Michael Rapaport Movies

This drama examines the personal, political, and racial dilemmas facing a group of college freshmen as they begin their first semester at Columbus University. Malik (Omar Epps) is an African-American student attending on a track scholarship; academics are not his strong suit, and he goes in thinking that his athletic abilities will earn him a free ride through college. Fudge (Ice Cube), a "professional student" who has been at Columbus for six years so far, becomes friendly with Malik and challenges his views about race and politics in America, while Professor Phipps (Laurence Fishburne), a black man who teaches political science, firmly tells Malik that he will not be graded on a different standard either because of his race or his ability to run quickly. With Deja (Tyra Banks), Malik finds a girlfriend, a tutor, and a training partner all rolled into one. Meanwhile, Kristen (Kristy Swanson), a somewhat naive young woman from California, meets a boy named Billy (Jay R. Ferguson) after both have had too much to drink at a beer blast; Kristen soon becomes a victim of date rape and becomes involved with a campus feminist group to deal with the painful experience. While working with the women's group, Kristen gets to know Taryn (Jennifer Connelly), a strong but understanding woman who is also a lesbian, and she finds herself becoming attracted to her. And Remy (Michael Rappaport) is a confused young man from the Midwest who feels lost in the multi-cultural atmosphere of Columbus. He is approached by Scott (Cole Hauser), a member of a group of racist skinheads, who believe that Remy is a perfect candidate to help carry out his group's violent goals. Keep an eye peeled for Gwyneth Paltrow, who has a bit part as a student; rap stars Busta Rhymes, D-Knowledge and Mista Grimm also appear in supporting roles. ~ Mark Deming, All Movie Guide

A convict agrees to go undercover and gather evidence on a notorious crime lord in order to win an early release from prison in this tough, gritty crime drama. Much of the tension develops from the inner conflict of Jimmy Kilmartin (David Caruso), who feels torn between his desire to win freedom for the sake of his family and his belief in a code of honor that sees ratting on others as an unforgivable sin. His misgivings are compounded by fear when he learns that his target is to be the notorious Little Junior (Nicolas Cage), a violent eccentric with a hair-trigger temper. Luckily for the ex-con, Junior takes a shine to Jimmy, welcoming him into his inner circle. While this pleases the investigators, it means further trouble for Jimmy, who would undoubtedly be killed were his deception ever discovered. ~ Judd Blaise, All Movie Guide

Two estranged brothers discover that family secrets can have a high value on the wrong side of the law in this crime drama. Jack McCallister (Seymour Cassel) is an aging career criminal whose luck is about to give out; Jack and his henchmen are ambushed by police in the midst of a major robbery, which leaves Jack severely injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed, where he speaks with his two sons, George (Treat Williams) and Michael (Paul Schulze). George has followed Jack's example as a thief, though his violent recklessness suggests that his career will not be as long as his father's, while Michael makes ends meet as a con man, selling burial plots that don't exist to the elderly and gullible. George and Michael have never gotten along and don't trust each other, but before Jack dies, he gives each of his sons an important clue as to where his final windfall is hidden. If they are to find the money, George and Michael will have to put aside their differences and help each other, but of course they're not the only ones in town looking for the missing half-million. Handgun was the first theatrical feature for television director Whitney Ransick and also features Michael Rappaport, Frank Vincent, and Michael Imperioli. ~ Mark Deming, All Movie Guide

Adapted from a true story, dockworker Joey Coyle (John Cusack) finds over $1 million, which fell from an armored car. Instead of returning the money, he embarks on a spending spree unchecked by the wishes of his friend (Michael Rapaport) and hires a crime ring to launder the money. The detective assigned to the case (Michael Madsen) follows his increasingly distinct tracks. ~ John Bush, All Movie Guide

