Ron Randell Movies

Ron Randell was engaged in radio and stage work in his native Australia from his teens. Randell's first leading film role was as a real-life aviation hero in Smithy (1946). In Hollywood, Randell starred as fictional detectives Bulldog Drummond and the Lone Wolf, at the tail end of both of those characters' long-running B-picture series. He spent the 1950s fluctuating between American and British productions; he was featured as Cole Porter in Kiss Me Kate (1958) and starred in the 1957 TV espionage series O.S.S. Ron Randell continued his stage career into the 1990s, going on to join Tony Randall's National Actors Theater. ~ Hal Erickson, All Movie Guide
1946  
 
A Son is Born was the maiden directorial effort of Australian producer Eric Porter. Future international star Peter Finch heads the cast of this sprawling drama, dealing with the rivalry between a headstrong father and his rebellious son. Ron Randell and Muriel Steinbeck, who like Finch were big favorites "down under" in 1946, also appear. Distribution of A Son is Born throughout the rest of the British empire was handled by Ealing Studios, long before the company began specializing in domestic comedies. American audiences were denied an opportunity to see A Son is Born until it began making the TV "Late Show" rounds in the mid-1950s. ~ Hal Erickson, All Movie Guide

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Starring:
Ron RandellMuriel Steinbeck, (more)
1956  
 
Ex-Hollywoodite A. Edward Sutherland co-directed the British programmer Bermuda Affair with Robert J. Shaw. Gary Merrill and Ron Randell play a pair of army chums who run a postwar air transport service. Reversing the cliché, it is Merrill, the homelier of the two men, who turns out to be a rat with women. Merrill messes around with Randell's wife Zena Marshall, but makes up for all past misdeeds when he gives up his own life to save his friend from certain doom. Filmed on location, Bermuda Affair was released worldwide by Hollywood's Columbia Pictures. ~ Hal Erickson, All Movie Guide

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1968  
 
Hoping that Samantha will abandon Darrin in favor of her former warlock boyfriend, Rollo (Ron Randell), Endora creates a love potion for Sam. Unfortunately, Endora downs the potion herself and instantly falls head over heels in love with Darrin's loutish client, Bo Callahan (Arch Johnson). Of course, Samantha takes a hand in resolving this crisis of the heart. Scripted by James Henerson and Ed Jurist from a story by Henerson, "Once in a Vial" first aired on January 4, 1968. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth MontgomeryDick York, (more)
1965  
 
At Samantha's suggestion, Endora decides to briefly experience life as a mortal. Endora transforms herself into a clone of Samantha -- then causes no end of trouble when she begins dating author Bob Frazer (Ron Randell), one of Darrin's oldest friends. Familiar comedy foil Monty Margetts appears as a confused saleswoman. Originally telecast on March 11, 1965, "Which Witch is Which" was written by Ruth Brooks Flippen, the wife of character actor Jay C. Flippen. ~ Hal Erickson, All Movie Guide

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Starring:
Elizabeth MontgomeryDick York, (more)
1956  
 
Hot on the heels of Safari came another Columbia-released, African-filmed adventure, Beyond Mombassa. Matt Campbell (Cornel Wilde) arrives in Kenya on a double quest. He hopes to locate a valuable uranium mine, and also to learn the "whos, whats and whys" of his brother's murder. Joing Campbell's safari are missionary Ralph Hoyt (Leo Genn) and Hoyt's niece Ann Wilson (Donna Reed). After several attempts are made on Campbell's life, he comes to the conclusion that one of his travelling companions was responsible for his brother's death. Sure enough, the villain has not only dispatched Campbell's brother, but has also arranged the evidence so as to place the blame on a legendary tribe of "leopard men". As for why he does it, it is best to see Beyond Mombassa for further details. ~ Hal Erickson, All Movie Guide

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Starring:
Cornel WildeDonna Reed, (more)
1965  
 
Written by Dick Carr, "The Spotlight" is a showcase for Viveca Lindfors in the role of long-retired opera diva Angela Drake. Appointed entertainment-committee chairman of the Virginia City anniversary celebration, Ben persuades Angela to come out of retirement for a command performance. Angela is so euphoric that she accepts the offer, neglecting to admit that she has completely lost her singing voice. Sharp-eared fans will hear a brief but pointed "inside joke" referring to recently departed series regular Pernell Roberts (Hint: It has something to do with Shakespeare). Also seen are Ron Randell as Carleton, Winnie Coffin as Mrs. Brown and Jean Determann as Mrs. Finch. "The Spotlight" originally aired on May 16, 1965, and was rebroadcast as the Christmas offering for Bonanza's 1965-66 season. ~ Hal Erickson, All Movie Guide

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Starring:
Lorne GreeneMichael Landon, (more)
1947  
 
