Claude Rains Movies
The son of British stage actor Frederick Rains, Claude Rains gave his first theatrical performance at age 11 in Nell of Old Drury. He learned the technical end of the business by working his way up from being a two-dollars-a-week page boy to stage manager. After making his first U.S. appearance in 1913, Rains returned to England, served in the Scottish regiment during WWI, then established himself as a leading actor in the postwar years. He was also featured in one obscure British silent film, Build Thy House. During the 1920s, Rains was a member of the teaching staff at the Royal Academy of Dramatic Art; among his pupils were a young sprout named Laurence Olivier and a lovely lass named Isabel Jeans, who became the first of Rains' six wives. While performing with the Theatre Guild in New York in 1932, Rains filmed a screen test for Universal Pictures. On the basis of his voice alone, the actor was engaged by Universal director James Whale to make his talking-picture debut in the title role of The Invisible Man (1933). During his subsequent years at Warner Bros., the mellifluous-voiced Rains became one of the studio's busiest and most versatile character players, at his best when playing cultured villains. Though surprisingly never a recipient of an Academy award, Rains was Oscar-nominated for his performances as the "bought" Senator Paine in Mr. Smith Goes to Washington (1939), the title character in Mr. Skeffington (1944), the Nazi husband of Ingrid Bergman in Notorious (1946), and, best of all, the cheerfully corrupt Inspector Renault in Casablanca (1942). In 1946, Rains became one of the first film actors to demand and receive one million dollars for a single picture; the role was Julius Caesar, and the picture Caesar and Cleopatra. He made a triumphant return to Broadway in 1951's Darkness at Noon. In his last two decades, Claude Rains made occasional forays into television (notably on Alfred Hitchcock Presents) and continued to play choice character roles in big-budget films like Lawrence of Arabia (1962) and The Greatest Story Ever Told (1965). ~ Hal Erickson, All Movie Guide- 1956
A celebrated short story by Ray Bradbury is the source for this eerily entertaining episode. Detective Krovitch (Charles Bronson) shows up at a seedy vaudeville house to investigate the murder of one person and the disappearance of another. Among the suspects is an elderly ventriloquist named John Fabian (Claude Rains), who seems obsessed with his strangely alluring female dummy, named Riabouchinska. Ultimately, the detective solves both the murder and the disappearance -- but only with the help of Riabouchinska, whose voice is provided by radio actress Virginia Gregg (later the voice of another infamous character in the Hitchcock canon, namely Norman Bates' mother in Psycho). ~ Hal Erickson, All Movie Guide
- 1957
Elderly actor Charles Gresham (Claude Rains) spends more of his time in barrooms than backstage, but he is always on the lookout for the role that will make him a star. He finally gets that opportunity by blackmailing producer Wayne Campbell (James Gregory) into casting him as the lead in Campbell's new play. Ironically, Gresham has been cast as a blackmailer -- and he intends to give the performance of his life for the entertainment of a potential backer named Nick Roper (Paul Picerni). Without giving away the ending, it can be noted that the operative word in the previous sentence is "life." ~ Hal Erickson, All Movie Guide
- 1959
Angered over being forcibly retired, jewelry store employee Andrew Thurgood (Claude Rains) would seem to be the most likely suspect when an expensive necklace is stolen. Surprisingly, Andrew's boss, Dr. Rudel (Stephen Bekassy), is willing to forget about the robbery, so long as the insurance company pays for the loss. It is only when Andrew returns home to his daughter (Betsy Von Furstenberg) that he finds out why his employer was so eager to sweep the matter under the rug. ~ Hal Erickson, All Movie Guide
- 1962
Working the late shift at the neighborhood cop shop, beleaguered Captain Shaw (John Larch) finds himself saddled with a pair of lost souls: an old man (Claude Rains) suffering from amnesia and a little boy (Bill Mumy) abandoned by his parents. Instinctively, Shaw is persuaded that the oldster and the youngster belong together -- and in his efforts to expedite this bonding, the lieutenant is in for a surprise. This episode reunites John Larch and Bill Mumy, previously cast as father and son in the chilling Twilight Zone entry "It's a Good Life." ~ Hal Erickson, All Movie Guide
