Aidan Quinn Movies

Claire Cooper (Annette Bening), has been having psychic visions all of her life, though she's never been clear of what they mean. Now an adult, she lives an idyllic, small-town life in a Massachusetts farmhouse with her airline-pilot husband Paul (Aidan Quinn) and her young daughter Rebecca (Katie Sagona), while Claire illustrates children's books. A psychopath (Robert Downey Jr.) has been kidnapping young girls in their area, and one is currently missing. Claire has a recurring dream about the killer walking with a girl through an apple orchard. Paul tells police detective Jack Kay (Paul Guilfoyle), who doesn't believe him, as the girl's body had been found at the bottom of the lake. Claire's vision was actually a premonition, starting a chain of events that would create a two-way link to the killer. The key to the mystery is the lake itself, of which Claire dreams, created when the old town of Northfield was flooded to make a reservoir. As her psychiatrist Dr. Silverman (Stephen Rea) does not understand her now waking dreams, Claire alone must now lose herself to the visions. She must relive the killer's memories to find his identity and location. Director Neil Jordan has explored the nature of dreams in a more Freudian manner in his Company of Wolves. ~ Ron Wells, All Movie Guide

Griffin Dunne directed this romantic fantasy adapted from the 1995 Alice Hoffman novel about the Owens family of witches, regarded as outcasts in the town where they live. Aunt Frances (Stockard Channing) and her sister Aunt Jet (Dianne Wiest) tried to pass on practical magic skills to their nieces, subdued Sally (Sandra Bullock) and fiery Gillian (Nicole Kidman), brought up by the two aunts after their parents died. The aunts concoct spells for the lonely and the lovelorn, but the family's use of witchcraft unfortunately invokes a curse that spells doom to the family's menfolk. Denying her powers, Sally attempted to lead a life minus magic. Her marriage to fish merchant Michael (Mark Feuerstein) brought two daughters -- and Michael's death. Moving into the aunt's seaside mansion, the widowed Sally warns the aunts not to influence her daughters. Sally intervenes when Gillian suffers at the hands of her abusive Bulgarian boyfriend Jimmy (Goran Visnic), and Arizona detective Gary Hallet (Aidan Quinn), investigating Jimmy's disappearance, turns up in town, eyeing Gillian and Sally as the leading suspects. Filmed in Washington (San Juan Island, Whidby Island, Coupeville, Friday Harbor). ~ Bhob Stewart, All Movie Guide

At the time this made-for-TV historical drama first aired on ABC, critics praised the fact that it was more accurate than the 1939 Spencer Tracy vehicle Stanley and Livingstone; while this is generally true (unlike the earlier film, this one was lensed on location in England and Kenya), the pop-psychology sensibilities depicted in the TV movie smack more of the late 20th than the late 19th century. In 1871, young American reporter Henry Morton Stanley (Aidan Quinn) sets out to prove that Scottish-born missionary David Livingstone (Nigel Hawthorne), who years earlier had disappeared somewhere in Central Africa, was still alive, and not "cooked in a stew" as was generally believed. The film is divided into three parts: the search for Livingstone, Stanley's spiritual odyssey after finding his quarry, and Stanley's seemingly futile efforts to prove that he actually found Livingstone to the skeptical and downright hostile members of the Royal Geographic Society in London. Forbidden Territory: Stanley's Search for Livingstone debuted December 7, 1997. ~ Hal Erickson, All Movie Guide

This program is the second part of a two-volume set from the History Channel chronicling the history of the people who came from Ireland to the new promised land of America, and made their mark in business, politics, and the arts and humanities. This episode, narrated by Aidan Quinn, examines the fate of the Irish when they landed in New York after fleeing the Black Death of the Great Potato Famine of the 1840s. The program showcases the contributions made by the newest additions to America's melting pot. Archival film clips, photographs, journals, personal accounts, reenactments, and commentary by historians tell the story. ~ Rose of Sharon Winter, All Movie Guide

