Steve Randazzo Movies

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide

When a man is stabbed to death in front of a coffee shop, an unhinged "street person" named Lemonhead (Matthew Cowles) leads detectives Logan (Chris Noth) and Cerreta (Paul Sorvino) to the probable killer, a homeless man named Polesky (Stuart Rudin). Sure enough, the cops find the murder weapon in the Central Park clearing that Polesky calls "home." Unfortunately, the killer's prosecution may be stymied when the Defense argues that Logan and Cerreta didn't have a search warrant. ~ Hal Erickson, All Movie Guide

Hangin' with the Homeboys follows four young men--two Black, two Puerto Rican--over the course of one night in the Bronx. During the night, they have several misadventures as they talk, argue, play and get into accidents. This coming-of-age film was directed by the late Joseph B. Vasquez and features an early performance by John Leguizamo. ~ Stephen Thomas Erlewine, All Movie Guide

Shakespeare's Macbeth is transplanted to a '90s New York gangland in this 1991 film. A hit man (John Turturro) is convinced to murder his boss (Rod Steiger) after his future as the head of the organization is ensured by three fortune-tellers. With the help of his domineering wife (Kathie Borowitz), the hit man murders his way to the top, but then faces the consequences. ~ John Bush, All Movie Guide

Actor John Turturro spent a dozen years getting his script for Mac before the cameras; he'd originally planned to merely act in the film, but the stringent budget required that he direct as well. Turturro plays Mac, one of three grown brothers in an Italian/American family living in 1950s New York. His other siblings are would-be "macho man" Vico (Michael Badalucco) and idealistic Bruno (Carl Capatoro). All three are unhappily employed at a construction firm run--badly--by Olek Krupa. Convinced he knows more about the business in his little finger than Krupa does in his whole carcass, Mac sets up his own construction company, wooing away most of Krupa's employees. On the verge of great success, Mac finds that his brothers are unwilling to commit themselves to his new business, a fact that causes an irreparable schism in their relationship. Co-starring in Mac as John Turturro's wife is the real-life Mrs. Turturro, Katherine Borowitz. ~ Hal Erickson, All Movie Guide

Writer-director Spike Lee's epic portrayal of the life and times of the slain civil rights leader Malcolm X begins with the cross-cut imagery of the police beating of black motorist Rodney King juxtaposed with an American flag burning into the shape of the letter X. When the film's narrative begins moments later, it jumps back to World War II-era Boston, where Malcolm Little (Denzel Washington) is making his living as a hustler. The son of a Baptist preacher who was murdered by the Ku Klux Klan, Little was raised by foster parents after his mother was deemed clinically insane; as an adult, he turned to a life of crime, which leads to his imprisonment on burglary charges. In jail, Little receives epiphany in the form of an introduction to Islam; he is especially taken with the lessons of Elijah Mohammed, who comes to him in a vision. Adopting the name 'Malcolm X' as a rejection of the 'Little' surname (given his family by white slave owners), he meets the real Elijah Mohammed (Al Freeman, Jr.) upon exiting prison, and begins work as a spokesman for the Nation of Islam. Marriage to a Muslim nurse named Betty Shabazz (Angela Bassett) follows, after which X spearheads a well-attended march on a Harlem hospital housing a Muslim recovering from an episode of police brutality. The march's success helps elevate X to the position of Islam's national spokesperson. There is dissension in the ranks, however, and soon X is targeted for assassination by other Nation leaders; even Elijah Mohammed fears Malcolm's growing influence. After getting wind of the murder plot, X leaves the Nation of Islam, embarking on a pilgrimage to Mecca that proves revelatory; renouncing his separatist beliefs, his oratories begin embracing all races and cultures. During a 1965 speech, Malcolm X is shot and killed, reportedly by Nation of Islam members. ~ Jason Ankeny, All Movie Guide

Michael J. Fox stars as Doug Ireland in this romantic comedy about a brash concierge at a swanky New York hotel who always makes it a point to go out of his way for the hotel guests. But Doug doesn't want to be a concierge forever. What he would really like to do is build a swanky hotel of his own, and all he needs is $3 million to do it. When haughty and patronizing tycoon Christian Hanover (Anthony Higgins) comes to the hotel for a rendezvous with his mistress Andy Hart (Gabrielle Anwar), Doug sees the opportunity to convince Christian to invest the $3 million in his dream of a hotel. So, Doug willingly agrees to baby-sit Andy when Christian has to leave her to see his wife. But the more time he spends with Andy, the more affectionate he feels toward her, until finally he has fallen in love with her. Now Doug must make a choice concerning what he really wants -- his dream of a hotel or the love of Andy. ~ Paul Brenner, All Movie Guide

