Isabel Randolph Movies

Model Sharon Camody (Mary Ann Mobley) has an excellent chance of being hired as the spokeswoman for White Snow Soap--so long as she is able to keep her unsavory past a secret from the public. Unfortunately, Sharon is targetted for a shakedown by blackmailer Ed Grover, who subsequently turns up murdered. Convinced that he has killed Grover with his bare hands, Sharon's ex-boxer boyfriend Duke (Paul Lukather) confesses his "crime" to Perry Mason (Raymond Burr)--who is subsequently faced with an ethical dilemma when derelict Jake Stearns (James Griffith) is arrested for the crime. In order to clear Jake, Perry may be forced to turn his own client Grover over to the authorities...a move that will not only ruin Grover's life but Sharon's as well. ~ Hal Erickson, All Movie Guide

In another flashback to the early days of the Petries' marriage, Laura (Mary Tyler Moore) is nervous over the prospect of meeting Rob's (Dick Van Dyke) parents for the first time. To calm herself, she takes some nerve medicine prescribed to her friend Millie (Ann Morgan Guilbert). Unfortunately, the pills turn out to be "uppers," resulting in an extremely hyperactive Laura during a riotous dinner with Rob's mom and dad. Watch for the moment in which the flashback is "fast-forwarded," anticipating home video technology by nearly two decades! ~ Hal Erickson, All Movie Guide

Fresh from her six-year stint on Lassie, June Lockhart is cast as Mona Harvey, the wife of wildly eccentric sculptor Hannibal Harvey (Sean McClory), and the principal stockholder in the highly respected publishing firm owned by her uncle Everett Stanton (Stuart Erwin). In dire need of $10,000, Hannibal takes advantage of Mona's temporary absence to shake down Everett for the money, arranging for his model Bonnie (Sue Ane Langdon) to deliver a blackmail note. But Mona gets her hands on the note and decides to confront Bonnie--and as a result, she and Hannibal show up just in time to find the girl's corpse, and to be charged with murder. Looks like it's going to be another one of those days for overworked defense attorney Perry Mason (Raymond Burr)! ~ Hal Erickson, All Movie Guide

Marty Ingels guest stars as Sol Pomeroy, the irrepressible army buddy of TV writer Rob Petrie (Dick Van Dyke). Though Rob is still fond of Sol, he doesn't cotton to the notion of Sol dropping in on the Petrie household (with strangers in tow!) on the same night that Rob and Laura (Mary Tyler Moore) are entertaining Henry Beaumont (Roy Roberts), the sponsor of "The Alan Brady Show." Sure enough, Sol sets the occasion on its ear with his uninhibited silliness -- but does this mean that the staid, conservative Mr. Beaumont will decide to peddle his products elsewhere? ~ Hal Erickson, All Movie Guide

Laura (Mary Tyler Moore) is surprised to come across a crumpled letter in Ritchie's pants pocket, requesting that Rob (Dick Van Dyke) show up at his son's classroom the next day for a "Father of the Week" presentation. Much to Rob's chagrin, Ritchie (Larry Mathews) doesn't want his dad to come to school, feeling ashamed that Rob is "only" a TV comedy writer whereas all of his classmates' dads are jet pilots, policemen, and the like. His pride wounded, Rob insists upon showing up for the classroom presentation, where after suffering the unintentionally insensitive introduction by the teacher (Isabel Randolph) he scores a surprising hit with the kids. This episode was inspired by "Head of the Family," the original unsold pilot for The Dick Van Dyke Show starring series creator (Carl Reiner) as Rob Petrie. ~ Hal Erickson, All Movie Guide

A valuable Matisse is stolen from an art museum and replaced by a forgery. Museum curator June Sinclair (Mala Powers) and her boyfriend David Lambert (Joe Maross) are suspected of the crime--and then charged with the murder of the actual thief, David's wife Lisa (Carmen Philips). Thus it is that Perry Mason (Raymond Burr) has two clients to save from the gas chamber. The huge supporting cast includes veteran radio actresses Isabel Randolph and Elvia Allman, and former B-western hero Jack Perrin. ~ Hal Erickson, All Movie Guide

