Agnes Bernelle Movies

Stephen Bradley made his directorial debut with this Irish drama in which circus performer Sweety Barrett (Brendan Gleeson) loses his job swallowing objects and is hired by bootlegger Flick Hennessy (Tony Rohr) to do odd jobs in the port town of Dockery where the slow-witted Sweety meets Anne King (Lynda Steadman) and her six-year-old son Conor (Dylan Murphy). Anne's husband Leo (Andy Serkis) has been framed by deranged police chief Mannix Bone (Liam Cunningham), who often beats up various townsfolk whenever the psychopathic inspiration hits him. Bone has also forced Flick to cut him in on the whisky-running profits. Released from jail, Leo plots revenge, and violence erupts. Shown at the 1998 Toronto Film Festival and the 1998 San Sebastian Film Festival. ~ Bhob Stewart, All Movie Guide

The owner of a British nightclub attempts to do the impossible by coaxing a legendary Irish tenor out of retirement for a once-in-a-lifetime show in this engagingly quirky comedy. The owner, Mickey O'Neill, is particularly desperate to land a performance by the great Josef Locke, as his already questionable reputation was ruined when he booked an impostor claiming to be Locke. Now only providing a show by the real thing can make up for it. Trouble is, Locke fled England several decades before to avoid charges of tax evasion, and would face immediate arrest upon his return. Naturally, the comedy emerges from O'Neill's desperate attempts to convince Locke to participate in the scheme. Much of the film's charm comes from the presentation of eccentric but believable characters, particularly Locke himself -- a real historical figure given warm life by Ned Beatty, who was nominated for a Best Supporting Actor Golden Globe for his performance. The film as a whole manages a similar balancing act between realism and comic fantasy, grounding even the less believable aspect of the narrative in strongly observed local color. ~ Judd Blaise, All Movie Guide

In this suspenseful thriller, some unknown man out there has a warped mind, a warped view of sex, and an urge to kill in a very specific way. An innocent yet seductive country woman named Patricia Telling (Moira Harris) moves into a new apartment building in Dublin, where a serial killer seems to have her in his sights. The killer's m.o. is to call a woman on the phone and charm her into inviting him over. Once he's alone with her, he murders her after stripping her naked and putting her body in a certain pose. Several men are suspect because of their odd behavior: Robert (John Cavanaugh), a colleague and teacher at Patricia's school; Danny (Timothy Bottoms), who lives in the building with his wife, and the police inspector McMyler (Christopher Casenove). The question is: will the murderer will be identified before Patricia is the next victim? ~ Eleanor Mannikka, All Movie Guide

Not a remake of the landmark 1903 Edwin S. Porter film, The Great Train Robbery is a dramatization of the famous first hold-up of a moving train in 1855 England. The conspirators in this undertaking are Edward Pierce (Sean Connery), Agar (Donald Sutherland) and Clean Willy (Wayne Sleep). Pierce is the brains, Clean Willy the brawn, and safecracker Agar provides the finesse. The scheme involves stealing a shipment of gold bars intended to be used in the payroll for the Army in the Crimean War. Lesley Anne Down co-stars as Miriam, the woman on the outside who arranges Connery's getaway. When released in England, this film was titled The First Great Train Robbery, so as not to be confused with Britain's embarrassing 1963 railroad heist. Director Michael Crichton adapted the story from his own, more-clinical novel on the same subject. Filmed in Ireland, The Great Train Robbery was dedicated to the memory of its director of photography, Geoffrey Unsworth, who died shortly after the production wrapped. ~ Hal Erickson, All Movie Guide

1957's The Good Companions was the second film version of the well-known J. B. Priestly play. The story revolves around the Dinky Doos, a provincial musical troupe living from hand to mouth. Eric Portman, Celia Johnson and John Fraser are three Britons from various classes and walks of life who become involved in the fortunes of the Dinky Doos. Pooling their resources, the diverse "good companions" save the troupe from disbanding. Good-natured and high-spirited, Good Companions might have even been better had the director adopted a more intimate and less showbizzy approach. ~ Hal Erickson, All Movie Guide

A play by Ben Van Eeslyn served as the basis for But Not in Vain. Raymond Lovell plays a Dutch farmer during World War II. A strong opponent of the occupying Nazi regime, Lovell does his patriotic duty by hiding resistance leaders in his barn. His activities are threatened by his own son, an avaricious type who threatens to notify the Nazi authorities if Lovell doesn't fork over the resistance members' valuables. While most of the cast is English, But Not in Vain is convincingly Dutch in atmosphere and point of view. ~ Hal Erickson, All Movie Guide