Amanda Randolph Movies
The older sister of actress Lillian Randolph, Amanda Randolph worked her way up the black vaudeville circuit as a singer and comedienne. She made her first screen appearance in the Vitaphone two-reeler The Black Network (1935) as the supposedly untalented wife of a radio sponsor; ironically, she sounded better than the film's official leading lady Nina Mae McKinney. After appearing in a handful of all-black feature films she established herself as a character actress on network radio. In the 1950s she was generally cast as maidservants in films, with the notable exception of her performance as Sidney Poitier's mother in 1950's No Way Out. On television, Amanda Randolph was seen to excellent advantage as the Kingfish's domineering mother-in-law on The Amos 'N' Andy Show (1951-1953) and as Louise the maid on Make Room for Daddy (1954-1964). ~ Hal Erickson, All Movie Guide- 1967
In this western, a town sheriff contends with his reputation as the "fastest gun in the West." When a young gunslinger calls him out for a showdown, the sheriff is struck by the fellows resemblance to himself when he was young. He therefore, attempts to talk him out of his foolish career choice, but the young man refuses to listen. The saloon hostess attempts to talk the sheriff out of the duel, but the old fellow does not listen. ~ Sandra Brennan, All Movie Guide
- Starring:
- Glenn Ford, Angie Dickinson, (more)
- 1962
Producer Alex Chase (Jeff Morrow) hopes to persuade Broadway star Mona White (played by a young Ellen Burstyn, then billed as Ellen McRae) to headline his new musical by allowing her to preview the score. Instead, Mona angrily accuses Alex of stealing the music from her composer husband Damion White (David Hedison). The real song thief is two-bit tunesmith Phil Schuyler (James Forrest), who ends up electrocuted in his bathtub on Halloween night. Though Damion White was identified fleeing the scene of the crime, Perry Mason (Raymond Burr) intends to prove that White is innocent by pointing out the heavy traffic in costumed trick-or-treaters--any one of whom could have been the real murderer. This episode was originally scheduled to air on October 25, 1962. ~ Hal Erickson, All Movie Guide
The talents of the cast and director George Cukor (A Star Is Born, My Fair Lady), combine to bring off this otherwise routine Western based on a Louis L'Amour novel. Sophia Loren is Angela Rossini, a woman who seems to create the situations she gets into, and Anthony Quinn is the strong, silent but soft-hearted Tom Healy. Rather than playing it straight, Cukor opts for satire and effective comedy in taking "The Great Healy Dramatic and Concert Co.," with its two-wagon loads of thespians and their gear, and turning it into a fun romp. As the troupe carries on with their performances heading through Wyoming, they are fighting for their economic survival and, as often as not, running like the devil from the law. There is a likeable villain in the piece, Mabry (Steve Forrest), a zany woman who has "sacrificed" her own dubious stage career for that of her daughter (Eileen Heckart), a so-called Shakespearean actor (Edmund Love), a banker with menacing undertones (Ramon Novarro), and a really hysterical Indian attack. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Sophia Loren, Anthony Quinn, (more)
A Man Called Peter is the story of Scottish-born Presbyterian minister and world-renowned author Peter Marshall, here played by Richard Todd. In his youth, Marshall moves to Washington DC, where he becomes pastor of the Church of the Presidents. His wisdom and conviction enables Marshall to communicate with men of all faiths. In private life, the pastor is given moral support by his loyal wife Catherine Marshall (Jean Peters). At the time of his comparatively early death, Marshall has become chaplain of the US Senate. Interestingly enough, while Marshall and his family are identified by name, the peripheral political characters are given fictional monickers--and sometimes, as in the case of the President played by William Forrest, no names at all. Director Henry Koster expertly avoids filming Marshall's sermons in a static, declamatory fashion. As Catherine Marshall, Jean Peters does wonders with a comparatively limited role; her best scene is her last, when she overcomes her lifelong fear of the ocean for the sake of her son (Billy Chapin). A Man Called Peter was certainly not conceived out of any box-office considerations, but it still paid its way. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Todd, Jean Peters, (more)
- 1953
