Francisco Rabal Movies
Often regarded as one of the great leading men of Spanish cinema, Francisco Rabal, in later life, matured into a respected character actor, whose outsized personality was a match for the men he portrayed onscreen. Francisco Rabal was born in Aguilas, a mining community in Murcia, Spain, on March 8, 1926. Rabal's father worked in the mines while his mother ran a mill. When Rabal was six, the Spanish Civil War swept through Murcia, and Rabal's family relocated to Madrid. As a young man, Rabal earned a living as a street peddler and as a chocolate-factory worker. Later, he found a job as an electrician at Chamartin Film Studios. While working at the studio, Rabal became interested in acting and began taking onscreen work as a bit player. Hoping to refine his skills as an actor, Rabal turned his attentions to the stage, and he won nationwide acclaim for his performance in a Spanish production of Death of a Salesman; it was also through his stage work that Rabal met actress Asuncion Balaguer, whom he married in 1950. Rabal's masculine good looks and easy charm quickly made him a popular leading man in Spain, and he established himself in the international film community with his performance in Luis Buñuel's Nazarin. Rabal and Buñuel became close friends, and Rabal worked with the great director on two more films, Viridiana and Belle de Jour.Rabal later worked with Michelangelo Antonioni and Jacques Rivette, and in the '70s he dabbled in directing short films and writing poetry. The actor also became known for his outspoken nature, speaking out with iconoclastic good cheer on politics, religion, fame, and his profession when given the opportunity. As Rabal grew older, his waist thickened and his hairline receded, but he seized the opportunity to play less glamorous and more challenging roles, and in 1984 his performance in Los Santos Inocentes earned him Best Actor honors at the Cannes Film Festival. Rabal kept up a busy schedule into his seventies, and in 1999 scored a late-career triumph with his acclaimed performance in Carlos Saura's Goya in Bordeaux. In August of 2001, Rabal received an award for lifetime achievement at the Montreal Film Festival. While flying home, Rabal died as a result of pulmonary complications. He left behind two children, both of whom grew to become active in the film industry -- actress and singer Teresa Rabal and filmmaker Benito Rabal. ~ All Movie Guide
Also known as Baroque, this Spanish-Cuban-Mexican film stars Francisco Rabal and Angela Molina. An exercise in allegory and symbolism, the film traces the history of Spain, from the days of the conquistadors onward. Somehow, all this logically concludes in a modern disco. Adapted from a novel by Alejo Carpenter Barroco is told in prismatic form without dialogue, a neat trick if you can pull it off -- which filmmaker Paul Leduc does, and with assurance. ~ Hal Erickson, All Movie Guide
- Starring:
- Francisco Rabal, Ángela Molina, (more)
This confusing and meandering mystery concerns a double crime committed in a rural village in 1956. Greedy land speculators, soldiers on leave, a house of prostitution, and a smuggler with a mentally challenged daughter are the focus of this crime drama that lacks suspense and suffers from being to disconnected. ~ Dan Pavlides, All Movie Guide
- Starring:
- Paco Rabal, Jose Maria Mazo, (more)
Martin (William Hurt) and Jack (Timothy Hutton) are World War II soldiers who go from being army buddies to bitter enemies during the war in this uneven melodrama. Not realizing they are brothers-in-law, Martin eventually learns that Jack is married to his sister Josie (Melissa Leo). On their wedding night, Josie's father Jorge (Francisco Rabal) had abducted her in an attempt to dominate her with his old-world ideals of marriage. When Jorge drowns in a lake after the car skids off the road, black-sheep Martin returns home to learn of his father's death, vowing to avenge his father after he learns his buddy is his sworn enemy. ~ Dan Pavlides, All Movie Guide
- Starring:
- William Hurt, Timothy Hutton, (more)
This somber drama illustrates the cruel lengths some people will go to capitalize on unfortunate human oddities. When a beggar woman dies, her relatives fight over her son who has an enlarged head from having water on the brain. He is taken on tours of county fairs where his condition brings in money from slack-jawed yokels who stare in disbelief. When the boy is left unattended in a local tavern, he dies from alcohol poisoning. Even in death, the body is put on display in an effort to profit from his unfortunate disability. ~ Dan Pavlides, All Movie Guide
- Starring:
- Ana Belén, Francisco Rabal, (more)
