Basil Rathbone Movies
South African-born Basil Rathbone was the son of a British mining engineer working in Johannesburg. After a brief career as an insurance agent, the 19-year-old aspiring actor joined his cousin's repertory group. World War I service as a lieutenant in Liverpool Scottish Regiment followed, then a rapid ascension to leading-man status on the British stage. Rathbone's movie debut was in the London-filmed
The Fruitful Vine (1921). Tall, well profiled, and blessed with a commanding stage voice, Rathbone shifted from modern-dress productions to Shakespeare and back again with finesse. Very much in demand in the early talkie era, one of Rathbone's earliest American films was
The Bishop Murder Case (1930), in which, as erudite amateur sleuth Philo Vance, he was presciently referred to by one of the characters as "Sherlock Holmes." He was seldom more effective than when cast in costume dramas as a civilized but cold-hearted villain: Murdstone in
David Copperfield (1934), Evremonde in
Tale of Two Cities (1935), and Guy of Gisbourne in
The Adventures of Robin Hood (1938) (Rathbone was a good friend of Robin Hood star Errol Flynn -- and a far better swordsman). Never content with shallow, one-note performances, Rathbone often brought a touch of humanity and pathos to such stock "heavies" as Karenin in
Anna Karenina (1936) and Pontius Pilate in
The Last Days of Pompeii (1936). He was Oscar-nominated for his portrayals of Tybalt in
Romeo and Juliet (1936) and the crotchety Louis XVI in
If I Were King (1938). In 1939, Rathbone was cast as Sherlock Holmes in
The Hound of the Baskervilles, the first of 14 screen appearances as Conan Doyle's master detective. He also played Holmes on radio from 1939 through 1946, and in 1952 returned to the character (despite his despairing comments that Holmes had hopelessly "typed" him in films) in the Broadway flop The Return of Sherlock Holmes, which was written by his wife, Ouida Bergere. Famous for giving some of Hollywood's most elegant and elaborate parties, Rathbone left the West Coast in 1947 to return to Broadway in Washington Square. He made a movie comeback in 1954, essaying saturnine character roles in such films as
We're No Angels (1955),
The Court Jester (1956), and The Last Hurrah (1958). Alas, like many Hollywood veterans, Rathbone often found the pickings lean in the 1960s, compelling him to accept roles in such inconsequential quickies as
The Comedy of Terrors (1964) and
Hillbillies in the Haunted House (1967). He could take consolation in the fact that these negligible films enabled him to finance projects that he truly cared about, such as his college lecture tours and his Caedmon Record transcriptions of the works of Shakespeare. Basil Rathbone's autobiography, In and Out of Character, was published in 1962. ~ Hal Erickson, Rovi

- 1986
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- Add The Many Faces of Sherlock Holmes to Queue
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One of the most memorable characters in the history of literature is that of Sherlock Holmes. The sleuth made famous by the pen of Sir Arthur Conan Doyle is so real that many people do not know that he is a character of fiction. The adventures of Sherlock Holmes and his loyal assistant Dr. Watson have been immortalized in numerous films. This documentary, featuring Basil Rathbone and Christopher Lee, use archival film clips to illustrate some of the many faces of the world's best- known detective. ~ Rose of Sharon Winter, Rovi
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- 1986
- G
- Add The Great Mouse Detective to Queue
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The first Disney animated feature to make extensive use of computer technology, The Great Mouse Detective was based on the children's novel Basil of Baker Street by Eve Titus. The titular hero is Basil, a Holmes-like rodent (complete with deerstalker) who solves crimes in the company of his friend and chronicler Dr. Dawson. Basil and Dawson are retained by the daughter of a mouse toymaker who has been kidnapped by the diabolical Ratigan. The villain hopes to force the toymaker to construct a fake version of the queen who will grant power to the bad guy--or at least, for that part of the world behind the walls of London. Though nearly eliminated by Ratigan, Basil and Dawson trap the villain in the fast-moving mechanisms of Big Ben. By relying on computer animation, Disney was able to keep the budget of Great Mouse Detective down to a manageable size, thus earning back the losses incurred by the studio's previous cartoon feature, The Black Cauldron. Among the talented voice actors utilized in The Great Mouse Detective is Vincent Price, who plays guess what part? (Hint: he ain't Basil). ~ Hal Erickson, Rovi
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- Starring:
- Val Bettin, Eve Brenner, (more)

