Denver Pyle Movies

Had he been born a decade earlier, American actor Denver Pyle might well have joined the ranks of western-movie comedy sidekicks. Instead, Pyle, a Colorado farm boy, opted for studying law, working his way through school by playing drums in a dance band. Suddenly one day, Pyle became disenchanted with law and returned to his family farm, with nary an idea what he wanted to do with his life. Working in the oil fields of Oklahoma, he moved on to the shrimp boats of Galveston, Texas. A short stint as a page at NBC radio studios in 1940 didn't immediately lead to a showbiz career, as it has for so many others; instead, Pyle was inspired to perform by a mute oilfield coworker who was able to convey his thought with body language. Studying under such masters as Michael Chekhov and Maria Ouspenskaya, Pyle was able to achieve small movie and TV roles. He worked frequently on the western series of Roy Rogers and Gene Autry; not yet bearded and grizzled, Pyle was often seen as deputies, farmers and cattle rustlers. When his hair turned prematurely grey in his early '30s, Pyle graduated to banker, sheriff and judge roles in theatrical westerns -- though never of the comic variety. He also was a regular on two TV series, Code 3 (1956) and Tammy (1966). But his real breakthrough role didn't happen until 1967, when Pyle was cast as the taciturn sheriff in Bonnie and Clyde who is kidnapped and humilated by the robbers -- and then shows up at the end of the film to supervise the bloody machine-gun deaths of B&C. This virtually nonspeaking role won worldwide fame for Pyle, as well as verbal and physical assalts from the LA hippie community who regarded Bonnie and Clyde as folk heroes! From this point forward, Denver Pyle's billing, roles and salary were vastly improved -- and his screen image was softened and humanized by a full, bushy beard. Returning to TV, Pyle played the star's father on The Doris Day Show (1968-73); was Mad Jack, the costar/narrator of Life and Times of Grizzly Adams (1978-80); and best of all, spent six years (1979-85) as Uncle Jesse Duke on The Dukes of Hazzard. Looking stockier but otherwise unchanged, Denver Pyle was briefly seen in the 1994 hit Maverick, playing an elegantly dishonest cardshark who jauntily doffs his hat as he's dumped off of a riverboat. Pyle died of lung cancer at Burbank's Providence St. Joseph Medical Center at age 77. ~ Hal Erickson, All Movie Guide
1959  
 
Paladin (Richard Boone) accepts a job from wealthy Sid Morgan (Denver Pyle), who claims he needs protection from outlaw Howard Gorman (Steve Gravers). While escorting Morgan and his young fiancee Stacy (Jacqueline Scott) to Silver City, Paladin confronts Gorman, who does indeed seem to have a vendetta against Morgan. Only too late does Paladin discover that he and Gorman have been maneuvered into a bloody showdown merely for Morgan's perverse amusement. ~ Hal Erickson, All Movie Guide

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1959  
 
A troubled saddletramp with a penchant for drinking away his pain inherits a ranch from the man who may have been his father. This western follows the young rider's attempts to reform. His efforts are ultimately challenged when his old rivals come to town. ~ Sandra Brennan, All Movie Guide

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Starring:
Audie MurphyTerry Moore, (more)
1959  
 
Done up to look much older than his tender years, Buddy Hackett guest stars in this unusually violent segment of The Rifleman. Hackett plays uncouth Daniel Malakie, arriving in town to bail out his three hell-raising sons. When he learns that one of the sons, Ben (Christopher Dark), mistakenly shot and killed brother Stump (John Durren), Malakie goes after the man he believes responsible. This fine episode of the superior series was helmed by future ace director Arthur Hiller. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Buddy Hackett
1959  
 
An old-fashioned western, King of the Wild Stallions features a pretty widow in distress, a handsome foreman who comes to her rescue, and a nasty landowner. Martha (Diane Brewster) is troubled because unless she can come up with $500 she will lose her land to Matt (Emile Meyer), a wealthy cattle rancher. Coincidentally, Matt is offering a $500 reward for the capture of a powerful wild stallion, and anyone who can add knows that Martha has a way out of her dilemma. But at the same time, Martha's son Bucky (Jerry Hartleben) wants to keep the horse if he can catch him. Caught between her son's wishes and losing her land, Martha may have a way out, thanks to Randy (George Montgomery), her ingenious, talented, and good-looking foreman. ~ Eleanor Mannikka, All Movie Guide

