Frank Puglia Movies
Sicilian actor Frank Puglia started his career with a travelling operetta company at age 13. He and his family moved to the US in 1907, where he worked in a laundry until he hooked up with an Italian-language theatrical troupe based in New York. In 1921, Puglia was appearing as Pierre Frochard in a revival of the old theatrical warhorse The Two Orphans when he was spotted by film director D.W. Griffith. Puglia was hired to repeat his role for Griffith's film version of the play, retitled Orphans of the Storm; while Pierre Frochard was slated to die at the end of the film, preview-audience reaction to the death was so negative that Griffith called Puglia back to reshoot his final scenes, allowing him to survive for the fade-out. For the rest of his long film career, Puglia essayed a wide variety of ethnic supporting parts, portraying priests, musicians, diplomats and street peddlers. In 1942's Casablanca, Puglia has a memorable bit as a Morroccan rug merchant who automatically marks down his prices to any friends of Rick Blaine (Humphrey Bogart). Frank Puglia played a larger and less likable role as a treacherous minion to sultan Kurt Katch in Ali Baba and the Forty Thieves (1944); when the film was remade as Sword of Ali Baba in 1965, so much stock footage from the 1944 film was utilized that Puglia was hired to replay his original part. ~ Hal Erickson, All Movie Guide- 1945
This odd combination of roughneck comedy and serious domestic drama was adapted by Louise Randall Pierson from her own autobiographical novel. Rosalind Russell is cast as young Louise Randall, the headstrong daughter of a New England merchant. Inheriting her father's business, Louise intends to persevere in a "man's world," and to that ends takes business courses at Yale. Here she meets and marries banker's son Rodney Crane (Donald Woods), with whom she has four children. When wishy-washy Rodney runs off with another woman, Louise marries a second time to irresponsible but likable gambler Harold Pierson (Jack Carson) -- and gets pregnant again. Though Louise and Harold are as different as night and day, theirs is a lasting union, which remains solid despite whatever misfortunes come their way. The story ends at the outbreak of WW II, with Louise and Rodney bidding a tearful but hopeful goodbye to their three grown sons as the boys prepare to enter military service. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Collins, Kathleen Lockhart, (more)
- 1945
One of the most successful filmed biographies of the 1940s, A Song to Remember alleges to be the true story of Polish composer Frederick Chopin. Actually, it has about as much relation to truth as a Heckle and Jeckle cartoon, but with such gorgeous creatures as Cornel Wilde and Merle Oberon in the leads, who cared? Though Wilde, as Chopin, is the nominal lead, top billing goes to Paul Muni, hamming his way through the role of Chopin's mentor Professor Joseph Elsner. Reportedly, Muni developed his characterization long before shooting started, refusing to allow the performances of the other actors to alter his interpretation in the slightest. This may explain why Muni seems to be acting in a vacuum, frequently completely out of rhythm with the film and its characters. Otherwise, Cornel Wilde does a nice job as the tempestuous Chopin, whose patriotic fervency frequently takes priority over his music. Merle Oberon plays novelist George Sand, who despite her preference for male clothing proves to be "all woman" during her torrid, decade-long affair with Chopin. The film's money scene--the one that everyone talked about, keeping the picture "alive" long after its original release--occurs towards the end, when the tubercular Chopin begins hemorrhaging as he performs his Polonaise for the first time (Jose Iturbi is heard on the soundtrack, "doubling" for Wilde's ivory-tickling). Sumptuously photographed in Technicolor by Tony Gaudio and Allen M. Davey, A Song to Remember was the usually penurious Columbia Pictures' top production of 1945. Fifteen years later, the studio hoped to make lightning strike twice with its Franz Liszt biopic Song Without End, but the magic just wasn't there. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Muni, Merle Oberon, (more)
In his first film in two years, James Cagney stars as Nick Condon, the American editor of a pre-WW2 Tokyo newspaper. When two of his best friends are horribly murdered, Condon suspects that the "peaceful" Japanese military government is up to no good. He dedicates himself to getting his hands on the "Tanka Plan," a Japanese blueprint for conquering the world, and bringing this document to the attention of the Free World. As a result, he is targeted for persecution by the corrupt Tokyo police and betrayed by a traitorous fellow journalist. On a pleasanter note, Condon makes the acquaintance of half-Chinese Iris Hilliard (Sylvia Sidney), who agrees to help him foil the Japanese High Command. As was customary in wartime films, virtually all the Japanese characters in Blood on the Sun are played by Chinese, Korean, and Caucasian actors; for example, Robert Armstrong is cast as Colonel Tojo, while Premiere Tenaka is enacted by John Emery. Having lapsed into the public domain, Blood on the Sun is available from several distributors and also exists in a computer-colorized version. ~ Hal Erickson, All Movie Guide
