John Qualen Movies

Allan Dwan's assured direction is the principal selling card of Republic's Belle le Grand. Based on a story by Peter B. Kyne, the film stars Vera Ralston as the title character, an ex-jailbird who becomes the gambling queen of old San Francisco. Upon meeting miner John Kilton (John Carroll), Belle increases her riches by selling shares of Kilton's silver lode. Despite Belle's anger over Kilton's dalliance with her younger sister Nan (Muriel Lawrence), she manages to save him from the evil machinations of all-purpose villain Montgomery Crane (Stephen Chase). Never much of an actress, Vera Ralston nonetheless delivers one of her better performances in Belle le Grand, though she is upstaged by such veteran barnstormers as Hope Emerson, John Qualen and Grant Withers. ~ Hal Erickson, All Movie Guide

A submarine commander is determined to use guided missiles on his sub in this war drama. To do so, he defies the edict of the navel bureaucracy and begins testing the prototypes. This results in personal injury and the death of a crewman. So guilty does the commander feel, that he begins to suffer a mental breakdown and becomes hysterically paralyzed. Fortunately, he recovers, sincerely apologizes to the Navy and is allowed to proceed with the testing. ~ Sandra Brennan, All Movie Guide

Frank Johnson (Ross Elliott), a window-dresser and struggling artist, accidentally witnesses a mob-related rub-out of a witness (Thomas P. Dillon), while out walking his dog one night -- after being shot at for his trouble, he's approached by the police, who want to put him into protective custody. But before they can do that, he runs out, and it's up to Inspector Ferris (Robert Keith) to find him before the killer does. He approaches Johnson's wife, Eleanor (Ann Sheridan), only to discover that not only were they the most distant -- nearly estranged -- couple he's ever encountered, but that she doesn't want to help find him, or care if he is found. Then she learns that he has a potentially serious heart condition that he never told her about, and that he has no medication -- she decides to try and find him to give him help, dodging the police with help from a pushy reporter named Leggett (Dennis O'Keefe), covering his job and all of his old haunts; and in the process, she discovers a man that she never really bothered to know or understand, one who not only wanted to love her but does love her, despite the way their marriage has gone, and discovers that there may still be a marriage worth saving. But to do that she's got to find him to head off not only a potentially fatal heart seizure but also save him from the killer who, unbeknownst to her, is just a step behind her and has already started covering her trail and murdering potential witnesses. ~ Bruce Eder, All Movie Guide

This breezy and unpretentious film noir from director Don Siegel starts off with fireworks. Duke Holliday (Robert Mitchum), an American army lieutenant, is on his way to Mexico by boat when he's confronted in his cabin by Blake (William Bendix), gun in hand, who plans on taking him back to the United States. Holliday gets away, pummeling Blake pretty hard in the bargain and stealing his identification, and crosses paths with Joan Graham (Jane Greer). It turns out that she's looking for the same man he is, a smooth-talking hood and grifter named Fiske (Patric Knowles), who took Holliday at gunpoint for 300,000 dollars in army payroll money and Graham for 2,000 dollars, in addition to her hand in marriage. They spend a lot of their time sizing each other up, not knowing how much to believe about the other while trying to catch up with Fiske, while Blake -- an army captain who's after Holliday for his alleged part in the robbery -- stumbles along a step or two behind them. These four end up playing cat-and-mouse across Veracruz, with Fiske always a half-step ahead, while police Inspector General Ortega (Ramon Novarro) calmly keeps tabs on all of them, trying to figure out (along with the rest of us) exactly who is on the level (in those days, especially after Out of the Past, there was no built-in assurance for audiences that Mitchum and Greer played characters with clean hands, and Mitchum is almost too good with the rough stuff here to be an obvious hero). Holliday and Graham engage in some surprisingly playful and suggestive banter during their travels, in between her keeping Holliday -- whose command of Spanish is less than minimal -- from adding too many new permutations to the phrase "the ugly American" in his dealings with the Mexicans. The mood is decidedly brisk and light-hearted at times, given the gunplay and violence that explodes at key intervals. The addition of John Qualen -- in one of the strangest roles of his career -- as a decidedly fidgety and neurotic presence in the last quarter of the story only adds to the undertone of quirkiness in this superb film noir. ~ Bruce Eder, All Movie Guide

Adapted by Allen Boretz from Lucille S. Plumbs and Sara B. Smith's stage play Ever the Beginning, My Girl Tisa is set in New York at the turn of the century. Tisa Kepes (Lilli Palmer) is a newly arrived immigrant girl who hopes to bring her father to America. She is fleeced by travel-agent Hugo Haas, browbeaten by sweatshop-owner Akim Tamiroff, and offered sagacious but ineffectual legal advice by Sam Wanamaker. It takes a "deus ex machina" appearance by Theodore Roosevelt (Sidney Blackmer) to solve Tisa's dilemma. When asked about My Girl Tisa, director Elliot Nugent was proudest of his ability to cut down on the budget by filming several of his street scenes from an overhead vantage point, thereby economizing on sets and extras. The film was produced independently by Milton Sperling's United States Pictures, and released by Warner Bros. ~ Hal Erickson, All Movie Guide

16 Fathoms Deep was a curious choice as the first effort from Arthur Lake Productions. Heretofore known best as Dagwood Bumstead in Columbia's Blondie series, Arthur Lake not only elected to produce this remake of the 1934 melodrama of the same name but also to play the film's comedy-relief character, a camera-crazy tourist named Pete. The story concerns a former Navy frogman who takes a job as a sponge fisherman in the Gulf of Mexico. The job proves more hazardous than expected, due to the dirty tactics perpetrated by a rival sponge dealer. Lloyd Bridges, still eight years away from TV's Sea Hunt, stars as the frogman-turned-fisherman, while Lon Chaney Jr., who played the hero in the 1934 version of 16 Fathoms Deep, is here cast as the villain. Filmed in Anscocolor, the 1948 16 Fathoms Deep paid its way, but wasn't successful enough to allow Arthur Lake to quit his day job as Dagwood. ~ Hal Erickson, All Movie Guide

Alias a Gentleman is impeccably tailored to the slovenly talents of MGM star Wallace Beery. He's cast as Jim Breeden, an ex-convict who finds himself wealthy overnight when oil is discovered on his property. His first order of business as a man of means is to locate his long-lost daughter. Hoping to get a piece of the financial action, several of Breeden's disreputable buddies try to palm off Elaine Carter (Dorothy Patrick) as his daughter -- and he falls for the ruse hook, line and sinker. Touched by Breeden's efforts to "do right" by her, Elaine comes to love the old soak and refuses to go through with his jailmates' shakedown scheme. They retaliate by kidnapping the girl, forcing Breedin to rely on his prison instincts to affect a rescue. ~ Hal Erickson, All Movie Guide

High Conquest was a good example of the sort of "prestige" fare that lowly Monogram Pictures hoped to turn out on a regular basis in the postwar years. Adapted from a novel by James Ramsey Ullman, the story centers on Hugo Lannier (Warren Douglas), an American youth who makes it his mission in life to conquer the Matterhorn in Switzerland. Hugo's father had been killed years earlier in a similar attempt, and our hero hopes to honor his father's memory by completing the task. But first, Hugo must overcome his intense dislike of the Alps and his fear of heights-not to mention his fear of fear itself. Top-billed Anna Lee plays Marie, a Swiss girl who believes in Hugo even when he doesn't. Genuine location footage of the Matterhorn is deftly blended with some surprisingly convincing studio mockups. ~ Hal Erickson, All Movie Guide

It's every man for himself when Charles Laughton bites into the role of infamous 17th century pirate captain William Kidd. Hoping to further increase his ill-gotten gains, Captain Kidd inveigles King William III (Henry Daniel) into appointing him the "patriotic" protector of a valuable treasure ship. Ostensibly hired to fend off enemy vessels, Kidd intends to steal the ship's cargo for himself with the aid of his swarthy lieutenants William Moore (Gilbert Roland) and Orange Povy (John Carradine). The romantic subplot is carried by "honest" brigand Adam Merry (Randolph Scott) and kidnapped noblewoman Lady Ann Falconer (Barbara Britton). Charles Laughton reprised his part in the 1952 farce Abbott and Costello Meet Captain Kidd. ~ Hal Erickson, All Movie Guide

River Gang was another of Universal's attempts to tap the dramatic potential of their young singing star Gloria Jean. The actress plays Wendy, the niece of pawnbroker Uncle Bill (John Qualen). Outwardly a loveable teller of tall tales, Uncle Bill is actually the head of a robbery gang. When murder rears its ugly head, the impressionable Wendy discovers her uncle's perfidy for the first time-and faces the possibility of becoming the next murder victim. Young Keefe Brasselle plays Johnny, a neighborhood "tough" who turns out ot be the best friend Wendy could possibly have. River Gang was directed by Charles David, who ironically became the husband of Deanna Durbin, Gloria Jean's principal singing rival on the Universal lot. ~ Hal Erickson, All Movie Guide

Strange Confession was the fourth in Universal's "Inner Sanctum" B-picture series, all of which starred Lon Chaney Jr. Chaney plays an idealistic writer who allows himself to be used by a politically ambitious publishing mogul (J. Carroll Naish). Not only does the publisher distort the sociological content of Chaney's works for his own purposes, but he also steals the writer's wife (Brenda Joyce). Chaney exacts a grisly revenge and turns himself over to the police. This is a scene-for-scene remake of the 1934 Claude Rains vehicle, The Man who Reclaimed His Head, which in turn was based on a play by Jean Bart. Universal was forced to completely withdraw the remake from theatrical and TV distribution when the studio realized that it no longer controlled the rights to the original Bart play. ~ Hal Erickson, All Movie Guide

The Impostor is one of French film favorite Jean Gabin's two wartime Hollywood vehicles. Adapted by Stephen Longstreet and Marc Connelly from a screenplay by director Julien Duvivier, the story concerns a condemned murderer named Clement (Jean Gabin), who is "liberated" when the Nazis bomb the French jail that holds him. During his escape, Clement comes across the body of a French soldier; he steals the dead man's uniform and identification papers, then hides from the law by joining the Resistance movement. Clement's new identity and purpose in life reforms him, and in due time he has sacrificed himself in service of his country. The huge cast includes such familiar Hollywood faces as Richard Whorf, Ellen Drew, Allyn Joslyn, Ralph Morgan, John Qualen, Milburn Stone, Fritz Leiber and Peter Cookson. ~ Hal Erickson, All Movie Guide