This drama concerns a seven-year-old boy, Pepe Luis (Lucas Martin, as the younger Pepe and Paco Rabal Cerezales as Pepe at ten) who lives through the rise of Franco and the ensuing years under the fascist dictator. Presented from the perspective of the young Pepe, the Civil War and Franco are irrelevant to his own concerns: daydreaming about a pretty girl he likes, fighting with other boys, helping the priest at a funeral service, and similar activities. Pepe lives with his uncle and grandparents, and whether he is aware of it or not, the war impinges on their lives in several ways. The title of the film derives from little Pepe's contention that God is not responsible for the war, just some "bastard brother" of the Creator. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Lucas Martin, Paco Rabal Cerezales, (more)
With a message that is certainly slanted to one side, this engaging and well-wrought drama by Antonio Gimenez-Rico attacks the political and intellectual life as so much demagoguery and pedantry, and contrasts politics with the wisdom of a rustic country peasant. The story is told in flashbacks, as the recently widowed wife of a Socialist politician (Juan Luis Galiardo) meets with a successful congressman for lunch. Her late husband retired in 1977 after visiting a small and remote village and talking to a man who lived there. Mayor Cayo (Francisco Rabal), and his wife and lone dog live in one house in the village. The only other house is occupied by a man that Cayo has not associated with for many years. As the Socialist politician debates with Cayo (trying to get his vote) the peasant-mayor debunks politics in general. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Francisco Rabal, Juan Luis Galiardo, (more)
Set at the end of the 1940s, this drama about Pedro (Imanol Arias), a medical researcher, and his relationships with his family and women underscores the mood of repression that dominated Spain during Franco's fascist regime. Pedro lives in a boardinghouse and is attracted to Dorita (Victoria Abril), his beautiful neighbor. He wiles away his time with a wealthy friend and generally leads a normal life until he tries to save the life of a young woman who has had an abortion that went tragically wrong. He fails, and the woman's boyfriend comes after him, believing that he killed her. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Imanol Arias, Victoria Abril, (more)
The poetic and iconoclastic lights of Bohemia have been dimmed in this interpretation of the original play by Ramon Valle-Inclan. Set at the turn of the 20th century in Madrid, the focus is on a perpetual drunk, the blind Max Estrella (Francisco Rabal) and his verses, sayings, and total disregard for his wife and daughter as he pursues both the bottle and the muse. His friend, Don Latino (Agustin Gonzalez) accompanies Max on his travels through the city. Max is rarely sober and can be found in unlikely situations, such as dressing down a government minister for his bourgeois success or commiserating with an anarchist in prison. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Francisco Rabal, Agustin Gonzalez, (more)
An accomplished and "enchanting" fantasy-romance, this story of a couple's love for each other and a pixie's benevolent intervention in their lives is entertaining from beginning to end. Cesar (Francisco Rabal) is a fake sorcerer and travels with his wife Pilar (Concha Velasco) in a combination bus and house, performing magic shows for the public. One time when they are stuck in a ditch in the middle of nowhere, a young woman named Saga (Victoria Abril) helps them get out and back on the road again. It soon becomes clear by her actions that Saga is a friendly pixie-witch. She and her warlock cohort cause Cesar's fake magic to really work -- and that is just the beginning. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Francisco Rabal, Concha Velasco, (more)
This literary film is imbued with the disenchantment of Spanish exiles who left their homes to protest Franco's fascist regime and then returned after its demise to find that democracy had not instilled either ethics or deep motivation in government leaders. Director Basilio Martin Patino presents his story, and a large part of the film is based on his own life, through the experiences of an exiled heroine played by Charo Lopez. She has returned to Spain to look for meaning in her life, something that she never found living in Germany, not even after having a child. She is also in the process of translating the German lyric poet Friederich Holderlin (see the 1985 Halfte Des Lebens) into Spanish, focusing on his epic Hyperion. Excerpts from the translation are voiced over throughout the film. As she looks up old friends from many, many years ago, even those who have achieved worldly success are suffering from the same ennui that propelled her back home. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Charo Lopez, Miguel Narros, (more)
