Gerry Quigley Movies

Sixty-five years after making his screen debut as a young stoker in co-directors Noël Coward and David Lean's World War II drama In Which We Serve, Richard Attenborough perfects the balance between epic story and intimate tale with this drama starring Shirley MacLaine and Neve Campbell as a mother and daughter who find a relic from the past sparking an incendiary series of events. The year is 1991, and as a small American town mourns the passing of beloved World War II veteran Chuck Harris, his wife Ethel (MacLaine) numbs herself with alcohol to the point where she completely neglects her grieving daughter Marie (Campbell). Later, after Marie receives a telephone call from a boy in Northern Ireland who claims to have recently discovered a ring belonging to Ethel, a mystery nearly five decades in the making comes slowly into focus as the story drifts back into Chuck's wartime past and the days when he and Ethel first formed their powerful bond. ~ Jason Buchanan, Rovi

A hit Broadway musical in 1957 and an equally successful Hollywood film in 1962, Meredith Willson's The Music Man was again brought before the cameras in this lavish made-for-TV adaptation. Standing in for the original's Robert Preston is Matthew Broderick as "Professor" Harold Hill, a glib traveling salesman who descends upon the town of River City, IA, in the weeks just prior to the Fourth of July celebration of 1912. Persuading the populace that the youth of River City is in great danger of being corrupted by the presence of a new pool table, Hill convinces them that their only hope for salvation is the organization of a boy's band, with himself as a leader. Naturally, this will require the parents to shell out good money for band instruments and uniforms, and in exchange, Hill promises to teach the kids how to make music by utilizing his revolutionary "Think System." There's only one problem: Harold Hill is an out-and-out con artist, who doesn't know one note from another. Even so, he manages to win over everybody in town except local librarian/music teacher Marian Paroo (Kristin Chenoweth) and thick-eared Mayor Shinn (Victor Garber). Ultimately, however, Marian joins Hill's camp -- mainly because he has brought her sullen brother, Winthrop (Cameron Monaghan), out of his shell -- but as July Fourth approaches, Hill faces exposure and arrest thanks to a vengeful anvil salesman named Charlie Cowell (Patrick McKenna). A meticulously faithful rendition of the Broadway original, The Music Man happily includes all of the show's wonderful songs, among them "Ya Got Trouble," "Seventy-Six Trombones," "The Sadder-But-Wiser Girl," "Lida Rose," "Marian the Librarian," "Pickalittle," "Til There Was You," and "My White Knight" (which was not used in the 1962 movie adaptation). Though some critics found Matthew Broderick a bit too lightweight and Jeff Bleckner's direction a tad gimmicky, no one could fault the full-bodied vocal renditions, nor the consistently inventive choreography of Kathleen Marshall. Produced by the same team responsible for the 2003 movie smash Chicago, The Music Man debuted February 16, 2003, as an "expanded" episode of ABC's Wonderful World of Disney anthology. ~ Hal Erickson, Rovi

Playwright Neil Simon got his first big break in the early '50s as a staff writer on Sid Caesar's fabled television series Your Show of Shows, and this comedy (adapted by Simon from his play) takes a fictionalized look at the backstage chaos that went into producing one of the landmarks of television's golden age. Max Prince (Nathan Lane) is the star of The Max Prince Show, a popular comedy-variety series with ratings that have begun to slip; Prince's show is still a major hit on the East Coast, but network executive Cal Weebs (Colin Fox) insists that it's too sophisticated for the Midwest, and urges Prince to dumb down his act. Prince has also become the whipping boy of newspaper columnist Walter Winchell (Frank Proctor), and between the tensions of producing a hour of top-quality comedy each week and being pestered about his ratings, Prince is beginning to unravel. His relationship with his wife Faye (Sherry Miller) and their children is falling apart, and stress is eating him alive. Prince's brother Harry (Richard Portnow) is Max's assistant, and his last line of defense against both the network and his writing staff, which spend its days coming up with business for the show while hurling humorous invective at each other and anyone else within earshot. (The actors playing Max's writers include Mark Linn-Baker, Victor Garber, Dan Castellaneta, Saul Rubinek, Peri Gilpin, and Zach Grenier.) Laughter on the 23rd Floor received its world premiere at the 2001 Palm Springs Film Festival and was scheduled for showings several months later on the Showtime premium cable network (who co-produced the feature). The film was directed by Richard Benjamin, who previously teamed with Mark Linn-Baker for another comedy inspired by the career of Sid Caesar, My Favorite Year. ~ Mark Deming, Rovi