The rise and fall of one of the most important and controversial figures in Ireland's struggle for independence is chronicled in this biographical drama. In 1916, the British government ruled Ireland with a firm and cruel hand, as they had for 700 years. When a group of Irish rebels staged a six-day siege at Dublin's General Post Office, only one of the leaders was able to escape execution -- Eamon De Valera (Alan Rickman), an American citizen of Irish blood. A number of De Valera's followers are sent to prison, and one of them, Michael Collins (Liam Neeson), walked out of jail convinced that a new approach was needed to free his homeland from British rule. With his compatriot Harry Boland (Aidan Quinn), Collins formed the Irish Volunteers, who used a combination of terrorist violence and guerilla warfare to attack the British where their defenses were weakest, and employed espionage and a key inside informant (Stephen Rea) to learn what the British planned to do next -- and what they knew about Collins and his supporters. Collins' strategic skills and talent for warfare made a major impact on the British, and he became the hero of the new-born Republican Movement, which seemed to offer a real hope of freedom, despite the violent reprisals of the vicious paramilitary police, the Black and Tans. De Valera, however, was often in conflict with Collins in terms of the methods and approach of their struggle. Collins also found himself in a different sort of conflict with Boland when he fell in love with his girlfriend, a strong-willed advocate of Irish freedom named Kitty Kiernan (Julia Roberts). Eager to gain support for the Republican cause, De Valera sought economic and military support from the U.S.; when he returned, the Volunteers seemed to have finally won a real victory, as the British government announced that they were willing to formally negotiate with them. While Collins was once the radical and De Valera was the moderate, once negotiations began, Collins sought to end the violence that he saw killing so many young people and was willing to agree to a compromise that would create the Irish Free State. While the agreement would still leave final political control with the British, it would bring a greater self-determination to Ireland, and Collins believed that it was a crucial first step that could lead, in time, to true freedom for his people. De Valera, however, was strongly opposed to the treaty with Britian, and this led to violence among pro- and anti-treaty factions; soon Ireland's most loved leader was now branded a traitor by many of his countrymen. Michael Collins was voted Best Picture at the 1996 Venice Film Festival, and Liam Neeson was awarded the prize for Best Actor. ~ Mark Deming, All Movie Guide

In this dark comedy, Seth Warner (Aidan Quinn) is a good man having a run of bad luck. His pregnant wife disappeared in the ocean during a trip to the beach, a tornado destroyed his house while leaving everything else in the neighborhood untouched, his boss fired him, and he was struck by a bolt of lightning that also injured his dog. While recovering in the hospital, Seth comes to the conclusion that God has cursed him. His brother-in-law Harry (Anthony LaPaglia) thinks that this conclusion is absurd -- after all, Harry reasons, he violates five or six commandments every day before lunch, and things are just great with him. This notion puts a bug in Seth's ear, and when he gets out of the hospital, he decides to confront God by deliberately violating all ten commandments; he hopes to start by seducing Harry's wife, Rachel (Courteney Cox). ~ Mark Deming, All Movie Guide

Adapted from the novel by James Herbert, this subtle, melancholy British chiller owes a great deal to Henry James's The Turn of the Screw. The story opens with a chilling prologue in 1905 England, in which a young boy fails to prevent the accidental drowning of his sister. As a young man, David (Aidan Quinn) is still tormented by guilt and remorse. After several years in the United States, David returns to England to continue his work researching and debunking claims of the supernatural. His latest investigation into the alleged haunting of Edbrook Manor -- at the behest of the Marriell's family nanny, Tess (Anna Massey) -- introduces him to the eccentric company of the lovely Christina Mariell (Kate Beckinsale) and her brothers Robert and Simon (Anthony Andrews and Alex Lowe). Despite repeated warnings from Tess that mischievous spirits are at work, David refuses to concede that the house is haunted -- until the angelic vision of his drowned sister reveals the true nature of his strange hosts. The rich period setting lends a classy Merchant Ivory touch to the film, and the high production values indicate the guiding hand of executive producer Francis Ford Coppola, but the performances are a bit too cold and detached to provide any legitimate tension. Fans of the classic 1961 film The Innocents will not find the central mystery particularly challenging. ~ Cavett Binion, All Movie Guide

The sweeping, melodramatic saga of three brothers, their powerful father, and a beautiful woman, the popular period drama Legends of the Fall presents a romanticized view of rugged masculinity against lush Montana scenery. Based on a novel by Jim Harrison, the film covers decades in the lives of Alfred (Aidan Quinn), Tristan (Brad Pitt), and Samuel (Henry Thomas) Ludlow, the sons of retired military man William Ludlow (Anthony Hopkins). Raised by the unorthodox Ludlow after the departure of their mother, the boys grow up close, sharing an appreciation of the land and a pioneering spirit. The family becomes divided, however, when young Sam enlists in World War I over his father's objections, and his brothers follow suit to protect him. Despite these efforts, Sam dies in battle, leaving Alfred and Tristan to return home and deal with the lingering torment. Further complicating matters is the presence of Sam's beautiful fiancée, Susannah (Julia Ormond). After Sam's death, she attracts the romantic attention of both the responsible Alfred and the brooding Tristan, a conflict that threatens to drive the brothers apart. Aspiring to epic status, the film utilizes period detail and attractive landscapes as a backdrop for tragic, doomed romance. While some critics complained that the film resembled a romance novel writ, veering at times into the overwrought, audiences embraced the combination of emotion and grand historical scale, making the film a box-office success. ~ Judd Blaise, All Movie Guide

