Noel Purcell Movies

Set sometime during the 19th century, Blarney deals with the exploits of Irish prizefighter James Carabine (Ralph Graves). Aspiring to become the greatest bare-knuckle boxer in the world, Carabine stows away on a boat bound for America. On the verge of being discovered, our hero is rescued by another immigrant, Peggy Nolan (Rene Adoree), who pays for his fare. Instead of displaying gratitude, Carabine gives Peggy the heave-ho at the first opportunity, the better to dally with vixenish concert singer Marcalina (Paulette Duval). But when Carabine is defeated in his first bout by champion Blanco Johnson (Malcolm Waite), the fickle Marcalina shifts her loyalties to the champ. With the help and support of the still-loyal Peggy, Carabine gets back on his professional feet and defeats Johnson in a return match, whereupon he realizes that Peggy was the right girl for him from the outset. Based on a true story, Blarney more than lives up to its title by playing fast and loose with the facts. ~ Hal Erickson, All Movie Guide

In this Irish comedy, the rivalry between the free state and Ulster is chronicled. The story centers around a handyman who fixes the car of two criminals and subsequently gets involved with them after his bag gets mixed up with theirs. Theirs contains stolen jewels and the crooks are eager to retrieve it. The mechanic doesn't figure it out until later. When he does, he realizes that the crooks are his neighbors in disguise. He then enlists the aid of a town cop. Meanwhile cops on both the Northern and Southern border attempt to find the robbers. A romance between a pub owner's daughter falls in love with a man from one side while her father, for whom the handyman is now working, attempts to marry her to a man from the other side. At the film's end, it is the town cop who solves the case and gets the bonny lass. ~ Sandra Brennan, All Movie Guide

Saints and Sinners is set in a remote Irish village where "appearances" take precedence over everything else. Having served two years in prison for a crime he didn't commit, Michael Kissane (Kieron Moore) returns to his home town of Kilwarra. While many of his old friends believe in Michael's innocence, he is obliged to prove that innocence before he will be fully accepted again. Christine Norden plays Blanche, the girl who promised to wait for Michael but who went back on that promise at the behest of her family. Drenched in atmosphere and local color, Saints and Sinners falters only in its depiction of a stereotypical American visitor. ~ Hal Erickson, All Movie Guide

In this comedy, an amiable rake shows all that he is a whiz at finances after a rumor circulates that he has inherited millions. ~ Sandra Brennan, All Movie Guide

The brilliant British documentary filmmaker Paul Rotha made his feature-film debut with 1950's No Resting Place. Filmed on location in Ireland, the film is a lightly fictionalized study of that country's itinerant workmen. Michael Gough plays tinker Alec Kyle, whose life is thrown into turmoil when he accidentally kills a man. Kyle spends the rest of the film evading Guard Mannigan (Noel Purcell), a civil servant who relies on instinct rather than scientific deduction to get his man. Without ever trying to elicit sympathy for his characters, director Rotha manages to compellingly detail the miserable living and working conditions of Ireland's nomad artisans. ~ Hal Erickson, All Movie Guide

The blarney is as thick as the characters' brogues in You Can't Beat the Irish. Jack Warner stars as lazy but enterprising Irish paterfamilias Bartley Murnahan. To support his family, Bartley has hit upon a foolproof scam. By arranging a series of subtle subterfuges, he convinces his neighbors that he has fallen heir to a huge fortune. Before long, Bartley is the cock of the walk, never having to pay a cent for anything because all the local merchants assume he's going to reimburse them tenfold when the legacy is settled. The beautiful part of the scheme is that Bartley himself never has to tell a lie: he merely relies upon the gullibility and greed of those around him. ~ Hal Erickson, All Movie Guide

In this comedy, an off-center widow and her eccentric daughters must deal with a series of comic mishaps while they wait for one of the daughters to have a baby. The nervous father-to-be complicates matters. ~ Sandra Brennan, All Movie Guide

Grand National Night began life as a stage play, which was promptly adapted as a popular British radio serial. The film combines the best elements of both previous incarnations. Racehorse owner Gerald Coates (Nigel Patrick) accidentally kills his spiteful wife Babs (Moira Lister) during a quarrel. Terror-stricken, Coates stashes the body in the boot (or trunk) of a stranger's car. Methodical police inspector Ayling (Michael Hordern) suspects there's more to this than meets the eye. The script carefully builds up sympathy for the frenzied Coates, then manages to find a way to wrap up the story to everyone's satisfaction (Here's a clue, provided by Leonard Maltin: while watching the film, examine the character names). ~ Hal Erickson, All Movie Guide

