Stuart Randall Movies

Dean Jagger guest-stars as General Ira Cloninger, a legendary Indian fighter. The General hopes to ride into the Nevada governor's office on the coattails of his long-standing friendship with Ben Cartwright. The fly in the ointment is San Francisco reporter Freed (Laurence Luckinbill), who in investigating charges that Cloninger is a genocidal murderer. Aided by Ben's son Joe, Freed draws ever closer to the awful truth, which largely lies in the eyewitness testimony of Nez Perce Indian chief Sam Greybuck (Ruben Moreno). Originally broadcast on February 21, 1971, "Shadow of a Hero" was written by John Hawkins, B.W. Sandefur and Mel Goldberg. ~ Hal Erickson, Rovi

When Sheriff Walker (Stuart Randall) of Muddy Creek is murdered, Ben and Joe Cartwright volunteer to guard prisoner Luke Harper (Joe Don Baker). Fearful of retaliation from Harper's gang, the townspeople refuse to assist Ben and Joe, going so far as to desert the town. The only remaining citizens are Walker's widow (Ann Doran), an old man (Jon Lormer) and his grandson Tommy (played by future Bonanza regular Mitch Vogel, and town trollop Casey Collins (Jean Hale). Written by Alf Harris (and, possibly, inspired by such theatrical westerns as Stagecoachand Rio Bravo), "The Real People of Muddy Creek" first aired on October 6, 1968. ~ Hal Erickson, Rovi

Patricia Blair guest-stars as dance hall girl Lila Conrad, who after killing a man in self-defense hides out in the Cartwright's supply wagon. Ben Cartwright and his sons try to protect Lila from the lynch-happy cronies of the man she killed, but their efforts are thwarted by stern and merciless Judge Knowlton (Andrew Duggan). The rest of the episode chronicles the unusual relationship which blossoms between Lila and the Judge-while Mrs. Knowlton (Cathy O'Donnell) stands on the sidelines. Cowritten by Preston Wood and George Waggner (who invariably billed himself as "WaGGner"), "The Lila Conrad Story" first aired January 5, 1964. ~ Hal Erickson, Rovi

In this western, the trouble begins when a rancher's mother and father are killed by a young outlaw and his family who want his land. The son returns the favor and slaughters them. As the father lies dying, he manages to hire three gunslingers to track the boy down. The boy is a good shot though and kills two of the hired guns and then flees into Indian territory. There he meets an old miner, his wife and their daughter. The remaining gunslinger finds him, but is taken prisoner by the miner. Later, the saucy wife makes a pass at the young man, but he rejects her. In retaliation, she frees the gunman, steals her husband's gold and takes off. She ends up being killed by the Indians. Meanwhile, the daughter, the miner, and the rancher's son are busy fighting off an attack of their own. They then ride off after the fleeing gunman whose horse is so laden down with gold that it collapses. This allows the son to shoot him dead. Afterwards, the son and the miner's daughter get hitched and live happily ever after. ~ Sandra Brennan, Rovi

Jim Stockton (James Davis) leads a group of pioneers into California and trouble in this routine western by director Edward L. Cahn. Stockton gets caught up in the battles and grievances between the Mexicans, white Californians, and Native Americans that rage during the 1840s -- the Mexican-American war, in other words. With enough action scenes to keep the story, such as it is, moving right along, and with scenic views of the scrub-filled desert and lead female Consuela (Nancy Hadley), the 68-minute running time passes fairly quickly. ~ Eleanor Mannikka, Rovi

This adaptation of John O'Hara's From the Terrace stars Paul Newman as Alfred Eaton, an unhappily married financial adviser, while his real-life wife, Joanne Woodward, portrays Mary St. John, his promiscuous screen spouse. Mary's libertine behavior is a by-product of her husband's inability to express love and affection, a trait he has inherited from his cold-blooded father. Mark Robson directs and Myrna Loy heads up a large supporting cast as Newman's alcoholic mother. ~ Hal Erickson, Rovi

When the Army pulls out of a frontier fort, Chief Running Horse (Paul Clarke) and his braves kill off the "leftovers" and move in. Unbeknownst to the Chief, there are three survivors still lurking about: Sgt. Baines (James Westerfield), Cpl. Daggott (Ted Otis) and Bart Maverick (Jack Kelly). After delivering a poignant speech lamenting the necessity of playing the hero so he can go on living as a coward, Bart tries the old "Beau Geste" strategy of fooling the Indians into thinking that the fort is still heavily guarded...but Running Horse may already be wise to his ruse. ~ Hal Erickson, Rovi

