Luise Rainer Movies
The comet-like starring career of Austrian actress Luise Rainer began at the age of 16, when she gave a spectacular audition and was hired on the spot by famed impresario Max Reinhardt. She starred in several Reinhardt stage productions, and also appeared in a few Austro/German films. An MGM talent scout "discovered" Rainer while she was touring Europe in Pirandello's Six Characters in Search of an Author. Because she dressed in comfortable old clothes, disdained makeup, and told American reporters that she hated movies, Ms. Rainer was quickly labeled a "new Garbo" and the "next Hepburn." She won an Oscar for her second film appearance in The Great Ziegfeld (1936), in which, as Florenz Ziegfeld's castaway wife Anna Held, she enacted perhaps the most famous "telephone scene" in cinema history. Though she seemed a shoe-in for the Oscar, Rainer refused to show up at the ceremony unless she could be assured ahead of time that she'd win; when she finally did agree to make an appearance, she was several hours late and her hair was a mess. In 1937, Rainer became the first actress to win two Academy Awards in a row; this time she was being honored for her portrayal of Chinese peasant bride O-Lan in The Good Earth. Hoping to cash in on Rainer's Oscar double-header, MGM rushed her through a series of second-rate roles in forgettable films. Her husband at the time, playwright Clifford Odets, urged her to quit movies cold and confine her "brilliance" to the stage. But after several theatrical flops, Rainer was back in Hollywood in the 1943 Paramount programmer Hostages. After the failure of this film, Rainer left Hollywood for keeps, moving to England with her second husband, publisher Robert Knittel. Some 50 years after her triumphant twin-Oscar win, Luise Rainer was coaxed before the cameras once more by producer Aaron Spelling, who cast her in an episode of his TV anthology The Love Boat. ~ Hal Erickson, All Movie Guide- 1932
Sehnsucht 202 (Longing 202) is all about a not-so-slight misunderstanding. A pretty young millionairess places an "Object: Matrimony" newspaper ad, signing herself "Longing 202." At the same time, a poor shop girl, in search of a job, places a separate classified ad -- likewise identifying herself as Longing 202. The inevitable mix-ups occur, with the millionairess landing a department store job and a handsome husband, and the shop girl landing a handsome husband and a "job" of a different sort. The film's two heroines are played by Magda Schneider (mother of Romy Schneider) and a Vienna-born newcomer named Luise Rainer. ~ Hal Erickson, All Movie Guide
- Starring:
- Magda Schneider, Fritz Schulz, (more)
- 1935
Set in the Washington of World War I, Escapade stars William Powell as a newspaper editor eager to sign up for an overseas assignment. Instead, he's ordered to stay in Washington to decode enemy messages. This assignment has been arranged by the dizzy niece (Rosalind Russell) of the Undersecretary of War, who has fallen in love with Powell. She later joins the harried editor in squashing a spy ring, headed by Cesar Romero and Binnie Barnes. Considering how annoying Rosalind Russell's character becomes in Rendezvous, it's understandable that role was turned down by Myrna Loy. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Luise Rainer, (more)
In MGM's three-hour-plus The Great Ziegfeld, William Powell stars as the titular theatrical impresario, whose show business empire begins when he stage-manages a tour for legendary strongman Sandow (Nat Pendleton). With nary a penny in the bank, he charms European stage star Anna Held (Luise Rainer) to headline his "Follies", and later marries the luscious Ms. Held. From 1907 onward, Ziegfeld stages annual editions of Broadway's most fabulous revue, dedicated to "Glorifying the American Girl" but also giving ample time to develop the comic talents of Fanny Brice (played by herself), Will Rogers, Eddie Cantor and many others. Eventually, Ziegfeld abandons Ms. Held in favor of other beauties, setting the stage for the "telephone scene" which won Luise Rainer the first of her Oscars. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Myrna Loy, (more)
- 1937
Baroness Orczy, author of The Scarlet Pimpernel, came up with the story upon which The Emperor's Candlesticks was based. As in Pimpernel, the theme is international intrigue, but this time the setting is pre-World War One Europe and Russia rather than Revolutionary France. William Powell and Luise Rainer are spies working for opposing empires (Russian and Austrian) who travel undetected amidst the Nobility while plotting their plots. As they waltz about various ballrooms dressed to the nines, they fall in love--resulting in wavering loyalties for both. Emperor's Candlesticks is stronger on decor than on plot, with the talented Luise Rainer once more ill-used by Hollywood. ~ Hal Erickson, All Movie Guide