You're Never Too Young is a slapstick-with-songs remake of the 1944 Ray Milland/Ginger Rogers vehicle The Major and the Minor. Dean Martin plays the Milland part, while Ginger's shoes are filled by...Jerry Lewis? Lewis plays an apprentice barber who inadvertently crosses a homicidal jewel thief (Raymond Burr), and equally inadvertently hightails it out of town with the crook's jewels in his possession. Desperate to escape the crook's clutches, and lacking the necessary funds for a train ticket, Lewis disguises himself as a 12-year-old boy so he can travel half fare. He latches onto Dean, a music teacher heading for an all-girls school. After innumerable routines sparked by Lewis's adolescent disguise, the jewel thief catches up with him, leading to a rollicking climactic speedboat chase. Dean Martin has plenty of opportunities to serenade leading lady Diana Lynn (who'd played a supporting role in The Major and the Minor), while Jerry Lewis is in peak form doing his usual "waah-waah-waah" schtick. The original Billy Wilder/Charles Brackett script for The Major and the Minor was reshaped into You're Never Too Young by future bestselling novelist Sidney Sheldon. ~ Hal Erickson, All Movie Guide

Produced and directed by the prestigious Frank Lloyd, The Shanghai Story was promoted as a "class" production by the bread-and-butter firm of Republic Pictures. The film takes place in the eponymous far-eastern metropolis (courtesy of the Republic backlot), where Communist police chief Colonel Zorek (Marvin Miller) hopes to trap an American spy. Zorek rounds up the usual suspects and sequesters them in a seedy hotel. Could the spy be Dan Maynard (Edmond O'Brien), a cynical doctor? Is it munitions profiteer Ricki Dolmine (Barry Kelley)? Perhaps it's two-fisted mercenary seaman Knuckles Greer (Richard Jaeckel). Orrrrrrr, maybe it's the mysterious Rita King (Ruth Roman), who is inexplicably given permission to come and go as she pleases by the otherwise intractable Zorek. True to form, this Republic A-picture resolves its problems with a final reel of good old B-flick action and violence. ~ Hal Erickson, All Movie Guide

In this western, a US marshal tries to stop a nefarious gang of thieves from harassing the local sheriff and from stealing shipments of gold ore by putting their leader into the jail. The ringleader turns out to be a female newspaper publisher who has been creating all the problems to make sure her brother will be elected sheriff. ~ Sandra Brennan, All Movie Guide

Personally supervised by Howard R. Hughes, the RKO Technicolor musical Two Tickets to Broadway stars Janet Leigh as a small-town girl who hopes to make it big in the Big Apple. Moving into a Manhattan boarding house populated by such showbiz hopefuls as Ann Miller, Tony Martin, Gloria De Haven and Barbara Lawrence, Leigh aspires to appear on the popular TV variety program hosted by bandleader Bob Crosby. Two-bit agent Eddie Bracken promises to make her dreams come true, even though he doesn't know Crosby from Adam. Along the way, Leigh falls for Martin, though the course of true love seldom runs smooth--in fact, at one point it threatens to run all the way back to Leigh's home town. Injecting their time-honored routines into the proceedings are veteran vaudevillians Joe Smith and Charlie Dale, playing a couple of stagestruck deli owners (their roles were originally slated for Stan Laurel and Oliver Hardy, but Laurel's illness precluded any film work). Despite the creative input of choreographer Busby Berkeley, the film's best number is the simplest: Let's Make Comparisons, wherein Bob Crosby explains why he's not his brother Bing. Seemingly a surefire box-office hit, Two Tickets to Broadway inexplicably posted a loss of $1,150,000. ~ Hal Erickson, All Movie Guide

Hot on the heels of such Red Skelton slapstick comedies as The Fuller Brush Man and The Yellow Cab Man came The Fuller Brush Girl, starring Lucille Ball in a fascinating dry run for her wacky "Lucy Ricardo" TV character. Unable to hold a job because of her tendency to get into trouble, Sally Elliot (Ball) hires on at the Fuller Brush company as a door-to-door cosmetics salesman. After several misadventures involving obnoxious children and snooty matrons, Sally finds herself in the middle of a murder scheme. With reluctant boyfriend Humphrey (Eddie Albert) in tow, Sally gets mixed up in one hilariously life-threatening situation after another, culminating in a prolonged chase sequence on board a tramp steamer. Highlights include Ball's outrageous striptease scene (to the tune of Rita Hayworth's "Put the Blame on Mame") and a choice cameo by Red Skelton as an all-too-cooperative customer. Most of the sight gags in Fuller Brush Girl were cooked up by former cartoon director Frank Tashlin, who'd also contributed to Fuller Brush Man. ~ Hal Erickson, All Movie Guide