Mikhail Rasumny Movies

If Hot Blood is remembered at all today, it is for its ludicrous advertising blurb "Jane Russell shakes her tambourines and drives Cornel Wilde!" Set in the gypsy community of contemporary Los Angeles, the film stars Wilde as aspiring dancer Stephen Torino, who is tricked by his brother Marco Luther Adler into an arranged marriage with tempestuous Annie Caldash Jane Russell. Annie is willing to give the union a go, but Torino wants none of it. Several risque complications and lively musical numbers later, Torino changes his mind. Nicholas Ray imbues Hot Blood with the same erotic/neurotic energy he brought to such earlier cult favorites as Johnny Guitar and Rebel without a Cause, but the magic just isn't there this time. ~ Hal Erickson, All Movie Guide

Not only are stars Anna Maria Alberghetti and Rosemary Clooney singing, but also a medium-sized roster of "special guest stars." Alberghetti plays an illegal Polish alien, while Clooney is a dewey-eyed showbiz aspirant who protects the refugee girl. The two ladies pin their hopes on a TV talent contest. Alberghetti becomes an opera star, while Clooney becomes a pop singer, solely (or so it seems) on the basis of the top-10 hit "Come On'a My House." The guest performers in The Stars are Singing include Metropolitan Opera luminary Lauritz Melchior, dancer Tom Morton, and the comedy dog act team of Bob Williams and Red Dust. ~ Hal Erickson, All Movie Guide

George and Helen Pasashvily's colorful memoir Anything Can Happen was delightfully brought to the screen by the Paramount producing team of William Perlberg and George Seaton. Jose Ferrer heads the cast as Eastern European immigrant Giorgi Pasashvily, whose wide-eyed innocence and uncertain grasp of the English language causes him no end of trouble during his first months in America. Things take an upward turn when Giorgi falls in love with American girl Helen Watson (Kim Hunter). The film, like the book that preceded it, is told episodically, with moments of high comedy alternating with scenes of tender pathos. As miserly-but-golden-hearted Uncle Besso, Oscar Karlweis has a death scene that is one of the best and most moving of its kind. When originally released in 1952, Anything Can Happen was heralded with a coming-attractions trailer hosted by Edmund Gwenn, which was every bit as enjoyable as the film itself. ~ Hal Erickson, All Movie Guide

A pleasant comedy with serious undertones, Free for All stars Robert Cummings as erstwhile inventor Christopher Parker. Hoping to secure a patent on his latest invention--a formula that turns water into gasoline--Parker is flummoxed by yards and yards of governmental and bureaucratic red tape. He also faces formidable opposition in the form of avaricious oil-company executive Blair (Ray Collins). Thankfully, Peterson can occasionally seek comfort in the arms of Alva (Ann Blyth), fortuitously the daughter of sympathetic patent-office employe Mr. Abbott (Percy Kilbride). Within a few years, the heat generated by the House UnAmerican Activities Committee would preclude the on-screen depiction of a villainous oil executive (this particular stereotype would, however, stage a comeback during the energy crises of the 1970s). Outside of its satirical jibes, Free for All scores its biggest laughs when concentrating on the various eccentrics (Percy Helton, Harry Antrim et. al.) dwelling in Mr Abbott's gadget-laden boarding house. ~ Hal Erickson, All Movie Guide

One of the great onscreen romantic pairings, Alan Ladd and Veronica Lake, ended with this romantic adventure film, their fourth cinematic collaboration. In Shanghai after WWII, veteran pilots Larry Briggs (Ladd) and Pete Rocco (Wally Cassell) are dismayed when informed that friend Mike Perry (Douglas Dick) will soon die of a terminal illness. Larry and Pete decide to keep the tragic news from Mike and spend the next weeks showing him a high time. To finance the festivities, they accept an offer of $10,000 from unscrupulous war profiteer Zlex Maris (Morris Carnovsky) in exchange for a flight to Vietnam. When departure time arrives, Maris shows up with the police in hot pursuit, so the buddies take off with his secretary, Susan Neaves (Lake), whose briefcase contains Maris' earnings -- $500,000. En route to Saigon, however, the crew crash-lands in an Asian jungle. As they make their way back to civilization with a detective (Luther Adler) tailing them, Mike develops feelings for Susan, who plays along at Larry's urging. Susan, however, is actually falling for Larry and vice versa. ~ Karl Williams, All Movie Guide

