Corey Rand Movies

Movie references, sight gags, silly puns, and double entendres abound in Hot Shots! Part Deux, Jim Abrahams' sequel to Hot Shots -- only now the object of the skewering is the Stallone Rambo movies instead of Top Gun. Charlie Sheen returns as the lunk-headed Topper Harley, who has retreated to a Buddhist monastery after being dumped by Ramada Rodham Hayman (Valerie Golino). In this far-off retreat, the monks have "taken a vow of celibacy, just like their fathers and their fathers before them." But Topper bulks up and goes back into action when his superior officer, Colonel Denton Walters (Richard Crenna) is captured by a Saddam Hussein look-alike, missing somewhere between "Iraq and a Hard Place." Topper charges into Iraq (after barreling through a Beverly Hills barbecue) along with sexy CIA operative Michelle Rodham Huddleston (Brenda Bakke) in tow, his guns ablazing. ~ Paul Brenner, Rovi

With Marilyn Monroe permanently unavailable for comment, everybody and his uncle has come out of the woodwork since 1962 claiming an intimate relationship with the legendary film star (how did she ever find the time to be a film star?) Marilyn and Me is based on the reminiscences of one Robert Slatzer, who claimed to have been secretly married to Monroe back in her Norma Jean days. Jesse Dobson manages to keep a straight face as he recites his lines as Slatzer, while Susan Griffiths is as good a Monroe impersonator as any. Better still is Joel Grey as Marilyn's first and most influential agent Johnny Hyde, whose own close relationship with La Monroe is a bit easier to believe. Actress Terry Moore, who in the early 1950s was briefly groomed as a Monroe "substitute," plays a bit as Johnny Hyde's widow. Marilyn and Me is about as convincing as the Bugs Bunny cartoon What's Opera, Doc?, and not nearly as entertaining. ~ Hal Erickson, Rovi

Michael Ritchie's The Couch Trip follows a long line of Hollywood films (One Flew Over the Cuckoo's Nest, The Disorderly Orderly) in which the psychos are seen as saner than the psychiatrists. Charles Grodin plays Dr. George Maitlin, a pompous radio self-help guru, who is having his own personal mental breakdown. Maitlin's lawyer puts in a call to a Cicero, IL, mental facility and the telephone is answered by schizophrenic mental patient John Burns (Dan Aykroyd). Thinking Burns is a crony of Maitlin, Burns is offered the job of replacing Maitlin during his recovery. Of course, Burns accepts the job. Immediately jetted to Los Angeles, Burns meets panhandler Donald Becker (Walter Matthau) at the airport. While wearing the garb of a priest, Becker sounds off against the madness of societal conventions; Burns takes to him immediately and they become fast friends. When Burns assumes command of the airwaves in Maitlin's place, his words of wisdom are so obvious and commonsensical that he is an overnight sensation. Meanwhile, in London, where Maitlin is convalescing, he gets wind of Burns' success. With renewed vigor and outrage, Maitlin leaves his recovery room and hops on a plane back to Los Angeles in an effort to recover his radio show. ~ Paul Brenner, Rovi

Paroled criminal Max Dembo (Dustin Hoffman) is compelled to withstand the calculated cruelties of slimy parole officer Earl Frank (M. Emmet Walsh). The more Max tries to go straight, the more he is defeated by circumstance or hectored by the sadistic Frank. It becomes clear after a while that neither Max nor his fellow ex-cons will be able to survive looking for legitimate work. Max is too "far gone" as a human being to succeed at anything other than crime. He goes back to his old thieving ways, inveigling reformed crook Jerry Schue (Harry Dean Stanton) into helping him. A climactic "big caper" goes tragically awry, thanks in great part to the tragic flaws in Max's personality. Based on a novel by Edward Bunker, Straight Time is possibly the most realistic cinematic probe into the sociopathic psyche of the career criminal. Famed theatrical director and instructor Ulu Grosbard directed, with an uncredited assist from star Hoffman; it was their second film together, after Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? ~ Hal Erickson, Rovi