Mad About Men is the delightful sequel to the saucy British comedy-fantasy Miranda. Glynis Johns returns in the dual role of amorous mermaid Miranda and her somewhat more reserved "human" lookalike Caroline. Having inherited a house in Cornwall, Caroline goes on an extended holiday, whereupon Miranda takes her place as mistress of the estate. The dialogue is rather silly and obvious, but there's much fun to be had as Miranda casts out her net for every eligible male in the vicinity. Though not a big hit in the US, Mad About Men became a "Late Show" mainstay on TV, especially when color television came into common usage. ~ Hal Erickson, All Movie Guide

This second entry in the British "Doctor" series once more stars Dirk Bogarde as young medico Simon Sparrow. Securing his first job as ship's doctor on a freighter, Simon again runs afoul of James Robertson Justice, here cast not as the irascible Sir Lancelot Sprat but as ship's captain Hogg. Unexpectedly, the freighter is obliged to take on passengers--specifically, the man-hungry daughter (Brenda DeBanzie) of the shipping magnate who owns the vessel, and toothsome French chanteuse Helene Colbert (Brigitte Bardot, in her first English-language film). As the older woman makes a play for the crusty captain, Helene sets her sights on the nonplussed Dr. Sparrow. Often funnier than its predecessor, Doctor at Sea proved the viability of the "Doctor" series, prompting several chucklesome sequels. ~ Hal Erickson, All Movie Guide

Previous film versions of Moby Dick insisted upon including such imbecilities as romantic subplots and happy endings. John Huston's 1956 Moby Dick remains admirably faithful to its source. "Call me Ishmael" declares itinerant whaler Richard Basehart as the opening credits fade. Though slightly intimidated by the sermon delivered by Father Mapple (Orson Welles in a brilliant one-take cameo), who warns that those who challenge the sea are in danger of losing their souls, Ishmael nonetheless signs on to the Pequod, a whaling ship captained by the brooding, one-legged Ahab (Gregory Peck). For lo these many years, Ahab has been engaged in an obsessive pursuit of Moby Dick, the great white whale to whom he lost his leg. Ahab's dementia spreads throughout the crew members, who maniacally join their captain in his final, fatal attack upon the elusive, enigmatic Moby Dick. Screenwriter Ray Bradbury masterfully captures the allegorical elements in the Herman Melville original without sacrificing any of the film's entertainment value (Bradbury suffered his own "great white whale" in the form of director Huston, who sadistically ran roughshod over the sensitive author throughout the film).Cinematographer Oswald Morris' washed-out color scheme brilliantly underlines the foredoomed bleakness of the story. Moby Dick's one major shortcoming is its obviously artificial whale-but try telling a real whale to stay within camera range and hit its marks. ~ Hal Erickson, All Movie Guide

This filmed biography of Vincent Van Gogh was adapted by Norman Corwin from the best-selling novel by Irving Stone, which was in turn inspired by the written correspondence between Van Gogh and his brother Theo. Kirk Douglas plays the tormented genius, whose obsessive devotion to his art engulfs, consumes, and finally destroys him. James Donald costars as Theo Van Gogh, who provides financial and moral support to his brother from the time Vincent leaves his Holland home in 1878 to his death in Auvers in 1890. Anthony Quinn won an Oscar for his eight-minute turn as Van Gogh's fast friend and erstwhile rival Paul Gaugin. Nearly 200 of Van Gogh's original paintings were borrowed from private collections for brief display in the film: some are "recreated" before our eyes, as the artist stands before his easel, spattered with paint and with a look of white-hot intensity burned into his countenance. ~ Hal Erickson, All Movie Guide

The small but resourceful Scots island of Todday, introduced in the 1949 Ealing comedy Whisky Galore!, made a return visit to movie screens in 1958's Rockets Galore--released in the U.S. as Mad Little Island. In the first film, the good people of Todday faced up to the appalling dilemma of a whisky shortage. Now we're in the space age, and Todday has been targeted as the location for a rocket-launching site. Banding together as before, the islanders do their best to sabotage the project under the unsuspecting noses of the blinkered British military. Mad Little Island was better received in America than it was in England, where it was perceived as an uninspired rewarming of yesterday's haggis. ~ Hal Erickson, All Movie Guide