Randy Quaid Movies

Whether he is playing a clumsy redneck, spoofing an American president, or portraying a quietly psychotic father, Randy Quaid has a screen and stage presence that is difficult to ignore. Part of this is due to his physical appearance. The curly headed Quaid stands a muscular 6'4" tall, and unlike his handsome younger brother, Dennis, he is an ordinary-looking man with a flexible face that enables him to disappear into a wide variety of characters.
An electrician's son, the Houston-born and raised Quaid was majoring in drama at the University of Houston and working as a standup comedian with actor Trey Wilson when he met Peter Bogdanovich. The young director was impressed with Quaid and cast him in a number of his films, beginning with Targets (1968), then The Last Picture Show (1971), Paper Moon (1973), and Texasville (1990). In 1973, Quaid received an Oscar nomination for his moving portrayal of a convicted, bewildered sailor escorted to prison by guards Jack Nicholson and Otis Young in The Last Detail. Other notable Quaid performances can be found in Midnight Express (1978), the National Lampoon Vacation films of the '80s and '90s, The Curse of the Starving Class (1994), and Kingpin (1996). In 1999, he stepped in front of the camera for his wife, Evi Quaid, in High Expectations, her directorial debut. The film premiered at the Toronto Film Festival that year.
Though successful in feature films, Quaid has had even better luck on television. The burly actor has excelled on the small screen since making his debut in the 1971 movie Getting Away From It All. He has been nominated for an Emmy for playing President Lyndon B. Johnson in the NBC miniseries LBJ: The Early Years (1986), a role that also won him a Golden Globe award. Quaid's television work extends beyond the dramatic: During the 1985-1986 season, he was a regular on NBC's sketch comedy series Saturday Night Live, and starred in the sitcom Davis Rules from 1991 until 1992. In addition to his film and television career, Quaid has also found success on-stage in both New York and Los Angeles. ~ Sandra Brennan, All Movie Guide
1985  
PG13  
Add The Slugger's Wife to QueueAdd The Slugger's Wife to top of Queue
This routine film should have been called the "rock singer's husband" because it is about the life of a baseball player affected by his love for a singer. Darryl Palmer (Michael O'Keefe) plays for the Atlanta Braves, and when he walks into a nightclub and sees an attractive woman singing (Rebecca DeMornay), he pulls up to home plate and is anxious to meet her. From then on, his persistence in courting her is unstoppable in spite of several unhappy setbacks, and finally their romance makes it to first base when she realizes she loves him too, and they are married. From that point onward, his career starts to soar, while her career begins to slide in the opposite direction. In fact, she has given up her job to go live with him on his home turf, and the sacrifice, in the end, proves to be too much. A separation is inevitable, and while he still has his teammates (Randy Quaid, Cleavant Derricks), he would rather have his wife back. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Michael O'KeefeRebecca De Mornay, (more)
1984  
 
Ann Margret looks too healthy to portray Blanche DuBois, the physically and mentally fragile Southern-belle protagonist of Tennessee Williams' A Streetcar Named Desire, but we forget this discrepancy five minutes into her marvelous performance. This TV-movie version of Streetcar costars Treat Williams as faded aristocrat Blanche's rude 'n' crude brother-in-law Stanley Kowalski; Williams is persuasive, though he tries so hard not to be Marlon Brando that he comes off as a bit mechanical. The 1984 Streetcar is more realistically staged than the near-impressionistic 1951 Vivien Leigh/Marlon Brando filmization. The storyline, concerning the battle of wills between the earthy, pragmatic Stanley and the delusional Blanche, remains the same in both films, as does the script's tendency to avoid the homosexual elements that were so important to Williams' original play. The newer film's photography is bathed in an ambler tint throughout, conveying both nostalgia for the era in which it is set (the late 1940s) and a visual literalization of Blanche's "yellowed with antiquity" former lifestyle. The 1984 Streetcar Named Desire is less a remake of the 1951 version than a companion piece--a praiseworthy alternate version of the same sturdy material. ~ Hal Erickson, All Movie Guide

