Jack Raine Movies

The Old West is just not the same, what with so few cattle being run, and law-abiding folk running around like they own everything. In this family comedy drama, it's too much for John McCanless (Brian Keith). He is a cranky old rancher and former gunslinger who has no intention of selling his beloved acres to some fool who wants to build a dam and flood them all. Going "gently into that good night" is not in the cards at all, and this latter-day Quixote prepares to wage a lonely battle against the namby-pamby modern world. His ranch hand, Paco (Alfonso Arau), an illegal immigrant, and his bemused daughter, Amanda (Michele Carey) do what they can to help. ~ Clarke Fountain, All Movie Guide

A year after helming The Dirty Dozen, director Robert Aldrich took on this controversial drama based on the play of the same name by Frank Marcus. Beryl Reid stars as soap opera star June, an alcoholic lesbian who spends most of her time with her younger lover, Alice (Susannah York). When vindictive television executive Mercy Croft (Coral Browne) takes a liking to Alice, she arranges to have June's character, Sister George, killed off the show. Drunk and paranoid, June struggles to keep it together or risk losing Alice. Because of its exploration of a subject as taboo as homosexuality, The Killing of Sister George earned an X rating. ~ Matthew Tobey, All Movie Guide

A typical "wrinkle in time" drama from the pen of Richard Matheson, this episode opens as young heiress Anne Henderson (Diana Hyland), taking a horseback ride near her family estate, is suddenly pursued by a witch-like rider dressed in black. This terrifying experience has no effect on Anne's determination to defy her parents' wishes and elope with irresponsible David Mitchell (Robert Hogan). As it turns out, Anne would have been wise to regard the mysterious horsewoman as a portent of disaster. This extremely intense Twilight Zone episode was originally broadcast on February 21, 1964. ~ Hal Erickson, All Movie Guide

Having been invited to spend the weekend at a lavish estate, Donald Stuart (John Hudson) is upstairs preparing for dinner when he sees a man (Francis Bethencourt) beating his wife (Narda Onyx) to death. Rushing downstairs, Donald is surprised to see the same couple, happily exchanging affectionate words as if nothing has happened. In truth, nothing HAS happened: the murder which Donald saw won't occur until tomorrow...unless he does something to prevent it. ~ Hal Erickson, All Movie Guide

George Baxter (Jack Raine), a courier for the South African Diamond Company, arrives at his firm's California office to find the place in a state of disarray, with a strange girl (Joanna Moore) standing the middle of the room. Baxter concludes that the place has been robbed, but before he can say or do anything the girl has ducked into the nearby office of Perry Mason (Raymond Burr), claiming to be a typist for a temp agency. Later on, Baxter is found murdered, and a man named Duane Jefferson (Alan Marshall) is charged. Perry wants to defend Jefferson, but the man refuses to identity the woman who could prove his innocence (and guess who that woman is?) Based on a 1956 novel by Perry Mason creator Erle Stanley Gardner, this episode offers a genuinely shocking twist just before the climax. ~ Hal Erickson, All Movie Guide

Based on a novel by Howard Swiggert, The Power and the Prize sets up a premise that had far more relevance in 1956 than it does today. Robert Taylor stars as a American business executive working in England. Taylor wants to marry European refugee Elizabeth Mueller, but is warned by his boss (Burl Ives) that such things just aren't done. Taylor digs in his heels, and at the end is supported in his marital decision by his less hidebound fellow executives. Power and the Prize was one of the last of the "corporate drama" cycle sparked in 1954 by 20th Century-Fox's Woman's World. ~ Hal Erickson, All Movie Guide