In this downbeat and drawn-out story of personal woe in exile, Martin (Federico Luppi) takes his daughter and leaves Uruguay to live in a specific city in northwestern Spain. Passing himself off as a basketball coach (a total scam -- he knows zip about the game), he manages to support the two of them and at the same time, he goes out looking for the woman he once loved. Meanwhile, his wife's divorce lawyer is requesting the daughter to come home and live with her mother, and when Martin finally hunts down his former lover, she has about as much interest in him as his estranged wife. The exiled Uruguayan is definitely between a rock and a hard place, as his circumstances deteriorate from there. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Federico Luppi, Charo Lopez, (more)
In this Italian drama, based upon the epic novel by Morante, a half-Jewish mother endeavors to conceal her identity during the Mussolini years, 1941-1947. The story is set in Rome where the mother has worked as a school teacher. It begins when the mother, who has a teenage son, is raped and impregnated by a German soldier. She later bears an epileptic son. She and her sons suffer greatly during the war. The mother too, must suffer through an internal war as her fear of persecution conflicts with the guilt of concealing her religion. More trouble ensues when her oldest son gets involved with the partisans. ~ Sandra Brennan, All Movie Guide
- Starring:
- Claudia Cardinale, Lambert Wilson, (more)
While at a Spanish resort town, a wealthy man is lifted of $3 million as part of a nefarious scheme. ~ John Bush, All Movie Guide
The vicious drug-related killings of young pre-teen boys are the fuel that moves this mystery-actioner into high gear. After Annunziata (Angela Molina) opens up a hostel with her friend Antonio (Daniel Ezralow) she is saved from being raped by a Camorra (organized crime) boss when the gangster is suddenly killed. The killer escapes before Annunziata is able to see who it was. Following this murder are several others and always with the same "signature" -- a needle through one of the testicles of the victims. Everyone suspects a drug war is on because the slain men are cocaine-heroin pushers. In a subplot, Annunziata's young son is forced to run drugs (underage children cannot be prosecuted), making him the next candidate for murder. As the drug dealers continue to be killed off, the identity of the killer -- or killers -- slowly becomes obvious. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Ángela Molina, Harvey Keitel, (more)
Carlos Saura's The Stilts (Los Zancos) features Fernando Gomez as a middle-aged professor/playwright. Falling head over heels in love with actress Laura DelSol, Gomez begins obsessing on the girl, despite her unwillingness to make a commitment. When another, younger man (Francisco Rabal) enters the scene, the drama darkens into melodrama. While the story material in The Stilts may seem old-hat at first glance, Spanish filmmaker Carlos Saura invests his characters with enough conviction and humanity to keep the viewers riveted to their chairs. Eschewing his previous "nonlinear" narratives (which ignored such trivialities as chronology and reality), Saura directs The Stilts in an austere, near-documentary fashion. ~ Hal Erickson, All Movie Guide
- Starring:
- Fernando Fernán Gómez, Laura del Sol, (more)
When a wealthy, elderly woman and an unknown stranger are murdered in the same small village on the same night, the judge who is charged with investigating the deaths begins to suspect that a new arrival in the village is connected to the crime. The only serious obstacle to chasing down that possibility is that this new arrival is a Catholic priest. This three-hour crime drama was intended as a television miniseries, and so when watched from beginning to end without interruption, tedium takes over. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Daniel Gélin, Margaret Mazzantini, (more)
The titular rebel is Cuban political insurgent Che Guevara, whose life previously given less than stellar treatment in 1969's Che. This time, the "diary" serves as an expository gimmick, tracing Che's life, his involvement with the Castro rebellion, and death in Bolivia with an even mixture of fact and fiction. The cast is largely unkown, save for leading Spanish actor Francisco Rabal and Hollywood expatriate John Ireland. Curiously, neither actor felt the need to include this film in their official resumes, suggesting perhaps a "take the money and run" attitude. Diary of a Rebel is ultimately defeated by low budget, but its intentions are honorable. ~ Hal Erickson, All Movie Guide