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Starring:
Ann-MargretTreat Williams, (more)
1984  
R  
Comprised of classic teen movie elements scattered like croutons over a salad, this undistinguished high school drama involves several inconsequential stories at once, set in a seven-day period before the beginning of school. Tom Drake (Christopher Penn, Sean's brother) is a high-school wrestler who loves Eileen (Jenny Wright), but she is more than just a little dubious about their relationship. Since her lecherous boss (Rick Moranis) will not leave her alone, men are at a low ebb in her life. Bill Conrad (Eric Stoltz) is a friend of Tom's who has already graduated and who asks him to share his apartment for awhile to help him out financially. Bill then decides to split with his girlfriend Anita (Lea Thompson), who is suddenly too young for his new status as a high-school grad. Miffed at his rejection, Anita starts a liaison with David Curtiss (Hart Bochner), without knowing that David is married and a father. Other than Bill's 15-year-old brother Jim (Ilan Mitchell-Smith), who follows a Vietnam vet around in adulation, the entire focus of the film is on teen love relationships played by twentysomethings from the vantage point of tensomethings, more or less. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Ilan Mitchell-SmithEric Stoltz, (more)
1983  
R  
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The first film in the Vacation comedy franchise stars Chevy Chase as Clark Griswold, an ad exec who becomes consumed with taking his family cross-country to Wally World, a California amusement park. Less a vacation than a descent into a peculiarly American kind of hell, the Griswolds suffer through an endless series of catastrophes, culminating in a run-in with the law. ~ Jason Ankeny, All Movie Guide

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Starring:
Chevy ChaseBeverly D'Angelo, (more)
1983  
 
In this drama, a city-slicker teacher tries to fix-up a run-down cattle ranch. The ranch was his childhood home. As he works, he finds his progress delayed by as series of strange and upsetting events. ~ Sandra Brennan, All Movie Guide

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1982  
 
The two-part TV movie Inside the Third Reich was based on the extraordinary revelatory (if self-serving) autobiographical book by Albert Speer. Played herein by Rutger Hauer, Speer is a young man of privilege in pre-Hitler Germany who happens to be a brilliant architect. Becoming a member of Hitler's inner circle, Speer is appointed the Nazi regime's master builder. According to this film, Speer is egomaniacal and ambitious, but somewhat blinded to the inherent evils of Nazism. Though he'd later claim to be ignorant of Hitler's horrific policies aimed at the Jews, he was certainly aware of the use of Jewish prisoners as slave labor: as Germany's armaments minister during World War II, Speer exploited these enslaved unfortunates as much as anyone, if not more so. The cast includes Derek Jacobi as Hitler, Blythe Danner as Speer's wife Margarethe, John Gielgud as Speer's father, Ian Holm as Goebbels, Maurice Roeves as Hess, and George Murcell as Goering. Originally running 5 hours, Inside the Third Reich was filmed in Munich; it was first telecast on May 9 and 10, 1982. ~ Hal Erickson, All Movie Guide

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1981  
PG  
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Heartbeeps stars Andy Kaufman and Bernadette Peters as domestic robots who fall in love and run off together. ~ Jason Ankeny, All Movie Guide

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Starring:
Andy KaufmanBernadette Peters, (more)
1981  
 
This TV movie adaptation of John Steinbeck's Of Mice and Men was a labor of love for producer-star Robert Blake, who utilized the screenplay from the 1939 Hollywood version as his guide--a screenplay personally presented to Blake by the original film's director, Lewis Milestone. Blake and Randy Quaid play George and Lennie, a pair of itinerant workers who share a dream of saving up enough money for their own ranch. George is smart, resourceful and slight-statured; Lennie has the mind of a child and the strength of Hercules. The two lifelong friends are hired on as hands at a large Salinas Valley spread. Their "best laid schemes" for a place of their own dissolve into a tragic denouement, sparked by the boss' pugnacious son Curley (Ted Neeley) and Curley's bored, faithless wife Mae (Cassie Yates). The 1939 Of Mice and Men is regarded as a masterpiece, though it suffers from the censorship restrictions of the time; curiously, this 1981 film, adapted for television by E. Nick Alexander, makes no attempt to restore the "chancy" elements that had been excised from the earlier film. Of Mice and Men was first telecast on November 29, 1981; a third filmization of the Steinbeck work, starring Gary Sinise and John Malkovich, was released theatrically in 1993. ~ Hal Erickson, All Movie Guide

