Denver Pyle Movies

John Wayne plays a lawman who has to deal with the problems of fatherhood in a big way in Cahill: United States Marshall. Wayne is J.D. Cahill, whose singular desire to track down law breakers strains his relationship with his two teenage sons --17-year-old Danny (Gary Grimes) and 12-year-old Billy Joe (Clay O'Brien). The film begins as Cahill is hot on the trail of a gang of outlaws. After the big showdown, he returns to town to discover that the local bank has been robbed. The sheriff and the deputy have been killed, and four bank robbers are imprisoned in the jail. He is stunned when he finds out that one of the robbers in jail is Cahill's son Danny. It seems that during Cahill's absence from home, his two sons have been enticed into a criminal life by nefarious outlaw Abe Fraser (George Kennedy). ~ Paul Brenner, All Movie Guide

The shadow of the recent Attica uprising looms large over the October 3, 1972 Bonanza episode "Riot!" While on a tour of the Nevada State Prison, Ben Cartwright and several other prominent men are taken hostage by rioting prisoners. Though some of the inmates hope to escape, most of the others simply want to expose the brutal conditions in the prison-conditions that the corrupt wardens are determined will never be made public. The supporting cast includes Gregory Walcott as Will Cooper, Marco St. John as Plank, Aldo Ray as Heiser, Barney Philips as Calhoun, and Denver Pyle as the head warden. Also on hand is Tim Matheson, making the first of several Bonanza appearances as reformed convict Griff King. Riot! was written by Robert Pirosh. ~ Hal Erickson, All Movie Guide

In this western, an outlaw anxiously awaits the arrival of his betrothed, who is under the false impression that her fiancé is worth a fortune. Unfortunately, the fellow has earned nothing during his stint in the West. Desperate to keep her, he begins plotting the theft of a Mexican bandit's loot. But before he can, he will need a Gatling gun. He knows a man who has one, but the gun owner refuses to part with it unless the outlaw agrees to find him a woman. The outlaw then kidnaps a likely candidate from a stage coach. Unfortunately, he doesn't realize that the woman is a colonel's wife. Later as he is hauling his heavy gun, he runs into the colonel who is looking for his missing wife. A shoot out ensues and things look bleak for the outlaw until the colonel's wife intervenes and suggests to her husband that since he is about to retire, he ought to allow the fellow to take the chance and try to pull off the heist. ~ Sandra Brennan, All Movie Guide

Although The Doris Day Show has posted reasonably good ratings during its first season on the air, neither the star nor the producers felt that the format -- newly widowed city girl Doris Martin (Doris Day) and her two sons leading the simple life on the farm owned by Doris' bucolic uncle Buck Webb (Denver Pyle) -- was truly suited to Day's personality and appeal. Thus, beginning in season two, Doris divided her time between her duties on the farm and her new job in nearby San Francisco, as secretary at "Today's World" magazine. Carried over from season one's supporting cast are the aforementioned Denver Pyle, as well as Tod Starke and Philip Brown as Doris' sons Toby and Billy. New to the series are a pre-M*A*S*H McLean Stevenson as Doris' boss, editor Michael Nicholson, and a post-Dick Van Dyke Show Rose Marie as Doris' coworker and Ethel Mertz-like best friend Myrna Gibbons. Also added to the cast are Paul Smith as Nicholson's assistant Ron Harvey -- who occasionally allows Doris to take on a writing assignment for "Today's World" -- and, on a recurring basis, Uncle Buck's new neighbor, fussy and finicky Willard Jarvis, played by veteran funnyman Billy De Wolfe. Clearly, the format change did a world of good for The Doris Day Show; ranked 30th in the ratings during the previous season, the series shot up to tenth place for season two. However, the notion of dividing the action between the farm and the big city proved cumbersome for both Doris Day and the writers -- and thus another format alteration was prepared for the series' third season. ~ Hal Erickson, All Movie Guide

Dean Martin and Robert Mitchum play deadly adversaries in this curious mixture of the western and mystery genres. During a poker game in Rincon, Colorado, a stranger in the game is lynched for cheating. One of the gamblers, Van Morgan (Dean Martin), tries to prevent the lynching but is rebuffed and promptly leaves town. Soon a gold rush hits Rincon, bringing all manner of men and women -- including self-ordained preacher, Rev. Jonathan Rudd (Robert Mitchum) and brothel madame Lily Langford (Inger Stevens). Learning that two of the men in the poker game have been murdered, Van returns to Rincon to find out why. Once in town, Van is diverted from his investigation by the attentions of Lily and of Nora Evers (Katherine Justice). But when two more of the poker game's participants are killed, Van must spring into action to track down the killer. ~ Paul Brenner, All Movie Guide

Taking advantage of the illness of his powerful rancher father Claude Roman (Denver Pyle), mean-spirited Jermey Roman (Jeremy Slate) runs roughshod over everyone. In addition to browbeating his sister Mary (Diane Muldaur) and reneging on a legitimate business deal with the Cartwrights, Jeremy also tries to get his father declared mentally incompetent. But by episode's end, Jeremy forcibly learns that there's more to greatness than merely inheriting a great name. First telecast on October 13, 1968, "The Passing of a King" was written by B.W. Sandefur. ~ Hal Erickson, All Movie Guide