- 1961
Inveterate gambler Sheridan (played by Ed Gardner of Duffy's Tavern fame) is convinced that his recent streak of luck is due to the power of prayer. Accordingly, Sheridan contributes heavily to the church-repair fund of neighborhood priest Father Amian (Claude Rains). Hoping to further extend his generosity, Gardner tips the father off to a "sure thing" in an upcoming race -- and against his better judgment, Father Amian hands over 500 dollars in church funds for Gardner to bet at the track. In the end, the "sure thing" loses -- but the church still comes out the winner. ~ Hal Erickson, All Movie Guide
In this comedy, Paul Muni plays a recently murdered gangster who finds himself roasting in Hell. Muni can't believe that he's in for All Eternity and keeps trying to "bust out," which brings him to the attention of the Head Man (Claude Rains), who calls himself Nick. Nick strikes a bargain with Muni: There's a troublesome honest judge on Earth who's been shipping too many souls to Hell; if Muni will take over the judge's body and begin performing bad deeds, Nick will set him free. Muni readily agrees, eager to settle the score with the ex-partner (Hardie Albright) who bumped him off. Once he "becomes" the judge, however, Muni discovers that he is utterly incapable of performing any misdeeds--and when he falls in love with the judge's fiancee (Anne Baxter), Muni becomes determined to wriggle out of his agreement. Angel on My Shoulder is based on a story by Harry Segall, whose previous play Heaven Can Wait was filmed as Here Comes Mr. Jordan, also with Claude Rains. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Anne Baxter, (more)
- 1936
When David O. Selznick produced the film version of the 1000-plus page novel Gone with the Wind, he declared he could not make a film running any less than 222 minutes. When Warner Bros. adapted the even longer Hervey Allen best-seller Anthony Adverse, the studio managed to pack everything--except the most censorable passages, which had made Allen's novel a best-seller in the first place--into 139 minutes. Surprisingly, the film version of Anthony Adverse moves rather smoothly, though it is nowhere near as involving (or as much fun) as Gone with the Wind. Fredric March stars as Anthony Adverse, the illegitimate offspring of Anita Louise, the wife of Spanish nobleman Claude Rains. When Adverse comes of age, he inherits the prosperous business run by his kindly foster father Edmund Gwenn, which he abandons for an aimless trip around the world after his heart is broken by childhood sweetheart Olivia De Havilland. Sinking deeper into the morass of alcohol and degeneracy in the West Indies, Adverse is regenerated when he is reunited with De Havilland, now the mistress of Napoleon Bonaparte. Suddenly enervated, Adverse battles the efforts of Claude Rains and Gwenn's duplicitous former assistant Gale Sondergaard to take over Gwenn's business. Along the way, he learns that Gwenn was actually his grandfather and that De Havilland has born him a son (Scotty Beckett). Instead of dying, as he does in the novel, Anthony Adverse takes his son to America to start life anew. Whew! Though no award winner itself, Anthony Adverse enabled Gale Sondergaard to win the first-ever "best supporting actress" Oscar. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Olivia de Havilland, (more)
A sci-fi thriller about scientists trying to stop a collision of an alien planet with the earth. ~ All Movie Guide
- 1946
George Bernard Shaw adapted his own play for the screen in this blithe film version of the romance between Caesar (Claude Rains) and Cleopatra (Vivien Leigh). Shaw's Caesar and Cleopatra are merely Henry Higgins and Eliza Doolittle cast back into ancient times with Caesar doting with admiration and burgeoning love upon Cleopatra and expostulating, "You have been growing up since the Sphinx introduced us the other night." The story is a simple one concerning Caesar instructing Cleopatra on how to act like a queen. But Cleopatra is left cold by Caesar and his blatherings. ~ Paul Brenner, All Movie Guide
- Starring:
- Vivien Leigh, Claude Rains, (more)
One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide
