B.S. Pully Movies

Jerry Lewis now claims that his film directorial debut came about when his home studio, Paramount, needed a summer-release Lewis vehicle in a hurry. Jerry and his entourage headed to the Fountainbleu hotel in Miami Beach, and 29 days later returned with The Bellboy. As narrator Walter Winchell (and an actor pretending to be a Paramount executive in a pre-credits bit) explain, the film has no plot and no point; it merely exists for the audience's enjoyment. Lewis plays nebbishy bellhop Stanley, a nonspeaking bumbler who alternates between screwing up and taking his job too seriously. The film's Tati-like gags involve a Volkswagen engine, an overweight guest, a woman with a come-hither voice, a very effective flash bulb, an episode at the Greyhound track, a golf tournament, and a passenger jet. Weaving in and out of the proceedings is Lewis' cowriter (and former drummer) Bill Richmond, made up as the spitting image of Stan Laurel (the real Laurel was approached to play himself, but he gently turned Jerry down, insisting that his aged appearance would disappoint his fans). Miami habitues B.S. Pully, Joe E. Ross, Cary Middlecoff, The Novelites make cameo appearances, as does Milton Berle. Made for peanuts, The Bellboy amassed a fortune, assuring that Jerry Lewis would be permitted to direct many of his own films in the future. ~ Hal Erickson, All Movie Guide

This 1955 film began life as two Runyon short stories, the most prominent of which was "The Idyll of Miss Sarah Brown." This material was fleshed out into a 2-act libretto by Abe Burrows and Jo Swerling, then set to music by Frank Loesser and directed by George S. Kaufman. Opening late in 1950, Guys and Dolls was one of Broadway's hottest tickets for several seasons. The plot involves a certain Broadway citizen by the name of Nathan Detroit (Frank Sinatra), who maintains the "Oldest Established Permanent Floating Crap Game in New York." Seeking a location for his latest high-stakes game, Nathan has an opportunity to rent out the Biltmore Garage, but he needs $1000 to do so. He decides to extract the money from high-rolling Sky Masterson (Marlon Brando), known for his willingness to bet on anything. Nathan wagers that Sky will not be able to talk the virginal Salvation Army lass Sarah Brown (Jean Simmons) into going on a date with him. While Sky goes to work on Sarah, Nathan endeavors to fend off his girlfriend Miss Adelaide (Vivian Blaine, repeating her Broadway role), who has developed a psychosomatic cold because of her frustrating 14-year engagement to the slippery Mr. Detroit. Thanks to some fast finagling, Sky is able to take Sarah on that date, flying to Havana for this purpose. By the time they've returned to New York, Sky and Sarah are in love, but their ardor cools off abruptly when Nathan, unable to secure the Biltmore garage, attempts to use Sarah's mission as the site of his crap game. ~ Hal Erickson, All Movie Guide

That new-fangled swing music is the focus of this musical comedy. The trouble begins when a music school dean boards a train to meet her husband the symphony conductor. En route she meets Harry James, the big band leader. She is deeply impressed by the swingin' beat of the new music. It becomes her newest passion. Unfortunately, back at her school, her superiors do not share her enthusiasm and she is fired. She remains determined to introduce the kids to the new sound. She and James team up to perform the music on campus. Songs include: "As If I Didn't Have Enough on My Mind," "I Didn't Mean a Word I Said," "Moonlight Propaganda," and "Do You Love Me?" ~ Sandra Brennan, All Movie Guide

In this prison drama, a stern hanging judge is assigned to take over a chaotic prison. There he imposes an almost inhumanly strict regimen of discipline on the inmates. He is similarly rigid and harsh with his own two children. Later his compassionate daughter befriends a wrongfully convicted model prisoner who works as the warden's chauffeur. His son becomes a hardened criminal and ends up incarcerated in his father's prison. There he and several other inmates conspire to bust out. Later he sees inmates threatening his father and sacrifices his life to save him. The enraged judge then shoots the convict who killed his son. In the end, the experience changes the judge who becomes a more humane warden in favor of prison reform. ~ Sandra Brennan, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

In this wartime comedy, a spoiled socialite attempts to endure army life after marrying a lieutenant. The constant traveling and inadequate quarters are almost more than she can bear. That she cannot get along with the other soldier's wives makes matters worse. When her husband's unit is placed on alert, she tries to get her father to help him get assigned a permanent position stateside. The couple then has a misunderstanding when he falsely believes that she is with child. Finally the woman begins to understand the nature of true patriotism and begins supporting her husband. ~ Sandra Brennan, All Movie Guide

Four Jills in a Jeep is the (mostly) true story of a four-girl USO team, entertaining American troops overseas. Kay Francis, Martha Raye, Carole Landis and Mitzi Mayfair play "themselves," recreating their recent whirlwind tour of Europe and North Africa. This wisp of a plot takes a back seat to the musical numbers performed by the four stars, by Dick Haymes in his screen debut as a singing GI, and by guest stars Alice Faye, Betty Grable and Carmen Miranda. Phil Silvers, George Jessel, and Jimmy Dorsey and his orchestra also pop up to do their usual. Very much a time capsule of the War years, Four Jills in a Jeep was later adapted into a best-selling book, ostensibly written by costar Carole Landis. ~ Hal Erickson, All Movie Guide