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1980  
R  
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The hook in Walter Hill's mythic retelling of the James-Younger outlaw legend is in the casting; the James, Younger, Miller, and Ford Brothers are played by a string of acting brothers, the Keachs, the Carradines, the Quaids and the Guests. The film begins as outlaws are robbing a bank. After the robbery, Ed Miller (Dennis Quaid) finds himself kicked out of the gang for needlessly killing a man during the robbery. Jesse James (James Keach) hands over Ed's share of the money and tells him to leave, a feeling held mutually by Ed's brother Clell (Randy Quaid). After the killing the gang decides to split up for awhile. The James boys return to their wives and farms, while Cole Younger (David Carradine) travels to Texas with his prostitute girlfriend Belle Starr (Pamela Reed). After the brief respite, the gang reunites to rob a well-stocked bank in Northfield, Minnesota. The robbery turns out disastrously, with most of the gang either wounded or dying. The James boys are the only ones not seriously hurt, and they leave the rest of the gang behind, escaping while they can. After the James boys leave, the remnants of the gang are captured. But trailing the Jameses is a relentless posse. Frank and Jesse manage to keep one step ahead until the Ford brothers (Christopher Guest and Nicholas Guest) make a deal with the Pinkerton detectives trailing the outlaws. ~ Paul Brenner, All Movie Guide

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Starring:
David CarradineKeith Carradine, (more)
1980  
R  
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Foxes details the exploits of four teenage San Fernando Valley girls as they drink, dope and sleep their way into oblivion. Jeanie (Jodie Foster, in a standout performance), the most grounded of the quartet, deals with her burned-out working-student-mother (Sally Kellerman, also excellent) while playing mother to her cohorts; Annie (Cherie Curie), a promiscuous drug-vacuum, attempts to dodge her psychotic police officer-father while partying round the clock; Madge (Marilyn Kagan), an overweight tag-along, who tries desperately to fit in with her wilder friends; and Deirdre (Kandice Stroh); an insecure liar and also-ran. While the performances (particularly the aforementioned) are good, and the direction is solid, the script doesn't seem to go anywhere; maybe that's the point, though, since neither do the characters in their vacuous, instant-gratification-based existences. ~ Jeremy Beday, All Movie Guide

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Starring:
Jodie FosterScott Baio, (more)
1980  
 
Add Guyana Tragedy: The Story of Jim Jones to QueueAdd Guyana Tragedy: The Story of Jim Jones to top of Queue
This two-part TV movie was, of course, sparked by the November 1978 mass suicide of 913 people at the South American religious "colony" of Jonestown. The catalyst for this tragedy was cult-leader Reverend Jim Jones (played by Powers Boothe, who won an Emmy for his performance), head of the so-called People's Temple. The film traces the life of Jones from his days as an idealistic 1960s activist. He drifts into penny-ante confidence scams and bed-hops from woman to woman, before electing to pass himself off as a modern messiah--eventually believing his own feverish sermons. The climactic scenes are chillingly staged in a near-documentary fashion, with Puerto Rico and Georgia substituting for Guyana. Ned Beatty plays the ill-fated Representative Leo Ryan, while James Earl Jones has a cameo as 1930s religious-leader Father Divine; most of the other main characters are composites of real people. Originally broadcast April 15 and 16, 1980, The Guyana Tragedy was adapted by Ernest Tidyman from the Washington Post and Charles A. Krause's Guyana Massacre: An Eyewitness Account. ~ Hal Erickson, All Movie Guide

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Starring:
Powers BootheVeronica Cartwright, (more)
1980  
 
The autobiography of Harold Krent, Butterflies Are Free, is the basis for this made-for-television drama about a blind collegian and his struggle to be treated like any other law student. ~ Kristie Hassen, All Movie Guide

