Deborah Raffin Movies

Adapted by Jay Presson Allen from the French farce by Pierre Barillet and Jean-Pierre Gredy, Forty Carats is a standard-issue sex comedy elevated by the performances of its stars. Fortyish Realtor Ann Stanley (Liv Ullman) finds herself attracted to Peter Latham (Edward Albert) - a man literally half her age. After a summer fling in Greece, Ann and Peter come to a parting of the ways, and that, Ann supposes, is that. Imagine her surprise when Peter comes to visit her back in New York. Though at first dismissed as a fortune hunter, Peter turns out to a financial whiz with a lot more in the bank than his lady friend. Both Ann's mother (Binnie Barnes, whose husband Mike Frankovich produced the film) and daughter (Deborah Raffin) are delighted at the prospect of Ann's romance with Peter -- the only one unsure is Ann herself. Lending his considerable comic expertise to Forty Carats is Gene Kelly as Liv Ullman's ex-husband-who also takes a liking to the personable Edward Albert and encourages the May-December romance. ~ Hal Erickson, Rovi

Eager to escape her high-society life among the English elite, a woman falls in love with a young musician. Her husband, however, has other plans for her. ~ John Bush, Rovi

Michael Winner ups the ante once again in Death Wish 3. Any pretense of Paul Kersey (Charles Bronson) having a career in architecture is completely gone. Kersey's new career appears to be as a professional vigilante, blowing away muggers, rapists and thieves off the mean streets -- or as he terms it "thinning the herd." Back in New York City, Kersey, with his usual luck, arrives just in time to find an old friend dying after a vicious beating by a multi-cultural gang of thugs. The cops arrest Kersey, but it just so happens that police chief Richard S. Shriker (Ed Lauter) is like Kersey with a badge: "I'm the law, and that means I get to violate your civil rights." He makes a deal with Kersey: he can go free as long as he keeps the cops informed of his death counts. Kersey grunts in agreement and proceeds to move into a decaying tenement building in the middle of a bombed out gang war zone. The building is populated by a group of elderly tenants who are terrified by the neighborhood gang warfare. Kersey declares his own personal war on the neighborhood gang, led by a frenzied leader named Fraker (Gavan O'Herilhy), who wears a reverse Mohawk hair-style. As Kersey devises booby traps and trip-wire bombs to confound the gang, the senior citizens gleefully take pot shots at the wounded gang members from their windows. ~ Paul Brenner, Rovi

The made-for-TV For Lovers Only was the pilot film for a potential series titled Honeymoon Hotel. Set in the Poconos, the story takes place in a fancy honeymoon resort managed by Vernon Bliss (Andy Griffith). Belying his name and professional, Bliss is far from Blissful, especially when bickering with his daughter (Deborah Raffin) and her husband, a would-be playwright (Gary Sandy). Guest stars on this first and last installment of Honeymoon Hotel include Katherine Helmond, Gordon Jump, Sally Kellerman and Jane Kaczmarzak. Look closely and you'll spot Tracy Pollan in a bit. Financed by Caesars Palace Productions, For Lovers Only was first telecast October 15, 1982. ~ Hal Erickson, Rovi

Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi

Haywire was adapted for television by Ivan Davis and Frank Pierson from the best-selling autobiography of Brooke Hayward. Played herein by Deborah Raffin, Brooke is the daughter of legendary Broadway producer Leland Hayward (Jason Robards) and the brilliant stage and film actress Margaret Sullavan (Lee Remick). The much-married Leland is overindulgent but aloof and casually cruel; the lovely Margaret is an emotionally unstable perfectionist. The residue of this dysfunctional family relationship includes the suicides of Ms. Sullivan and Brooke's sister Bridget (Dianne Hull), and the confinement to a mental institution of Brooke's brother Bill (Hart Bochner). How Brooke herself survives this "haywire" situation provides the meat of this 2-hour film. Brooke's brother William Hayward was the producer of Haywire, which originally aired May 14, 1980. ~ Hal Erickson, Rovi

Though Desi Arnaz Jr. gets star billing in How to Pick Up Girls, the film's true leading man is third-billed Fred McCrarren. He plays a clueless Nebraska boy whose efforts to score with chicks in the Big City come to naught. Finally he stumbles upon the "secret" to successful dating with the help of his superstud roommate (Desi Arnaz Jr.) McCrarren is transformed into a makeout king--much to consternation of the nice girl (Bess Armstrong) who likes him for himself. Based on the book by Eric Weber (which one supposes was supposed to have been taken seriously), How to Pick up Girls is a made-for-TV smarmfest. At that, it is a few notches above the standard "horny teenager" flick which glutted the market in the early 1980s. ~ Hal Erickson, Rovi

In this made-for-television thriller, a pair of couples, a U.S. senator among them, are stalked by backwoods snipers while on a white-water rafting trip. ~ Jason Ankeny, Rovi

Hollywood's Deborah Raffin stars in the British TV movie Last Video and Testament. Raffin is married to David Langton, but that doesn't prevent her from fooling around with Oliver Tobias. Seemingly the soul of patience, Langton ultimately uses VCR technology to teach both wife and lover a deadly lesson. Last Video and Testament premiered in the US over the USA Cable Network on January 5, 1985. It was double-billed with another British TVer, And the Wall Came Tumbling Down. ~ Hal Erickson, Rovi

This bush-league Eyes of Laura Mars stars Deborah Raffin as a model with a "sixth sense." First she senses that an airline is to be bombed--a premonition which comes true. Then she senses that the bomber knows who she is and plans to kill her. Unfortunately, Raffin has the usual TV-movie precognitive skills which allow her to see what's going to happen, but which prevent her from determining who's going to do it. Mind over Murder was directed by Ivan Nagy, better known for his highly publicized involvement in the Heidi Fleiss scandal. ~ Hal Erickson, Rovi

Based on a novel by Jack Higgins, this WW-II thriller chronicles the daring rescue of a captured American officer who has vital information concerning the upcoming Normandy invasion. ~ Sandra Brennan, Rovi

In this high-suds potboiler based on the best-selling novel by Jacqueline Susann, Mike Wayne (Kirk Douglas) is a past-his-prime movie producer who lives to make his college-age daughter January (Deborah Raffin) happy. January is also very fond of her father, perhaps more so than would seem healthy to the casual observer. Desperate to keep financing the good life for his daughter, Mike weds Deidre Granger (Alexis Smith), a wealthy bisexual who isn't about to give up her long-term relationship with Karla (Melina Mercouri). January finds herself pursued by suave playboy David Milford (George Hamilton), but she's more strongly attracted to Tom Colt (David Janssen), a middle-aged alcoholic novelist who reminds January of her father. Brenda Vaccaro won a Golden Globe award (and received an Oscar nomination) for her supporting performance as the man-crazy editor of a fashion magazine. ~ Mark Deming, Rovi

Tony Bill is a happy single parent, blessed with a violin prodigy daughter (Ari Meyers). Enter Deborah Raffin, Bill's ex, who deserted husband and child 12 years earlier. Now a sophisticated world traveller, Raffin implores Bill to let her see her daughter. Running Out is the sort of TV movie with such "warmhearted" highlights as the 13-year-old daughter stealing a car in order to rush to the airport for a final embrace with her mother. Wallowing in syrup, Running Out was a singularly disappointing GE Theatre presentation. ~ Hal Erickson, Rovi