- Starring:
- James Cagney, Sylvia Sidney, (more)
- 1944
Brazil is perhaps the best of the handful of American films made by Brazilian singing sensation Tito Guizar. In typical screwball-comedy fashion, the plot is set in motion by authoress Nicky Henderson (Virginia Bruce), who has hit the best-seller charts with her latest tome, Why Marry a Latin? While researching her next book in Rio De Janeiro, she finds out "why" when she meets handsome songwriter Miguel Soares (Guizar). Upon learning about Nicky's book, Miguel decides to teach her a few lessons in affairs of the heart. Edward Everett Horton is also on hand, twittering his way through the role of a well-meaning buttinsky. Thanks to the "Good Neighbor" policy of the 1940s, South American musicals were a glut on the market, but Brazil was good enough on its own merits to pay its way at the box office. ~ Hal Erickson, All Movie Guide
- Starring:
- Tito Guizar, Robert Livingston, (more)
- 1944
The genesis of The Story of Dr. Wassell is said to have been a story told by President Franklin Delano Roosevelt to director Cecil B. DeMille. Gary Cooper stars as Corydon M. Wassell, a real-life country doctor from Arkansas who worked as a medical missionary in China in the years prior to WWII. When America enters the war, Dr. Wassell joins the Navy and is shipped to Java. As the Japanese overtake the island, Wassell is placed in charge of the wounded evacuated marines. Ordered to leave the area immediately, the doctor disobeys his commands, staying behind to care for ten seriously wounded men from the USS Marblehead, even as Japanese bombs rain down upon his staff. With the help of other stranded allied troops, Wassell and his wounded make it to Australia, where despite his insubordination he is lauded as a hero. Not as much of a spectacular as earlier DeMille films, The Story of Dr. Wassell concentrates on personalities, with mixed results. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Laraine Day, (more)
This lavish, 145-minute cinemadaptation of the Pearl Buck best-seller Dragon Seed was intended by MGM as a followup to the studio's successful film version of Buck's The Good Earth. In true Hollywood fashion, the Chinese protagonists are all played by Caucasian actors, with fascinating if not always convincing results. When a peaceful Chinese village is invaded by the Japanese prior to WW2, the men elect to adopt a peaceful, don't-rock-the-boat attitude towards their conquerors-and it is understood that the women will stoically acquiesce as well. But Jade (Katharine Hepburn), a headstrong young woman, intends to stand up to the Japanese whether her husband Lao Er (Turhan Bey) approves or not. She even goes so far as to learn to read and to handle a weapon, so that she may properly equipped for both psychological and physical combat. Jade's attitude spreads to the rest of the village, convincing even the staunchest of male traditional that the Japanese can be defeated only by offering a strong united front-male and female. Alas, there are a few Quislings in their midst, notably avaricious merchant Wu Lien (Akim Tamiroff), who learns all too late the terrible cost of collaboration. While it seems odd to see so many non-Orientals-Walter Huston, Agnes Moorehead, Hurd Hatfield, J. Carroll Naish-in the major roles, Dragon Seed manages to retain its power and entertainment value even 50 years after the fact (Incidentally, there are a few genuine Chinese in the cast-most of them playing Japanese!) ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Walter Huston, (more)
- 1944
- NR
Designed as a followup to the enormously successful Casablanca, Passage to Marseille utilizes the talents of many of the on- and off-screen personnel of the earlier Warner Bros. classic. Unfolded in a complex flashback-within-flashback structure, this is the story of Matrac (Humphrey Bogart), a freedom-loving French journalist who sacrifices his happiness and security to battle Nazi tyrrany. The film opens as French liason officer Freycinet (Claude Rains), stationed in London, tells Mantrac's story to a British reporter (John Loder). Freycinet reveals that Mantrac, happily married to Paula (Michele Morgan), was framed by pro-fascists and sentenced to Devil's Island. Here he engineered a daring escape with such lost souls as Marius (Peter Lorre), Garou (Helmut Dantine), Petit (George Tobias) and Renault (Philip Dorn). Adrift in a lifeboat, the escapees were picked up by a French vessel commandeered by pro-fascist Major Duval (Sydney Greenstreet). With the help of Mantrac and the prisoners, the ship's patriotic captain (Victor Francen) thwarted Duval's evil machinations, enabling Mantrac to continue his battle against Nazism as a member of the RAF. By modern standards, Passage to Marseille is overproduced, overdirected, overacted and overscored (by Max Steiner); however, it filled a definite need in wartime America, and proved a huge financial success. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Michèle Morgan, (more)
- 1944