Bulldog Drummond Strikes Back was the second and last entry in Columbia's abortive attempt to revive the "Bulldog Drummond" B-series of the 1930s. As in Bulldog Drummond at Bay, Ron Randell stars as the dashing adventurer. The plot this time is the old saw about a phony heiress laying claim to a vast estate. Yes, that's Gloria Henry, future Dennis the Menace mom, as the heroine. This 1947 quickie is not a remake of the far superior 1934 Bulldog Drummond Strikes Back, which starred Ronald Colman. ~ Hal Erickson, All Movie Guide

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1947  
 
Bulldog Drummond at Bay was the title of two entries in the long-running "Bulldog Drummond" series. The later film, lensed in 1947, introduces Australian Ron Randell in the title role. Soldier of fortune Drummond is obliged to find a jewel thief, lest he himself be accused of the crime. Of interest is the presence in the cast of former child star Terence Kilburn. The first "Drummond" flick in eight years, Bulldog Drummond at Bay was the vanguard of a failed two-picture attempt by Columbia Pictures to revive the once-thriving series. ~ Hal Erickson, All Movie Guide

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1952  
 
Assembled by the same production team responsible for the science fiction mini-classic The Man From Planet X, Captive Women is a mixed-bag post-apocalyptic melodrama. After a windy opening lecture about the dangers of atomic power, the story moves ahead to the year 3000. New York City is now a radioactive, bombed-out shell, populated by three groups: the "Norms," the "Mutes," and the "Uprivers." The Norms are cavedwellers, the Uprivers a barbarous people who demonstrate lawlessness and territorial aggression and live in a tunnel beneath the Hudson River, and the Mutes hideously disfigured yet peaceloving surface dwellers. The groups engage in many violent skirmishes, until the Uprivers are wiped out by a massive flood. Now, the only hope for mankind's future is the romance between Mute-man Riddon (Ron Randell) and Norm-woman Ruth (Margaret Field, the mother of actress Sally Field). Production values are better than one might expect, though the film suffers from rather shoddy special effects. Captive Women was released in England as 3000 AD. ~ Hal Erickson, All Movie Guide

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Starring:
Robert ClarkeMargaret Field, (more)
1951  
 
In this exciting actioner a daring Eurasian woman gets involved with a shipwrecked engineer whom she rescues from a remote island. Together, they have many romantic and exciting adventures as they try to keep a crook from selling her uncle's priceless collection of antique jade. ~ Sandra Brennan, All Movie Guide

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Starring:
Jon HallLisa Ferraday, (more)
1955  
 
Hollywood's Danziger brothers dashed off the British The Count of Twelve in approximately two weeks. With only 51 minutes' worth of running time, the storytelling has to be quick and to the point, and it is. The film is divided into two separate but tenuously connected plotlines. In the first, a man tries to avoid being murdered at the stroke of midnight, only to expire from a heart attack. In the second, a doctor's intended adulterous affair comes to an ironic-and tragic-sudden conclusion. One suspects that Count of Twelve was the pilot for a never-produced TV anthology series. ~ Hal Erickson, All Movie Guide

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1950  
 
Counterspy Meets Scotland Yard was the second entry in Columbia's "David Harding, Counterspy" series. Howard St. John stars as Harding, who, per the film's title, travels to England in this one. Joining forces with Scotland Yard operative Simon Langton (Ron Randell), Harding attempts to break up a spy ring that uses hypnosis as one of its "weapons." Future Gunsmoke heroine Amanda Blake co-stars as an alluring femme fatale. The Counterspy series was based on the radio series created by Philips H. Lord, which ran from 1942 to 1957. ~ Hal Erickson, All Movie Guide

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Starring:
Howard St. JohnAmanda Blake, (more)
1958  
 
Corpulent "Goon Show" regular Harry Secombe plays the title role in the British comedy Davy. Set in the rarefied world of the British music halls, the film focuses in on the Mad Morgans, a family song-and-dance act. It is clear that Davy Morgan is the star of the act, but he loyally remains with his family, even though he seems destined to spend the rest of his life in the Small Time. At long last, Davy gets a chance to perform at the Covent Garden--but only as a solo. Will ambition win out over family solidarity, or vice versa? A stellar supporting cast enables Davy to overcome its occasional banalities and cliches. ~ Hal Erickson, All Movie Guide

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Starring:
Harry SecombeRon Randell, (more)
1955  
 