Meant to reflect the harsh realities of segments of society in 1960s, Franco-era Spain, this slow-moving, drawn-out story is about a struggling, impoverished family who work on the estate of a wealthy aristocrat. Paco (Alfredo Landa) is the head of his small family who constantly tries to placate his irascible overlords and also teaches them how to hunt birds. His wife Régula (Terele Pávez) is as subservient as Paco. The family is rounded out by a mute, crippled daughter, a son away at military service, and Azarias (Francisco Rabal), an uncle whose mental stability is in question. These individuals are contrasted with Señor Iván (Juan Diego) who rules over them with a detached incomprehension that brands the family as not much different than the animals he hunts. The señor has no compunction about shooting Azarias's pet bird, or forcing Paco to continue with a bird hunt even though he has fallen and broken his leg. Given the insane behavior of the aristocratic Iván, the half-crazy Azarias might be the only one to get through to him on his own level. The 1984 Cannes Film Festival awarded Alfredo Landa and Francisco Rabal a shared "Best Actor" Award for their roles in this film. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Alfredo Landa, Francisco Rabal, (more)
Fernando Rey plays a Spanish cardinal who returns to his home town thirty years after leaving for Rome. Rey knew that he'd left an illegitimate daughter behind, but was unaware that he also has a granddaughter (Victoria Abril). The girl is embroiled in an affair with Rey's own brother (Francisco Rabal), a Marxist activist. The filmmakers' sympathies are more with Marxism than Catholicism, but politics are secondary to the kinky romantic intrigues. Evidently Fernando Rey didn't consider Our Father (original Spanish title: Padre Nuestro) significant enough to list on his official, published resume. ~ Hal Erickson, All Movie Guide
- Starring:
- Fernando Rey, Francisco Rabal, (more)
Gonzalo (Arturo Fernández) is a local "playboy" type who has landed in jail and is forced to talk one of the inmates, Gines (Francisco Rabal) into protecting him against the rowdier low-lifes in the prison. Gonzalo promises that when he is on the outside in a few months, he will repay Gines for the protection he needs now. Little does he know that the payment will involve hiring Gines as his gardener -- a gardener who would rather run Gonzalo's business ventures than pull weeds. It is the conflict between the meddling, tough-guy prisoner and the sophisticated Gonzalo that causes the most unexpected results in this comedy about the immiscibility of oil and water. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Francisco Rabal, Arturo Fernandez, (more)
Director Gonzalo Suárez wrote this sequel to his 1967 film Ditirambo in which the lead character has a friend and fellow writer named Rocabruno (Francisco Rabal) who struggles with writer's block on a grand scale. Ditirambo (José Sacristán) has more enthusiasm than his friend, and unflinchingly prods and pushes to get the blocked ink flowing again. Just as in the earlier film, and in Suárez' book on these characters, there is no clear line between reality and fantasy, no logical plot, quite a few skits that illustrate the two writers' imaginations, and a bit of humor. The off-beat nature of this somewhat experimental movie may not be for all audiences though Suárez garnered a cult following for the first Ditirambo film. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- José M. Sacristán, Francisco Rabal, (more)
In this 3-D adventure, a knock-off of Raiders of the Lost Ark, a mercenary history professor and his crack team of commandos head out to retrieve four stolen crowns said to possess the power of good and evil. It will not be an easy task as the crowns are being held by a mad cultist. The second three dimensional collaboration between Tony Anthony, Gene Quintano, and director Ferdinando Baldi, this follow-up to Comin' at Ya! was not nearly as successful as their first outing. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ana Obregon, Gene Quintano, (more)
Based on a 1943 book of the same title by Camilo José Cela, Colmena features the comings and goings of a wide variety of characters, all trying to survive in a poverty-stricken Madrid during World War II. Rather than feature any single story line, these people from all walks of life cross paths almost randomly as they come to a café to sip their one cup of coffee and work on a book, or pick up a prostitute, or get their shoes shined, or play billiards, or just warm themselves on a cold winter's day. This primary setting is complemented by a brothel where a dirt-poor journalist sleeps if there is a room available that night, while during the day he tries to make ends meet one way or another. The demeanor of the people in the café or in the brothel effectively conveys the atmosphere of a long-lost era that may have had hardships but also brought a subtle sense of camaraderie to very disparate human beings. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Victoria Abril, Ana Belén, (more)











