Anna Quayle Movies

The British "Adventures Of..." series can be described as a dirtier "Carry On" (if such a thing is possible). Christopher Neil plays the title character in 1987's Adventures of a Private Eye. Neil's life is plunged into peril when he agrees to deal with a blackmailer. To achieve his purposes, our hero is obliged to make love to every beautiful girl he meets; it's meant to be satirical, but the laughs often take second place to the heavy breathing. If nothing else, Adventures of a Private Eye treats us to a performance by the delectable 1960s leading lady Suzy Kendall. ~ Hal Erickson, All Movie Guide

Nicholas Meyer based his screenplay for the "retro" Sherlock Holmes adventure The Seven Percent Solution on his own best-selling novel. As any Baker Street Irregular will tell you, the title refers to the dosage of cocaine taken by Sherlock Holmes (Nicol Williamson). The Great Detective's friend and chronicler Doctor Watson (Robert Duvall), concerned that Holmes' drug dependency is getting out of hand, suggests a cure under the auspices of Viennese psychoanalyst Sigmund Freud (top-billed Alan Arkin). While undergoing treatment, Holmes comes to the realization that his archival Professor Moriarty (Laurence Olivier) is not the Napoleon of Crime, but instead a somewhat pathetic philanderer. Not yet completely cured, Holmes recharges his deductive batteries by undertaking a tricky conspiracy case involving another ex-addict, beautiful actress Lola Devereaux (Vanessa Redgrave). The traditional Holmesian sleuthing and split-second rescues of the film's second half are not as innovative as the Holmes-Freud scenes at the beginning of The Seven Percent Solution, but they provide this largely cerebral effort with a rousing climax. A success with both critics and filmgoers, The Seven Percent Solution opened the floodgates for subsequent TV and movie "reprises" of Conan Doyle's immortal literary figure. ~ Hal Erickson, All Movie Guide

With a story loosely based on the 18th-century novel Pamela by Samuel Richardson, the title character becomes a castle servant and is promptly seduced by her lord. ~ John Bush, All Movie Guide

One of the stars of Walt Disney's Mary Poppins, Dick Van Dyke, is re-united with that film's composer and lyricist, Richard M.Sherman and Robert B. Sherman, in this big budget and bloodless children's fantasy musical, based on the children's book by James Bond author Ian Fleming. Van Dyke plays Caractacus Potts, a failed inventor who lives in a big house with his two children -- Jemima Heather Ripley and Jeremy Adrian Hall -- and eccentric father Lionel Jeffries. Potts has to raise 30 shillings so his children can buy a broken-down racing car from the junkyard. After a disastrous attempt to sell his invention of whistling sweets to Lord Scrumptious (James Robertson-Justice), the local candy maker, he finally gets enough money for the car by doing a Dick Van Dyke dance routine at the county fair. Potts takes the car and miraculously transforms the vehicle into a shiny new car named Chitty Chitty Bang Bang. While on a picnic with the children and Truly Scrumptious (Sally Ann Howes), Lord Scrumptious' beautiful daughter, Potts concocts a fantasy tale about the magical powers of the car, which can now float on water and fly. In the tale, Baron Bomburst (Gert Frobe) wants the car for himself and kidnaps the automobile and the inventor. But Bomburst captures Grandpa by mistake along with the wrong car, so Potts, Truly, and the children have to enlist Chitty Chitty Bang Bang on a rescue mission to Bomburst's lair to save Grandpa. ~ Paul Brenner, All Movie Guide

Retired after years of international espionage, Agent 007 is lured back into action to battle the evil spy organization SMERSH in this notoriously incoherent parody of the James Bond films. David Niven portrays the aging Bond, who atypically rejects the advances of a variety of women, and agrees to battle SMERSH's hold on the lavish Casino Royale only after organization head M is murdered. Also mixed up in the affair are several other secret agents, all named James Bond, played by everyone from Peter Sellers and Woody Allen to a chimpanzee. Despite a star-studded cast, a large production budget, and a hit score by Burt Bacharach, the film was universally panned as a muddled, overlong failure, with the occasional amusing sequence lost in the unintelligible surroundings. The participation of several screenwriters and five different directors, including John Huston, only adds to the confusion. ~ Judd Blaise, All Movie Guide

This uneven black comedy went into production as My Last Duchess. It then went through three title changes, representing, in the words of historian Leslie Halliwell, "a descending order of wit": Arrividerci, Baby, Drop Dead, Darling, and You Just Kill Me! Tony Curtis plays a charming contemporary Bluebeard who murders a succession of wives in order to fatten his bank account. At the beginning of the film, the 42-year-old Curtis, decked out in Buster Browns, does in his own stepmother. The remaining murders alternate between moderately amusing and just plain silly; our favorite scene is the disposal of Zsa Zsa Gabor, but that's just on basic principles. Curtis finally meets his match in a much-married widow who plots his demise (a plot point which, incidentally, was planned and abandoned for Chaplin's far superior Monsieur Verdoux). Director Ken Hughes and Ronald Harwood based their screenplay upon the Richard Deming novel The Careful Man. ~ Hal Erickson, All Movie Guide

During the first worldwide flush of Beatlemania in 1964, United Artists wanted to ship out a movie with The Beatles before their vogue was over. Working within a tight $500,000 budget, director Richard Lester turned out A Hard Day's Night in a fast 6 1/2 weeks; the picture was in the theatres three months after shooting commenced. Using a variety of techniques cribbed from Hollywood slapstick comedies, the French "new wave" movement, and his own experiences as a TV-commercial director, Lester, with screenwriter Alun Owen, fashioned an exhilarating study of a "typical" 36 hours in the lives of the Fab Four. Onto a plot about getting to the Big Show on time are hung a series of instant-reaction gags, character vignettes, and musical setpieces. Much of the humor arises from Paul McCartney's efforts to keep his grandfather (Wilfred Brambell), a "clean old man," from getting into mischief. Also good for several laughs is the hookey-playing Ringo Starr, whose mistimed declaration of independence lands him in jail. We are also treated to a war of nerves between the unflappable John Lennon and an uptight TV director (Victor Spinelli), who worries that, should the Beatles not show up at broadcast time, he'll be demoted to "News In Welsh." George Harrison stars in a sequence in which he is mistaken for an auditionee by the producer (Kenneth Haigh) of a superficially trendy, teen-oriented TV weekly. Then there's Norman Rossington and John Junkin as The Beatles' managers, who carry on a battle royale simply because one man is taller than the other. The supporting cast includes comedienne Anna Quayle, cartoonist Bob Godfrey, TV host Robin Ray, dancer Lionel Blair, Harrison's future wife Patti Boyd, and director Lester himself. The songs include "I Should Have Known Better," "And I Love Her," "Tell Me Why," "If I Fell," "Can't Buy Me Love," and the title song. ~ Hal Erickson, All Movie Guide