, All Movie Guide

This romantic, melancholy twist on the Frankenstein formula stars Peter O'Toole as Professor Harry Wolper, a lonely eccentric who has dedicated decades of research to cloning his long-dead wife Lucy from a culture of living tissue. To this end, he enlists the services of likeable Graduate assistant Boris (Vincent Spano), who is initially baffled by the professor's endless rants about God, Science and "The Big Picture." After Wolper posts bills seeking a human egg donor, his wish is granted by the vivacious young Meli (Mariel Hemingway), in whom the professor soon discovers a more willing convert to his grand design... and perhaps a love more immediate and real than the one he lost. Boris eventually manages to come around to "The Big Picture" himself when Wolper points him in the direction of another graduate, Barbara (Virginia Madsen). Despite opting for a platonic relationship to better determine if they are ideally matched, Boris and Barbara soon fall deeply in love, realizing that they are soul-mates as the professor had predicted. Tragedy strikes, however, when a brain hemorrhage renders Barbara comatose, and Wolper's nemesis Dr. Sid Kuhlenbeck (David Ogden Stiers) persuades the university to shut down Harry's private cloning laboratory. Meli forces Wolper to choose between her love and his misplaced longing for his dead wife... and his answer is suddenly made clear when he witnesses Boris's heartfelt determination to bring his own true love back to the land of the living. Written by Jeremy Leven (based on his own novel), this is a flawed but engaging comedy which proves that a well-written story can incorporate traditional science fiction elements as more than a mere plot device and actually enhance the humanity of the characters. ~ Cavett Binion, All Movie Guide

In the expatriate-littered Paris of the 1920s, painter Nick Hart (Keith Carradine) mingles with Ernest Hemingway (Kevin O'Connor) and other leading lights of the Lost Generation while palling around with gossip columnist Oiseau (Wallace Shawn), whose reportage has helped establish the international reputation of the writers and artists who fled America for France after WWI. Older and less successful than many of his fellow painters, Hart relies on gallery owner Libby Valentin (Genevieve Bujold) to sell what she can of his work while he supports himself drawing cartoons for Oiseau's weekly column. In a café one day, Hart spies Rachel Stone (Linda Fiorentino) on the arm of her husband, Bertram (John Lone), a condom magnate and art patron who's trying to buy his way into society. It seems Hart and Rachel share a romantic past of which Stone is completely unaware. At the salon of writers Gertrude Stein (Elsa Raven) and Alice B. Tolkas (Ali Giron), Hart suffers a nasty run-in with the Stones and meets Nathalie de Ville (Geraldine Chaplin), a rich socialite who wants to steal three paintings from her estranged husband. Nathalie plies Hart with sexual favors and the promise of cash in exchange for his help in forging copies of the paintings. Although he's loath to follow in the footsteps of his father, a gifted forger, Hart acquiesces, and soon his rivalry with Stone and his involvement with the forgeries leads to death, destruction, and scandal in the art world. Bujold, Shawn, Chaplin, and Carradine are all regular collaborators of iconoclastic director Alan Rudolph, who filmed The Moderns in Montréal and would go on to lens the similarly intellectual Mrs. Parker and the Vicious Circle. ~ Brian J. Dillard, All Movie Guide

When con man Eddie Dash (Richard Pryor) is released from prison he's told to fulfill the required 100 hours of community service as the bodyguard/escort of a recently released mental patient (Gene Wilder). It's not too long before Wilder figures out a way to make a little dough at the expense of his impaired charge. Together they manage to get involved in an inheritance scam that's loaded with troubles and trials for all. It's apparent to most viewers that the Richard Pryor appearing in this film is a far cry from the actor most have seen previously; this is the first film undertaken by Pryor following a very serious illness. ~ All Movie Guide