Harry Bernard Movies

In their last film for Hal Roach, Stan Laurel and Oliver Hardy play employees at the Sharp and Pierce Horn Factory, where the workers tend to go beserk at a rate of one per hour. Driven crazy by the cacophonous G-minor horn, poor Ollie begins to tear the factory apart, screaming "Horns to the left of me! Horns to the right of me! Horns, horns, HORNS!" Sent home to recuperate from his nervous breakdown, Ollie is told by his doctor (James Finlayson) that he is suffering from Hornophobia: "In fact, you're on the verge of Hornomania." Advised to take a restful ocean voyage, Ollie nixes the idea, noting that he hates the high sea. Stan suggests that the two of them rent a small boat and keep it tied up on the dock, so that Ollie can get all the fresh sea air he wants without ever leaving port. Alas, the boys' tiny boat is accidentally set adrift, with Stan, Ollie and escaped killer Nick Grainger (Rychard Cramer) on board. Ordered to prepare breakfast for the ill-tempered Nick, the boys hope to subdue their captor by making him a "synthetic meal": String for spaghetti, soap for cheese, sponge for meatball, lampwick for bacon, and so on. Unfortunately, Nick catches on to their scheme and forces Stan and Ollie to eat the ersatz meal themselves. The boys are finally saved from Nick's wrath when Stan remembers that the sound of trombone will transform Ollie into a fighting demon, but don't count on a completely happy ending when Laurel & Hardy are involved. Cowritten by former comedy great Harry Langdon, Saps at Sea looks more like two or three 2-reelers strung together than a coherent feature film; still, it contains some great gags, most of them taking place in Ollie's apartment, where the plumbing and electrical appliances have been bollixed up by cross-eyed janitor Ben Turpin. Though hardly a classic, Saps at Sea earned Laurel & Hardy some of their best-ever reviews, and would turn out to be their last totally worthwhile feature film. ~ Hal Erickson, All Movie Guide

Back at Hal Roach Studios for the first time since 1938's Block-Heads, Stan Laurel and Oliver Hardy star in the uneven but generally rewarding A Chump at Oxford. The boys are cast as street-sweepers who hope to better their lot in life by attending night school. Fate intervenes when Stan and Ollie are instrumental in the capture of a bank robber, whereupon they are rewarded by the bank's grateful president (Forbes Murray) with an all-expenses-paid education at England's Oxford University. Arriving on the venerable old campus dressed in Eton jackets, our heroes are pounced upon by a group of prankish students and subjected to all manner of practical jokes. After spending most of the night trying to escape from a maze, Stan and Ollie are installed in their "new quarters"-which turns out to be the bedroom of the Dean (Wilfred Lucas). This sort of collegiate nonsense comes to an end when it is discovered that simple-minded Stan is actually Lord Paddington, the brainiest student and finest athlete that ever attended Oxford. According to Meredith the valet (Forrester Harvey), His Lordship wandered away from the university upon being rendered an amnesiac by a blow on the head. An accidental tap on the noggin restores Stan to his aristocratic Lord Paddington status, whereupon he beats up a crowd of bullying students and deposits them one by one in a nearby ditch. Though Ollie is aghast to learn that Stan-er, His Lordship-has no recollection of their previous friendship, he decides to stay on at Oxford as Paddington's manservant. After having been humiliated once too often by his vain and condescending employer, Ollie angrily packs his bags and prepares to head for home, when yet another bop on His Lordship's skull causes him to revert to lovable, bumbling old Stan again. Originally intended as a four-reeler (running approximately 45 minutes), A Chump at Oxford was completed in the spring of 1939, whereupon Laurel and Hardy were loaned out to producer Boris Morros to star in The Flying Deuces. When shooting was finished on the latter film, the team was summoned back to Roach to film a 2-reel "prologue" for Oxford, bringing the film's running time up to 63 minutes. The new footage consisted of a reworking of the boys' 1928 comedy From Soup to Nuts, with temporary servants Stan and Ollie unintentionally wrecking a dinner party held by Mr. and Mrs. Vandevere (played by veteran L&H supporting players James Finlayson and Anita Garvin). The patchwork stucture of A Chump at Oxford works against its overall effectiveness, but the scenes in which Stan Laurel undergoes a complete change of character as the genius-level Lord Paddington more than make up for the film's earlier shortcomings. One of the students (the tall, mustachioed one) is played by Peter Cushing, in his second Hollywood film appearance. ~ Hal Erickson, All Movie Guide

