David Rasche Movies

A Manhattan priest with a fondness for dabbling in detective work investigates a series of unnerving, mysterious attacks, seemingly designed to terrify a young actress. This made-for-television film, retitled for its video release, is inspired by the books of mystery author G.K. Chesterton. ~ Judd Blaise, All Movie Guide

On the heels of Annie Hall, the Oscar-winning romantic comedy that rocketed Woody Allen to the front ranks of American filmmakers, Manhattan continued Allen's romantic obsessions in a slightly darker, more pessimistic vein. Allen stars as Isaac Davis, a TV comedy writer sick of the pap he is forced to churn out and harboring dreams of being the great American novelist. His love life is in barbed-wire territory: he is tormented by his second ex-wife Jill (Meryl Streep), a lesbian who has written a tell-all book about their marriage, and he is dating teenager Tracy (Mariel Hemingway), to whom he refuses to commit, and keeps hinting that a breakup may be imminent. Isaac's disillusioned (and married) best friend Yale (Michael Murphy) has begun an affair with the cerebral writer Mary Wilke (Diane Keaton). While Isaac makes a last minute, sink-or-swim decision to quit his job and devote all of his time to book writing, and neurotically moans about what the lack of a full time job will do to him ("My parents won't have as good of a seat in the synagogue," he moans. "They'll be far away from God... away from the action") Yale is crippled by his lack of resolve, as indicated by his inability to leave his wife Emily (Anne Byrne). Meanwhile, Isaac and {%Mary) begin to fall for one another. Tracy then tells Isaac the basic truth that none of his hung-up friends and past lovers fully realizes: "You have to have a little more faith in people." Manhattan is both a seriocomic dissection of perpetually dissatisfied New Yorkers and an ode to the city itself, filmed in glorious black-and-white by ace cinematographer Gordon Willis, and set to a score of rhapsodic George Gershwin music. ~ Hal Erickson, All Movie Guide

In this involved send-up of two American icons -- the automobile and the tourist trap -- the tiny Florida town of Ticlaw strives desperately for success after it has been denied the most essential of all tourist amenities -- a freeway exit. The insane, and mostly successful, schemes of the mayor (William Devane) and other distinctly unbalanced citizens interrupt, often hilariously, the lives of various eccentric travellers forced into a place they never intended to be. Critics disagree violently on whether this is a neglected classic or sophomoric nonsense. The winning record of director (John Schlesinger) (Midnight Cowboy, Marathon Man, Cold Comfort Farm, etc.,) and first-class performances by William Devane, Beau Bridges, Beverly D'Angelo, Hume Cronyn, JessicaTandy and a plethora of great character actors -- not to mention the water-skiing elephant and the wild rhino -- argue that it's worth a look. ~ Michael P. Rogers, All Movie Guide

An Italian deli owner (Tom Skerritt) gets fed up with the petty hoodlums in his south Philadelphia neighborhood who have been terrorizing his friends. He decides to form a neighborhood watch group to fight off the crooks. While his intentions are the very best, the group of vigilantes he forms resorts to beating up offenders before bothering to call the police, the police themselves are irritated that the citizens are interfering, and the deli owner starts to like the publicity he is getting for his vigilante work. As things unravel, a television news crew is there to present all sides of the story. ~ Eleanor Mannikka, All Movie Guide

This made-for-TV film is an Americanized remake of the 1975 German film The Lost Honor of Katharina Blum (based on the novel by Heinrich Böll). Shorn of most of her movie-star glamour, Marlo Thomas plays Kathryn Beck, whose one-night stand with handsome Ben Cole (Kris Kristofferson) all but ruins her life. Cole is suspected of being a political terrorist; as a result, Kathryn is seized by the authorities and relentlessly questioned. Her ordeal intensifies when she becomes the target of a ruthless investigative reporter. When she seeks legal aid, Kathryn finds that her basic civil rights aren't even as well protected as those of the fugitive Cole. Act of Passion: Lost Honor of Kathryn Beck premiered on January 24, 1984, minus the Act of Passion portion of the title, which was added later to pump up rerun ratings. ~ Hal Erickson, All Movie Guide