In this musical comedy, a soldier falls in love with a very young woman who in turn has a crush on an older, more sophisticated man. When the older gent goes to New York, she follows as does her younger suitor. While in the Big Apple, the soldier encounters the older man's ex-wife who is still in love with him. The soldier helps bring the couple back together and is rewarded by being united with his true love. The story was adapted from a Sinclair Lewis play. Songs include: "Gremlin Walk," "It's the Girl," "Yippee-I-Vot," "With a Song in My Heart," "All or Nothing at All," "You're a Lollapalooza," "At Sundown," and "L'Amour Toujours L'Amour." ~ Sandra Brennan, All Movie Guide
- Starring:
- Donald O'Connor, Susanna Foster, (more)
- 1944
The title Together Again referred to the fact that frequent costarsIrene Dunne and Charles Boyer were once more united on film. Dunne plays the lady mayor of a small Vermont town. Boyer portrays a big-city sculptor, hired to erect a statue in the memory of Irene's husband, the former mayor. Dunne and Boyer fall in love, but there's plenty of interference from snoops, gossips and well-meaning relatives. Further muddying the waters is Dunne's daughter Mona Freeman, who mistakenly believes that Boyer has eyes for her. Foxy father-in-law Charles Coburn is the cupidic catalyst in getting Dunne and Boyer to the altar by film's end. ~ Hal Erickson, All Movie Guide
- Starring:
- Irene Dunne, Charles Boyer, (more)
The general perception of the Technicolor costume adventure movies that Maria Montez and Jon Hall made for Universal in the early 1940's is that they were pure escapist entertainment, intended to make people forget for an hour or so about the Second World War and the general world situation. And generally that is true about them -- they were mostly no "about" much more than having fun for 90 minutes or so amid pretty sets with lots of action and some pretty women in exotic outfits. But watching Ali Baba and the Forty Thieves, one has to wonder if even here the screenwriter, Edmund L. Hartmann, was able to totally get away from the day-to-day reality around him. The opening Mongol invasion of Bagdad and the murder of the old Caliph (Moroni Olsen) while trying to set up a government-in-exile without thinking of the German and Japanese conquests and occupations of various nations that would have been going on at the time; additionally, the fact that the old Caliph is murdered with the help of a traitor in his own noble ranks -- a "quisling" in the term coined during World War II -- wouldn't have been missed by audiences at the time. Further, the screenplay very specifically paints the forty thieves as heroes who have gone from being criminals to an active resistance force against the occupying Mongols -- indeed, at the denouement, their invasion of the palace is greeted as a day of liberation by the people of Bagdad. The movie walks a strange tightrope, casting about veiled topical references of that sort, even as is otherwise sufficiently tongue-in-cheek to cast Andy Devine as a desert bandit. Obviously, Ali Baba And The Forty Thieves was sold as -- and mostly intended as -- light entertainment, but just below that glitzy Technicolor surface were some fascinating allusions to the real world. None of this stops Ali Baba And The Forty Thieves from being immense fun -- it is, even if the "fun" isn't totally escapist in nature -- and it's great to look at as well, even 60 years on; Universal has apparently kept preservation-quality source materials on this and Hall and Montez's other Technicolor costume romps. And this particular entry in that group of movies also contains one very instructive clue to the morays and censorship of the time in one scene, in which the hero meets the heroine bathing at an oasis -- the makers seem to have been forced to insert a particular shot that is there for no other reason then to make it clear that she is not totally naked when he sees her. ~ Bruce Eder, All Movie Guide
- Starring:
- Jon Hall, Maria Montez, (more)
- 1943
A princess finds love with a regular American Joe in this patriotic romantic comedy. A European diplomat (Charles Coburn) is named an ambassador to the U.S., and when he relocates to Washington D.C., he's accompanied by his niece, Princess Maria (Olivia de Havilland). Maria's uncle hopes that she'll meet an eligible American bachelor during her visit, since potential husbands are in short supply at home. Maria tires of her uncle's attempts at matchmaking, and when he suggests that she take a side trip to San Francisco, she leaps at the chance. However, Maria has a fear of flying, and when she's given tranquilizers to settle her nerves, she passes out in mid-flight. Maria is down for the count when bad weather forces the flight to return to Washington, and pilot Eddie O'Rourke (Robert Cummings) volunteers to put her up for the night. When Maria comes to, she's struck by Eddie's decency and charm, and it's love at first sight for them. However, Maria's uncle was hoping for someone higher up the social ladder than a pilot, and the lovebirds have an uphill battle getting him to consent to their wedding. No one seems sure if it's actually President Franklin D. Roosevelt appearing in the film's final scenes or just an impersonator, but apparently FDR's dog Fala did actually play himself. ~ Mark Deming, All Movie Guide