In this, the first entry in four-part series, children's movie, Polly Pepper takes care of her siblings while her mother toils at a factory. Polly's newest friend is Jasper, a rich kid who likes to play with the Pepper kids. Trouble ensues when the littlest Pepper comes down with the measles and infects Jasper and his grandfather, Mr. King. They all wind up stuck together in a quarantined house. After the devoted Polly collapses from working too hard, Mr. King moves the Pepper clan into his mansion. The plucky family finally garners a fortune when it is discovered that Polly has inherited the controlling shares in a mine that the grandfather wants to purchase. ~ Sandra Brennan, All Movie Guide

Joan Bennett plays a young woman who believes she's killed bigtime crook Sidney Blackmer. She changes her hair color from blonde to brunette and escapes from San Francisco to parts unknown. Police detective Fredric March is hired to track down Bennett, which he does in the company of two assistants, wisecracking Ann Sothern and dimwitted Ralph Bellamy. March's chase takes him all over the world (courtesy of back-projected shots of Tay Garnett's recent worldwide vacation); when he catches up with Bennett, he falls in love with her. Still, when they reach Frisco again, March turns Bennett in to the authorities, convincing Bellamy and Sothern that their boss is a no-good rat. But it's actually a clever ploy by March to bring the real murderer out in the open. Trade Winds was produced by Joan Bennett's future husband Walter Wanger, who noted the popularity of Bennett's new brunette status and advised her to stay that way...which she did. ~ Hal Erickson, All Movie Guide

New Faces of 1937 was supposed to be the vanguard of a series of annual musical comedies -- RKO Radio's latest attempt to revive its long-dormant "Radio City Revels" concept. The plot is based on an old show-business legend, later immortalized in Mel Brooks' The Producers: Crooked Broadway producer Robert Hunt (Jerome Cowan) deliberately produces flops so that he can pocket the backers' money himself. His next sure-fire disaster is a show built around talented unknowns (there actually was such a "New Faces" series on Broadway, yielding such stars-to-be as Imogene Coca and Henry Fonda, but it was produced on the up-and-up). When the show threatens to become a hit, the producer desperately seeks a method to sabotage the production. The various subplots involve such vaudeville and radio comedians as Milton Berle (who performs a side-splitting "stockbroker" sketch with Richard Lane), Joe Penner, Bert "Mad Russian" Gordon and Parkyakarkus (aka Harry Einstein, the father of present-day comedians Bob Einstein and Albert Brooks). Among the New Faces displayed herein are 14-year-old dancer Ann Miller, The Brian Sisters, The Three Choclateers and the Four Playboys. Perhaps the fictional Robert Hunt would have been pleased to find out that New Faces of 1937 was a box-office bomb, precluding any follow-ups. ~ Hal Erickson, All Movie Guide

Prospectors Stan Laurel and Oliver Hardy head to the western town of Brushwood Gulch, two men on a top-secret mission. The boys have been entrusted by their recently deceased partner Cy Roberts with a deed to a valuable gold mine, to be delivered in person to Roberts' daughter Mary (Rosina Lawrence). Stan inadvertently spills the beans to crooked saloon owner Mickey Finn (James Finlayson), who proceeds to pass off his own wife, saloon chanteuse Lola Marcel (Sharon Lynne), as Mary Roberts. The ever-trusting Stan and Ollie fall for the subterfuge hook, line and sinker, handing the deed over to Lola. Upon running into the real Mary, who slaves away in Mickey Finn's kitchen, Our Heroes vow to retrieve the deed. A battle royale ensues, with Stan, Ollie, Mickey and Lola passing the deed around like a football. Ultimately, Lola manages to wrest the deed away from Stan by tickling him into helpless submission. Chased out of town by the sheriff (Stanley Fields), who harbors a grudge against the boys from a previous misunderstanding, Stan and Ollie sneak back to Brushwood Gulch in the dead of night, hoping to break into Finn's saloon, steal back the deed, and place it firmly in the hands of Mary Roberts. Upon this foundation is built Way Out West, arguably Laurel & Hardy's best feature film (many aficionados prefer Sons of the Desert). Highlights include the aformentioned tickling and burglary scenes, Stan literally eating his hat after losing a bet, Ollie's perennial plunges into a pothole, and the boys' charming singing-and-dancing interludes. Also take note of Marvin Hatley's Oscar-nominated musical score, and the presence of a young, thin Chill Wills as one of "The Avalon Boys". Even if you're not a fan of The Thin One and The Fat One, you'll be limp with laughter at the end of Way Out West. ~ Hal Erickson, All Movie Guide