- Starring:
- William Powell, Luise Rainer, (more)
Based on Donald Davis and Owen Davis' stage-adaptation of Pearl S. Buck's sprawling novel, Sidney Franklin's The Good Earth is the story of a Chinese farming couple whose lives are torn apart by poverty, greed, and nature. Paul Muni stars as Wang Lung a hardworking, but poor, farmer who weds freed-slave O-Lan (Luise Rainer). They struggle to build a life together, but after finally finding success, a plague of locusts descends upon their land, bringing a true test of the couple's perseverance. For her performance, Luise Rainer won the second of back-to-back Best Actress Oscars, while cinematographer Karl Freund took home an Academy Award for his photography work. The Good Earth was the final film production of Irving Thalberg, who died before the film was completed. ~ Matthew Tobey, All Movie Guide
- Starring:
- Paul Muni, Luise Rainer, (more)
- 1937
The Big City is an improbable urban melodrama which takes place during a "taxi war" between honest independent cabdrivers and graft-ridden taxi monopolies. Looking for a scapegoat for a recent gangland bombing, crooked city officials deport the foreign wife (Luise Rainer) of rabble-rousing cabbie Spencer Tracy. Desperately seeking a reprieve for his wife, Tracy goes to the mayor, who is in the process of addressing a banquet of retired boxers. The ex-pugilists take Tracy's side, head down to the wharf to pummel the gangsters responsible for the bombing, and rescue Tracy's wife from being shipped back to her homeland. To avoid confusion with a 1948 MGM film of the same name, the 1937 Big City has been retitled Skyscraper Wilderness for television. ~ Hal Erickson, All Movie Guide
- Starring:
- Luise Rainer, Spencer Tracy, (more)
- 1938
The Great Waltz was the first of two films bearing the same title which told the life story of Austrian "Waltz King" Johann Strauss. European singing sensation Fernard Gravet stars as Strauss, while MGM's two-time Oscar winner Luise Rainer is top-billed as Poldi Vogelhuber. Poldi is the wife of Strauss, but she is forced to sit and sulk as her husband carries on a lengthy affair with opera singer Milza Korjus (in her only American film). Husband and wife mend their differences shortly before being introduced to the court of Emperor Franz Josef. The scene everyone remembers is the one in which Gravet and Korjus improvise "The Tales of the Vienna Woods" while taking a buggy ride in the country. It's as corny as all get out, but never fails to earn applause when seen today. Dmitri Tiomkin was given the unenviable task of adapting the original Strauss tunes to conform with the concept of the film, while an uncredited Josef Von Sternberg assisted official director Julien Duvuvier in several crucial scenes. The 1972 The Great Waltz, which starred Horst Buchholtz, is generally conceded to be a disaster. ~ Hal Erickson, All Movie Guide
- Starring:
- Luise Rainer, Fernand Gravey, (more)
- 1938
Directed by Richard Thorpe, this costume drama stars Luise Rainer as 16-year-old southern belle Gilberta, who, upon her return to Louisiana after a brief stay in France, discovers her sister Louise Barbara O'Neil) has recently gotten engaged. Gilberta (Rainer) quickly finds herself attracted to her sister's fiance George (Melvyn Douglas), and eventually steals him for herself. Though they marry and have a son together, Gilberta is unable to to cope with the stress and responsibility involved in running a plantation and raising a child at the same time. At Gilberta's request, Louise (O'Neill) agrees to take over the duties of the plantation. Meanwhile, Gilberta begins an affair with a former suitor of hers, Andre Vallane (Robert Young), and agrees to go to New York with him. Upon their return, George (ouglas and Andre (oung) have a duel, which proves fatal for Andre. Shortly after, Gilberta catches a fatal disease. Though much strife had been created due to her sordid affairs, Gilberta comes to terms with her behavior and makes peace with her family shortly before she died. ~ Tracie Cooper, All Movie Guide
- Starring:
- Luise Rainer, Melvyn Douglas, (more)
- 1938
Viennese-born Luise Rainer plays a young Parisian girl who attends an exclusive drama school, working nights at a factory to pay the tuition. Despite the jealousies of her fellow students, Luise allows nothing to discourage her from her goal to become as great an actress as her idol (Gale Sondergaard). The girl wins the coveted role of Joan of Arc in an upcoming play, but the victory has a bitter taste when she realizes she's beaten out her idol for the part. At the end, Luise manages to have both a happy career and a successful marriage, even though her friends (and enemies) insist that such a combination is impossible. Dramatic School is a film buff's banquet; virtually every bit player in the cast (Ann Rutherford, Lana Turner, Dick Haymes, Hans Conried, etc.) later graduated to show-biz prominence. ~ Hal Erickson, All Movie Guide