Although the French Foreign Legion became increasingly anachronistic in the 1950s, films like Desert Sands helped to perpetuate the glamorous legend of this mercenary aggregation. Ralph Meeker heads the cast as a bold legionnaire who falls in love with gorgeous Arab girl Marla English. Alas, Marla is the daughter of shiek John Carradine and the sister of vengeful Keith Larsen, both of whom have vowed to kill all Legionnaires within shouting distance. Larsen eventually discovers that his real enemy is not Meeker, but the duplicitous Carradine. Director Lesley Selander staged most of the action scenes in the manner of his western films, with excellent results. One of the scriptwriters of Desert Sands was Danny Arnold, later the prime mover of TV's Barney Miller. ~ Hal Erickson, All Movie Guide

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Starring:
Ralph MeekerMarla English, (more)
1983  
R  
Exposed is the film in which concert violinist Rudolf Nureyev grabs his bow and "plays" the lissome body of Nastassja Kinski. This may well stand as the silliest bit of erotica in screen history, but in the context of the film it's a model of restraint. We're asked to believe that Kinski is Elizabeth Carlson, a Wisconsin girl who has come to the big city to make it as a pianist or model. We're also supposed to be convinced that Nureyev is part-time espionage agent Daniel Jelline, who is determined to bring terrorist Rivas (Harvey Keitel) to justice. Much of the film takes place in Paris, where at least the scenery is lovely. The various plotlines and characters never quite congeal. Despite the fact that director James Toback is given sole screenplay credit, the film seems more like a "committee" project. To its credit, Exposed is never dull; with that cast, how could anyone fall asleep? ~ Hal Erickson, All Movie Guide

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Starring:
Nastassja KinskiRudolf Nureyev, (more)
1963  
 
Follow the Boys attempts to recapture the box-office magic of 1960's Where the Boys Are; sometimes it succeeds. Returning from the earlier film are Connie Francis and Paula Prentiss, here cast as Bonnie Pulaski and Toni Denham, tourists on the French Riviera. Together with their Gallic friend Michelle (Dany Robin), Bonnie and Toni are romanced by three sailors on leave: Smitty (Russ Tamblyn), Pete (Richard Long) and Hulldown (Robert Nichols). Also on hand for the fun are married couple Ben (Ron Randell) and Liz (Janis Paige), the latter justifiably jealous of the former. The plot serves as an excuse for a series of sprightly tunes, including the title number. ~ Hal Erickson, All Movie Guide

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Starring:
Connie FrancisPaula Prentiss, (more)
1955  
 
Julie Harris repeats her stage portrayal of the irrepressible Sally Bowles in John Van Druten's I Am a Camera. Set in pre-Hitler Berlin, the film details the curious, chaste relationship between Sally, an entertainer at a bawdy nightclub, and fledgling writer Christopher Isherwood (Lawrence Harvey). Shelley Winters co-stars as Natalia Landauer, whose impending marriage to a wealthy young Jewish man is imperiled by the anti-Semitism which envelops Berlin as the Nazis gain political power. If all this sounds familiar to you, it is because I Am a Camera is the non-musical precursor to the Broadway musical hit Cabaret. Both properties were based on Christopher Isherwood's Berlin Stories. Those familiar with the film version of Cabaret will notice that certain plot elements have been watered down in Camera. Examples: Isherwood's homosexuality is left unmentioned, save for Lawrence Harvey's opaque opening comment that he is "a confirmed bachelor;" and Sally Bowles' third-act abortion is changed into a false-alarm pregnancy. Also, Julie Harris' dynamic but rather overbaked interpretation of Sally is not nearly as memorable as Liza Minelli's Oscar-winning interpretation of the character in Cabaret. Still, I Am a Camera is well directed and deftly adapted for the screen (by John Collier); and even taking into consideration Ms. Harris' hamminess, she remains one of the most fascinating stage personalities of the mid-20th century. ~ Hal Erickson, All Movie Guide

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Starring:
Julie HarrisLaurence Harvey, (more)
1947  
 
A precursor of sorts to the 1999 Julia Roberts vehicle The Runaway Bride, It Had to Be You stars Ginger Rogers as Victoria Stafford, a wealthy girl who has been engaged three times, and has three times chickened out at the altar just before saying "I do." Determined to wed her fourth fiancé, Oliver H.P. Harrington (Ron Randell), Victoria is on the verge of saying those two little words, when suddenly she sees the vision of her "dream lover," George (Cornel Wilde), whom she has envisioned since childhood. Ultimately our heroine meets an in-the-flesh lookalike for her imaginary sweetheart: a no-nonsense fireman named Johnny Blaine, who indeed was a childhood friend of Victoria's. So, do wedding bells finally ring? Not on your life. Though Victoria is ga-ga over Johnny, the feeling is far from mutual -- and besides, there are several reels to go before the end title. ~ Hal Erickson, All Movie Guide

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Starring:
Ginger RogersCornel Wilde, (more)
1961  
 
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One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, All Movie Guide

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Starring:
Jeffrey HunterHurd Hatfield, (more)
1953  
 