The excellent box-office returns for the previous Laurel & Hardy comic operas The Devil's Brother and Babes in Toyland encouraged Hal Roach to cast the team in still another operatic adaptation, a self-styled "comedy version" of William Balfe's The Bohemian Girl. Stan Laurel and Oliver Hardy play members of a gypsy tribe wandering through middle Europe sometime in the early 19th century. As if he hasn't got enough trouble trying to train dimwitted Stan to be a "first-class pickpocket," Ollie is also saddled with a faithless wife (Mae Busch), who is in love with dashing gypsy robber captain Devil's Hoof (Antonio Moreno). While trying to break into the palace of gypsy-hating Count Arnheim (William P. Carleton), Devil's Hoof is captured and flogged. In retaliation, Ollie's wife kidnaps Arnheim's little daughter Arline (Darla Hood of "Our Gang" fame) and leaves the child in Ollie's care, explaining that the baby is his ("I didn't want to tell her who her father was until she was old enough to stand the shock!") Twelve years later, Arline (now played by Jacqueline Wells) has grown into a beautiful young woman who's forgotten all about her aristocratic childhood, except whenever she dreams "she dwelt in marbl'd halls" (from the song of the same name). By coincidence, Arline one day finds herself wandering around the grounds of her ancestral home. She is captured by the Captain of the Guards (James Finlayson) and sentenced to be flogged, whereupon her foster-daddy Ollie and her drink-besotted Uncle Stanley race to her rescue. There's a happy ending for Arline, but not for Stan and Ollie, who wind up the picture with one of their famous "physical distortion" gags. A troubled production, The Bohemian Girl had to be extensively reshot and re-edited after previews because of the sudden (and still unsolved) death of co-star Thelma Todd, who was originally cast as the Gypsy Queen. It was decided out of respect for Todd to retain only one of her musical numbers and to refilm the rest of her scenes with other actors; as a result, Bohemian Girl is one of the patchiest and most uneven of the Laurel & Hardy features. Fortunately, Stan and Ollie's scenes are well up to par, especially the classic bit wherein Stan inadvertently becomes progressively drunker as he tries to bottle a cask of bubbling wine. ~ Hal Erickson, All Movie Guide

