Gil Rankin Movies

Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. The film was later re-rated R by the MPAA. ~ Lucia Bozzola, Rovi

An old friend of Paladin's named Gravely (Bill Mims) has organized a western "safari" for a group of wealthy British visitors. The highlight of the festivities is to be a mock Indian raid--but things take a deadly turn when one member of the party is found dead, shot by an arrow! Called in to protect the survivors, Paladin (Richard Boone) begins to suspect that the murderer is not an Indian, but instead a member of the safari...but who, and why? ~ Hal Erickson, Rovi

Friday (Jack Webb) and Smith (Ben Alexander) receive a tip that middle-aged dope addict Denson (Rodney Bell) has recently purchased some 30 caps of heroin, which he plans to sell. Not only has "trailer trash" Denson ruined his life and his family with his drug habit, but he is also allowing his nineteen-year-old daughter Josie (a young Ruta Lee) to date a slimy dope pusher (Dennis Cross) in order to secure an endless supply of "H". This episode is based on the Dragnet radio broadcast of September 15, 1955. ~ Hal Erickson, Rovi

Dance With Me, Henry was the screen swan song for the comedy team of Bud Abbott and Lou Costello. Most of the action takes place in Kiddieland, an amusement park owned by soft-hearted Lou Henry (Costello). An inveterate collector of strays, Lou has adopted orphaned kids Shelley (Gigi Perreau) and Duffer (Rusty Hamer), and has also provided a safe harbor for chronic gambler Bud Flick (Abbott). Bud's enormous gambling debts bring Lou under the scrutiny of gangster Big Frank (Ted De Corsia), who in turn is being monitored by DA Proctor (Robert Shayne). When Proctor is murdered, Lou finds himself the number one suspect. The film concludes with a riotous chase through the carnival grounds, with Bud and Lou just a few steps ahead of the bad guys. Both Abbott and Costello seem tired and worn out in Dance With Me, Henry, but a few bright moments manage to seep through the malaise of moldy old jokes and half-hearted sight gags. ~ Hal Erickson, Rovi