- Starring:
- Humphrey Bogart, Ingrid Bergman, (more)
- 1962
Edward G. Robinson narrates this TV documentary, which originally appeared March 18, 1962 as part of the weekly anthology The DuPont Show of the Week. The film traces the history of law enforcement in the United States, from revolutionary times to the present. Among the factoids submitted for your approval during the film's 60 minutes is the origin of the nickname "Cop." All right, we won't keep you in suspense: "Cop" is short for "coppers", referring to the copper buttons on the uniforms of 19th century New York policemen. An abbreviated, updated version of Cops and Robbers showed up on the A&E cable service in the early 1990s. ~ Hal Erickson, All Movie Guide
- 1934
Crime Without Passion is an odd, almost existential murder yarn. Famed attorney Claude Rains, incensed that his mistress (Margo) has been seeing other men, kills the girl--or at least thinks he does. Rains believes he is "above" such irritations as conscience and morality, and calmly arranges to cover his crime, using his knowledge of the law to escape detection. But Rains cannot truly escape from himself, and is cajoled by a surprising turn of events to break down and confess. Crime without Passion was ostensibly directed by Ben Hecht, who cowrote the screenplay with his longtime partner Charles McArthur, but most of the actual direction was the responsibility of cameraman Lee Garmes. Watch for cameo appearances by Fanny Brice, by MacArthur's wife Helen Hayes, and by Hecht and MacArthur themselves. ~ Hal Erickson, All Movie Guide
- Starring:
- Claude Rains, Margo, (more)
- 1939
This family drama features the same cast and crew from the highly successful Four Daughters, but it isn't actually a sequel. Whereas the first film was a chronicle of the Lemp family, this one centers on the Masters family. This film is also characterized by a much happier ending than its predecessor. The story begins as a wandering husband finally returns home after a 20 year absence. He is alarmed to discover that his wife is planning to marry a nice stodgy fellow who yearns only to stay in the town of Carmel, California, the story's setting. Though the errant husband is still suave and charming, his two angry daughters reject and do all they can to get him to leave their hometown. But he is not so easily swayed and despite their protests, stays until he charms them into submission. The peace doesn't last long when he sees that one of his four girls is about to marry a younger version of himself. His wife is terribly upset not only by this development, but also by the fact that she must choose between her dull-but devoted fiance and her exciting, irresponsible husband (of whom she was legally freed after he was declared dead). ~ Sandra Brennan, All Movie Guide
- Starring:
- John Garfield, Claude Rains, (more)
- 1946
Deception is an operatic rehash of the 1929 film Jealousy. Music teacher Bette Davis--who evidently has a large student pool, judging by the size of her penthouse apartment--is reunited with her cellist lover Paul Henreid, whom she believed to have been killed in the war. Henreid wants to marry Davis, but he is unaware that she has, for the past several years, been the "protege" of composer Claude Rains. Rains agrees to keep quiet about his affair with Davis, but takes sadistic delight in tormenting the woman and working behind the scenes to sabotage Henreid's career. When Rains tells Bette of his plans to publicly humiliate Henreid, she shoots her ex-lover dead. Henreid agrees to stand by Davis no matter what is in store for her. Director Irving Rapper had originally wanted to treat the hoary plot twists of Deception comically, with the three principals walking off together at the end with a "what the hell?" attitude. He was tersely told to stick to the script; after all, people didn't pay to see Bette Davis but to see her suffer. Like the 1929 version of Jealousy, Deception was based on a play by Louis Verneuil. ~ Hal Erickson, All Movie Guide
- Starring:
- Bette Davis, Paul Henreid, (more)
- 1943
The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide
- Starring:
- Merle Oberon, Brian Aherne, (more)
- 1938