Director Kenneth Branagh's interpretation of Mary Shelley's classic horror novel stars Robert DeNiro as a terrifying monster created in an obsessive attempt to defeat death and stretch the limits of medicine in the early 19th century. With the use of flashback, a dying Dr. Viktor Frankenstein (Kenneth Branagh) divulges a tale of gruesome terror to a sea captain (Aidan Quinn): As a medical student, the rebellious Frankenstein elaborates on the work of a brilliant scientist (John Cleese), successfully bringing to life a "man" assembled from the body parts of corpses. Upon realizing the destructive consequences of his experiment, Dr. Frankenstein abandons the creature and attempts to return to a normal life with his medical partner, Henry (Tom Hulce), and his fiancée (and adopted sister), Elizabeth (Helena Bonham Carter). In the meantime, the nameless creature struggles with loneliness and rejection from society until he sets out to track down his creator in search of one of two things: a bride to keep him company or revenge. Mary Shelley's Frankenstein (1994) was produced by Francis Ford Coppola, who previously directed and produced monster-drama Bram Stoker's Dracula (1992). ~ Lisa Kropiewnicki, All Movie Guide

When Sherri Finkbine (Sissy Spacek), the host of the Sixties children's television program Romper Room, learns that her unborn child has been damaged by her use of the drug thalidomide, she and her husband decide to abort the fetus, setting in motion the media controversy that is the subject of Joan Micklin Silver's made-for-cable drama. ~ Jason Ankeny, All Movie Guide

In a remote branch of the Brazilian Amazon, Americans Lewis (Tom Berenger) and Wolf (Tom Waits) are stranded when their plane runs out of gas. They are kept company by an evangelist missionary (John Lithgow) and his wife (Darryl Hannah). The preacher and his followers want to preach to the primitive Niaruna Indians, while others are interested in the Niaruna for more diabolical reasons-specifically, business concerns that would like to claim the Indians' land for development. The local police chief cuts a deal with the mercenaries Lewis and Wolf: if they will agree to bomb the Niarunas out of existence, they will be paid enough money to leave the country. Instead, Lewis, part Native American himself,aligns himself with the Niarunas. From this moment on, he and the tribe are doomed. A long-standing pet project of producer Saul Zaentz, At Play in the Fields of the Lord was adapted from the best-selling novel by Peter Matthiesen. ~ Hal Erickson, All Movie Guide

In this dystopian fable, a librarian wife and mother becomes the childbearing pawn of a Christian theocracy. In the near future, as war rages across the fictional North American Republic of Gilead and pollution has rendered 99 percent of the female population sterile, Kate (Natasha Richardson) sees her husband killed and her daughter kidnapped while trying to escape across the border. Kate herself is transformed into a handmaid -- a surrogate mother for one of the privileged but barren couples who run the country's fundamentalist regime. Although she resists being indoctrinated into the bizarre cult of the handmaids, which mixes Old Testament orthodoxy and misogynist cant with 12-step gospel and ritualized violence, Kate soon finds herself ensconced at the home of the Commander (Robert Duvall) and his frosty wife, Serena Joy (Faye Dunaway). Forced to lie between Serena Joy's legs and be penetrated impersonally each month by the Commander, Kate longs for her vanished earlier life; she soon learns that since many of the nation's powerful men are as sterile as their wives, she may have to risk the punishment for fornication -- death by hanging -- in order to sleep with another man who can provide her with the pregnancy that has become her sole raison d’être. When that other man turns out to be Nick (Aidan Quinn), the Commander's handsome, sympathetic driver, Kate grows attached to him -- and eventually pregnant with his child. Only the mysterious rebel affiliations of her fellow handmaid, Ofglen (Blanche Baker), seem to offer any chance of giving her unborn child a life of freedom -- or finding the daughter she already lost. Loosely adapted by Harold Pinter from the novel by Margaret Atwood, The Handmaid's Tale also features Elizabeth McGovern in a small but pivotal role as Moira, a "gender traitor" who befriends Kate at the handmaids' reprogramming center. ~ Brian J. Dillard, All Movie Guide