In this tearjerker, a morally disparate father and son attempt to reconcile their differences. The father is a major construction magnate who has dreamed of his son taking over the lucrative family business. The father's heart is devastated when the son decides to become a missionary after graduating with an engineering degree and a great rift is formed between them, one that does not heal until a terrible tragedy ensues. ~ Sandra Brennan, Rovi

This Dean Martin-Jerry Lewis romp is liberally based on the 1936 Bing Crosby film Rhythm on the Range. Set around 1910, the film stars Lewis as the pampered son of female tycoon Agnes Moorehead. Yearning to return to the Wild West where his father was a famed peacekeeper, Lewis purchases a prize bull, destined for the ranch inherited by rodeo star Dean Martin. It so happens that Martin and Lewis' late fathers were "pardners", so Martin takes it upon himself to protect Lewis from the various and sundry tough hombres in the region. Through a series of bizarre plot convolutions, Lewis gains a reputation as a rootin' tootin' gunslinger, and in his hubris he decides to round up a gang of outlaws headed by Jeff Morrow. As a result, he nearly gets himself blown to smitherines, but Martin shows up in the nick of time to rescue Lewis and help him capture the bad guys. Lori Nelson and Jackie Loughery supply the film's peripheral romantic angle. Pardners ends with Dean Martin and Jerry Lewis turning to the camera and promising that they'll keep on making pictures for their faithful fans; ironically, the team was breaking up even while the cameras were turning. ~ Hal Erickson, Rovi

Lt. Dick Chasen (Casey Adams) narrates the strange story of Charles "Butcher" Benton (Lon Chaney, Jr.), a condemned man who came back for revenge. In prison, Butcher refuses to reveal to his crooked lawyer Lowe (Ross Elliott) where he hid $600,000 from a bank robbery. Even though he's due to be executed, Butcher vows revenge on Lowe and his partners, Squeamy (Marvin Ellis) and Joe (Ken Terrell). Lowe visits stripper Eva (Marion Carr), to whom Butcher has sent a map of the spot in the Los Angeles sewer system where he hid the loot, but Lowe opens the letter first, and secretly takes the map. After the execution, Butcher's body is taken to San Francisco scientist Prof. Bradshaw (Robert Shayne) who's trying for a cure for cancer, but instead his experiments bring Butcher back to life. His cellular structure has been increased to the point where he's nearly indestructible, and he is incredibly strong. He kills the scientist and his assistant, and heads for Los Angeles. When stripper Eva turns out to be very different from the person he was expecting, Dick becomes attracted to her. Butcher, who can no longer speak, arrives and learns she doesn't have the map. Aware of Butcher's vow, he tries to inform Squeamy, but Butcher kills both Squeamy and Joe. The panic-stricken Lowe punches a cop and gets tossed in jail as a way of hiding from Butcher; when the cops threaten to release him, he talks and reveals the map. Butcher overhears Dick and the others planning to take care of him with flamethrowers, but just as he finds the loot, he's hit with a bazooka and blasted with the flamethrowers. Hideously burned, he leaves the sewers and climbs to the top of a big crane, which runs into high tension wires, and Butcher is disintegrated. And in the end, Dick and Eva get together. ~ Bill Warren, Rovi

One of the most entertaining of the Western movies to come out of the 1950s, this is a Stewart vehicle in which he must take on the ruthlessness of the frontier. Set in the Yukon, Stewart and his friends are driving cattle to market from Wyoming to Canada, where the boom towns pay top dollar for beef. When they arrive in Skagway, the corrupt sheriff of the town (John McIntire) steals the cattle and Stewart et al are forced to fight for their herd. Together with the female saloon keeper of another town (Ruth Roman), they find themselves up against an evil they were not prepared for. When Stewart's friend (portrayed by Walter Brennan) is killed, he is forced to go up against the evil sheriff. Good versus evil in incredible Yukon settings makes this an above average Western. ~ Tana Hobart, Rovi

This movie is ideal for those in the mood for something steamy, overwrought and wonderfully trashy. Billed as a mystery, it centers on hapless Joan Crawford as a wealthy gambler's widow who exchanges the lights and excitement of Vegas for the anticipated serenity of the isolated beach house that she leased sight unseen. Unfortunately she soon discovers that she gets a lot more than she bargained for when she learns that the previous tenant, fell or was pushed off a balcony to her death. She also finds herself contending with a handsome and persistent beach-bum gigolo. Though she knows he is a bum in more ways than one, she cannot help but fall in love with him. Unfortunately, she stumbles across the deceased tenant's diary and learns the ugly truth, forcing her to choose between self-preservation and unbridled passion. ~ Sandra Brennan, Rovi