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1979  
 
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Producer Dan Curtis also sat in the director's seat for The Last Ride of the Dalton Gang. Making no effort to whitewash its hooligan protagonists, the film recounts the wild-west exploits of the outlaw Dalton Brothers: Bob (Cliff Potts), Emmett (Larry Wilcox), Grat (Randy Quaid, who'd probably get better billing these days) and Frank (Don Collier). The story culminates in the Dalton's suicidal raid on Coffeyville, Kansas. Most of what transpires is related in flashback from the vantage point of fifty years afterward by surviving Dalton brother Emmett (hope we're not giving anything away here). The made-for-TV Last Ride of the Dalton Gang lets us know up front that "What follows here is not intended to be an accurate re-creation of fact. Not that it matters." Its original airdate was November 20, 1979. ~ Hal Erickson, All Movie Guide

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Starring:
Larry WilcoxJack Palance, (more)
1978  
R  
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Midnight Express is a harrowing tale of a naïve American caught in a nightmare of his own making thousands of miles from his home. Billy Hayes (Brad Davis) is an American tourist visiting Turkey with his girlfriend Susan (Irene Miracle) when he's caught by customs officials trying to smuggle a large amount of hashish out of the country. The crime would normally carry a sentence of four years, but officials decide to make an example of Billy, and he draws a 30-year sentence despite the promises of his Turkish legal counsel. While Susan and Billy's father (Mike Kellin) pledge to do everything they can to speed Billy's release, in fact there's little than can be done. Billy quickly finds himself in a hellish prison that's a nightmare of filth, violence, rape, inedible food, and unspeakable health conditions. However, Billy gains a few confidantes behind bars: Jimmy (Randy Quaid), an American in a constant state of emotional overdrive; Max (John Hurt), an intelligent, drug-addicted Englishman; and Erich (Norbert Weisser), a gay Scandinavian who is attracted to Billy but accepts his gentle refusals of sex. Before long, Billy is convinced that he can take no more, and he makes plans to take the "midnight express" -- jailhouse slang for escape. While his friends are willing to help, they also make clear that almost no one who has tried to escape has lived to tell the tale. Based on a true story, Midnight Express was a box-office hit which won wide acclaim for the performances of Brad Davis and John Hurt; and the screenplay, by Oliver Stone, won an Academy Award. ~ Mark Deming, All Movie Guide

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Starring:
Brad DavisRandy Quaid, (more)
1977  
R  
Loosely based on former policeman Joseph Wambaugh's humorous novel, The Choirboys determinedly explores the stunted interior lives of a large crew of callous, bigoted L.A. policemen. These men get together to lend one another emotional support. However, the means they choose for this do not enhance their sensitivity or their judgement. When one of them has a really bad day, he asks his buddies to come to "choir practice," and they get together for alcoholic benders of fairly epic proportions. When one of them accidentally shoots a homosexual teen cruising a city park, everyone (including higher-ups) gets called on to help with the cover-up. The Choirboys, which was a critical and box-office failure, had an impressive cast list, including such well-known performers as Blair Brown, James Woods, Randy Quaid, Lou Gossett Jr., Perry King and Charles Durning. ~ Clarke Fountain, All Movie Guide

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Starring:
Charles DurningLouis Gossett, Jr., (more)
1977  
 
When he visits his terminally ill grandfather, an urbanized young Native American boy is uncomfortable with the traditional environment. After he grows more accustomed, the 13-year-old learns to appreciate his ethnic culture. ~ Kristie Hassen, All Movie Guide

