Nick Ramus Movies

After a raid on Black Kettle's Cheyenne settlement, the imperious and sadistic General Custer (Darren Dalton) insists that Dr. Mike (Jane Seymour) treat all of his injured soldiers before even looking at the more seriously wounded Indian prisoners. To make sure that Dr. Mike follows his orders, Custer threatens to execute captured Cheyenne medicine man Cloud Dancing (Larry Sellers). Elsewhere, Loren (Alan Young), Horace (Frank Collinson), and Jake (Jim Knobeloch) display their hitherto untapped musical talents at Miss Olive's (Gail Strickland) new Hurdy Gurdy, and the relationship between Matthew (Chad Allen) and Ingrid (Jennifer Youngs) blossoms into romance. ~ Hal Erickson, All Movie Guide

John Schneider guest stars as Red McCall, an impoverished cowboy who is reduced to robbing Loren's (Alan Young) store in order to provide for his half-breed baby. Realizing he can no longer care for his child, Red leaves the baby with Dr. Mike (Jane Seymour) -- who, in turn, is unable to find a proper new home for her charge. As this drama plays itself out in the background, danger rears its ugly head in the form of a rampaging rabid bear. ~ Hal Erickson, All Movie Guide

William Friedkin, a product of television, returned to the small screen to direct the made-for-TV feature C.A.T. Squad. The titular acronym stands for Counter Assault Tactical. The heroes and heroines are fitted out with state-of-the-art hardware and weaponry that would make the Teenage Mutant Ninja Turtles pale with envy. Captained by Joe Cortese, the squad is assigned to an anti-terrorist mission, the goal of which is to protect a top-secret laser project. Filmed in Canada and Mexico, C.A.T. Squad was plagued by a tiny budget that grew tinier with each passing day. Friedkin had hoped to include an elaborate car chase in the manner of his earlier French Connection, but the money ran out before the vehicles could gas up. First telecast August 27, 1986, C.A.T Squad was followed by a TV movie sequel, C.A.T. Squad: Python Wolf. ~ Hal Erickson, All Movie Guide

The five-hour miniseries The Mystic Warrior began life in 1979 when producer David L. Wolper announced plans for a ten-hour adaptation of Hanta Yo, an epic historical novel by Ruth Beebe Hill. Using as her main source a full-blooded Sioux named Chunksa Yuha, Hill fashioned what amounted to a Native American version of Roots, chronicling the history of the Matho tribe of the Ogala Dakota Sioux. Although Hill was briefly the darling of the literary cognoscenti, her book was ultimately attacked and discredited by a veritable army of Indian historians, teachers, and activists, who accused her of distorting and falsifying truths in order to promote her own (and Yuha's) sociopolitical agenda. Suddenly, all of the Native American support that had been promised to the miniseries version of Hanta Yo evaporated; even the filming location had to be changed from New Mexico to Thousand Oaks, CA, so as not to offend the Indian tribes in the former state. When the project finally aired on May 20 through 21, 1984, its running time (and budget) had been cut in half, and the producer was obliged to qualify the credits by noting that the teleplay was based partially on Hill's book, but mostly on "other sources." Judging by the results, those sources would seem to have been such Hollywood fictional films as Cheyenne Autumn and A Man Called Horse. Set in the years 1802 to 1808, the finished film focused on a young brave named Ahbleza (Robert Beltran), the son of a Matho chief. Blessed with supernatural visionary powers by the ancient Mahto seer Wanagi (Ron Soble), Ahbleza set about to save his people from the devastations of the future, among them the invasion of the white man. After a lengthy, truth-seeking odyssey fraught with tragedy and sacrifice, Ahbleza assumed his rightful place as spiritual leader of his tribe. Mystic Warrior was entertaining enough, but failed to draw viewers away from such formidable competition as The Jeffersons, Alice, and One Day at a Time. ~ Hal Erickson, All Movie Guide

The longest (26-1/2 hours), most expensive ($25 million) and most complicated (four directors, five producers, five cinematographers, almost 100 speaking parts, several hundred extras) project made for television up to that time, Centennial was shown in two- and three-hour installments over a period of four months. An adaptation of James Michener's best-selling novel, it told the story of the settling of the American West by looking at the founding of the fictional town of Centennial, Colorado, from the settling of the area in the late 18th century to the present. Emmy-nominated for film editing and art direction, it boasts of sterling performances from Richard Chamberlain as frontiersman Alexander McKeag, Robert Conrad as the French-Canadian trapper Pasquinel, and a surprisingly powerful performance from former football star Alex Karras as compassionate but iron-willed immigrant farmer Hans Brumbaugh. ~ Brian Gusse, All Movie Guide

Originally telecast as a "Xerox Special" on April 14, 1975, I Will Fight No More Forever is the true story of Chief Joseph of the Nez Perce Indians. In 1877, Joseph (played by Ned Romero) refuses to obey a governmental order to remove himself and his tribe to a reservation. General Howard (James Whitmore), the cavalry officer ordered to prevent the Nez Perce from defying the government's edicts, sympathizes with the honorable and courageous Joseph, but duty is duty. Ultimately, Chief Joseph and his followers make a disastrous attempt to escape over the border to Canada. Filmed in central Mexico, I Will Fight No More Forever was written for television by Jeb Rosebrook and Theodore Strauss. ~ Hal Erickson, All Movie Guide

Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.

Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide

Tim Conway and Don Knotts, mere supporting characters in the original Apple Dumpling Gang, are promoted to starring roles in the 1979 sequel The Apple Dumpling Gang Rides Again. Once more cast as clumsy, soft-hearted western outlaws, Conway and Knotts come to the rescue of cavalry private Tim Matheson. The villain, lieutenant Philip Pine, is undermining the authority of Matheson's commander Harry Morgan, and Matheson wants to find out why. Featured performers include Jack Elam as Big Mac and Ruth Buzzi as Tough Kate. ~ Hal Erickson, All Movie Guide