"She's every man's dream (if you can get past the whole murder and adultery thing)." So went the ABC ad copy for the heavy-breathing TV movie Bad to the Bone, which is (astonishingly) based on a true story. Playing radically against type, Kristy Swanson stars as beautiful 19-year-old Francesca "Frankie" Wells, whose baby face and sweet demeanor hides an evil, manipulative soul. For starters, Frankie kills her mom to receive her inheritance--and gets away with it. Later on, she grows weary of her relationship with her nightclub-owner boyfriend Waldo (David Chokachi), whereupon she slyly persuades her adoring younger brother Danny (Jeremy London) to bump Waldo off, being oh-so-careful not to use such nasty words as "kill" or "murder." Dutiful Danny does what his sister asks, and when both are arrested, he takes full blame for the killing. Although Frankie does a thorough job seducing a number of authority figures who could under normal circumstances put her away in a minute, eventually justice prevails and both Frankie and Danny receive 100-year prison sentences. But Frankie manages to skip town and hit the road, leaving Danny (who has finally wised up!) holding the bag. The climactic phone conversation which seals Frankie's fate is a classic of its kind. Bad to the Bone originally aired on October 19, 1997. ~ Hal Erickson, Rovi

The first feature film from the Nickelodeon cable channel, Harriet the Spy is an updated version of Louise Fitzhugh's best-selling 1964 children's novel. Sixth grade outcast Harriet (Michelle Trachtenberg) is an only child who has mostly been raised by her nanny, Golly (Rosie O'Donnell), rather than her materialistic parents. Harriet wants to be a writer when she grows up, and only Golly encourages her creative pursuits. Meanwhile, Harriet dons a yellow raincoat and a belt full of gadgets to spy on everyone around her, including her eccentric neighbor with a lot of cats and the other kids at school. Carefully taking notes in her private notebook, Harriet makes clever and cruel observations about her subjects, including her best friends, would-be scientist Janie (Vanessa Lee Chester) and overburdened Sport (Gregory Smith). Harriet's world begins to change when Golly leaves, signaling that it is time for her to grow up. Then a snobby girl a school, Marion, gets her hands on Harriet's special notebook and makes its contents known to the whole school. Soon everyone is against Harriet, and she must concoct a plan to get even. ~ Andrea LeVasseur, Rovi

Aspiring TV journalist Sally McCormick (Suzanne Somers) can't get anyone to hire her--and the reason, she concludes, is that she is simply too chubby for the small screen. Although her boyfriend Andrew Burns (William Katt) tells her that eventually her talent will be judged separate from her weight, Sally would give anything to be thin; in fact, she would even sell her soul. Enter Seymour Kecker (Dabney Coleman), a somewhat diabolical spokesman for a popular weight-loss product. Entering into the standard Faustlike deal with Seymour, portly Sally becomes a sylphlike "Size Six" literally overnight, and before long she is anchoring the news at top-rated WPKV-TV. Of course, there's a price to be paid for this success--and the devilish Seymour intends to be paid in full! Produced for the Lifetime cable network, Devil's Food debuted September 2, 1996, originally shown in tandem with Devil's Diet, a documentary about the famous "full-figured" women of history. ~ Hal Erickson, Rovi

This Canadian black comedy features lots and lots of gore as it chronicles the activities of a group of strange killers living in a warehouse apartment. The film opens with Jane, a tall woman dressed in black leather as she rapes and photographs her victim, a man in a business suit. Enter Donny and Clem, two dim-witted brothers, carrying a human head in a plastic bag. They tie up the poor business man and then argue about whether they should slice him up or burn him with a blow torch. The boys' mother firmly believes that Clem is the Messiah. Jane is Donny's girlfriend. The brothers are in trouble with another psycho killer in a red rubber suit who demands they give him $50 thousand bucks or suffer the consequences. ~ Sandra Brennan, Rovi

In this over-the-top comedy, a group of rowdy high-school students -- whose idea of a good time is throwing a wild party at the home of Principal Moss (Matt Frewer) while he's busy at school -- winds up in detention. As punishment, they're instructed to write an essay on what's wrong with America's educational system. The class brain, stuck in detention with the partiers, comes up with a well-written piece that's sent to the president of the U.S. The president is so impressed that he invites the students to Washington, D.C., to speak before Congress. Sen. John Lerman (Lawrence Z. Dane), one of the president's chief rivals, knows the truth about the students, and he seconds the idea of bringing them to Washington, certain that their behavior will embarrass the president. Principal Moss, sex-starved teacher Tracy Milford (Valerie Mahaffey), and drug-addled bus driver Red (Tommy Chong) load the troublemakers onto a bus and hit the road for the nation's capitol -- and mayhem ensues. National Lampoon's Senior Trip was helmed by Kelly Makin, who also directed the TV series Kids in the Hall; Kevin McDonald, a former Kid in the Hall, has a small part as a deranged crossing guard. ~ Mark Deming, Rovi