Robert Jordan is a television star. Robert Jordan likes things orderly, on time and properly executed. In his world children are to be seen, not heard. So why would Mr. Jordan want to become the master of a rambunctious band of Boy Scouts? Ratings. His staff figures that if learns how to interact with the youth, they will be more inclined to watch his show. Of course watching Jordan cope comprises most of the fun. ~ Sandra Brennan, All Movie Guide
- Starring:
- Clifton Webb, Edmund Gwenn, (more)
- 1952
Jungle Girl was the 7th entry in Monogram's "Bomba the Jungle Boy" series, based on the pulp novels by Roy Rockwood. This time, Bomba (Johnny Sheffield) tries to find the long-lost remains of his parents. He discovers that the person responsible for mom and dad's deaths was evil native chieftain Martin Wilkins. Only after the chief's daughter Suzette Harbin is herself accidentally killed (not by Bomba-rest, easy kids!) does the villain give himself up to the authorities. With the exception of Johnny Sheffield and co-stars Karen Sharpe and Walter Sande, most of the acting in Jungle Girl is strictly amateur night. ~ Hal Erickson, All Movie Guide
- 1952
Though its title would seem to indicate a medieval swashbuckler, The Iron Mistress is actually based on the life of American frontiersman Jim Bowie. Alan Ladd stars as the fearless, knife-wielding Bowie, who is first seen arriving in New Orleans to sell a supply of lumber. Bowie falls in love with duplicitous Creole lass Judalon de Bornay (a brunette Virginia Mayo), who inspires him to increase his riches and political power. When Bowie doesn't move up the ladder of success fast enough to suit her, the fickle Judalon weds another. Bowie eventually finds happiness in the arms of Ursula de Veremendi (Phyllis Kirk), the daughter of Texas' vice-governor. The film tactfully ends long before Bowie's rendezvous with destiny at the Alamo. The Iron Mistress is based on the novel by Paul I. Wellman; the highlight of the novel, a fierce knife-and-rapier duel, is faithfully recreated here. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Virginia Mayo, (more)
- 1952
She's Working Her Way Through College is a completely depoliticized remake of the liberal-minded comedy The Male Animal (1942). Virginia Mayo plays an exotic dancer, Angela Gardner, who decides to improve her mind; she enrolls in a college where Professor John Palmer (Ronald Reagan) teaches English. In between Angela's lively musical numbers, the film concentrates on an old rivalry between the bookish Palmer and onetime college football jock Shep Slade (Don DeFore, who'd played a bit in The Male Animal). When the college trustees oppose Angela's presence on campus, Palmer staunchly defends her right to an education. In the original Male Animal, the climactic scene involved a controversial public reading of a letter by anarchist Bartolomeo Vanzetti; in She's Working Her Way Through College, Palmer stands up at a public assembly to convince the populace that exotic dancers have the same rights as anyone else. Of course, Ronald Reagan could take a political stance if he wanted to...but not in this film. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Mayo, Ronald Reagan, (more)
- 1952
This is the second volume from the very popular early-'50s Amos 'n' Andy series. Episodes in this issue are: "Madame Queen's Voice" and "Insurance Policy." ~ All Movie Guide
- 1952
This is the first volume from the very popular early-'50s Amos 'n' Andy series. Episodes in this issue are: "Kingfish Teaches Andy to Fly" and "Second Honeymoon." ~ All Movie Guide
A pioneering film about racial tensions, No Way Out stars Richard Widmark as a criminal named Ray Biddle, who despises African-Americans. Sidney Poitier (in his screen debut) is the black doctor, Luther Brooks, assigned to take care of the wounded Ray. Dr. Brooks, hired by the police hospital as part of an overall program to integrate the staff, keeps his temper in check as Ray spouts his racist invective. When Ray's brother, also wounded, dies in the hospital, the blustering bigot holds Dr. Brooks responsible and sends word to his gang to wreak vengeance on the city's black community. But the blacks turn the tables on the whites and fight them off. Ray then breaks out of the hospital with Dr. Brooks as hostage. His plans to kill the doctor are thwarted by Ray's girlfriend (Linda Darnell), who finally becomes fed up with his blind hatred. No Way Out was considered potent stuff in 1950; it was still regarded as a hot potato in 1962, when NBC dropped plans to telecast the film on "Saturday Night at the Movies." ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Linda Darnell, (more)
