Jack Rader Movies

Jimmy Smits returned to the big screen after a career-reviving stint on the TV series NYPD Blue with this emotional drama about the difficult relationship between a father and his sons. Smits plays Arturo Ortega, a man with lifelong dreams of being a contender in professional boxing. While Arturo had the knowledge, drive, and ambition to be a champ, his career proved short-lived, and, after a brief fling with success, he's a forgotten man. However, Arturo has instilled his passion for boxing in his three sons, who grow up learning the fine art of prizefighting. All three boys begin competing in the ring, with Arturo as their manager and coach, but Johnny (Jon Seda) quickly shows so much promise that other managers and promoters want to take over his contract and put him on the fast track to the championship. Arturo feels betrayed when Johnny wants to work with another manager, while his other two sons resent Johnny for turning his back on his father and wish Arturo had the same belief in their talents in the ring. The debut feature from director Carlos Avila and screenwriter Phil Berger, Price of Glory also features Maria Del Mar, Ron Perlman, Paul Rodriguez, and Clifton Collins Jr.. ~ Mark Deming, All Movie Guide

After several weeks filming The Scout in the late 1970s, star Peter Falk and director Howard Zieff abandoned the project. Two decades later, writer Andrew Bergman gave his original script to Albert Brooks and Monica Johnson, who polished it as a vehicle for Brooks and director Michael Ritchie. Brooks stars as Al Percolo, a talent scout for the New York Yankees whose latest recruit (Michael Rapaport) has just vomited on the field and fled. Sent to Mexico as punishment by his boss (Lane Smith), Percolo finds phenomenal young pitcher Steve Nebraska (Brendan Fraser). Before he can get back to the Big Apple, however, Percolo gets pink-slipped by the Yankees, so he offers Nebraska as a free agent. After a stellar tryout, Nebraska is signed for millions. Soon after, he starts to exhibit odd behaviors that may be linked to psychological problems. A psychiatrist (Dianne Wiest) hired by the ball club wants Nebraska in daily therapy, so Percolo ends up babysitting a mentally unstable pitcher. Brooks' normally winning mix of laughs with psychological insights didn't add up to box office or critical success, despite cameos from real-life sports figures such as George Steinbrenner and Steve Garvey. ~ Karl Williams, All Movie Guide

The whole story is in the title of this made-for-TV heartstopper. Based on a true 1988 incident, the film details the breakout of a fire in a Los Angeles high-rise. The LA fire department does what it can, but their ladder equipment falls short of the 37-story requirement. Lee Majors, Lisa Hartman and Peter Scolari comprise the all-TV star cast of this Towering Inferno clone (which improves upon its role model): Majors is the LAFD supervisor, while Hartman and Scolari are the unlucky entrapped office workers. The focal point of Fire! Trapped on the 37th Floor is not the conflagration itself but the resourcefulness of the professional firefighters and the improvisational skill with which they utilize their equipment. ~ Hal Erickson, All Movie Guide

Aftermath: A Test of Love begins where most TV movies end. Based on fact (as recorded in Gary Kinder's book Victim), the story revolves around the family of Richard Chamberlain, an aloof obstetrician. The family falls victim to a violent, random crime, depicted in gruesome detail. Chamberlain's wife is murdered, and one of his sons is seriously wounded. Surviving this ordeal, Chamberlain must now try to hold his remaining loved ones together emotionally and attempt to reassemble his own battered psyche. The true events which inspired Aftermath: A Test of Love occurred in the 1970s in Ogden, Utah, where this TV movie was partially filmed. ~ Hal Erickson, All Movie Guide

Those who think that you can't make a suspense movie out of a true-life story wherein everybody knows the outcome are referred to the made-for-TV Everybody's Baby: The Rescue of Jessica McClure. Jessica, of course, was the 18-month-old Texas girl who fell down an abandoned well in October of 1987. As the world looks on in anguish, the local fire chief (Pat Hingle) and police chief (Beau Bridges) supervise the efforts to rescue Jessica from her 22-foot-deep prison. The film effectively squeezes the 58 hours of the original incident into two, allotting plenty of time for a surface-level subplot involving the efforts of a Victim's Assistance Program volunteer (Patty Duke) to reassure Jessica's parents. In keeping with Hollywood child-labor requirements, little Jessica McClure is played by twin girls, Laura and Jennifer Loesch. ~ Hal Erickson, All Movie Guide