Searching for Bobby Fischer was inspired by the life of chess prodigy Josh Waitzkin, as written by his father Fred Waitzkin. Josh (Max Pomeranc) is a "regular kid" who begins evincing signs of being a genius at chess. His father (Joe Mantegna) encourages this, hoping that it won't fundamentally change his son's healthy outlook on life. But Josh is taken under the wing of cold-blooded chess instructor Bruce Pandolfini (Ben Kingsley), who indoctrinates the boy in the "Bobby Fischer" strategy. Unfortunately, Pandolfini emphasizes all of Fischer's negative traits, especially his contempt for his opponents. Josh is in danger throughout the film of sacrificing his essential decency, but in a rousing conclusion, the boy is able to successfully blend ruthless competition with good sportsmanship. ~ Hal Erickson, All Movie Guide

Hollywood wannabes struggle to succeed while striving for relationships that are doomed to fail in this gloomy comedy-drama from writer-director Alexandre Rockwell. Rosie Perez stars as Mercedes, a transplanted New Yorker now living in East L.A. and taxi dancing at a seedy Hollywood strip joint. Mercedes has dreams of achieving stardom as an actress, but her lack of talent means that her goal will probably always elude her. Her travels take her into contact with several eccentric characters including a sage transvestite (Steve Buscemi), a showbiz insider (Sam Fuller), a savvy bartender (Quentin Tarantino), and her useless agent George (Stanley Tucci). Although he won't leave his wife, Mercedes worships her boyfriend Harry Harrelson (Harvey Keitel), once a prominent actor on a TV western whose glory days are long past. In the meantime, Ernesto (Michael DeLorenzo), a faithful customer and gravedigger, falls helplessly in love with Mercedes, but his passion is unrequited, even though he tattoos Mercedes' name across his chest. ~ Karl Williams, All Movie Guide

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie's far-fetched scheme to rob the "money train" that collects the subway's daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie's and John's harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film's main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can't Jump (1992), but Joseph Ruben's unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor. ~ Judd Blaise, All Movie Guide

Andy Warhol was a phenomenon who warrants a lot of explaining: a completely colorless mega-star celebrity, and a kind of LaBrea Tarpit for a vivid and talented collection of oddballs in the New York scene. He fostered their continued degeneration into weird lifestyles and heavy drug use; and at the same time acted as their mentor, agent, and sponsor. One artist who came to be part of Warhol's "scene" was Jean Michel Basquiat, an antisocial street-bum who went from writing graffiti on alley walls to being the toast of New York City's art world. This film biography chronicles the progression of Basquiat (Jeffrey Wright) and his progression from living in cardboard boxes to penthouses, his romances, his drug use, and his death in 1988 at age 27. Along the way, he never stopped detesting the rich, including art agent Bruno Bischofberger (Dennis Hopper), and he never lost his naivete. Warhol (David Bowie) picks up some of the pieces as Basquiat lurches through the art scene. Cameo appearances by Tatum O'Neal and Courtney Love add spice to this interesting film. ~ Clarke Fountain, All Movie Guide

A hit man discovers the pros and cons of getting to know his victim in this dark comedy. Margaret (Cher) is supposed to be celebrating her 20th wedding anniversary, but she hardly feels like having a party; her marriage is in sad shape, her husband Jack (Ryan O'Neal) has just called to say he's going to be working late (she realizes this means that he's actually with his mistress), and she's sunk into a deep depression that borders on the suicidal. After a long bath, Margaret discovers that she's not alone in the house; Tony (Chazz Palminteri), a hit man, has been hired by Jack to knock her off (Margaret's death would mean a $5 million insurance claim for Jack), and he ties her to a chair, waiting for a call from Jack that signals he's out of town and that it's all right to proceed with the execution. With nothing to do while they wait, Tony and Margaret begin to talk; Margaret starts to feel like death isn't such a good idea after all, while Tony isn't so sure he wants to kill her anymore. Faithful was based on a stage play by co-star Palminteri; Robert DeNiro, who made his directorial debut with A Bronx Tale, written by Palminteri, served as co-producer for this film. ~ Mark Deming, All Movie Guide