- 1967
- G
- Add Hillbillys in a Haunted House to Queue
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Horror, comedy, and country corn combine when country singers Woody Weathrby and Boots Malone get caught in a big storm en route to the Nashville Jamboree and end up taking shelter in a creepy looking old mansion that is said to be haunted. Though plenty of spooky things go on there, the hapless hayseeds quickly figure out that the haunting has more to do with a ring of international agents led by the enigmatic and sly Madame Wong than it does the supernatural. The spies have made the abandoned building their headquarters as they endeavor to steal a valuable atomic secret. This was the final film of Basil Rathbone. It is also a sequel to Las Vegas Hillbillies (1966). ~ Sandra Brennan, Rovi
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- 1967
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This 17th-century British costume drama is taken from the life of the first Duke of Marlborough, John Churchill. Originally he and his wife Sarah were held in high esteem by Queen Anne. But when they involved themselves in political intrigue, they were socially and financially ruined. ~ Sandra Brennan, Rovi
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- 1967
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The Spanish/Mexican Autopsy of a Ghost might have escaped our notice altogether had not a company called Sinister Cinema made it available to the home-video market. In this uneasy mixture of comedy and horror, a mad scientist uses dead bodies to create a race of zombies. Basil Rathbone, making his very last screen appearance, goes through the motions as the scientist. Also on hand are international-production habitues Cameron Mitchell and John Carradine, pretending to be genuinely interested in the grim goings-on. Currently available prints of Autopsy of a Ghost are available in Spanish only, with no English subtitles. ~ Hal Erickson, Rovi
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- 1966
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American-International's Beach Party series came to an abrupt end with Ghost in the Invisible Bikini. Because of such tangible reasons as contractual commitments, coupled with such intangibles as illness and death, most of the series "regulars" are absent. Deborah Walley and Aron Kinkaid fill the roles usually played by Annette Funicello and Frankie Avalon, while Benny Rubin plays a comic-Indian role obviously intended for Buster Keaton. Only Harvey Lembeck, as the inimitable Eric von Zipper, is on hand from the good old days. The plot is set in motion by the ghostly Boris Karloff, a corpse who must perform one good deed before gaining entrance into the Hereafter. Together with a sexy spirit (Susan Hart) (the titular lass in the invisible bikini), the corpse attempts to save the heiress (Walley) from the murderous machinations of a greedy attorney (Basil Rathbone) and his cohorts (Rubin and Jesse White). Music is provided by such second-generation celebs as Nancy Sinatra and Claudia Martin, and with The Bobby Fuller Four lip-synching a pair of songs. The climax is a less-funny reworking of the final sequence in Beach Blanket Bingo, with the heroine (Walley) strapped to the longest buzzsaw plank in film history. ~ Hal Erickson, Rovi
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- Starring:
- Deborah Walley, Tommy Kirk, (more)

- 1966
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Shot on a miniscule $50,000 budget, and including footage from a 1959 Russian film that was later purchased by Roger Corman, this science fiction feature finds a tiny planet slowly dying. With the inhabitants in danger of perishing, some kind-hearted astronauts bring a green-blooded female alien back to Earth. The extraterrestrial shows her gratitude by going wild for human blood in the fashion of a blood-sucking vampire. John Saxon, Basil Rathbone and Dennis Hopper are some of the actors sentenced by their vindictive agents to appear in this 1966 film. ~ Dan Pavlides, Rovi
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- Starring:
- John Saxon, Basil Rathbone, (more)

- 1964
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On the verge of bankruptcy, undertaker Vincent Price hits upon a novel method of drumming up business. Together with his cringing assistant Peter Lorre, Price sneaks into the homes of wealthy old men under cover of night and smothers the sleeping occupants to death--then collects a hefty commission when the victims' relatives come calling. At home, Price is continually frustrated in his efforts to poison his senile father-in-law Boris Karloff, who owns the undertaking business. Meanwhile, Price's neglected wife Barbara Nichols takes quite a shine to the shy Lorre. The homicidal undertaker's best-laid schemes go terribly agley when his latest "customer," wealthy Basil Rathbone, doggedly refuses to stay dead. Joe E. Brown has a cameo as a cockney graveyard attendant. ~ Hal Erickson, Rovi
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- Starring:
- Vincent Price, Peter Lorre, (more)