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Starring:
George MontgomeryDiane Brewster, (more)
1959  
 
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Based on an actual Civil War mission, Colonel Marlowe (John Wayne) and Major Kendall (William Holden) are ordered by General Grant to take three regiments 300 miles into enemy territory. They must destroy the railroad line between Newton Station and Vicksburg in hopes of choking off supplies to the South. Marlowe encounters a Southern belle loyal to the enemy, and keeps her in sight throughout the journey so she can't warn the Confederates. Kendall, a Northern surgeon, and the crusty Marlowe have their differences along the way. Action, romance and gory battlefield surgery accompany the army as the mission is completed. John Ford directed this film based on a novel by Harold Sinclair. ~ Dan Pavlides, All Movie Guide

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Starring:
John WayneWilliam Holden, (more)
1959  
 
During a nocturnal ride in the prairie, Paladin (Richard Boone) stops at a campfire to ask directions from a convivial chap named Dobie O'Brien (Perry Cook). After exchanging several pleasantries, the twon men are interrupted by the members of a posse, who are searching for a double murderer. Without so much as batting an eyelash, Dobie points to Paladin and tells the posse that he's their man! Facing a quick trip to the gallows, Paladin must somehow persuade his captors that the affable Dobie is lying--and is most likely the guilty party himself. ~ Hal Erickson, All Movie Guide

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1958  
 
Sam Peckinpah, future auteur of such classic cinematic shoot-em-ups as Major Dundee and The Wild Bunch, was coscripter of this wickedly ironic episode. Paladin (Richard Boone) is hired by Rod Blakely (Richard Long), an idealistic young man who was recently jilted by his fiancee, professional singer Faye Hollister (Joan Weldon). Insisting that Faye has been forced to marry ruthless rancher Peter Hollister (Denver Pyle) against her will, Blakely wants Paladin to fend off Hollister's hired guns so that he can have a brief heart-to-heart talk with Faye. As it turns out, however, Blakely and Hollister have fallen for a woman who is unworthy of both of them! ~ Hal Erickson, All Movie Guide

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1958  
 
In this western, an embittered cavalry sergeant must take over his regiment after their commanding officer is killed during an ambush. To save them, he leads the troop through Apache territory because it is the quickest way to reach the fort. The members of the regiment do not trust their new leader's reasoning. They suspect he is taking them through the restricted territory so that he can get revenge upon the Apaches who killed his wife and kids several years ago. The troop find themselves suffering a series of increasingly deadly attacks. Many die, until the soldiers, believing that the sergeant has lost his mind, rebel and kill him. ~ Sandra Brennan, All Movie Guide

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Starring:
Joel McCreaForrest Tucker, (more)
1958  
 
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The Springdale, NE, bank is held up and robbed by a well organized gang. One of the members is Eddie Campbell (Robert Vaughn), a onetime resident of the town and orphan who was brought up in part by Ben Cutler (Fred MacMurray), an ex-lawman-turned-rancher. While pursuing the robbers, the town marshal, Hiram Cain (Emile G. Meyer), is shot dead by Campbell, who in turn is wounded and captured by Cutler. The town council appoints Cutler as temporary marshal, and the prosecution seems like an open-and-shut case -- he begins to see signs of trouble when his own daughter Laurie (Joan Blackman), who was raised with Campbell and was once his sweetheart, refuses to believe that he's guilty of the crime. Ben's fiancée, Ruth (Maggie Hayes), also feels the boy deserves leniency, but the real trouble starts when Campbell's attorney, William Selby (Edmon Ryan), shows up; he first tries to compromise the jury pool by ingratiating himself with the asking the townspeople what we would now call "push" questions, about Campbell's being an orphan and a hard-luck case all of his life, under the guise of building his case. He's also just clever enough at the trial to shake the testimony of the five other witnesses to the shooting, but Cutler's testimony is enough to put the jury into the guilty column. Then Campbell starts working on the sympathy of Laurie and the townspeople who've been persuaded by his lawyer -- it's also been a long time since there's been a capital case like this in the state, and Cutler discovers that the townspeople and even the law may not be as ready to execute a killer as common sense says they should be. Cutler's and Ruth's romance is jeopardized, and he is pushed to the point of resigning when matters come to an explosive head. ~ Bruce Eder, All Movie Guide

