Vicki Raaf Movies

Written by mystery master Rod Serling, The Yellow Canary stars Pat Boone as insufferable singing idol Andy Paxton. Barbara Eden plays his wife Lissa, who is fed up with her husband's egotistical attitude and is ready to leave him. When their baby son is kidnapped, Andy Paxton refuses to enlist the help of the police. He still does not cooperate even after three people are murdered in crimes apparently related to the kidnapping. Finally, acting on his own, he agrees to pay $200,000 in ransom, but the kidnapper never shows up at an arranged meeting. In desperation, the singer finally gets more involved in tracking down the kidnapper. ~ Michael Betzold, All Movie Guide

Friday (Jack Webb) and Smith (Ben Alexander) are on the prowl for a man suspected of pulling a holdup. An anonymous tip leads the two detectives to the Full Moon, a cocktail bar which the suspect is known to frequent. But will the crook be scared off by the presence of The Law? Featured in one of his standard old-codger characterizations is William Fawcett, best remembered by baby boomers as grizzled ranch-hand Pete ("who cut his teeth on a branding iron") in the TV series Fury. ~ Hal Erickson, All Movie Guide

For full appreciation of the culture-clash drama Foxfire, it is crucial that the viewer accept Jeff Chandler as a Native American--not much of a stretch, since he'd previously been thoroughly convincing as Cochise in Broken Arrow. Chandler plays Jonathan Dartland, a half-breed Apache mining engineer working in his native Arizona. On a whim, Eastern socialite Amanda (Jane Russell) marries Jonathan. Disdaining "society", Dartland insists that the flighty Amanda remain in Arizona as a "typical" housewife. The rest of the film deals with the problematic period of adjustment for the seemingly mismatched couple. Foxfire earned a footnote in history as the film which was being screened on the Andrea Doria on the day that the ill-fated luxury liner went down. ~ Hal Erickson, All Movie Guide

Originally titled Run For the Hills, Atomic Blonde is a frenetic satire of Cold War paranoia. Sonny Tufts plays a man so terrified by the prospect of nuclear war that he moves his family -- including wife Barbara Payton, who must be the "blonde" of the title -- into a cave. His preventative measures make Tufts the target of public ridicule, but he has the last laugh when he stumbles upon a gold mine. The huge familiar-face supporting cast includes John Hamilton (Editor Perry White on Superman), Paul Maxey (Jackie Cooper's father-in-law on the TV sitcom People's Choice) and William Fawcett (Old Pete on the Saturday morning kiddie show Fury). It is safe to assume that the George Sanders listed in the cast of Atomic Blonde is not the Oscar-winning film star of the same name. ~ Hal Erickson, All Movie Guide

Dreamboat stars Clifton Webb as Thornton Sayre, the perfectionist professor of literature at a sedate Midwestern university. Widowed and with a pretty daughter (Anne Francis), Sayre has given no clue to his previous life before becoming a teacher. But thanks to television, everyone discovers that Sayre is actually Bruce Blair, a former silent screen star known as "America's Dreamboat." Sayre's onetime leading lady (Ginger Rogers) has made a comeback hosting screenings of her old films on TV, and the result is acute embarrassment for both the professor and his college. Sayre takes the case all the way to court, where he wangles a compromise agreement: he will permit his films to be televised as long as they're not "doctored" to accommodate commercial endorsements (this was based on a real-life lawsuit involving cowboy Gene Autry -- which Autry lost). The ensuing publicity costs Sayre his college job, but the renewal of interest in his old films results in a new movie contract. Although silent movies and singing commercials are easy satirical targets, Dreamboat still delivers the laughs, and it's fun to see Clifton Webb camping it up as a "Doug Fairbanks" type. ~ Hal Erickson, All Movie Guide

In the vein of Spellbound and Rebecca comes this 1951 film noir from director James V. Kern. Robert Young stars as Jeff Cohalan, a successful architect who is tormented by the fact that his fiancée was killed in a mysterious car accident on the night before their wedding. Blaming himself for her death, Colahan spends his time alone, lamenting in the cliff-top home he'd designed for his bride-to-be. To make matters worse, ever since the accident, Colahan seems to be followed by bad luck. His horse and dog turn up dead without explanation, leading him to wonder if he has been cursed. Enter Ellen Foster (Betsy Drake), an independent and intelligent insurance investigator who just might be able to help Colahan figure out who or what's behind all of his misfortune. ~ Matthew Tobey, All Movie Guide

Nick Robey (John Garfield) is a down-on-his-luck two-bit hood, fast on his feet but a little slow on the uptake. His running buddy, Al Molin (Norman Lloyd), does most of the thinking for him, which includes a payroll heist that goes horribly wrong when a cop spots them just as they've slugged the man with the cash. Al is wounded and caught, but Nick manages to get away, shooting the police officer in the process. He remembers Al's last instructions, to act calmly and melt into the crowd, but Nick isn't quite able to do that -- he hides out at a public swimming pool, where he meets Peg Dobbs (Shelley Winters), a nice but shy working girl, and convinces her to let him take her home. Once there, he tries to spend a normal evening, as though he were on a date, while her mother (Selena Royle), father (Wallace Ford), and younger brother (Bobby Hyatt) go out to a movie. But he can't relax, and their return rattles Nick enough so that he pulls his gun and reveals who he is and what he's done. This is one of several miscalculations that Nick makes in the course of holding the family hostage over the next two days. He initially plans on leaving in the morning, but when he discovers that the police officer whom he shot has died, and that they know who he is, he has to stay, letting the Dobbs family go about their business but always keeping at least one of them at home with him as a hostage, to make sure the others don't talk to the police. The family's plight is further complicated by the fact that Peg is truly attracted to him, despite what he's done, and seems willing to risk a great deal to see her family safe and him safely away from their home. She wants to love him, but discovers that someone who can't trust anyone for more than a few seconds at a time -- forget the gun he's always threatening to use -- can't even feel love, much less act on those feelings. Meanwhile, the police dragnet keeps getting tighter, and Peg's father knows he has to act soon to end this situation before the authorities come knocking on his door and Nick starts shooting. ~ Bruce Eder, All Movie Guide