- 1962
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- 1962
- G
- Add The Magic Sword to Queue
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In this fun-filled adventure-fantasy, a rookie knight embarks upon a valiant quest to save a princess who has been captured by a malicious magician. Along the way he must battle the usual assortment of dragons, ogres and other mythical beings. He is assisted by a good witch who gives him a magic sword. Unfortunately, the magic fails and suddenly he must find his own magic from within. ~ Sandra Brennan, Rovi
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- Starring:
- Basil Rathbone, Estelle Winwood, (more)

- 1962
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This undistinguished, anti-communist documentary was the only film ever directed by William Faralla and was meant to take advantage of popular sentiment at the time it was released. Basil Rathbone metaphorically represents History and Mary Murphy is perhaps the Western free world. Both narrate a self-inflated dialogue that is accompanied by images from archival footage and old newsreels that picture various ignominious moments in communist history. Some Russian atrocities are illustrated and narrated, though in general the narration is wobbly on actual facts and comes across as a weak attempt at literacy. ~ Eleanor Mannikka, Rovi
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- Starring:
- Basil Rathbone

- 1962
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- Add Tales of Terror to Queue
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Roger Corman's Tales of Terror stars Vincent Price in a trio of short stories, liberally adapted by Richard Matheson from the works of Edgar Allan Poe. The film gets off to a rousing start with "Morella," in which Price's bitterness over the long-ago death of his wife results in tragedy for his estranged daughter Maggie Pierce. The last of the three terror-filled tales, "The Case of Mr. Valdemar," finds Price being put into a state of suspended animation by the diabolical Basil Rathbone; when Rathbone claims Price's bride Debra Paget for himself, Price briefly revives, only to melt before our eyes (this horrific image was reproduced on the film's advertising posters). The film's best story is its centerpiece, "The Black Cat," which weaves elements of "The Cask of Amontillado" into a mordantly funny revenge tale concerning Price, his bitter enemy Peter Lorre, and Lorre's two-timing wife Joyce Jameson. This is the one in which a besotted Lorre walls up Price and Jameson in his cellar, then endures a hellish hallucination of Vincent and Joyce playing a football game with his head! A mixed bag, to be sure, but Tales of Terror remains one of the best of Corman's Poe cycle (though it does lose a lot when not shown in its original Cinemascope form). ~ Hal Erickson, Rovi
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- Starring:
- Vincent Price, Peter Lorre, (more)

- 1962
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This Italian drama tells the story of Christ's crucifixion from the viewpoint of the Roman emperor's procurator in Israel who must try to quell a Jewish revolt. In a bizarre twist, John Drew Barrymore plays both Jesus and Judas in the film. ~ Sandra Brennan, Rovi
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- 1961
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This biopic chronicles the reign of England's Queen Victoria from her ascension to the throne in 1837 to her Diamond Jubilee. ~ Sandra Brennan, Rovi
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- 1961
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- 1958
- NR
- Add The Last Hurrah to Queue
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Spencer Tracy stars in John Ford's sentimental adaptation of Edwin O'Connor's novel about the final campaign of a big city mayor, loosely based upon the life of Boston politician James Curley. Tracy is Frank Skeffington, the political boss of an Eastern city dominated by Irish-Americans. Skeffington tries to assist the people of the city and avoids cutting political deals with the power elite. But despite his concern for the people, Skeffington has no friends, just flunkies. The Mayor is greatly admired by his idealistic nephew Adam Caulfield (Jeffrey Hunter), who writes for an opposition newspaper run by Amos Force (John Carradine). When Skeffington needs money for a loan, he asks the powerful banker Norman Cass (Basil Rathbone), but Cass steadfastly refuses. In retaliation, Skeffington appoints Cass's retarded son as an interim fire commissioner. To prevent his son from disgracing the family, Cass agrees to the bank loan. But Cass uses his deep pockets to finance the opposition's candidate for mayor. ~ Paul Brenner, Rovi
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- Starring:
- Spencer Tracy, Jeffrey Hunter, (more)