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Starring:
Fred MacMurrayMaggie Hayes, (more)
1958  
 
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Cliff Brandon (Victor Mature) is a US pilot serving in China in 1943, flying supplies to Allied soldiers in Burma. He's the best at what he does in the air, but he's also emotionally cut off from everyone around him, disillusioned by the loss of men in his command during nearly two years of war. When he's not in the air on a mission, or riding his new men (including Stuart Whitman, Tige Andrews and Johnny Desmond) to learn their jobs as fast as they can so they can survive, he's usually either passed out drunk or getting there on the ground. One night, while staggering out of his usual watering hole, he chances to meet an elderly Chinese man and, after a barely understood conversation, hands him a pile of money. When Cliff awakens the next day, he discovers that he's bought three months of housekeeping service from the man's daughter, Shu-Jen (Li Li Hua). At first he's at a loss over what to do about her -- he would gladly send her back to her father, until he learns from local missionary Father Cairns (Ward Bond) that Shu-Jen (whose name means "precious jewel") is the sole supporter of her family; and that if he sends her back, they'll return his money as a matter of honor, and have to sell her services as a housekeeper again; and that the next time that may be to someone who is a lot less honorable than Cliff, and could destroy the rest of the girl's life. So they're stuck with each other, and in the course of three months together Cliff discovers through Shu-Jen a joyous side to life that he'd forgotten -- his men even notice that he smiles occasionally, and he actually seems like a human being, enough so that Cliff soon wants more out of life than just day-to-day survival; he wants a life with Shu-Jen. And despite her initial misgivings, they decide to marry. But duty constantly beckons to Cliff, especially when he's moved to a forward base to support a new Allied offensive -- he isn't there for the birth of their child, but he is able to bring them both to him, only to find that the war is now on both their doorsteps. ~ Bruce Eder, All Movie Guide

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Starring:
Victor MatureLi Li Hua, (more)
1958  
 
The Left Handed Gun was adapted by Gore Vidal from his own TV play, The Death of Billy the Kid. 33-year-old Paul Newman stars as 21-year-old William Bonney, the hotheaded gunslinger known as Billy the Kid. Avoiding the usual Hollywood glamourization of this controversial character, Newman portays Bonney pretty much as he was: an illiterate, homicidal cretin. Treated with kindness for the first time in his life by rancher Tunstall (Colin Keith-Johnston), Bonney becomes devoted to the rancher; in fact, it is virtually a love affair. Soon after, however, Tunstall is killed, prompting Bonney to go on a murderous spree. In the end, Bonney must face down the other important father-figure in his life, Pat Garrett (John Dehner). In case anyone should miss the Freudian subtext in The Left Handed Gun, the closeups of Bonney fondling his six-shooter will make things crystal clear. ~ Hal Erickson, All Movie Guide

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Starring:
Paul NewmanLita Milan, (more)
1958  
 
The only person who can clear Perry's client Robert Crane (Denver Pyle) of a murder charge is his sister Helen (Constance Ford), the wife of the murder victim. But Helen suffers from schizophrenia: by day, she is "herself" and by night she is her wild-and-reckless alter ego Joyce Martel. Unfortunately, it was "Joyce" who witnessed the murder, so Perry (Perry Mason) must figure out a way to put "Joyce", rather than Helen, on the witness stand! Though not based on an Erle Stanley Gardner original, this episode would seem to have been inspired by such multiple personality-themed films as Three Faces of Eve and Lizzie. ~ Hal Erickson, All Movie Guide

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1958  
 
Cocky Twig Webster (Mark Damon) is the leader of a gang of wealthy teenagers who go around crashing - and trashing - parties, just for kicks. And where are Webster's parents during all this antisocial behavior? Well, Twig's mom (Doris Dowling) happens to be the drunken, bleary-eyed center of attention at one of the parties invaded by the gang. At the sight of her son and his friends, Mrs. Webster -- and the rest of the neglectful neighborhood adults -- come to the sudden realization that they'd better start spending a lot more time being "real" parents to their kids. The specter of impending tragedy looms throughout Party Crashers, if for no other reason than the fact that this was the final film for ex-child-actor Bobby Driscoll, who died of a drug overdose in 1968, and for onetime Paramount leading lady Frances Farmer, a recovering alcoholic who'd spent the past 15 years in and out of mental institutions. ~ Hal Erickson, All Movie Guide

