Juan Ramirez Movies

Septime (Louis De Funes) is the owner of a posh French restaurant in Paris who is afraid of his temperamental cooks but who takes his frustrations out on his other employees. When a visiting ambassador is kidnapped from the restaurant, Septime is accused of being an accomplice in the abduction. This sets the scene for some well-staged auto chases over snow-covered mountains. One car flips over but is able to make it down the mountain because skis are attached to the rooftop rack of the vehicle. De Funes adds his own flair of irascible, self-depreciating humor that is the highlight of this comedy spy adventure. ~ Dan Pavlides, All Movie Guide

First Steps was inspired by a widely-seen, enthusiastically received 1982 piece on 60 Minutes. Amy Steel plays Nan Davis, a young woman totally paralyzed in an auto accident. Judd Hirsch costars as Dr. Jerold Petrovsky, a bioengineer who attaches computerized electrodes to Nan to enable her to reclaim her muscle power. After many torturous months, this state-of-art physical therapy works magnificently, and Nan is able to take ten steps on her own at her college graduation. While the technique was still rather controversial at the time First Steps was telecast, there was no denying that it had worked in the case of Nan Davis, who eventually became the subject of two 60 Minutes follow-ups and reams of upbeat magazine articles. ~ Hal Erickson, All Movie Guide

Oscar-nominated in 1961 for his performance as pool hustler Fast Eddie Felson in The Hustler, Paul Newman won that award a quarter century later when he reprised the role in The Color of Money. At the end of The Hustler, Felson was banned for life from playing the game professionally. In the intervening years, he has become what the despicable George C. Scott was in the 1961 film: a front man for younger hustlers, claiming the lion's share of the winnings. His latest "client" is arrogant young Tom Cruise, who is goaded into accepting Felson's patronage by his avaricious girl friend Mary Elizabeth Mastrantonio. Cruise learns not only the refinements of the game, but also the dirty trickery that will help him lure in the suckers. As Cruise becomes successful on these terms, Felson seethes with jealousy, hitting the bottle and carelessly allowing himself to fall victim to another hustler. He tells Cruise to get lost, and vows to make an honest comeback. It is inevitable from this point onward that the younger and the older player will square off in a game for the biggest stakes of all: Fast Eddie Felson's self-respect. Both the original Hustler and The Color of Money were based on novels by Walter Tevis. ~ Hal Erickson, All Movie Guide

Martial arts hero Steven Seagal developed, co-wrote, co-produced, choreographed, and debuted in this thrill ride -- a cop film with more attitude, and more plot, than its star had duties on the set. Seagal is Nico Toscani, an Italian immigrant, American patriot, ex-CIA agent, aikido specialist, and unorthodox Chicago policeman. He is as committed to his job as he is to his personalized brand of justice: expert and thorough bone-crushing. When the FBI orders his squad to ignore the mysterious shipment of military explosives they seized from a notorious narcotics dealer, Nico defiantly pursues his own investigation. With the help of his partner Jax (Pam Grier), he sifts through a tangled web of Catholic priests, illegal immigrants, and trained assassins to uncover a drug cartel run directly out of the CIA by an official named Zagon Henry Silva. Nico remembers the man from his CIA days in Vietnam, when Zagon used the agency (and the war) as a front for smuggling opium. At the time, Nico was too outranked to thwart him, but he will no longer let Zagon abuse his position to remain immune from prosecution -- especially now that the official has plans to murder a U.S. senator. Zagon may be above the law of most men, but he is certainly not above Nico's. ~ Aubry Anne D'Arminio, All Movie Guide

The Package, a thriller involving political assassination and intrigue, is an excellent action feature using a familiar theme and providing good performances by the cast. Boyette (Tommy Lee Jones) is a prisoner entrusted to Gallagher (Gene Hackman) for transportation back to the United States. Boyette escapes and Gallagher must find him. In doing so, Gallagher finds himself getting into far more than he had bargained for as he becomes involved in a political assignation plot that he must stop. Both Hackman and Jones are excellent in reprising familiar roles. Hackman is never better than when portraying the decent man in a precarious position, and Jones plays Boyette with the same cunning and intelligence that he brought to The Executioner's Song. ~ Linda Rasmussen, All Movie Guide

In this comedy, stockbroker Jon Aldrich (Tom Selleck) is the man who has it all, until his ill, aging parents (Don Ameche and Anne Jackson) move in with him. As his perfect life begins to disintegrate bit by bit, Jon becomes more and more depressed and disillusioned. Finally, broke and friendless, Jon begins to listen to his addled parents' insistence that he do away with them and use their insurance money to start again. ~ Iotis Erlewine, All Movie Guide

This 1993 box-office smash partly adheres to the 1960s TV series on which it is based and partly goes off on several tangents of its own. Harrison Ford stars as Dr. Richard Kimble, convicted of murdering his wife. While being transferred to prison by bus, Kimble is involved in a spectacular bus-train collision (one of the best of its kind ever filmed). Surviving the disaster, Kimble escapes, vowing to track down the elusive professional criminal whom he holds responsible for the murder. Dogging the fugitive every foot of the way is U.S. marshal Sam Gerard (an Oscar-winning turn by Tommy Lee Jones), who announces his intention to search "every whorehouse, doghouse, and outhouse" to bring Kimble to justice. Unlike his dour TV-series counterpart Barry Morse, Jones plays the role with a sardonic sense of humor: when a cornered Kimble screams, "I didn't kill my wife," Gerard shrugs and famously replies, "I don't care." Once the premise has been established, scripters Jeb Stuart and David Twohy and director Andrew Davis pull off several audacious plot twists, ranging from Kimble's rendezvous with a sympathetic lab technician to a jaw-dropping dive into a huge waterfall. The second half of the film offers one surprise after another (including the true identity of the murderer), brilliantly avoiding the letdown that plagues many movie adaptations of old TV series. ~ Hal Erickson, All Movie Guide