Fannie Hurst's Sister Act was the source for this money-making Warners weeper. The four daughters of the title are played by the Lane Sisters--Priscilla, Rosemary and Lola--and by Gale Page. All are musical prodigies, and all are daughters of master-musician Claude Rains. To help make ends meet, Rains rents several rooms of his home to boarders--most of whom, thanks to the dictates of the plot, seem to be marriageable men. We're supposed to care the most about the mutual attraction the daughters feel towards handsome Jeffrey Lynn, but the film really belongs to John Garfield, making his movie debut (no, he wasn't in 1933's Footlight Parade) as an embittered piano genius. Garfield has us in the palm of his scruffy hand the moment he begins philosophizing about "the fates:" "So they flipped a coin...heads he's poor, tails he's rich....they flipped a coin--with two heads." Aware that he can bring only unhappiness to Priscilla Lane, the daughter who cares most for him, Garfield obligingly drives into a heavy snowstorm and is killed in an auto accident (but it's not staged as a suicide, lest the Hays Office spank). John Garfield made so powerful an impression in Four Daughters that Warners was compelled to write him into the sequel Four Wives, first as a flashback and then as (implicitly) a ghost. Another film, Daughters Courageous, was hastily constructed using the same cast, but with different character names so as to accommodate a happier denouement for Garfield and Lane. Four Daughters was remade in 1954 as Young at Heart, with Frank Sinatra and Doris Day in the John Garfield and Priscilla Lane roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Claude Rains, May Robson, (more)
- 1941
Four Mothers was the last of three films inspired by Fannie Hurst's sentimental novel Sister Act. As in the earlier Four Daughters and Four Wives, the quartet of heroines-Ann, Kay, Thea and Emma Lemp-are enacted by real-life siblings Priscilla, Rosemary and Lola Lane, and by Gale Page as the fourth sister. As the film opens, all four daughters are happily married, and three are mothers. The girls return to the home of their musician-father Adam Lemp (Claude Rains) for a family reunion, whereupon Thea's husband Ben Crowley (Frank McHugh) inveigles the family and the rest of the community into investing in a "land boom." A disastrous hurricane wipes out everyone's hopes-and their bank accounts-but things begin to look up a bit in the final reel. As a bonus, the previously barren fourth daughter Emma announces that she has finally become pregnant (thereby justifying the title). Like its predecessors, Four Mothers is expertly produced, directed and acting, but the franchise was beginning to wear out its welcome. ~ Hal Erickson, All Movie Guide
- Starring:
- Priscilla Lane, Rosemary Lane, (more)
- 1939
In this drama, the sequel to Four Daughters, the daughters are now adults. Three of the sisters rally together to find a new love for the fourth sister whose husband recently committed suicide. The widowed woman then discovers that she is pregnant with her deceased husband's child and this causes her to refuse a marriage proposal. At the same time, another sister learns that she is barren, one sister adopts and then finds herself carrying twins, and a different sister gets married. All are very happy except for the pregnant widow who bears her child prematurely. The baby is saved by a blood transfusion from her recently rejected suitor, and the grateful mother promptly elopes with the gallant chap. ~ Sandra Brennan, All Movie Guide
- Starring:
- Claude Rains, Jeffrey Lynn, (more)
- 1938
Michael Curtiz directs this Technicolor Western based on the familiar story by Clements Ripley about the rivalry between farmers and miners in the Sacramento valley during the years following the California Gold Rush. Handsome engineer Jared Whitney (George Brent) from the Golden Moon mining company arrives in a small town to supervise their operations. He oversees boorish mining foreman Slag Minton (Burton MacLane), then goes to bar where he befriends Lance (Tim Holt), the son of prominent wheat farmer Colonel Chris Ferris (Claude Rains). He ends up falling in love with Lance's sister, Serena (Olivia deHavilland), despite their alliances with opposing forces. They are forbidden to see each other when her father finds out, so Jared goes back to San Francisco to work with his boss, Harrison McCooey (Sidney Toler), on a dam construction project. Meanwhile, Lance chooses the side of the miners over the farmers when he leaves the town to stay with his Uncle Ralph (John Litel). When local farmer John McKenzie (Russell Simpson) loses his family and his farm due to the destruction caused by the miners, Chris supports him in a law suit against the mining company. This all escalates into a violent armed confrontation between the farmers and the miners, leading up to an explosive conclusion and a romantic reunion. ~ Andrea LeVasseur, All Movie Guide