- 1958
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Adapted by Sally Benson (Meet Me in St. Louis) from the novel by Mary Mapes Dodge, this dazzling musical version of Hans Brinker, or the Silver Skates) stars 1950s Hollywood heartthrob Tab Hunter in the title role (as Hans, not the Skates). Living in a small Dutch village, Hans yearns to compete in an upcoming ice-skating competition, for a grand prize of 500 guilders and a gleaming new pair of silver skates. Also, all poor Hans and his sister Trinka (Ellie Sommers) have to their name is two pair of crude wooden skates. Making matters worse, the Brinker family has been living in poverty ever since Hans' father (Ralph Roberts lost his mind while trying to save the local population from a burst dyke. But though Hans is certain that things will never get better, his erstwhile sweetheart, the wealthy Rychie Van Gleck (Peggy King), has faith in both Hans and his future. While the songs in this production, written by Hugh Martin, are rather unremarkable and a bit silly at times (notably the production number "Clop, Clop, Clop", wherein the chorus does a dance in wooden shoes), Hans Brinker, or the Silver Skates" is redeemed by a talented supporting cast, including Basil Rathbone (complete with German accent) as the crusty-but-lovable Dr. Boekman, opera diva Jarmila Novotna as Hans' mother, and Olympic skating champ Dick Button as Rychie's brother Peter (in fact, it is Button who steals the show with some astonishing figure skating). Originally telecast live and in color, this 90-minute extravaganza was presented as a Hallmark Hall of Fame special. ~ Hal Erickson, Rovi
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- Starring:
- Tab Hunter, Peggy King, (more)

- 1956
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Everyone knows the basic premise of Charles Dickens's A Christmas Carol - the saga of Ebenezer Scrooge, the meanest and most miserly man on Earth, whose life changes forever when he is visited by three ghosts, late one Christmas Eve. The version of the tale that appears in this home release actually constitutes a musical, with compositions by Fred Spielman and a book and lyrics by Janice Torre. Originally produced for television, it stars Basil Rathbone as Scrooge, as well as Johnny Desmond, Patrice Munsel, and legendary crooner Vic Damone. ~ Nathan Southern, Rovi
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- Starring:
- Basil Rathbone, Vic Damone, (more)

- 1956
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Given its cast and director, it is disheartening that The Black Sleep isn't any better than it is. Basil Rathbone heads the cast as Sir Joel Cadman, who uses a mind-controlling drug known as "The Black Sleep" to place brilliant scientist Gordon Ramsay (Herbert Rudley) under his control. Cadman needs Ramsay's intellect and expertise to aid him in a series of mysterious, covert experiments involving brain transplants. Evidently Cadman has already endured a few failures, as witness the present feeble-minded state of his former "volunteer" Mungo (Lon Chaney Jr.). Ramsay and heroine Laurie Munro (Patricia Blake) finally learn what Cadman is up to when they stumble upon a dungeon full of his previous "experiments," including a demented, emaciated man (John Carradine) and a blank-eyed monstrosity (Tor Johnson). In his last mainstream film, Bela Lugosi essays the thankless role of Cadman's mute servant. ~ Hal Erickson, Rovi
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- Starring:
- Basil Rathbone, Akim Tamiroff, (more)

- 1956
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- Add The Court Jester to Queue
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Danny Kaye spoofs medieval swashbucklers in this classic musical comedy. While the infant King of England awaits his rightful place as leader of the British Empire, his rule is usurped by Roderick (Cecil Parker), an evil pretender to the throne. Brave rebel leader The Black Fox (Edward Ashley) intends to remove Roderick from the palace and bring the crown back to its true owner, but in the meantime the baby king needs to be looked after, which is the job of a man named Hawkins (Kaye). The Black Fox travels with the little king and his rebels as they search for the key to a secret tunnel that will allow them passage into the castle. Maid Jean (Glynis Johns), one of the rebels, meets a man en route to the Castle who is to be Roderick's new jester. The rebels quickly hatch a plan: detain the jester and send Hawkins in his place; the king can then find the key and initiate the overthrow. Hawkins is able to persuade Roderick and his men that he is indeed a jester, but his espionage work gets complicated when Princess Gwendolyn (Angela Lansbury) falls in love with him, and he runs afoul of Sir Ravenhurst (Basil Rathbone), the evil genius behind Roderick. Court Jester features Kaye's famous "Pellet with the Poison" routine. ~ Mark Deming, Rovi
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- Starring:
- Danny Kaye, Glynis Johns, (more)

