Mikhail Rasumny Movies

An unofficial remake of the 1935 Alice Faye-George Raft vehicle Every Night at Eight, And the Angels Sing stars Dorothy Lamour as Nancy Angel, unofficial leader of a struggling, Andrews-like singing sister act. Nancy is in love with saxophone player Happy Morgan (Fred MacMurray), self-appointed "protector" of the Angel Sisters. Unfortunately -- and as it turns out, unharmoniously -- Nancy's sister Bobby (Betty Hutton is also ga-ga over Happy, but he barely acknowledges her existence. Meanwhile, the third Angel sister, Josie (Diana Lynn), stands on the sidelines and cracks wise. Before a happy ending can be realized, virtually every person in the cast goes through an extended period of poverty, which at one juncture forces Happy to form a singing-waiter act with his longtime crony Fuzzy Johnson (Eddie Foy Jr.. Although the film's title song is (surprisingly) never performed, And the Angels Sing is otherwise a smorgasbord of typical 1940s tunes, with Betty Hutton taking front and center with her inimitable "scat" renditions. ~ Hal Erickson, All Movie Guide

Luise Rainer's last Hollywood film was the economically produced wartime drama Hostages. Adapted from the novel by Stefan Heym, the story is set in a Nazi-occupied Czechoslovakian village. Rainer plays Milada, the daughter of collaborationist Lev Preissinger (Oscar Homolka). Totally apolitical herself, Milada is won over to the anti-Nazi cause by resistance leader Paul Breda (Arturo de Cordova). The drama intensifies when a Nazi officer commits suicide; the Gestapo, hoping to justify future outrages, claim that the officer was murdered, arresting 26 villagers as hostages. The ending could classify as tragic, but in 1943 it was considered inspirational. With so much plot and so many characters, poor Luise Rainer has very little to do; if the film has any real star, it is William Bendix, who is superb as a deceptively slow-witted resistance fighter. ~ Hal Erickson, All Movie Guide

In this musical comedy, a country bumpkin spends most of his free time watching movies and becomes such an expert that he can accurately predict which ones will be hits and which will fail at the box-office. An employee at a failing Hollywood studio finds the fellow and takes him back to Tinsel Town. Trouble ensues when the rube convinces the studio to put a no-talent gangster in the leading role of an upcoming gangster movie because he is involved with the mobster's sister. Eventually, the hayseed extricates himself from it all and happiness ensues. Songs include: "Comes Love," "It's Me Again," "Let's Make Memories Tonight," "I Can't Afford to Dream" (Lew Brown, Charles Tobias, Sammy Stapt), and "Jim" (Caesar Petrillo, Nelson Shawn, Edward Ross). ~ Sandra Brennan, All Movie Guide