Crime is the disease and Sylvester Stallone is the cure in Cobra, a high-octane rehash of the Clint Eastwood/Dirty Harry films, burnished to a 1980s action sheen. Stallone is Marion Cobretti, a cop called in when regular police methods have failed. Cobra is sent to get a cult of Charles Manson-like serial killers and to protect Ingrid (Brigitte Nielsen), a beautiful, statuesque witness who is set to testify against them. Cobra deposits Ingrid in an out-of-the-way town for safe-keeping, but a mole in the police department tips off the killers. The gang comes racing into town to get Ingrid, but Cobra is there waiting for them, ready to spring into action. ~ Paul Brenner, All Movie Guide

Sledge Hammer solves more crimes. ~ All Movie Guide

A broad and brassy satire of hard-boiled detective shows, the weekly, half-hour ABC sitcom Sledge Hammer! first burst onto the scene September 23, 1986. Created by Alan Spencer, the series starred David Rasche as Detective Inspector Sledge Hammer, a tough, arrogant cop who played by his own rules and was nobody's patsy, no sir! Breaking 57 varieties of civil liberties every time he went out to collar a criminal, Hammer made no distinctions between the gravity of individual crimes, being just as tough and brutal on litterbugs as he was on bank robbers. You couldn't miss Hammer when he arrived on the scene, waving his beloved pearl-handed .44 Magnum and dressed in garish, mismatched clothes, with his ever-present sunglasses covering his beady little eyes. Although Hammer had an impressive resumé of big arrests, it was usually his smarter, quieter, and better-looking partner, Officer Dori Doreau (Anne-Marie Martin), who did most of the hard work. And in time-honored cop-cliché fashion, Hammer's volatile superior officer, Captain Trunk (Harrison Page), who never spoke when shouting would do, suspended our hero from the force each and every week, only to reinstate him for a job well done (by Dori Doreau, that is!). The series' first season contained perhaps the most bizarre cliffhanger ever conceived, with Hammer, muttering his trademarked "I know what I'm doing," accidentally detonating a nuclear device and destroying Los Angeles and everyone in it! This deliciously "noir" grace note was conceived by the producers when it seemed as if there was no way on earth that Sledge Hammer! would be renewed for a second season. When renewal did occur, the producers blithely explained that season two was a prequel to season one: Sledge Hammer: The Early Days. And in this same insouciant vein, the series went its merry way until it finally was canceled for keeps on June 30, 1988. ~ All Movie Guide

Alan Rudolph directed this offbeat, boy-meets-girl romance in which boy dies, dead boy meets dead girl, dead boy loses dead girl, and dead boy tries to find dead girl again. The tale begins is a small Pennsylvania town, where Mike Shea (Timothy Hutton) dreams of escaping small town life and moving to California with his girlfriend Brenda (Mare Winningham). But Brenda leaves him with his motor running and Mike takes off alone. On the way, he rescues a woman and her children from an icy river but perishes himself. He finds himself in Heaven, where he is greeted by Aunt Lisa (Maureen Stapleton), who explains the rules and regulations. Once in the ethereal realm, Mike falls in love with a heavenly lass with flaxen locks named Annie (Kelly McGillis). But their love is torn asunder because Annie has not yet earned her wings on Earth; she must leave on a tour of duty and put in time inhabiting a human body. Mike is beside himself in despair, but the heavenly powers, in the form of Emmett (Debra Winger), chain-smoking and sporting an orange crewcut like a ghostly Laurie Anderson, offer him a deal. Mike can return to Earth, but only on the stipulation that neither he nor Annie will remember each other. They then have thirty years in which to find one another again. ~ Paul Brenner, All Movie Guide

In this film, Steve (David Rasche) and Jenny's (Colleen Camp) new stepmother, Miranda (Bette Davis), is truly a witch in every sense of the word. With their father (Lionel Stander) happily deceived by his new wife, it is up to the kids to stop Miranda's dastardly plans, before it is too late. This movie was Bette Davis' last film. ~ Iotis Erlewine, All Movie Guide

In this comedy, the members of the Shakers, an aspiring rock band, perform at a series of weird and wacky weddings. ~ Iotis Erlewine, All Movie Guide