After the phenomenal box-office and critical success of David Cronenberg's 1986 remake of The Fly, a series of big-budget remakes of '50s horror favorites rode in on its coattails in the late 1980s -- though none managed to rise above mere camp clones of their elders, albeit garnished with modern makeup effects in an attempt to draw modern teen horror-junkies. One remake that managed to live up to its cheesy inspiration was Chuck Russell's version of The Blob, in which the title goo crashes to earth and promptly begins digesting the residents of a small California town while growing to gargantuan proportions. The clean-cut teen hero originally portrayed by Steve McQueen (his first starring role) is replaced here with a rebellious outsider (Kevin Dillon) whose preppie rival (Donovan Leitch) for the affections of the cute heroine (Shawnee Smith) is quickly eliminated by the all-consuming space-gelatin. No sooner has the plasma menace set up house in the town sewers when a shadowy government Blob Squad shows up under the direction of the grandfatherly Dr. Meddows (Joe Seneca), to clean up the mess... or not. This high-spirited remake replaces the '50s "Daddy-O" conventions of the original with '80s cynicism -- not even likeable characters are spared from the slaughter -- and anti-government sentiment. It also pushes the gore envelope in ways unavailable to its low-budget parent -- e.g. the scene in which one victim is sucked through a sink drain was only hinted at in the 1958 film, but here viewers are treated to the entire bone-crunching ordeal. Though the quality of blob effects seems inversely proportional to the creature's size (some of the climactic "wall-of-blob" footage is painfully cheap-looking), the end result is more blob for the monster-movie fan's dollar. ~ Cavett Binion, All Movie Guide

Vietnam veteran Colonel Braddock had believed his Asian wife to be dead since the war, but he hears from a missionary that she is not only alive, but has a son. Soon, he returns to Vietnam to rescue them and others from a prison camp. This is the third Missing in Action film starring the well-known martial artist, Chuck Norris, as lethal hero Braddock. ~ Kristie Hassen, All Movie Guide

Kate Jackson had intended to both produce and star in the made-for-TV A Child's Cry, but her busy Scarecrow and Mrs. King schedule forced her to relinquish the leading role to Lindsay Wagner. Wagner plays Joanne Van Buren, a sensitive social worker whose latest charge, young Eric Townsend (Taliesen Jaffe), shows signs of being abused. Running up against several walls of resistance, Joanne nonetheless continues to investigate. She ultimately unearths a shocking truth involving Eric's father, played in image-busting fashion by James Brolin. A Child's Cry debuted February 9, 1986. ~ Hal Erickson, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

Convicted murderer Dr. Jeffrey MacDonald had hoped that, by telling his side of the story to investigative journalist Joe McGinniss, the authorities would be persuaded of MacDonald's innocence. Instead, McGinniss ended up unswerving in his belief of MacDonald's guilt, and the result was the devastating best-seller Fatal Vision. In this two-part TV adaptation of McGinniss' book, Gary Cole plays MacDonald, a former Green Beret officer, while Frank Dent essays the role of McGinniss. MacDonald's wife and two children are brutally murdered in their Fort Bragg, North Carolina home on February 17, 1970. The prime suspect, MacDonald insists that the killings were committed by a gang of stoned-out hippies, a story that at first is accepted in toto by the doctor's father-in-law Freddy Kassab (Karl Malden). But after MacDonald is officially exonerated, Kassab notices several holes in his son-in-law's story, and becomes convinced that MacDonald was in fact the murderer. Through Kassab's persistence, as well as the uncovering of new forensic evidence, MacDonald is ultimately convicted for all three murders in 1979. Since the TV premiere of Fatal Vision on November 18 and 19, 1984, there has been a growing movement by MacDonald's sympathizers to discredit McGinniss' book and to retry the case--a movement that has been hampered time and again by MacDonald's own erratic behavior. ~ Hal Erickson, All Movie Guide

On a bitterly cold January day in 1982, Air Florida flight #90 crashed into the Potomac River while approaching Washington DC. Though many passengers were killed, many more were rescued. Flight 90: Disaster on the Potomac is the story of the survivors, the rescuers, and the anxious friends and relatives of both the living and the dead. The crash itself is never shown, while the icy Potomac is represented by a heated Hollywood pool and chunks of Styrofoam (the actors do their best, however, to appear to be chilled to the bone). Thankfully, the cast is comprised of character actors rather than stars or "celebrities," adding an air of authenticity to the proceedings. Made for TV, Flight No. 90: Disaster on the Potomac was first telecast April 1, 1984. ~ Hal Erickson, All Movie Guide

Jan-Michael Vincent stars as Kyle Richardson, who works at a dead-end job in a Texas chain-link fence factory. In the tradition of such earlier films as Saturday Night and Sunday Morning, Richardson enjoys himself only on weekends when he whoops it up with his buddies at the local saloon. His carousing exacts a toll on his relationship with Jodie Lynn Palmer (Kim Basinger, in her film debut). Finally, Jodie delivers an ultimatum: either settle down and get married, or she'll skeedaddle to California, there to try her luck as a country-western singer. Real-life C&W star Tanya Tucker co-stars as Jodie's best friend and role model. ~ Hal Erickson, All Movie Guide