Working on the theory that the only thing funnier than Laurel and Hardy is two sets of Laurel and Hardys, Our Relations milks its central mistaken-identity situation for all it's worth. Stan Laurel and Oliver Hardy are two solid citizens, happily married and highly respected in their community. One morning, Hardy receives a letter from his mother, containing an old photo of himself and Laurel with their twin brothers, Alf Laurel and Bert Hardy. Mamma also reveals that Alf and Bert turned out to be "bad lads" and ran off to sea, and that reportedly they'd been hanged for taking part in a mutiny. "Isn't that calamitous!" remarks Hardy, who conspires with Laurel to hide the facts about their no-good brothers from their wives. Meanwhile, in another part of town, the S.S. Periwinkle pulls into port. Among the crew members are the selfsame Alf and Bert, who have decided to entrust their pal Fin (James Finlayson) with their month's salary. Fin has promised to invest the dough so that the boys will become millionaires "before you can say Jack Robinson". Alf and Bert are then summoned to the cabin of their captain (Sidney Toler), who orders them to pick up a valuable package for him, then meet him later at Denker's Beer Garden. While waiting for the captain at Denker's, Alf and Bert are captivated by a pair of waterfront floozies, Alice (Iris Adrian) and Lily (Lona Andre). Talked into buying the girls a huge meal for which they haven't the necessary funds, Alf and Bert decide to go back to Fin and reclaim their money, leaving the contents of the captain's package-a valuable pearl ring-with tough waiter Joe Groagan (Alan Hale) as security. Later, Laurel and Hardy take their wives Betty (Betty Healy) and Daphne (Daphne Pollard) to lunch-and, inevitably, they end up at Denker's Beer Garden, where the equally inevitable mix-ups begin to occur. Things snowball from bad to worse before both sets of twins, an angry captain, a disgruntled Fin, the wives, the floozies, a genial drunk (Arthur Housman) and a brace of smooth gangsters (Ralf Harolde and Noel Madison) all converge at the upscale Pirate Club. Several slapstick complications later, Laurel and Hardy are captured by the gangsters, who threaten to dump the boys in the river with their feet encased in cement if they don't cough up the pearl ring. Alf and Bert come to the rescue, and all is well, at least until the film's boffo punchline. Based on W.W. Jacobs' short story The Money Box, Our Relations is perhaps the most plot-heavy of Laurel and Hardy's features for Hal Roach Studios. It is also one of their funniest, as well as their most lavishly produced. The film was officially listed as "A Stan Laurel Production"-as if Laurel hadn't been the prime creative force behind all of the team's previous films. ~ Hal Erickson, All Movie Guide

Previously filmed in 1918 and 1923, Harry Leon Wilson's novel achieved movie classic status when it was remade by Leo McCarey in 1935. The story opens in Paris, circa 1908. Ruggles, beautifully underplayed by Charles Laughton, is the ultra-obedient manservant to the bibulous Earl of Burnstead (Roland Young). During one of the Earl's nocturnal forays, nouveau riche American cattle baron Egbert Floud (Charles Ruggles) wins Ruggles in a poker game. Terrified at the prospect of being bundled off to the Wild West, Ruggles' resolve is weakened somewhat when he and the raucous but ingratiating Egbert spend a wild night on the town. (The besotted butler's periodic exclamations of "Whoopee!" are priceless.) Back in the frontier "boom town" of Red Gap, a misunderstanding obliges Egbert's social-climbing wife Effie (Mary Boland) to pass off Ruggles as an aristocratic British army officer, immediately arousing the suspicions of priggish social arbiter Charles Belknap-Jackson (Lucien Littlefield). The longer he spends in America, the more Ruggles grows to like the concept of democracy and self-determination. Of the film's many highlights, two are standouts: the scene in which Ruggles silences a rowdy saloon crowd with his recitation of Lincoln's Gettysburg Address, and the droll, semi-improvised vignette in which dancehall girl Nell Kenner (Leila Hyams) teaches the Earl of Burnstead how to play the drums. Ruggles of Red Gap was filmed for a fourth time in 1950 as the Bob Hope-Lucille Ball musical Fancy Pants. ~ Hal Erickson, All Movie Guide

The "six" are Charlie Ruggles, Mary Boland, George Burns, Gracie Allen, W.C. Fields, and Alison Skipworth, who star in this cross-country comedy. Planning a motor vacation to California, J. Pinkham Whinney (Ruggles) and Flora Whinney (Boland) advertise for a couple to help drive and share expenses. That couple turns out to be George Edwards (Burns) and Gracie De Vore (Allen), accompanied by Allen's surly Great Dane. Whinney is driven to near-insanity by Edwards' intrusiveness and stupidity, but the worst is yet to come: thanks to a crooked co-worker, Whinney has been accused of stealing bank funds and is now an unwitting fugitive from justice. Sheriff Hoxley (W.C. Fields, who spends a priceless ten minutes explaining why he's called "Honest John") joins forces with hotel proprietor Mrs. "Duchess" K. Rumford (Alison Skipworth) in hopes of capturing Whinney and claiming the reward. After a zany night of everybody in the cast running in and out of hotel rooms, the real crook is captured and Whinney and Flora prepare to enjoy what's left of their vacation. ~ Hal Erickson, All Movie Guide