Producer/star Warren Beatty had to convince Warner Bros. to finance this film, which went on to become the studio's second-highest grosser. It also caused major controversy by redefining violence in cinema and casting its criminal protagonists as sympathetic anti-heroes. Based loosely on the true exploits of Clyde Barrow and Bonnie Parker during the 30s, the film begins as Clyde (Beatty) tries to steal the car of Bonnie Parker (Faye Dunaway)'s mother. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The two move from town to town, pulling off small heists, until they join up with Clyde's brother Buck (Gene Hackman), his shrill wife Blanche (Estelle Parsons), and a slow-witted gas station attendant named C.W. Moss (Michael J. Pollard). The new gang robs a bank and Clyde is soon painted in the press as a Depression-era Robin Hood when he allows one bank customer to hold onto his money. Soon the police are on the gang's trail and they are constantly on the run, even kidnapping a Texas Ranger (Denver Pyle) and setting him adrift on a raft, handcuffed, after he spits in Bonnie's face when she kisses him. That same ranger leads a later raid on the gang that leaves Buck dying, Blanche captured, and both Clyde and Bonnie injured. The ever-loyal C.W. takes them to his father's house. C.W.'s father disaproves his son's affiliation with gangsters and enters a plea bargain with the Texas Rangers. A trap is set that ends in one of the bloodiest death scenes in cinematic history. The film made stars out of Beatty and Dunaway, and it also featured the screen debut of Gene Wilder as a mortician briefly captured by the gang. Its portrayal of Bonnie and Clyde as rebels who empathized with the poor working folks of the 1930s struck a chord with the counterculture of the 1960s and helped generate a new, young audience for American movies that carried over into Hollywood's renewal of the 1970s. Its combination of sex and violence with dynamic stars, social relevance, a traditional Hollywood genre, and an appeal to hip young audiences set the pace for many American movies to come. ~ Don Kaye, All Movie Guide

Appropriately enough, the 271st and final episode of Perry Mason concerns a murder which takes place during the filming of a TV show. No sooner has Perry (Raymond Burr) been able to establish the innocence of chief suspect Jackson Sidemark (Denver Pyle) than Sidemark himself is knocked off by the real killer (and wait until you see who THAT is!) Several members of the Perry Mason production staff, including executive producer Gail Patrick Jackson, appear in cameo roles, while series creator Erle Stanley Gardner shows up unbilled as a judge. Longtime fans of the series will enjoy the multitude of "inside" jokes in the script (including a barbed reference to the show's NBC competition Bonanza), but the best is reserved for last when Perry and his longtime courtroom adversary Hamilton Burger (William Talman) exchange words for the final time. ~ Hal Erickson, All Movie Guide

Gunpoint stars Audie Murphy as a Colorado sheriff -- and never mind that the film was shot in Utah. Sheriff Lucas (Murphy) sets out to bring bad guy Drago (Morgan Woodward) to justice. If the sheriff doesn't succeed, that will be fine and dandy with deputy Hold (Denver Pyle), who's out to get Murphy's job. Edgar Buchanan took a break from Petticoat Junction to play the sort of comic relief he'd been doing in westerns for years. Gunpoint's well-photographed but economical highlights include a wild horse stampede and a shootout with disgruntled Apaches. ~ Hal Erickson, All Movie Guide

Once again, the hillbilly Darling family storms into Mayberry. With a fortune in hand-nearly three hundred dollars, cash!-Briscoe Darling (Denver Pyle) has come to town looking for brides for his goonish sons. Acting upon an old mountain superstition, the boys all choose the first woman they see walking down the street-who turns out be Andy's sweetheart Helen. Written by Jim Parker and Arnold Margolin, "The Darling Fortune" was originally telecast on October 17, 1966. ~ Hal Erickson, All Movie Guide

The year is 1863. Wealthy Virginia landowner Charlie Anderson (James Stewart), a man of peace despite his autocratic behavior, steadfastly refuses to take sides in the Civil War. Bit by bit, Anderson's isolationism--and his way of living--is torn apart.
Charlie's daughter, Jannie Anderson (Rosemary Forsyth) falls in love with Confederate soldier Sam (Doug McClure). His youngest son, Boy Anderson (Philip Alford) is captured by the Confederate army and taken prisoner. Meanwhile, another son, James (Patrick Wayne) and his wife, Ann (Katherine Ross), are murdered by looters. And his oldest son, Jacob Glenn Corbett, is accidentally killed. How all of these personal tragedies culminate in a successfully sentimental finale is the peculiar charm of Shenandoah, which proved to be a hit with audiences on both sides of the Mason-Dixon line. James Lee Barrett's screenplay was later adapted into a successful Broadway musical, starring Northern Exposure's John Cullum in the Stewart role. ~ Hal Erickson, All Movie Guide

Three leather-jacketed motorcyclists converge upon a small town and immediately take up residence in a vacant house. Though everyone considers the cyclists to be nice, quiet boys, they are in fact the vanguard of an invading army from a hostile planet. Things get dicey when one of the "boys" (Lee Kinsolving) falls in love with Earthling Ellen Tillman (Shelley Fabares). In his haste to come up with an intriguing gimmick, Twilight Zone scripter Earl Hamner failed to answer a vital question -- if the three invaders hoped to blend in and avoid drawing attention to their activities, why did they dress up like second-rate Marlon Brandos? Denver Pyle, Irene Hervey, and Michael Conrad play key supporting roles in "Black Leather Jackets," which originally aired January 31, 1964. ~ Hal Erickson, All Movie Guide

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, All Movie Guide