Jessica Tandy made one of her final screen appearances in this comic road movie. Freda (Bridget Fonda) is a would-be singer and songwriter who would like a career as a performer but lacks the courage; it doesn't help that her husband Vincent (Elias Koteas), a graphic artist, keeps insisting that her interest in music is merely a hobby. Hoping to put some spark back into their marriage, Freda and Vincent take a vacation to Georgia, where they meet Camilla (Jessica Tandy), who lives in the main house near their cottage. Freda discovers that Camilla was once a musician; she claims to have enjoyed a stellar career as a concert violinist in her native Canada, and she knew only the best people (although Freda isn't sure that she believes all Camilla's stories, especially Ghandi's fondness for enemas). While Vincent gets involved in a business deal with Camilla's son Harold (Maury Chaykin), who produces sleazy exploitation films, Camilla regales Freda with stories about her greatest triumph, performing the Brahms Violin Concerto at Toronto's Winter Garden Theater. When Camilla discovers that the Brahms concerto is to be performed soon at the Winter Garden, Camilla and Freda decide that this is something they should see, and the pair hits the road to the Great White North, meeting a remarkable variety of people along the way. Tandy's husband and frequent co-star Hume Cronyn has a supporting role as one of Camilla's former beaus; it was their last picture together. ~ Mark Deming, Rovi

The highly acclaimed and famously eccentric classical pianist Glenn Gould is the subject of this idiosyncratic film portrait. As the title suggests, Gould's life is explored through a series of thirty-two self-contained but interrelated vignettes, a structure inspired by Bach's "Goldberg Variations," the compositions that were the basis for one of Gould's most famous recordings. Fictional recreations, many starring an excellent Colm Feore as Gould, follow the musician from his precocious childhood to his early death at the age of fifty. Juicy biographical details like a surprising early retirement from public performance and an addiction to prescription drugs are featured prominently, but equal attention is paid to Gould's challenging theoretical ideas. Director Francois Girard refuses to provide easy explanations for the pianist's quirks, instead using his unconventional structure to provide great insight while suggesting the real Gould remains essentially unknowable. Especially interesting is the film's mix of dramatization and documentary, as it juxtaposes its fictional recreations with actual interviews with Gould's friends and associates. ~ Judd Blaise, Rovi

Rip Torn does a magnificent job as American poet Walt Whitman in the fanciful period piece Beautiful Dreamers. The scene is a hellish 19th century Canadian institution for the mentally retarded. Compassionate doctor Maurice Bucke (Colm Feore) defies his superiors by treating his patients as human beings rather than animals. He even begins conducting classes for his charges, teaching them basic cognitive and manual dexterity skills. When Whitman champions Bucke's cause, the doctor is ostracized by those who fear the poet's reputation as a "wild-eyed" radicial. Based on a true story, Beautiful Dreamers is more interesting for its intentions than its execution. ~ Hal Erickson, Rovi

In this socially conscious drama with romantic overtones, Iris (Jane Fonda) is a working mother with a job at a large commercial bakery who is still getting over the death of her husband, though her circumstances don't give her much time to grieve. She's sharing her house with her two children, Kelly (Martha Plimpton) and Richard (Harley Cross); her unemployed sister, Sharon (Swoosie Kurtz); and her thuggish brother-in-law. The tensions at home become even greater when the teenaged Kelly announces that she's pregnant. One of the few bright spots in Iris' life is her blossoming friendship with Stanley (Robert De Niro), a nice guy who works in the bakery's cafeteria. However, Iris starts noticing a few odd things about Stanley and it slowly dawns on her that he can't read. When the boss figures this out, Stanley loses his job -- an especially troubling development, as Stanley has just had to put his father in a retirement home. Homeless and out of work, Stanley turns to Iris with a special request -- he'd like her to teach him how to read. ~ Mark Deming, Rovi

Like its title, Roadkill is a little flat and moldy at times, but generally effective. Concert promoter Valerie Buhagiar decides to look for a legendary "lost" band called The Children of Paradise, in hopes of staging a lucrative comeback tour. Buhagiar's odyssey takes her through the backroads of Canada. En route, she stumbles upon a thrill killer-and he's one of the more normal people that she meets. Director Bruce McDonald doubles as one of the film's stars. ~ Hal Erickson, Rovi