Lodge members Stan Laurel and Oliver Hardy take a solemn oath to attend the 80th-annual Sons of the Desert Convention (read: annual binge) in Chicago. That is, Ollie takes the oath, but Stanley balks. When asked why, Stanley answers that he's afraid his wife won't let him go. Ollie is appalled: "Every man must be king in his own castle." But when Ollie meekly brings up the subject of the convention with his wife Lollie (Mae Busch), she soon dethrones the "king." Lollie wants to take a vacation in the mountains, and is dead-set against her husband going around "with a pack of hooligans." But Ollie is determined to attend the convention, and to that end cooks up a scheme with Stanley. Ollie will pretend to be deathly ill; Stan will fix it so the doctor will prescribe a trip to Honolulu. Knowing that his wife can't stand going on sea voyages, Ollie will request that Stan accompany him to Hawaii--then, both men will sneak off to Chicago. A few hitches notwithstanding (Stan hires a veterinarian instead of a doctor, explaining that he didn't think the man's religion would make any difference), the boys go to the convention, where they cut up royally with practical joker Charley Chase. Alas, the Honolulu-bound boat on which Stan and Ollie are supposed to be travelling is sunk in a typhoon. While the grief-stricken wives are at the steamship company attempting to find out if their husbands survived the sea disaster, Stan and Ollie arrive home, wearing leis and carrying pineapples as "evidence" of their Honolulu vacation. When the boys find out about the shipwreck, they desperately try to escape to a hotel, but the wives arrive home prematurely, forcing Stan and Ollie to camp out in the attic. It looks as though the boys might just get away with their new plan of coming home at the same time that the rescue boats arrive....until Lollie Hardy and Betty Laurel (Dorothy Christie), attending a picture show, are treated to the spectacle of their husbands cavorting merrily before the newsreel cameras covering the Sons of the Desert conclave in Chicago. The film's final ten minutes are priceless--especially that bit about "ship-hiking." Considered the best of Laurel and Hardy's feature films, One of the top ten moneymaking pictures of 1934, it was released in Europe as Fraternally Yours and Sons of the Legion, and is also available in a crudely edited 20-minute TV version, Fun on the Run. ~ Hal Erickson, All Movie Guide

A partial remake of the 1924 Our Gang: Cradle Robbers, "Forgotten Babies" finds the Gang members trying to escape their babysitting chores. They manage to coerce little Spanky McFarland to mind their baby brothers and sisters while the rest of the Gang goes swimming. Unfortunately, the infants would prefer to run (or crawl) amok, forcing Spanky to take desperate measures. Best bits: Spanky's impromptu bedtime story about Tarzan and Jane, and the little brat who keeps on saying "Remark-a-ble". "Forgotten Babies" was originally released on March 11, 1933. ~ Hal Erickson, All Movie Guide

Stan Laurel and Oliver Hardy are policemen on night duty. As they sit in their car having a snack, they get a call from headquarters to inform them that their spare tire is being stolen. But that's only a taste of their sheer incompetence -- when they are told to investigate a burglary, they get distracted and forget the address. While trying to call headquarters to get the address again, the duo encounter a crook in a jewelry store (Frank Terry) and send him on his way after fitting a court appearance into his busy schedule. When they find the crook trying to steal their police car, Ollie scolds him for his misbehavior, and says he now must be in court tomorrow. With that they head over to the house in question and sure enough, a man (Frank Brownlee) is wandering around, trying to get in. He goes into the basement and they follow, but are faced with a locked door. Ollie decides the best bet is to go in the front door, using a marble bench as a battering ram. After several attempts, which land Ollie in the fish pond, they crash in -and crash through the staircase into the basement. The man who broke in -- and who, it turns out, is the owner -- goes to investigate and also falls through the hole to the basement. Stan and Ollie knock the man unconscious and drag him triumphantly into the station. The other policemen recognize him as the Chief of Police. The boys make a dash for the exit, and the Chief, now conscious, goes after them, brandishing his gun. Two gunshots later, he returns with a grim order: "Send for the coroner!" The other officers remove their caps. ~ Janiss Garza, All Movie Guide