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Starring:
Mark DamonBobby Driscoll, (more)
1957  
 
Paladin (Richard Boone) is hired by Colonel Lathrop (Robert F. Simon), a wealthy and aristocratic ex-military man who claims to be writing a history of the West. Lathrop wants Paladin to find out what became of a legendary saloon queen who once presided over a now-deserted Nevada mining town. The job turns out to be a lot more dangerous than it first appears: no one previously hired by the Colonel to find the missing lady has ever returned alive. Supporting players Denver Pyle (Clay Sommers) and Peggy Rea (Lulu) were later reteamed on another popular TV series, The Dukes of Hazzard. ~ Hal Erickson, All Movie Guide

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1957  
 
Rory Calhoun both starred in and put up the money for the Columbia oater The Domino Kid. As the title character, Calhoun's mission in life is to rid the earth of the five outlaws who destroyed his ranch and killed his father. Before the film is ten minutes old, the Domino Kid has killed four of the five miscreants. Before he can mete out retribution to the fifth man, however, Domino must contend with cattle baron Wade Harrington (Andrew Duggan)--not to mention a few romantic entanglements with winsome Barbara Ellison (Kristine Miller) and tempestuous Rosita (Yvette Dugay). Had not Rory Calhoun committed himself to the TV western The Texan, The Domino Kid would have presaged a series of economical western vehicles for Columbia. ~ Hal Erickson, All Movie Guide

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Starring:
Rory CalhounKristine Miller, (more)
1957  
 
Originally released as Gun Duel in Durango, this solid little western stars George Montgomery as reformed outlaw Dan. He falls in love with ranch owner Judy (Ann Robinson), but she won't accept his proposal until she's certain that he's given up his criminal activities. This proves difficult when Dunston (Steve Brodie), a member of Dan's old gang, shows up, insisting that his former boss rejoin the crooks. Tension mounts until the obligatory final shootout. Former western star Don "Red" Barry shows up in a choice character role. ~ Hal Erickson, All Movie Guide

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Starring:
George MontgomeryAnn Robinson, (more)
1957  
 
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Based on a 1941 movie entitled Shepherd of the Hills, this is the story of a gunfighter who decides to return home after 17 years to make amends with his son. The son blames him for his mother's death and the reconciliation is difficult. Although there are many side action lines -- old enemies still gunning for him and new friends not sure who to root for -- the main theme is that of the interaction between father and son. The push toward one last battle is made secondary. Short on plot, this film features good performances by Jack Palance and Anthony Perkins. ~ Tana Hobart, All Movie Guide

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Starring:
Jack PalanceAnthony Perkins, (more)
1957  
 
A decidedly pre-Dukes of Hazzard Denver Pyle appears in this episode as Hank Shinn, who swaggers around Dodge City bragging about his skills as a gunfighter. To "prove" his speed with a six-shooter, Hank provokes a duel with a drunken man and kills him. Though disgusted by Hank's actions, Matt can do nothing, since technically he was defending himself. But Sam's comeuppance finally arrives in the former of professional gunslinger Al James (John Doucette) who never speaks when shooting will do. This episode is adapted from the Gunsmoke radio broadcast of May 21, 1955. ~ Hal Erickson, All Movie Guide

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1957  
 
If Jet Pilot seems hopelessly out of date today, imagine how filmgoers in 1957 reacted when this relic from 1949 was taken off the shelf. Many, many years in the making due to the maniacal tinkering by producer Howard Hughes (who reportedly lost $4 million on it - a massive sum back then), the film was deemed unreleasable upon completion; only when Universal-International took over distribution of a handful of RKO Radio productions did it finally see the light of day. John Wayne stars as an air force colonel stationed in an Alaskan outpost only 40 miles or so from the Soviet Union. Wayne is put in charge of Russian jet pilot Janet Leigh, who claims that she wants to defect. Actually, Leigh is a Communist spy, but thanks to Wayne's affectionate attentions she is won over to the side of Democracy. Thus it is that Leigh rescues the Duke when he is kidnapped and nearly brainwashed by her Commie comrades. Jet Pilot was eventually bought back from U-I by Hughes for his personal collection; not only did he buy into the propagandistic plotline, but he was also enthralled by the aerial scenes, some of which were staged by legendary test pilot Chuck Yeager. The 1949 production date for a number of sequences explains not only why so many of the actors look young for 1957, but the existence of several supporting cast members who had died in the interim (such as Jack Overman and Richard Rober). ~ Hal Erickson, All Movie Guide