Lucille Ball offers a seminal version of her Lucy Ricardo TV character in Her Husband's Affairs. Ball is cast as Margaret Weldon, the wife of advertising executive William Weldon (Franchot Tone). Though Weldon is successful, Margaret can't help but feel that he'd be more successful if she were to take an active part in his business affairs. The fun really begins when Margaret tries to help Weldon promote a crackpot inventor (Mikhail Rasumny) who's come up with a revolutionary new embalming fluid. As in the previous year's The Hucksters, Madison Avenue and Big Business are targetted for a great deal of derisive ribbing. If only Her Husband's Affairs were as funny as everyone involved seems to think it is. ~ Hal Erickson, All Movie Guide

One of the most ambitious productions ever turned out by Monogram studios, Song of My Heart represented the directorial debut of screenwriter Benjamin Glazer. The film unfolds the life story of Peter Ilytich Tschaikovsky, with Swedish actor Frank Sundstrom in the title role. Avoiding the sensualism and sensationalism of Ken Russell's later Tschaikovsky biopic The Music Lovers (wisely, given the censorial limits of 1947), Glazer's film tastefully concentrates on the Russian composer's romantic relationship with his patroness Amalya (Audrey Long). Though he achieves great professional success on the concert stage, Tschaikovsky finds personal happiness and contentment only when he is on the verge of death. The huge cast includes such diverse personalities as Sir Cedric Hardwicke, Mikhail Rasumny, Gale Sherwood, Jimmie Dodd, and even veteran western heavy Lane Chandler. Deemed too good to be released with the Monogram imprimatur, Song of My Heart was handled by the studio's "prestige" division, Allied Artists. ~ Hal Erickson, All Movie Guide

Our Hearts Were Growing Up is the sequel to Paramount's surprise 1944 hit Our Hearts Were Young and Gay. The first film was based on the memoirs of actress Cornelia Otis Skinner; the sequel was inspired by the fevered imaginations of the screenwriters. Gail Russell plays Ms. Skinner, while Diana Lynn costars as Cornelia's best friend Emily Kimbrough. This time the girls visit the college boyfriends, only to become involve with a pair of benign bootleggers, portrayed by Brian Donlevy and William Demarest. Their misguided association with the criminal results in consternation for Cornelia's father, the eminent stage actor Otis Skinner (Charlie Ruggles). Ironically, Gail Russell, who played Cornelia Otis Skinner in both of the Our Hearts films, was cast opposite the real Ms. Skinner in the 1943 ghost chiller The Uninvited--and was nearly murdered by the older actress in the course of the plotline! ~ Hal Erickson, All Movie Guide

Too long by at least two reels, Holiday in Mexico is nevertheless one of the more enjoyable MGM Technicolor musicals of the 1940s. Walter Pigeon is top billed as Jeffrey Evans, American ambassador to Mexico. Captivated by the charms of her adopted homeland, Evans' impulsive daughter Christine falls in love with the decidedly mature piano virtuoso Jose Iturbi (cast as himself). Amused by Christine's ardor, Iturbi agrees with Evans that the girl would be far better off with someone closer to her own age-namely, British ambassador's son Stanley Owen (Roddy McDowell). Meanwhile, Christine plays matchmaker between her widowed father and glamorous Hungarian Toni Karpathy (Ilona Massey). Holiday in Mexico was Jane Powell's first MGM effort, and it is clear that producer Joe Pasternak intended to transform the teenaged soprano into the "new Deanna Durbin", though of course Powell eventually developed her own distinctive style. In addition to the musical contributions of stars Powell and Iturbi, the film costars the inimitable Xavier Cugat, doing his Xavier Cugat thing. ~ Hal Erickson, All Movie Guide