Ambitious but impecunious medical student Lucas Marsh (Robert Mitchum) marries the older and (in this film, at least) not especially attractive Kristina Hedvigson (Olivia de Havilland) so that she can pay his tuition fees. Kristina loves Lucas, but he loves nothing but his work. Emotionally shutting himself off from everyone -- including best friend, Alfred Boone (Frank Sinatra), and drunken dad, Job Marsh (Lon Chaney Jr.) -- Lucas survives his training and goes to work as the assistant to tough but tender small-town medico Dr. Runkleman (Charles Bickford). He enters into an affair with wealthy Harriet Lang (Gloria Grahame) (watch for the symbolism-laden tryst in the horse barn!), obliging Alfred, now a big-city doctor, to try to patch up his pal's marriage. But Lucas feels nothing and needs no one because he's come to think of himself as the perfect physician, incapable of making an error. When Lucas fails to revive his mentor Dr. Runkleman during heart surgery (a genuine heart is used in the "massage" close-ups), the young doctor suddenly realizes that he's not infallible after all. He wanders aimlessly through town, finally returning to his wife and collapsing into her arms, sobbing "Help me! Please help me!" Cameo players range from Broderick Crawford as a Jewish doctor denied entry into medicine's upper circles to Carl Switzer as a bug-eyed patient. The film was adapted from the best-selling novel by Morton Thompson. ~ Hal Erickson, All Movie Guide

Screenwriter Philip Dunne doubled as director on the elaborate filmed biography Prince of Players. Richard Burton stars as the eminent American tragedian Edwin Booth, whose life and career is thrown into turmoil after his younger brother John Wilkes Booth (John Derek) assassinates Abraham Lincoln. The film begins as the younger Edwin assists his alcoholic, ailing father Junius Brutus Booth (Raymond Massey) during a tour of the American hinterlands. When Junius dies just before a performance, Edwin goes on in his stead, thereby launching his own starring career. In danger of becoming as much of a drunk and carouser as his father, Edwin eventually pulls himself together, but his brother's act of violence turns the audience against the name of Booth. Almost booed offstage during a performance of Hamlet, Edwin stands his ground, finally earning the respect of his rowdy audience. Not exactly packed with fast action, Prince of Players will appeal most to lovers of theater in general and Shakespeare in particular. Highlight: Richard Burton and Eva LeGalleine performing the balcony scene from Romeo and Juliet in the courtyard of a brothel. ~ Hal Erickson, All Movie Guide

Elephant Walk was several weeks into production when the film's original leading lady, Vivien Leigh, was replaced by Elizabeth Taylor (you can still see Leigh in a few long shots). Based on a novel by Robert Standish, the film casts Taylor as Ruth Wiley, the new bride of solemn plantation owner John Wiley (Peter Finch). At first thrilled at the prospect of living in the wilds of Ceylon, Ruth rapidly becomes a beautiful bird in a gilded cage. When American overseer Dick Carver (Dana Andrews) arrives on the scene, Ruth falls in love. Before she can leave her husband, though, the region is devastated by cholera. Making things worse, the local elephants go on a rampage, destroying her husband's mansion, which his father had maliciously built in the middle of the pachyderm's ancient right of way. Fraught with sexual symbolism, Elephant Walk works on a high-gloss soap opera level. The climactic stampede, however, is disappointingly filmed on a studio interior set, robbing what should have been a rousing climax of much of its credibility. ~ Hal Erickson, All Movie Guide

The muscular physique of Rock Hudson is given plenty of screen exposure in the British-India actioner Bengal Brigade. Adapted from a novel by Hall Hunter, the film casts Hudson as Captain Jeffrey Claybourne of Her Majesty's Service, who is severely disciplined after defying orders. Feeling unworthy of his fiancee Vivian Morrow Arlene Dahl, the daughter of his superior officer, Claybourne breaks off the engagement until he can restore his reputation. When the duplicitous Rajah Karam Arnold Moss launches an all-out attack against the British forces in India, Claybourne finds his opportunity for redemption--as do several other "outcasts". Costarring in Bengal Brigade as an alluring native girl is Ursula Theiss, later the wife of actor Robert Taylor. ~ Hal Erickson, All Movie Guide