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Starring:
John WayneJanet Leigh, (more)
1957  
 
Destination 60,000 was one of a cycle of late-1950s films dealing with the exploits of supersonic-jet test pilots. Though plane manufacturer Colonel Ed Buckley (Preston S. Foster) relies heavily upon the daring of his ace pilot Jeff Connors (Pat Conway), Buckley has trouble coming to terms with Connors' lack of discipline. But when Buckley nearly cracks up making a test flight himself, it is Connors, applying the rules of procedure gleaned during his combat experience, who comes to the rescue. Among the familiar faces dotting the supporting cast are Denver Pyle as a co-pilot and Jeff Donnell as Buckley's ever-patient spouse. Destination 60,000 was put together by Gross-Krasne Productions, a firm more closely associated with weekly TV series (Big Town, Dr. Hudson's Secret Journal, Mayor of the Town etc. ) ~ Hal Erickson, All Movie Guide

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Starring:
Preston S. FosterPatrick Conway, (more)
1956  
 
Willie Calhoun (Denver Pyle) goes so far as to take a bath and get a haircut in his efforts to win the heart of sexy saloon girl Pearl Bender (Constance Ford). But Pearl's former boyfriend Webb Thorne (Michael Emmett) threatens to shoot Willie on sight if he shows his face. Hoping to avoid unnecessary bloodshed, Matt (James Arness) insists that Pearl choose either Willie or Webb immediately, with the "loser" agreeing to gracefully bow out. But Matt has reckoned without the conniving Pearl, who continues playing one man against the other--and pays a terrible price as a result. This episode is adapted from the Gunsmoke radio broadcast of February 19, 1955. ~ Hal Erickson, All Movie Guide

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1956  
 
The redoubtable John Carpenter strikes again with the ultra-low-budget I Killed Wild Bill Hickok. Carpenter serves as the film's producer and screenwriter, and also heads the cast, pseudonymously billed as John Forbes. Everybody knows that Wild Bill Hickok (here played by Tom Brown) was shot in the back while playing poker, but Carpenter/Forbes boldly forges ahead with a wholly fictional scenario, wherein Wild Bill meets his Waterloo in a High Noon-style gun battle with one "Johnny Rebel" (played, naturally, by Carpenter). Though the film's cast (Helen Westcott, Virginia Gibson, Denver Pyle) is more impressive than usual for a John Carpenter production, the film betrays its cheapness through its heavy reliance upon mismatched stock footage. Warming the director's chair is ace stuntman Richard Talmadge, who despite his vast experience isn't quite in the John Ford or Lesley Selander league. ~ Hal Erickson, All Movie Guide

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Starring:
Helen WestcottTom Brown, (more)
1956  
 
Though the film's title may suggest otherwise, Seventh Cavalry takes place after Custer's Last Stand. Randolph Scott stars as Cavalry officer Tom Benson, who is branded a coward after supposedly deserting at the Little Big Horn. Benson hopes to redeem himself by personally leading a burial detail to the battlefield, despite the fact that the Indians haven't exactly left the premises. The excitement level in the closing reels more than justifies the slow, steady buildup to the finale. Innovative direction by the reliable Joseph H. Lewis enlivens this verbose western. ~ Hal Erickson, All Movie Guide

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Starring:
Randolph ScottBarbara Hale, (more)
1956  
 
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In this thriller, an amorous attorney is appalled to realize that the lovely client (with whom he was smitten) he acquitted is indeed guilty of killing her husband. Now he too feels guilty for being so gullible and so arranges for the woman to murder him so she will get caught. The woman, now interested in a young artist, is more than happy to oblige him. ~ Sandra Brennan, All Movie Guide

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