Having accidentally caused a merchant ship to blow up, stowaways Bob Hope and Bing Crosby are shipwrecked on the African coast. Commandeering a convenient camel (who takes time to ad-lib a spit in Hope's eye!), Bob and Bing are off on the road to Morocco, an event they celebrate in song. With nary a penny in their pockets, the boys try various methods to scare up a meal. Old reliable Bing shows up with the necessary funds; when Bob asks where the money came from, Bing calmly informs his pal that he's been sold into slavery. Bob is dragged off to parts unknown; later, Bing, his conscience bothering him, scours the town in search of his buddy. He stumbles into a luxurious palace, where Bob is being treated like a rajah. Even more puzzling, Bob is being kissed and cosseted by Moroccan-princess Dorothy Lamour, who announces plans to marry him in a few days! Neither Bing nor Bob can figure this out, but the audience knows that Dorothy has been advised by her astrologers that her first husband will suffer a violent death, and that her second marriage will be long and happy. Since Dorothy is affianced to desert sheik Anthony Quinn, ol' buddy Bob is once more set up as a dead duck. But Dorothy finds herself attracted to Bing, and forgets all about her pre-arranged marriage to Quinn (just as well, since Quinn is the heavy of the piece). On the eve of the wedding, the astrologers find they've made a mistake, and that Dorothy is now free to marry the man of her dreams-who, by this time, is Bing. Bob must console himself with handmaiden Dona Drake, who's some looker herself. As the wedding procession proceeds, Quinn comes riding into town, kidnaps Dorothy, and leaves Bob and Bing trussed up in the desert. Freeing themselves, Bob and Bing make their way through the desert wastes ("This must be where they empty the old hourglasses") in search of Quinn's camp. After an amusing series of mirages, the boys sneak into camp and attempt to rescue Dorothy and Dona. Imprisoned by Quinn, the boys muff an opportunity to use a magic ring, but still manage to escape. Using exploding cigars and hotfoots, our heroes sabotage a peace conference between Quinn and rival sheik George Givot, prompting a talking camel to remark "This is the screwiest picture I've ever been in." Bob, Bing and the girls escape to New York, but not before Crosby spoils Hope's chances at getting an Academy Award by interrupting Bob's "mad scene." Generally regarded as the best of the "Road" pictures, Road to Morocco is as fresh and funny today as it was back in 1942; even in repeated viewings, the rapid-fire one liners and comic setpieces result in boffo bellylaughs. An Oscar was bestowed upon Johnny Burke and Jimmy Van Heusen's ballad "Moonlight Becomes You". ~ Hal Erickson, All Movie Guide

One Night in Lisbon is one of several pre-1942 films which used the screwball-comedy form to comment upon the raging war in Europe. While transporting American warplanes to the beleagured RAF, Texas flyboy Dwight Houston (Fred MacMurray) is caught in a London air raid. Scurrying to a shelter, Dwight meets icy, well-bred Briton Leonora Pettycote (Madeleine Carroll), with whom he falls in love--a feeling that is far from mutual at first. Eventually responding to Dwight's charms, Leonora agrees to join him for a night's revelries (as soon as the Nazi bombers head home, that is), but their budding relationship is complicated by the unexpected presence of Dwight's ex-wife Gerry Houston (Patricia Morrison and Leonora's erstwhile sweetheart, Cmdr. Peter Walmsley (John Loder). Escaping their respective suitors, Dwight and Leonara end up in neutral Lisbon, only to land in the middle of a Nazi spy ring. Although poor Leonora gets the worst of it at the hands of the villains, she is game enough to realize that she wants to spend the rest of her life with the footloose Dwight. The film is filled to overflowing with familiar character faces, including Britishers Edmund Gwenn and Dame May Whitty, French émigré Marcel Dalio and even perennial Laurel and Hardy foil James Finlayson. One Night in Lisbon was based on There's Always Juliet, a pre-WW2 play by John Van Druten. ~ Hal Erickson, All Movie Guide

Josef von Sternberg made his first return to exotic Shanghai since 1932's Shanghai Express in this baroque conflagration, based on a 1925 play by John Colton that required 30 revisions before it was sufficiently sanitized to pass muster with Hays Office censors. The film takes place in the gambling den of Mother Gin Sling (Ona Munson), who finds her casino threatened with closing by stuffed shirt English financier Sir Guy Charteris (Walter Huston). Gin Sling knows that the key to keeping her casino open is to dig up some dirt on Sir Guy, and it's quick in coming. She finds that Sir Guy was compelled to leave China in a hurry some time in the past, stealing his wife's money and plotting to kill her. Sir Guy ended up abandoning his wife in China and leaving her with an infant daughter. She also finds out that Sir Guy's grown-up daughter, Poppy (Gene Tierney, is a frequent and deeply indebted guest of Gin Sling's casino. Gin Sling is now ready to blackmail Sir Guy into keeping her casino open. He tracks down his daughter and tries to convince her to leave town. But Poppy refuses to budge, having fallen in love with Doctor Omar (Victor Mature). ~ Paul Brenner, All Movie Guide