- 1955
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- Add We're No Angels to Queue
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Samuel and Bella Spewack's English adaptation of French playwright Albert Husson's morbidly humorous stage piece My Three Angels was brought to the screen as the heavily laundered but still wickedly funny We're No Angels. The scene is French Guiana, a few days before Christmas. Humphrey Bogart, Peter Ustinov and Aldo Ray play three Devil's Island "lifers" who escape from the infamous prison and hide out amongst the free colonists. In need of clothing and money, the trio makes plans to rob milliner Leo G. Carroll and his family. "We'll cut their throats for a Christmas present", Bogie, a convicted forger, remarks laconically. "That might spoil one's belief in Santa Claus" replies philosophical wife-murderer Ustinov. The three escapees are deflected from their larcenous intent when they grow fond of Carroll, his wife Joan Bennett and their daughter Gloria Talbott. Discovering that Carroll is on the verge of bankruptcy, the convicts offer their services as household help (the sight of Bogie in an apron is worth the admission price in itself). Complications ensue when Carroll's nasty, wealthy cousin Basil Rathbone comes calling to audit the store's books. Not wishing to see the family evicted, the convicts calmly discuss the possibilities of murdering the troublesome Rathbone. They are saved the trouble when Adolphe, the pet poisonous snake owned by Ray, slithers out of its box and accomplishes what the convicts had only contemplated. Adolphe also helps smooth the path of happiness for Carroll's daughter Gloria, who thinks she's in love with Rathbone's duplicitous nephew John Baer. From all reports, the set of We're No Angels was a happy one, a fact reflected in the warm, engaging performances of its stars. The film represented the final screen collaboration between star Humphrey Bogart and director Michael Curtiz. ~ Hal Erickson, Rovi
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- Starring:
- Humphrey Bogart, Aldo Ray, (more)

- 1954
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Produced as an installment of television's Shower of Stars, Maxwell Anderson's adaptation of the Charles Dickens classic stars Fredric March as Ebenezer Scrooge and Basil Rathbone as the spirit of Jacob Marley. Just when it seems that Scrooge has had his fill of the holiday season, a visit from the ghosts of Christmas past, present, and future afford him the opportunity to seek redemption before it's too late. Featuring a score by legendary composer Bernard Hermann, this production of A Christmas Carol co-stars Bob Sweeney, Bonnie Franklin, and Sally Fraser. ~ Jason Buchanan, Rovi
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- Starring:
- Fredric March, Basil Rathbone, (more)

- 1954
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- Add Casanova's Big Night to Queue
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Bob Hope tries to capture the comic magic of his 1946 costume farce Monsieur Beaucaire with the splashy Technicolor romp Casanova's Big Night (filmed in 1952, released in 1954). Set in 18th century Venice, the film casts Hope as Pippo, the humble tailor of notorious ladies' man Casanova (an unbilled Vincent Price). When Casanova skips town without paying his debts, the local tradesman's guild, led by Casanova's butler Lucio (Basil Rathbone), conspire to pass off one of their number as the great lover and arrange a profitable marriage. Selected to impersonate Casanova is the hapless Pippo, who soon afterward is hired by the imperious Duchess of Castelbello (Hope Emerson) to test the fidelity of the duchess' future daughter-in-law Elena (Audrey Dalton). Along the way, Pippo is given lessons in etiquette and swordsmanship by both Lucio and tradeswoman Francesca (Joan Fontaine). Eventually, Pippo finds himself up to his neck in court intrigue, courtesy of the scheming Doge of Venice (Arnold Moss). Further complications include a couple of hilarious swashbuckling scenes, an interlude in a dungeon with addlepated prisoner Emo (Lon Chaney), and the obligatory disguise scene. The Pirandellian ending of Casanova's Big Night was later imitated by such films as The Maltese Bippy (1969) and Wayne's World (1992). Bob Hope is in fine form, the production is sumptuous and the supporting cast superb, but somehow there's a little something missing in Casanova's Big Night. ~ Hal Erickson, Rovi
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- Starring:
- Bob Hope, Joan Fontaine, (more)

- 1949
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Wind in the Willows was originally released as the second half of the 1949 Disney animated feature Ichabod and Mr. Toad. While the first portion of the film was devoted to a sprightly adaptation of Washington Irving's "The Legend of Sleepy Hollow", the second portion was a cartoonization of one of Kenneth Grahame's whimsical "Toad of Toad Hall" tales. Eric Blore sublimely provides the voice of the aristocratic Mr. Toad, an amiable, childlike sort with a passion for automobiles. Framed on a car-theft charge by a gang of weasels, Toad is shuttled off to prison. He is rescued from durance vile by his faithful chums Mole, Rat and Badger. One of the most popular and enduring of Disney's late-1940s efforts, Wind in the Willows was in constant reissue as a entity separate from Ichabod and Mr. Toad, and was also a frequent visitor to the various Disney TV anthologies of the 1950s, 1960s, 1970s and 1980s. ~ Hal Erickson, Rovi
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