Lorenzo Quinn Movies

1999  
 
Marcos Bernstein, the co-writer of Central Station (1998), spins this gorgeously photographed, humanistic portrait of a family patriarch in the waning years of his life. Anthony Quinn plays Giuseppe, the aging head of a large family of Italians living in Curitiba, Brazil. While his great-grandchildren's lives drift in separate directions -- one great-grandson wrestles with nudging the family pasta business in a new direction as a great-granddaughter decides to take the plunge into acting -- Giuseppe is troubled when a relative makes a sudden visit from Italy. She looks exactly like his beloved wife, who died in an unexplained plane crash. One day, he summons his strength, rises from his wheelchair, and walks along the beach to reminisce about his past love. Oriundi was screened at the 1999 Vancouver Film Festival. ~ Jonathan Crow, All Movie Guide

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Starring:
Anthony QuinnPaulo Betti, (more)
1990  
 
Anyone even vaguely familiar with the endless antics of the deliberately eccentric Catalonian artist Salvador Dali (1904-1989) may find this biographical tidbit fascinating. By 1940, still in his thirties, this strikingly handsome (though slightly pop-eyed) artist had made waves around the world among those who followed the avant garde. His best-known painting, The Persistence of Memory, was already synonymous with surrealism. However, it is his mad-seeming publicity-hound antics that polished his already notorious reputation to a high gloss. In this movie, Dali (Lorenzo Quinn) has just arrived in New York harbor wearing fried eggs on the lapels of his elegant suit, with a loaf of bread on his head. This is appropriate attire for a surrealist who explores the power of putting objects in places where they do not "belong." He is immediately taken in hand by a reporter from the New York Times, and is encouraged to tell the reporter the story of his life, which shows up in flashbacks. Among those whose lives he has sparkled in is the famously homosexual Spanish poet Federico Garcia Lorca, who fell in love with the artist when he was a gorgeous young man; the more sexually conventional filmmaker Luis Buñuel, who created some of his more famous and outrageous classics (e.g. Un Chien Andalou) while he associated with the artist; and his fellow artist Pablo Picasso, who surely took a leaf or two from this brash man in the self-promotion department. Though filmed in English, the film was released in a dubbed Catalan version. Though he frequently appeared to be quite mad, Dali's picturesque madness was entirely deliberate -- and very, very profitable. ~ Clarke Fountain, All Movie Guide

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Starring:
Lorenzo QuinnSarah Douglas, (more)
1988  
 
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Part One of this four-hour TV movie adaptation of Peter Evans' biography suggested that Greek shipping magnate Aristotle Onassis spent every waking hour commiserating in bed with lovers of all sexes. Part Two of Onassis: The Richest Man in the World hunkers down to the Main Event: The showdown between Onassis' longtime lover Maria Callas (Jane Seymour, who screamed and tantrummed her way to an Emmy) and his future spouse Jackie Kennedy. We then move onward (but not upward) to the tragic death of Onassis' daughter; our tepid journey through the cesspools of the Rich and Famous ends with the public bickering over the tycoon's will after his own 1975 demise. As ill-suited as Raul Julia is for the starring role of Aristotle Onassis, Francesca Annis' portrayal of Jackie Kennedy is even worse. Onassis: The Richest Man in the World was originally foisted upon the TV viewing public on May 1 and 2, 1988. ~ Hal Erickson, All Movie Guide

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