- Starring:
- Luise Rainer, Paulette Goddard, (more)
- 1939
Originally designed for exhibition at the 1939 World's Fair, Land of Liberty is a 137-minute compendium of filmclips from past American historical epics. The project was sponsored by the Motion Picture Producers & Distributors of America, Inc. and supervised by Cecil B. DeMille, who also edited the film with the assistance of his crack Paramount production staff. The narration was written by old DeMille hands Jeannie MacPherson and Jesse Lasky Jr. and spoken by a talented team of uncredited announcers (one of whom sounded suspiciously like old C. B. himself). Clips from such Hollywood productions as America (1924), Abraham Lincoln (1930), Alexander Hamilton (1931), Show Boat (1936), Man of Conquest (1939) and DeMille's own The Plainsman (1936), The Buccaneer (1938) and Union Pacific (1939) are woven together into a chronological continuity, tracing American history from the Revolutionary War to the "present," which is largely represented by newsreel footage of President Roosevelt, the TVA project, and other current personalities and events. In later years, Land of Liberty was redistributed on the classroom circuit, with new footage added from historical dramas of the 1940s and 1950s. ~ Hal Erickson, All Movie Guide
- 1943
Luise Rainer's last Hollywood film was the economically produced wartime drama Hostages. Adapted from the novel by Stefan Heym, the story is set in a Nazi-occupied Czechoslovakian village. Rainer plays Milada, the daughter of collaborationist Lev Preissinger (Oscar Homolka). Totally apolitical herself, Milada is won over to the anti-Nazi cause by resistance leader Paul Breda (Arturo de Cordova). The drama intensifies when a Nazi officer commits suicide; the Gestapo, hoping to justify future outrages, claim that the officer was murdered, arresting 26 villagers as hostages. The ending could classify as tragic, but in 1943 it was considered inspirational. With so much plot and so many characters, poor Luise Rainer has very little to do; if the film has any real star, it is William Bendix, who is superb as a deceptively slow-witted resistance fighter. ~ Hal Erickson, All Movie Guide
- Starring:
- Arturo de Cordova, Luise Rainer, (more)
After spending the 1930s as the Third Reich's principal cinematic chronicler, Leni Riefenstahl returned to fictional films with Tiefland. According to Riefenstahl, she had refused to make any more propaganda pictures--"for good reasons," she explained enigmatically--choosing instead to direct a period romance, based on an old Spanish play and opera by Eugen d'Albert. Riefenstahl cast herself as the central character, Marta, a Spanish dancer who becomes the romantic bone of contention between humble shepherd Franz Eichberger and imperious marquis Bernhard Minetti. While the material seems to cry out for music, Riefenstahl plays the story straight, though much of the acting can certainly be described as operatic. In one scene, the director utilized a band of gypsies as atmosphere extras; as soon as their scenes were completed, the gypsies were returned to their Nazi concentration camp--where most of them were doomed to extermination. Personally financed by Riefenstahl, Tiefland was filmed between 1942 and 1944, which explains the presence of Maria Koppenhofer (who died in 1948). Final editing was not completed until around 1953, at which time Riefenstahl personally accompanied her print of the film to selected showings in Germany and Austria. ~ Hal Erickson, All Movie Guide
- Starring:
- Leni Riefenstahl, Franz Eichberger, (more)
- 1965
Oscar-winning Viennese actress Luise Rainer makes her first Hollywood appearance since the 1943 theatrical film Hostages in this episode, in which she is cast as French countess Loraine De Roy. Wounded in combat, Lt. Hanley (Rick Jason) is forced to take refuge in the servant's quarters of the Countess' chateau, where a reception is taking place. Hanley's presence places Loraine in a most precarious position: at the moment, she and her husband (played by silent-film favorite Ramon Novarro) are playing host to several high-ranking German officers. ~ Hal Erickson, All Movie Guide
- 1997
This British-Dutch-Hungarian biographical drama combines incidents from the life of novelist Feodor Dostoyevsky with a dramatization of his short novel The Gambler. The character of Polina in the novel was based by Dostoyevsky on Polina Suslova, his 1862-63 lover. In the tradition of Dennis Potter, this film mixes fiction with reality, opening in 1870 with a woman and child seeking someone in a casino at the German resort of Baden-Baden.