Joseph L. Mankiewicz directed this exquisite version of William Shakespeare's play. Louis Calhern is Julius Caesar, whose conquests have enabled him to rise to the status of Roman dictator. But his ascent to almost God-like status has given pause to influential members of the Roman Senate. Chief among them is Cassius (John Gielgud), who is troubled by Caesar's popularity and dictatorial status. Convinced that Caesar's assassination would be the best thing for Rome, he conspires with Casca (Edmond O'Brien) and the influential Brutus (James Mason) to plot Caesar's murder. Despite dark omens, Caesar walks confidently into the Roman Senate, where he is stabbed to death by the conspirators. His companion Marc Antony (Marlon Brando) is shocked and runs to the corpse of his beloved friend. He agrees to support Brutus while an unruly mob gathers in front of the Senate doors, having heard rumors of Caesar's assassination. Brutus convinces the mob that Caesar's death was for the good of Rome, preventing him from forming a monarchy. Then Antony appears, determined to destroy the conspirators; he delivers a speech that subtly damns the assassins. With the mob against them, the conspirators are forced to flee Rome and Antony organizes an army against them. ~ Paul Brenner, All Movie Guide

This anthology film tells three stories of love involving the passengers of an ocean liner at sea. In the first, "The Jealous Lover," James Mason plays Charles Coudray, a well-known ballet director. When someone asks Coudray why he staged his masterpiece, "Astarte," only once, he tells the story of Paula Woodward (Moira Shearer), a superb dancer he found practicing in his theater. He was awestruck by her technique and her beauty, but he discovered that she had a secret -- due to a cardiac condition, she has been forbidden to dance too strenuously, as it could tax her heart and eventually kill her. Charles urges Paula to perform for him, so he may use her movements to choreograph his next great work; she agrees, but the exertion proves too much for her and she dies. He arranges for the work she inspired to be performed only once, in hopes that she will somehow see it from on high. In the second segment, "Mademoiselle," Tommy (Ricky Nelson) is a 12-year-old boy travelling with his French governess and tutor (Leslie Caron); she's tired of spending her days watching over a child, and he'd like to get away from Teacher for a while. Mrs. Pennicott (Ethel Barrymore), a older woman who happens to be a witch, hears Tommy wishing he could be a grown-up, and she grants his request: suddenly Tommy is a grown man (played by Farley Granger), but only for the next four hours. The Governess meets the mysterious stranger Tommy has become, and soon they fall in love. In the final segment, "Equilibrium," Kirk Douglas plays Pierre Narval, a high-wire artist who retired from performing after his partner died while performing a trapeze act, an accident Pierre blames on himself. He begins to reconsider his decision when he saves the life of Nina (Pier Angeli), a woman who attempted to drown herself; her husband died in a Nazi concentration camp during World War II, and she feels she is to blame for his death. Their shared fatalism equals fearlessness in Pierre's eyes, and he teaches Nina the art of the trapeze; however, when he begins to fall in love with her, he's no longer so certain that he wants her to risk her life. "The Jealous Lover" and "Equilibrium" were directed by Gottfried Reinhardt, while "Mademoiselle" was directed by Vincente Minnelli. ~ Mark Deming, All Movie Guide

The Happy Time was adapted from the long-running Broadway play by Samuel Taylor, which in turn was based on the novel by Robert Fontaine. Set in Quebec during the early part of the 20th century, the film concentrates on the activities of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age" complications and sexual awakenings, especially when worldly prodigal son Louis Jourdan returns to the fold and exercises his influence on impressionable young Bobby Driscoll. Not permitted to include the racier portions of the play, director Richard Fleischer compensated by adopting a frenetic, farcelike pace, which works about half the time. Happy Time was later musicalized on Broadway in the 1960s, with Robert Goulet in the Louis Jourdan part. ~ Hal Erickson, All Movie Guide