Jed Potter (Fred Astaire) is a popular radio personality who was once a famous dancer. He also used to be friends with Johnny Adams (Bing Crosby) until they became rivals for the affections of Mary O'Hara (Joan Caulfield). Jed lost out when Johnny and Mary got married, but life hasn't been too rosy for the couple since; Johnny's career in business was a washout, and not long after the birth of their daughter, the couple decided to divorce. Mary gave Jed another chance with her, but in time she chose to patch things up with Johnny, leading Jed to a close partnership with alcohol that ended with an accident, preventing him from ever dancing again. However, the aftermath of this tragedy helps bring the three former friends back together. Blue Skies was not much more than a framework for a bunch of musical numbers featuring great tunes from the Irving Berlin catalog, but when you've got Bing singing and Fred dancing to songs like "Puttin' on the Ritz," "You Keep Coming Back Like a Song," "A Couple of Song and Dance Men," and "White Christmas," why carp? Noted stage actor and tap dancer Paul Draper was originally cast as Jed, but he was fired after several days of filming and replaced by Astaire; Draper would make only one more movie before his film career came to an end after he was branded a Communist sympathizer. ~ Mark Deming, All Movie Guide

The Technicolor musical Masquerade in Mexico is Mitchell Leisen's remake of his own Midnight. Stranded in Mexico City without a dime, glamorous Angel O'Reilly (Dorothy Lamour) is rescued by wealthy Thomas Grant (Patric Knowles). But Grant's motivations are anything but altrustic. In order to get his wife Helen's (Ann Dvorak) mind off handsome bullfighter Manolo Segovia (Arturo de Cordova), Grant passes Angel off as a Contessa at a weekend party, reasoning that Segovia will switch his attentions to our heroine. Screenwriter Karl Tunberg has added a jewel-theft angle to the original Edwin Justis Mayer/Franz Spencer story, which improves things not at all. Masquerade in Mexico is admittedly a handsomer production than Midnight, but the remake lacks the sparkle of the original film's stars Claudette Colbert, Don Ameche, John Barrymore, Francis Lederer, Mary Astor et. al. ~ Hal Erickson, All Movie Guide

John Steinbeck cowrote this sometimes hilarious, sometimes heart-wrenching study of small-town hypocrisy. Shiftless Benny (who is never seen) has been tossed out of his Southern California town by the "proper" citizens. Drafted into the army, Benny is killed in action--and now that he's a hero, his old home town gears up for a Congressional Medal of Honor ceremony. Suddenly the same upright townsfolk who'd previously scorned Benny and his impoverished father (J. Carroll Naish) bend over backward to prove how much they "loved" the boy. Only Dorothy Lamour, playing Benny's former sweetheart, sees through the sham, though she's honor bound to celebrate Benny's heroism. A Medal for Benny bestows top billing upon Lamour, but the film's true star is J. Carroll Naish as Benny's volatile Italian papa--a performance which won Naish an Academy Award nomination. ~ Hal Erickson, All Movie Guide

Bumbling high schooler Henry Aldrich (Jimmy Lydon) finds himself in hot water once more when he offends school principal Mr. Bradley (Vaughan Glaser). If Henry doesn't put Bradley in a good mood immediately, he won't be allowed to graduate with the rest of his class. Reasoning that Bradley needs a little romance in his life, Henry and his pal Dizzy (Charles Smith) try to arrange a marriage for their sourpussed principal. The most likely matrimonial candidate turns out to be a garrulous spinster known to one and all as "Blue Eyes" (the incomparable Vera Vague). But Henry and Dizzy had better smooth the course of True Love in a hurry: if he doesn't graduate from high school with honors, young Mr. Aldrich will lose a $5000 inheritance. Can there be any more complications in this 65-minute comedy? There sure can: a brassy blonde (Barbara Pepper) has also set her cap for poor Bradley! ~ Hal Erickson, All Movie Guide