The story then leaps backward to 1866 St. Petersburg, where impoverished student Anna (Jodhi May) accepts a stenographic position with cantankerous 45-year-old Dostoyevsky (Michael Gambon), who lives with his epileptic stepson Pasha (William Houston). Dostoyevsky is writing serialized installments of Crime and Punishment. He has only 27 days to write a minimum of 160 pages on another novel for the publisher Stellovsky (Thom Jansen), who has covered his gambling debts. If Dostoyevsky doesn't meet this deadline, Stellovsky will acquire the rights to all of his current and future books. Anna quits but later comes back so she can pay for her father's funeral. In the process of getting Dostoyevsky's imagination to paper, Anna soon understands that The Gambler is autobiographical -- the tale of a young couple Polina (Polly Walker) and Alexei (Dominic West) at the casino in the fictional German resort Roulettenburg, where Alexei's gambling obsession has put him in debt. As the work on The Gambler continues, an attraction develops between the author and the secretary, and scenes from the work-in-progress are featured.
In real life, Anna Grigoryevna Snitkina did indeed take shorthand on The Gambler, and she went on to become Dostoyevsky's second wife in 1867. Appearing as a gambling grandmother is movie veteran Luise Rainer. Scenes of St. Petersburg, Baden-Baden, and Roulettenburg were all shot in Hungarian locations. ~ Bhob Stewart, All Movie Guide
The story then leaps backward to 1866 St. Petersburg, where impoverished student Anna (Jodhi May) accepts a stenographic position with cantankerous 45-year-old Dostoyevsky (Michael Gambon), who lives with his epileptic stepson Pasha (William Houston). Dostoyevsky is writing serialized installments of Crime and Punishment. He has only 27 days to write a minimum of 160 pages on another novel for the publisher Stellovsky (Thom Jansen), who has covered his gambling debts. If Dostoyevsky doesn't meet this deadline, Stellovsky will acquire the rights to all of his current and future books. Anna quits but later comes back so she can pay for her father's funeral. In the process of getting Dostoyevsky's imagination to paper, Anna soon understands that The Gambler is autobiographical -- the tale of a young couple Polina (Polly Walker) and Alexei (Dominic West) at the casino in the fictional German resort Roulettenburg, where Alexei's gambling obsession has put him in debt. As the work on The Gambler continues, an attraction develops between the author and the secretary, and scenes from the work-in-progress are featured.
In real life, Anna Grigoryevna Snitkina did indeed take shorthand on The Gambler, and she went on to become Dostoyevsky's second wife in 1867. Appearing as a gambling grandmother is movie veteran Luise Rainer. Scenes of St. Petersburg, Baden-Baden, and Roulettenburg were all shot in Hungarian locations. ~ Bhob Stewart, All Movie Guide
- Starring:
- Michael Gambon, Jodhi May, (more)
- 2007
Filmmaker Arthur Dong's documentary Hollywood Chinese pays homage to the first century of the American film industry, as specifically colored and influenced by the Chinese immigrants to whom Hollywood owes an inestimable debt. Dong touches on everyone from actress Anna May Wong, of Limehouse Blues (1934) and Lady from Chungking (1943), to the late cameraman James Wong Howe, responsible for giving the Rock Hudson thriller Seconds (1966) such a creepy and inventive look. Dong also explores the newer generation of Chinese-American filmmakers, including such giants as Wayne Wang and Ang Lee, responsible for such contemporary classics as The Joy Luck Club, Crouching Tiger, Hidden Dragon, and Brokeback Mountain. At the same time, a haunting and telling undercurrent of racism and stereotypes weaves its way in, suggestive of the difficulties that Chinese men and women found working in Hollywood -- particularly in the early years. As a historical footnote, Dong also makes film history by rediscovering and editing in footage from what is alleged to be the first Asian-American film ever made: the 1916 Curse of Quon Gwan, directed by Marion Wong. ~ Nathan Southern, All Movie Guide
- Starring:
- Turhan Bey, Joan Chen, (more)