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Cole Porter's Kiss Me Kate is a musical within a musical -- altogether appropriate, since its source material, Shakespeare's The Taming of the Shrew, was a play within a play. Howard Keel and Kathryn Grayson star as famous Broadway singing team who haven't worked together since their acrimonious divorce. Keel, collaborating with Cole Porter (played by Ron Randell), plans to star in a musical version of The Taming of the Shrew titled "Kiss Me Kate." Both he and Porter agree that only one actress should play the tempestuous Katherine, and that's Grayson. But she isn't buying, especially after discovering that Keel's latest paramour, Ann Miller, is going to be playing Bianca. Besides, Grayson is about to retire from showbiz to marry the "Ralph Bellamy character," played not by Bellamy, but by Willard Parker. A couple of gangsters (James Whitmore and Keenan Wynn) arrive on the scene, convinced Keel is heavily in debt to their boss; actually, a young hoofer in the chorus (Tommy Rall) owes the money, but signed Keel's name to an IOU. But since Grayson is having second thoughts about going on-stage, Keel plays along with the hoods, who force Grayson at gunpoint to co-star with her ex-husband so that they'll get paid off. Later the roles are reversed, and the gangsters are themselves finagled into appearing on-stage, Elizabethan costumes and all, though that scene is less of a comic success. This aside, Kiss Me Kate is a well-appointed (if bowdlerized) film adaptation of the Porter musical. Virtually all of the play's songs are retained for the screen version, notably "So in Love," "Wunderbar," "Faithful in My Fashion," "Too Darn Hot," "Why Can't You Behave?," "Brush Up Your Shakespeare" (a delightful duet delivered delightfully by Keenan Wynn and James Whitmore), and the title song. Additionally, Porter lifted a song from another play, Out of This World, and incorporated it in the movie version of Kiss Me Kate; as a result, "From This Moment On" has been included in all subsequent stagings of Kate. This MGM musical has the distinction of being filmed in 3-D, which is why Howard Keel and Kathryn Grayson throw so many chairs, dishes, and pieces of fruit at the camera in their domestic battle scenes. ~ Hal Erickson, All Movie Guide

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Starring:
Kathryn GraysonHoward Keel, (more)
1966  
 
When a man sets out to avenge the deaths of his parents, he is saved from drowning by the killer. ~ All Movie Guide

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1951  
 
Lorna Doone is based on the oft-filmed novel by Richard D. Blackmore. Set in 17th century Scotland during the reign of Britain's Charles II, the story concerns young Lorna (Barbara Hale), a member of a much-hated landowning family. Lorna falls in love with a humble villager (Richard Greene), who like the rest of community has suffered under the rule of the despotic Doones. The villagers revolt against their oppressors, but when it is revealed that Lorna is not a genuine Doone, she is able to marry her low-born swain. Star Barbara Hale was pregnant throughout the filming of Lorna Doone; thus it can be said that the film "co-starred" her son, future actor William Katt. ~ Hal Erickson, All Movie Guide

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Starring:
Barbara HaleRichard Greene, (more)
1949  
 
Make Believe Ballroom is a feature-length derivation of the popular LA-based radio series of the same name. Hosted by Martin Block and then by Al Jarvis, the original Ballroom was a combination disc-jockey program and quiz show. Jarvis plays himself in the film version, introducing such musical artists as Frankie Laine, the King Cole Trio,Jack Smith, Kay Starr, Charlie Barnet, Jimmy Dorsey, Jan Garber, Gene Krupa and Pee Wee Hunt. The barely relevant plot concerns two carhops, Gene Thomas (Jerome Courtland) and Josie Marlow (Virginia Welles), who participate in the question-and-answer portion of the radio series. Though competitors on the air, Gene and Josie eventually fall in love. The supporting cast is filled with such stock Columbia players as Sid Tomack, Adele Jergens, and Vernon Dent. ~ Hal Erickson, All Movie Guide

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Starring:
Jerome CourtlandRuth Warrick, (more)
1955  
 
Three witnesses point the finger at a criminal who committed a cruel murder during a robbery. ~ All Movie Guide

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1968  
 
World champion boxer Sugar Ray Robinson makes a guest appearance in the two-part Mission: Impossible episode "The Contenders", which was loosely based on an actual event in Robinson's career. The IMF must prevent Charles Buckman (Ron Randell) from gaining control of all American sports events, and thereby destory Buckman's scheme to enrich himself by fixing athletic events. Crucial to the mission is Barney's impersanationg of a boxing contender and Cinnamon's ability to wrap Buckman around her little finger. Written by William Read Woodfield and Allan Balter, Part One of "The Contender" first aired on October 6, 1968. ~ Hal Erickson, All Movie Guide

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Starring:
Peter GravesBarbara Bain, (more)

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