Ford Rainey Movies

Michael Chekhov and George Shdanoff were Russian expatriates who came to Hollywood and became two of the best known and most influential acting coaches in the film industry; Chekhov was nominated for an Academy Award for his work in Spellbound, and as a teacher he and his associate Shdanoff helped guide the careers of Leslie Caron, Patricia Neal, Gregory Peck, Rex Harrison, Marilyn Monroe and Clint Eastwood. From Russia to Hollywood provides a glimpse into their lives and careers as Chekhov flees Russia for Germany after the Communist government expresses its displeasure with his productions for the Moscow Art Theater (Stanislavsky considered Chekhov a genius, but the government considered him ideologically unsound). When the Nazis began to rise to power, Chekhov relocated to the United States, where he taught acting when not busy with his own career on the stage and screen. Here, several of Chekhov and Shdanoff's better known students discuss their work and how their teachings effected a generation of Hollywood actors. ~ Mark Deming, All Movie Guide

A mysterious stranger has a surprising effect on three generations of women in this romantic comedy-drama. Ruth (Colleen Dewhurst) is a widow who runs a bed and breakfast in a small New England tourist community. Ruth shares her home with Claire (Talia Shire), who recently lost her husband, a well-known 1960s political activist, and Claire's daughter Cassie (Nina Siemaszko). Claire has to deal with the humiliation of a recent biography of her late husband that reveals the impressive degree of his infidelity, while Cassie is expected to follow in her father's political footsteps, even though she'd rather pursue a career in music. One day, the three women discover a gentleman who calls himself Adam (Roger Moore) has washed up on the shore. Adam is a con artist who was literally thrown off the yacht of someone he was trying to cheat, and now he fakes amnesia while he tries to get back on his feet and hide from his most recent victims. He does some odd jobs around the B&B to earn his keep and begins courting Claire, while he urges Ruth to take a chance with the lobster fisherman who has been after her for a date and encourages Cassie to follow her dream of making music. Bed and Breakfast was directed by Robert Ellis Miller, best known for his TV work and the feature Reuben, Reuben; the film was shot in 1989 but didn't receive its limited release until three years later. ~ Mark Deming, All Movie Guide

This passable monster chiller is actually aimed at a slightly younger audience, featuring a young hero whose family relocates to an old ranch house in the Southwestern desert in which resides an ancient Comanche monster known as a "Quagway" -- which has a sweet tooth for bite-sized human morsels. Of course, the poor kid spends three-fourths of the film trying to convince his addle-brained father that there's something evil lurking about... but dad's too wrapped up in his own problems to notice. The monster is not particularly scary in full view -- and we see it in full view quite a bit -- but the film's lack of overt shocks may be due to the slightly younger age of its target audience. Direction is credited to Kevin S. Tenney, who took over after writer John Woodward withdrew. ~ Cavett Binion, All Movie Guide

As the brainchild of writer-director-producer Donald Wrye, the 14 1/2 hour ABC movie event Amerika marked one of the most expensive and controversial miniseries in the history of prime time television when it bowed over the course of seven nights in February of 1987. Regarded as something of a conservative counterpoint to Nicholas Meyer's The Day After (which screened on ABC, four years prior and allegedly demonstrated leftwing bias - prompting very outspoken criticisms from Republican pundit Ben Stein), this $40 million production imagines a dystopian future set in the late 1990s. When the drama opens in May of 1997, the Russians have effectively won the Cold War by wresting control over the United States, with the backing of a U.N. Peacekeeping Force. Although the initial takeover was not annihilative or even apparently violent, the consequences are overwhelming; a puppet leader holds court in the Oval Office, the American economy has fallen to pieces with Midwesterners lining up for vegetables, and gulag prisons are scattered across the land; meanwhile, hundreds of thousands of refugees have hit the countryside and wander aimlessly. The majority of the action unfurls in a rural Nebraska community, where onetime antiwar protester and presidential candidate Devin Milford (Kris Kristofferson) has just been released from a gulag, and now discovers his family farm being whittled away by the Russians. Meanwhile, his childhood friend Peter Bradford has somehow landed a position in the government hierarchy and finds himself being drawn in more deeply. Across the land, Russian stormtroopers engage in acts of violent intimidation, such as burning farmhouses and brainwashing abductees, while the Russian occupiers systematically maneuver on the political front to bring the once-powerful republic tumbling down. The supporting cast includes Christine Lahti, Wendy Hughes, Sam Neill, Armin Mueller-Stahl and many others; the title, of course, was intended to reflect "America" as modified to a slightly more Russian spelling. ~ Nathan Southern, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide

In the tradition of his earlier work in Grapes of Wrath and Twelve Angry Men, Henry Fonda played another social-protest role in the Hallmark Hall of Fame TV presentation Gideon's Trumpet. Clarence Earl Gideon (Fonda) is a poor, ill-tempered Florida handyman who is arrested for petty larceny in 1961. Unable to afford a lawyer, Gideon is sentenced to five years in prison. His treatment by the Florida judicial system, a clear violation of the Fourteenth Amendment, is brought to the attention of the Supreme Court. As a result, a landmark decision is reached, assuring free legal representation for anyone accused of a crime in the United States. Also appearing are Jose Ferrer as Gideon's attorney Abe Fortas, John Houseman (who also produced) as the Chief Justice, and Fay Wray as the owner of the lodging establishment where Gideon lived. Gideon's Trumpet premiered on April 30, 1980. ~ Hal Erickson, All Movie Guide

The Emmy-winning TV movie Friendly Fire was adapted by Fay Kanin from the fact-based book by C.D.B. Bryan. Carol Burnett and Ned Beatty play Peg and Gene Mullen, the parents of a young soldier who is killed in Vietnam. Dissatisfied with the "official" version of their son's death, Peg and Gene conduct a soul-wrenching investigation of their own. Only after months of military stonewalling does the truth come out: their son was accidentally killed by "friendly fire" from American artillery. This revelation leads to Peg Mullen's full-scale embracing of the anti-war movement. Even allowing for the grimness of the story, Carol Burnett's taciturn performance wears on the viewer after a while (one wonders if Peg Mullen ever smiled before her son died). Far better within the framework of the film is the superbly detailed performance of Ned Beatty as Gene. Friendly Fire was originally offered on April 22, 1979, as an ABC Theatre presentation. ~ Hal Erickson, All Movie Guide

Jason (Jon Walmsley) takes it upon himself to reform his cousin Boone Walton (Morgan Woodward), who is a bit too fond of moonshine liquor. This proves difficult when Bonne befriends the Baldwin sisters, who of course have been brewing up their own special family "recipe" for years. Meanwhile, Olivia (Michael Learned) clashes with the hyper-judgemental Corabeth (Ronnie Claire Edwards) when John-Boy's former fiancee Daisy (Deirdre Lenihan) returns with her out-of-wedlock daughter Melissa (Brandi Tucker) in tow. ~ Hal Erickson, All Movie Guide

In this first episode of Little House on the Prairie's two-part season four finale, Mary Ingalls (Melissa Sue Anderson) is diverted from her blossoming romance with Seth (Robert Kenneally) by her rapidly failing eyesight. What Mary doesn't yet know, but her father Charles does, is that she will soon go completely and irreversibly blind. Once the tragic news is broken to her, Mary despairs: What other disasters does the future hold in store for her? ~ Hal Erickson, All Movie Guide

This family adventure chronicles the adventures and exploits of George Clark (Denver Pyle), one of the early naturalists. Clark was a friend and peer of John Muir, the man whose writings did so much to encourage the development of the national park system in the U.S. The two men attempt to save Yosemite Valley in California from the lumbermen and managed to get Abraham Lincoln to sign a piece of national legislation which would do just that. ~ Clarke Fountain, All Movie Guide

The third and final TV-movie in the "Joshua Cabe" saga, this ABC effort stars John McIntire as rascally rancher-turned-sheriff Joshua Cabe, a role played by Buddy Ebsen in the original The Daughters of Joshua Cabe) and by Dan Dailey in The Daughters of Joshua Cabe Return. This time out, Cabe is accused of a murder he didn't commit and carted off to jail, there to await hanging. Coming to his rescue are Joshua's "daughters"--actually three unrelated shady ladies named Charity (Liberty Williams), Ada (Renne Jarrett) and Mae (Lezlie Dalton)--who devise a brilliant and thoroughly unbelievable escape plan. The New Daughters of Joshua Cabe aired on May 29, 1976. ~ Hal Erickson, All Movie Guide

Susan Clark won an Emmy for her performance as legendary woman athlete Babe Didrickson (1916-1956). The film starts in Port Arthur, Texas, with teenaged Babe depriving herself of a social life in order to excel at track and field. Her well-honed skills and fierce competitive spirit win Babe a slot at the Los Angeles-based 1932 Olympics. Able to excel in practically any sport, Babe becomes a pro golfer, tennis player and billiard champ. In 1940, she meets and marries roughhewn ex-wrestler George Zaharias (played by Alex Karras, Clark's real-life future husband), who becomes her mentor and manager. Despite the anticipated career and personal conflicts, George stays by Babe's side for the next sixteen years, ultimately buoying her spirits during her three-year ordeal with terminal cancer. Babe was adapted by Emmy nominee Joanna Lee from Babe Didrickson Zaharias' autobiography This Life I've Led. Footnote: for a glance at the real Babe Zaharias in action on the golf links, see the Spencer Tracy/Katharine Hepburn vehicle Pat and Mike (52). ~ Hal Erickson, All Movie Guide