Quentin Tarantino scripted this wild and wooly blend of action and dark comedy, which reached theaters a year before his breakthrough hit Pulp Fiction. Clarence Worley (Christian Slater) is a well-meaning but socially unskilled comic-shop clerk whose idea of a big night out is catching a Sonny Chiba triple-feature at a downtown grindhouse. Clarence is celebrating his birthday in just such a manner when he meets a beautiful girl named Alabama (Patricia Arquette), and it's love at first sight for both of them. Clarence's enthusiasm isn't dampened much when he discovers Alabama is actually a prostitute who was paid by his boss to bump into him; she's only been in the business for a few days, and is more than eager to give up streetwalking to be with Clarence. However, Alabama is certain her pimp, Drexl (Gary Oldman), will not be happy; he's an ill-mannered sort with mob connections and a fondness for violence. Chivalrous Clarence offers to break the news to Drexl and collect her belongings, but he doesn't tell her he also plans to kill Drexl while he's there; a melee breaks out that leaves Drexl and his henchmen dead. Clarence grabs a suitcase that he thinks contains Alabama's clothes, but he discovers it instead holds five million dollars' worth of cocaine. The couple hits the road for California, planning to sell the dope and enjoy the good life in South America with the proceeds, but soon a group of very unhappy underworld characters are after them, as well as the police. True Romance also stars Dennis Hopper as Clarence's father, Christopher Walken as a mob boss who wants his cocaine back, Brad Pitt as a cheerful stoner, and Val Kilmer as the ghost of Elvis Presley. ~ Mark Deming, All Movie Guide

An interracial romance sparks social upheaval in this indie drama from first-time writer/director Anthony Drazan. Jewish high school student Zack Glass (Michael Rapaport) lives with his widowed, womanizing father (Ray Sharkey) in one of the nicer areas of Detroit. His pop and grandfather own a pair of vintage record stores full of everything from swing and jazz to soul and disco; Zack carries on the vinyl-centric family tradition by selling hip-hop mix tapes out of his locker and mixing fiddles and Puccini into his DJ sets at local parties. One day at school, beautiful New Jersey transfer student Nikki (N'Bushe Wright) witnesses Zack's girlfriend unceremoniously dumping him; when it turns out that Zack's best friend, Dee Wimms (DeShonn Castle), is Nikki's cousin, the stage is set for romance -- the first interracial pairing for each teen. Dee is happy to play matchmaker, but members of the Wimms clan aren't as pleased with the romance. Nikki's mother, Marlene (Candy Ann Brown), asks Zack point-blank if he's curious about black women -- or just slumming it. Such mild disapproval is nothing compared to the rage felt by Nut (Ron Johnson), a young troublemaker who wants to romance Nikki himself. When Nikki overhears Zack making a racially insensitive comment about her to his pals at a party, she questions the viability of their relationship; the next day, she finds herself making time with Nut, who displays an unexpected tender streak. When Zack shows up at the local skating rink to talk to Nikki and sees Nut pestering her, things spiral out of control. Soon, the lines are drawn in a community-wide debate about interracial dating and urban violence. Zebrahead earned a Filmmaker's Trophy for Drazan at Sundance in 1992 and launched the successful careers of Rapaport and Wright. Indie fans will notice Kevin Corrigan in an elliptical subplot involving the industrial disintegration of the Motor City. ~ Brian J. Dillard, All Movie Guide

Although this Canadian production saw its widest U.S. cable TV distribution in the early '80s (primarily under the title Stranger in the House) to capitalize on the phenomenal success of Halloween and its offspring, this effective suspense-thriller actually predates John Carpenter's film by four years. The story involves a dangerous psychopath hiding out in the attic of a sorority house who torments a small group of pretty young sisters (including Olivia Hussey and Margot Kidder) who are staying behind over Christmas break. His tactics range from making obscene phone calls from their house-mother's phone, to stalking the terrified boarders with sharp objects and murderous intent. Director Bob Clark, who mistook dreariness for tension in his previous horror effort Children Shouldn't Play With Dead Things! (1972), here demonstrates a tight, aggressive style that generates some very original shocks -- particularly the surprise ending -- which clearly influenced dozens of similarly-themed slasher films to follow. ~ Cavett Binion, All Movie Guide