- Starring:
- George Brent, Olivia de Havilland, (more)
- 1936
A remake of 1928's Glorious Betsy (itself based on a stage play by Rida Johnson Young), Hearts Divided is based, believe it or not, on a true story. Marion Davies stars as 19th-century Baltimore belle Betsy Patterson, who falls in love with Jerome Bonaparte (Dick Powell) -- the younger brother of Napoleon Bonaparte (Claude Rains) himself. Though in real life Betsy and Jerome were married, for the purposes of the film they are parted before the nuptials, as part of Napoleon's long-range plans to place a Bonaparte at the head of every European nation. The Richard Rodgers-Lorenz Hart musical score emphasizes the artificiality of the whole endeavor, which despite its basis in fact is never believable for a single moment. The film's brevity (70 minutes) is its principal redeeming factor. ~ Hal Erickson, All Movie Guide
- Starring:
- Dick Powell, Marion Davies, (more)
Robert Montgomery plays saxophone-playing boxer Joe Pendleton, who insists upon piloting his own plane, much to the consternation of his manager Max Corkle (James Gleason). Just before a championship bout, Joe's plane crashes. When he revives, he finds he has been whisked away to Heaven by the overanxious Messenger #7013. Checking with the man in charge, one Mr. Jordan (Claude Rains), Pendleton discovers that he isn't scheduled to die for another 50 years. Joe heads back to earth, only to learn to his chagrin that his body has been cremated. Mr. Jordan is obliged to find Joe a new body; the "candidate" is a business mogul named Farnsworth, who is in the process of being murdered in his bath by his wife (Rita Johnson) and her lover (John Emery). Joe takes over Farnsworth's body, astonishing the murderers by emerging from the bathroom, very much alive (while Joe still looks like Joe to himself and the audience, he looks like Farnsworth to everyone else). Still desirous of winning the upcoming championship, Joe begins to whip Farnsworth's body into shape, even hiring Max Corkle to manage him. It takes some doing, but Joe convinces Max that he is indeed Joe and not Farnsworth (their scenes together are priceless, far better seen than described). Meanwhile, Joe has fallen in love with Bette Logan (Evelyn Keyes), a woman whose father had been ruined by the real Farnsworth. For her sake, he pays back millions of dollars that the crooked Farnsworth had finagled out of his investors. This prompts Mrs. Farnsworth and her lover to kill "Farnsworth" again, and once more Joe Pendleton is without a body. How Mr. Jordan arranges for Joe to win the championship, expose the murderers and walk off arm and arm with Bette is a bit too complex to detail here. Here Comes Mr. Jordan is one of the most consistently clever romantic comedies of the 1940s, and richly deserving of the Oscars won by screenwriters Sidney Buchman, Seton I. Miller and Harry Segall. A sequel, Down to Earth, was filmed in 1947, with Roland Culver as Mr. Jordan; and in 1978, the original Jordan was remade by Warren Beatty as Heaven Can Wait. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Montgomery, Evelyn Keyes, (more)
- 1939
Juarez was originally designed to concentrate almost exclusively on the tragedy of Hapsburg Emperor Maximillian, whose attempts to establish a puppet government in Mexico on behalf of Napoleon III ended in disaster and death. But when Paul Muni decided that he wanted to play Zapotec-Indian-turned-Mexican President Benito Pablo Juarez, the film's emphasis perceptibly shifted -- and Bette Davis, cast as Empress Carlotta, was shunted to second billing rather than first. Muni's makeup and costuming convincingly transforms him into Juarez incarnate. But unlike his other historical impersonations (Pasteur, Zola), Muni's Juarez is a one-note characterization: stoic, uncompromising, and v-e-e-r-y slow of speech. Far more exciting dramatically is Bette Davis as Empress Carlotta, whose highly stylized descent into madness