Denis Quilley Movies
Perhaps best known to British audiences for his extensive work on the West End stage, actor
Denis Quilley also parlayed his stage success into an impressive feature film and television career -- usually by means of such stage-bound adaptations as
A Long Day's Journey Into Night (1973) and The Crucible (1980). A London native who began his career in 1945 at the Birmingham Repertory Theater, the following decade soon found
Quilley rising through the West End ranks courtesy of winning performances in Wild Thyme and Grab Me a Gondola. Appropriately enough, the experienced stage actor would in 1955 make his television debut in a small-screen production of
The Merchant of Venice. Though he would continue to appear frequently in both film and television (where he hosted the program The Magic of Music and appeared in such popular series as
Contrabandits, Timeslip, and Clayhanger), it was his leading role in 1980s West End production of Sweeny Todd that netted him a Society of West End Theaters award and truly cemented his status as an actor of formidable talent. That role, paired with his previous SWET winning performance in the 1977 production of Privates on Parade, truly sent his career into the stratosphere. A mainstay of the renowned National Theater, it was there that
Quilley would impress audiences with roles in such classical
Shakespearean plays as Macbeth, The Tempest, and Hamlet. Still very active throughout the 1990s, performances in The School for Scandal and La Cage aux Folles served as a fine balance to feature work in
Bruce Beresford's
Mister Johnson (1990) and
Franco Zeffirelli's
Sparrow (1993). Cast in director
Trevor Nunn's hit National production of the 1930s
Cole Porter musical Anything Goes at the dawn of the new millennium,
Quilley essayed the role with zeal to spare until a mystery illness forced him from the stage. On October 5, 2003,
Denis Quilley died of liver cancer in his hometown of London. He was 75. ~ Jason Buchanan, Rovi

- 1966
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Steed infiltrates a school for butlers in order to unmask a traitor. While he is being drilled in the finer points of silent servitude, Emma attempts to charm her way into the heart of a suspected turncoat who is also a notorious lecher. If any doubts still lingered that The Avengers was not intended to be taken seriously, this episode would dispell them instantly. Written by Brian Clemens, "What the Butler Saw" first aired in England on February 26, 1966; it was subsequently shown on American network television on July 28, 1966. ~ Hal Erickson, Rovi
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- 1965
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Life at the Top is a belated sequel to Room at the Top, John Blaine's "angry young man" British novel that was made into a film in 1959. Laurence Harvey is back as Joe Lampton, the man-on-the-rise protagonist who in Room had given up true love in favor of a career-boosting (and antiseptic) marriage to his boss' daughter. Ten years have passed: Lampton is a business success, but utterly bored by his dead-end marital setup. His wife feels the same, and it isn't long before Mr. and Mrs. Lampton begin conducting separate affairs. While the original Room was a fairly accurate evocation of its era, Life at the Top works too hard and too noisily to be "mod," in reflection of the ethereal Swinging London era. The inclusion of flashbacks from Room at the Top, in which Harvey is seen making love to Simone Signoret, only serves to emphasize the shortcomings of the sequel. The best moments in the later version can be found in the early establishing scenes set in Yorkshire. Life at the Top was followed by a TV series called Man at the Top, starring Kenneth Haigh as Lampton, which in turn was followed by a theatrical feature of the same name. ~ Hal Erickson, Rovi
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- Starring:
- Laurence Harvey, Jean Simmons, (more)

- 1955
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