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Starring:
McKee "Kiko" Red WingCharles White Eagle, (more)
1976  
PG  
Add Bound for Glory to QueueAdd Bound for Glory to top of Queue
Adapted by Robert Getchell from Woody Guthrie's autobiography, Hal Ashby's biopic portrays a few pivotal years in the life of the celebrated folk singer and social activist. In the Depression 1930s, Midwesterner Guthrie (David Carradine) plays music locally but cannot make enough as a sign painter to support his wife (Melinda Dillon) and children. With only his paintbrushes, Woody joins the migration westward from the Dust Bowl to supposedly greener California pastures via boxcar and hitchhiking. When penniless Woody is turned back from the California border, he sneaks into the state alone and meets Luther (Randy Quaid), who takes Woody to a farm where hundreds of workers scrounge for a few ill-paid harvesting jobs. When singer Ozark Bole (Ronny Cox) arrives both to entertain and to urge the workers to unionize, Woody joins Ozark in song, fleeing with him after thugs break up the assembly. He lands a job singing with Ozark on the radio, and the two become partners in union agitation. Unable to commit in his personal life as he finds his political voice, Woody brings his family west, but his wife can't tolerate Woody's wandering ways. Reluctant to sell out his ideals for a lucrative career, Woody hits the road again, bringing his songs of freedom and protest to a nationwide audience on his own terms. Opting for atmospheric story-telling over strident polemic, the filmmakers present Guthrie as a complex individual with contradictory virtues and faults. Despite critical praise and nominations for several Oscars, including Best Picture, Bound for Glory proved less than glorious at the box office. ~ Lucia Bozzola, All Movie Guide

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Starring:
David CarradineRonny Cox, (more)
1976  
PG  
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A rancher, a rustler, and a regulator face off in Arthur Penn's eccentric western. As a cover for their horse thievery, a gang of Montana rustlers, led by the laid-back Tom Logan (Jack Nicholson), buys a small farm adjacent to the ranch of their latest target/nemesis, Braxton (John McLiam). When the gang leaves Tom on the farm and heads to Canada for another score, Tom takes a shine both to farming and Braxton's rebellious, strong-willed daughter, Jane (Kathleen Lloyd). The slightly loco Braxton, however, hires the psychopathic regulator Lee Clayton (Marlon Brando) to root out the rustlers. With a series of unorthodox methods (and costumes), Clayton hunts down Logan and his gang one by one, even after Braxton fires him, but Logan isn't about to let Clayton (or Braxton) make him obsolete. ~ Lucia Bozzola, All Movie Guide

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Starring:
Marlon BrandoJack Nicholson, (more)
1975  
PG  
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The star-director team of Charles Bronson and Tom Gries (Breakheart Pass) combine their efforts again on Breakout. Bronson plays Nick Colton, a reckless pilot who heads to an unnamed South American country, in hopes of rescuing imprisoned Jay Wagner (Robert Duvall). Villain Harris Wagner (John Huston), who has framed Jay, has an unlimited supply of henchmen at his disposal, but they're no match for the dauntless Colton. Jill Ireland, Bronson's real-life wife, costars as Duvall's missus. ~ Hal Erickson, All Movie Guide

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Starring:
Charles BronsonRobert Duvall, (more)
1974  
 
"Stubborn old patriarch" TV movies can rise or fall depending on the leading man. Richard Boone is the star who makes Great Niagara tolerable, even in its most irritatingly macho passages. Boone plays an ill-tempered old codger who has been crippled by attempting to go over Niagara Falls in a barrel. Despite his own lack of success, Boone demands that his sons maintain family tradition by challenging the Falls themselves. Produced by Playboy Films, The Great Niagara is a satisfactorily exciting effort, given texture by being set during the Depression. ~ Hal Erickson, All Movie Guide

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1974  
PG  
Richard Dreyfuss put himself on the map with his performance in this movie about how ambition and greed can drive someone at the expense of his own happiness. Duddy Kravitz (Dreyfuss) is an 18-year-old Jewish kid from Montreal whose mother is dead, and whose father drives a cab and does a little pimping on the side to pay the bills and send Duddy's older brother to medical school. Duddy has bigger dreams, and he does everything from producing films of bar mitzvahs to attempting to buy real estate to (unknowingly) smuggling heroin in order to strike it rich. Along the way, however, he alienates his girlfriend, drives his grandfather to despair, loses all his friends, and even paralyzes his best employee, while making himself more and more miserable. Duddy's desire to be a success is easy to understand, which makes this potentially unlikable character forgivable, and the film's gallery of details and characters adds realism and energy to the story. ~ Don Kaye, All Movie Guide