is a tour de force both for the actress and for director William Dieterle. Claude Rains and Gale Sondergaard, as Napoleon III and Empress Eugenie, in essence repeat their diabolical characterizations from Anthony Adverse (1936), while John Garfield is singularly miscast as Pofirio Diaz. The best performance is delivered by Brian Aherne, whose kindly, honorable Emperor Maximillian is less a despot than a misguided political pawn. When Aherne, about to be executed at Juarez' orders, requests that his favorite Mexican song "La Paloma" be played as he is led before the firing squad, audience sympathies are 100% in Maximilian's corner--which was not quite what the filmmakers intended. Based largely on Bertita Harding's book The Phantom Crown (the film's original title), Juarez takes every available opportunity to parallel its title character's fight against foreign intervention with the then-current European situation. To protect their investment in Juarez Warner Bros. purchased outright a like-vintage Mexican film on the same subject, The Mad Empress, suppressing the latter film's release in the United States. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Bette Davis, (more)
A seemingly quiet Midwestern town is the hiding place for a number of sordid secrets in this melodrama based on Henry Bellamann's best-selling novel. Parris Mitchell (Scotty Beckett) is a young boy growing up in the town of King's Row, where he becomes close friends with Cassandra (Mary Thomas), a quiet girl who isn't popular with the other children. Parris is also friends with Louise (Joan Duvalle), a rich girl who looks down on others; Drake (Douglas Croft), a good-natured but self-centered type; and Randy (Ann Todd), a girl with a wild tomboy streak. It's a testimony to Parris' character when Cassandra and Louise both invite him to parties on the same day and he decides to go to Cassandra's, because he's not sure who else might be there for her. However, his friendship with her begins to fade after her father, local psychiatrist Dr. Tower (Claude Rains), decides to withdraw her from public school and tutor her at home instead. Years later, Parris (now played by Robert Cummings) is a promising medical student studying psychiatry with Dr. Tower, and while he's stayed in contact with Cassandra (now played by Betty Field), she remains at a curious emotional distance from those around her. Randy (now played by Ann Sheridan) romances Drake (now played by Ronald Reagan), who has inherited a fortune and is living the high life to the fullest. However, Drake is also involved with Louise (Nancy Coleman), who is not allowed much of a social life by her father, Dr. Gordon (Charles Coburn), and she fears that the more outgoing Randy will steal Drake away from her. When Parris decides to travel to Europe to further his studies, Cassandra asks if she can join him; he's not keen on the idea, but he considers it. He is then shocked to learn that Cassandra has been killed by her father after he learned that she was with child, shortly before taking his own life. Drake, meanwhile, loses his money through a series of unfortunate circumstances and is forced to take a job with the railroad; when he is injured at work, he's taken to Dr. Gordon for treatment. However, the doctor never approved of Drake's romance with Louise and was even more upset when he decided to leave her for Randy; in retaliation, Dr. Gordon amputates Drake's legs, even though his condition in no way justified it. Meanwhile, Parris comes back from Europe and makes the acquaintance of a local resident, Dr. Sandor (Erwin Kalser), while becoming infatuated with his daughter, Elise (Kaaren Verne). He also learns of Dr. Gordon's shocking mutilation of Drake, who is determined to somehow live a normal life despite it all, with Randy by his side. Kings Row was nominated for three Academy Awards (including Best Picture of 1943), and is generally conceded to feature the best performance of Ronald Reagan's Hollywood career; he titled his autobiography Where's the Rest of Me?, after the key line of his most memorable (and challenging) scene in the picture.
~ Mark Deming, All Movie Guide
~ Mark Deming, All Movie Guide
- Starring:
- Ann Sheridan, Robert Cummings, (more)
- 1956
One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, All Movie Guide
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide