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Starring:
Richard DreyfussMicheline Lanctôt, (more)
1973  
PG  
Add Paper Moon to QueueAdd Paper Moon to top of Queue
The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers, working together so well that Addie is averse to breaking up the team -- which is one reason that she sabotages the romance between Moses and good-time gal Trixie Delight (Madeline Kahn). Later, while attempting to square a $200 debt that Addie claims he owes her, Moses runs afoul of of a bootlegger (John Hillerman) and is nearly beaten to death by the criminal's twin-brother sheriff. Painfully pulling himself together, Moses gets Addie to her relatives, whereupon she adamantly refuses to leave his side. Photographed in black-and-white by Laszlo Kovacs, the film was made largely on location in Kansas and Missouri (an experience colorfully recalled by director Peter Bogdanovich in his 1972 book of essays Pieces of Time). 9-year-old Tatum O'Neal won a Best Supporting Actress Oscar, beating out costar Kahn. Paper Moon later became a short-lived TV series, starring Ryan O'Neal lookalike Christopher Connelly and future Oscar winner Jodie Foster. ~ Hal Erickson, All Movie Guide

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Starring:
Ryan O'NealTatum O'Neal, (more)
1973  
R  
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Two Navy "lifers" and one military innocent briefly attempt to thumb their nose at Authority in Hal Ashby's The Last Detail (1973). "Badass" Buddusky (Jack Nicholson) and "Mule" Mulhall (Otis Young) are assigned to escort young sailor Meadows (Randy Quaid, who beat out John Travolta for the part) from their Virginia base to a New England military prison, where Meadows will serve an eight-year sentence for attempting to swipe the commander's wife's polio donation can. Buddusky thinks that the sentence is a waste of Meadows' formative years, and he convinces a skeptical Mulhall to show the hapless Meadows a good time by partying on their per diem for the rest of the detail's allotted week. As they head north, the comically posturing Buddusky leads Meadows through the masculinizing rituals of getting drunk, getting in a fight, and getting laid; and he teaches Meadows to stand up for himself so well that Meadows tries to escape. Despite his self-proclaimed "badass" rep, however, Buddusky is, as Mulhall tells him, "a lifer like me," and the two ultimately have a job that they were ordered to do. Taking full advantage of the new ratings system, writer Robert Towne adapted the Darryl Ponicsan novel with an ear for how Navy men really talk. Objecting to the wall-to-wall obscenities, Columbia put off releasing the movie, but, after Nicholson won the Best Actor prize at the Cannes Film Festival, finally opened it for Oscar consideration in December 1973 before a full release several months later. Even with nominations for Nicholson, Quaid, and Towne, and rave reviews despite the notorious cussing, The Last Detail failed to find an audience. ~ Lucia Bozzola, All Movie Guide

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Starring:
Jack NicholsonOtis Young, (more)
1973  
PG  
Petty jealousies and misunderstandings between two rival families escalate into a tragic outburst of violence in this drama. Laban Feather (Rod Steiger) is the patriarch of a family of Tennessee moonshiners, brewing corn liquor with the help of his sons: Thrush (Scott Wilson), Zack (Jeff Bridges), Hawk (Ed Lauter), and Finch (Randy Quaid). The chief rivals of the Feather Family have long been the Gutshalls, another Tennessee clan who sell illegal alcohol; the Gutshalls are led by father Pap (Robert Ryan), with the help of his boys Ludie (Kiel Martin), Seb (Gary Busey), and Villum (Paul Koslo). While fighting for their share of the market in white lightning, the Feathers and the Gutshalls have also feuded over a piece of land that each side believes is rightfully theirs. Hoping to create internal friction amongst the Feather siblings, Ludie Gutshall mails a postcard from the non-existent "Lolly-Madonna" to the Feather home and allows the brothers to puzzle over who has attracted her attentions. The prank begins to turn ugly when Thrush and Hawk kidnap Roonie Gill (Season Hubley), a woman passing through town en route to meet her fiancée, believing that she's the "Lolly Madonna" they've heard about. Lolly-Madonna XXX was based on a novel by Sue Grafton entitled The Lolly-Madonna War, and was also released under that title. ~ Mark Deming, All Movie Guide

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Starring:
Rod SteigerRobert Ryan, (more)

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