- Starring:
- Olivia de Havilland, Robert Cummings, (more)
- 1943
During WWII, Johnny Weissmuller and his Tarzan character proved useful for Allied propaganda purposes. In the film Tarzan Triumphs, the plot had the ape man fighting Nazis in Africa. In Tarzan's Desert Mystery, released at the height of the war in 1943, he is once again battling Brownshirts in the Libyan desert. Tarzan meets up with Connie Bryce (Nancy Kelly), an American showgirl, and tangles with mercenary Arabs, legions of Nazi warriors, a giant spider, and a bunch of dinosaurs who somehow escaped extinction. In short, it's Tarzan against every evil villain an American filmmaker could have imagined at the time. The film included Johnny Sheffield as Boy, Tarzan's son, along with Tarzan's customary sidekick Cheta the Chimp. ~ Michael Betzold, All Movie Guide
- Starring:
- Johnny Weissmuller, Nancy Kelly, (more)
- 1943
Pilot No. 5 is an oddly liberal-minded film to come from conservative old MGM. Franchot Tone plays an army pilot stationed in Java who volunteers for a suicide mission. He is chosen from five possible Allied candidates, hence the title. We learn via flashback just why Tone holds his life at so low a price; among his less pleasant reminiscences are his brief association with a demagogic Southern governor, blatantly based on Huey Long. Pilot No. 5 served to introduce Gene Kelly in a supporting role--as a nasty, pugnacious young jerk. ~ Hal Erickson, All Movie Guide
- Starring:
- Franchot Tone, Marsha Hunt, (more)
- 1943
This Technicolor retelling of the Gaston Leroux "grand guignol" classic The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano Susannah Foster and tenor Nelson Eddy. Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer Foster from afar. The girl is unaware that Rains has secretly been financing her music lessons with instructor Leo Carrillo. When he runs out of money, Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him, Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into Rains' face. Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if Foster is not immediately promoted to leading roles. Only after reigning diva Jane Farrar is drugged into incapacitation is Foster given her big break. Farrar accuses Foster's boyfriend, police inspector Nelson Eddy, of doping her in order to advance Foster's career. Farrar is later strangled, and Eddy is accused of the crime. The culprit is, of course, Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede Foster's success, Rains causes a huge chandelier to crash down on the opera audience when Foster fails to appear onstage (she'd been kept from performing by police-chief Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with Rains holding Foster prisoner. When Rains briefly lets down his guard, the tremulous Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent Lon Chaney version of Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes. Hume Cronyn makes his second film appearance in Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944 Universal melodrama The Climax, starring Boris Karloff and (again) Susannah Foster. ~ Hal Erickson, All Movie Guide
- Starring:
- Nelson Eddy, Susanna Foster, (more)
- 1943
More so than most wartime films, Mission to Moscow must be viewed within the context of its times. Requested by President Roosevelt to make a film supportive of America's Russian allies, Warner Bros. turned to the memoirs of Ambassador Joseph H. Davies, who spent several years prior to WWII in the Soviet Union. As played by Walter Huston, Davies is a pillar of incorruptable integrity, reporting the facts "as I saw them" (only in later years was Davies revealed to be something less than a paragon of virtue who was willing to alter opinions for political, personal and financial expedience). Sent to Moscow by FDR as a means of finding out if Russia is a potentially trustworthy ally in case of war, Davies and his family are given the royal treatment by the Commissars, who display the social, technological, agricultural and artistic advances made under the Stalin regime. Invariably, the Russian citizens are shown to be singing, smiling, freedom-loving rugged individuals-in contrast to the Nazis, who are depicted as humorless automatons. In its efforts to present the USSR in the best possible light, the film glosses over the notorious Purge Trials of 1937, presenting the trials as scrupulously fair and the defendants as unabashed traitors to the Soviet cause. At one point, Russia's annexation of Finland in 1939 is "justified" by Davies' explanation that the Soviets merely wanted to protect their tiny neighbor from Nazi domination! It is unfair to label Mission to Moscow as Communistic or even left-wing, since it was merely parroting the official party line vis-a-vis US/Soviet relations in 1943. Even so, screenwriter Howard Koch found it very difficult to get film work after the war because of his contributions to this "Pinko" project (conversely, Jack Warner pulled a Pontius Pilate, washing his hands of the matter by insisting that he was strongarmed into making the film). Seen objectively, Mission to Moscow is top-rank entertainment, superbly and excitingly assembled in the manner typical of Warners and director Michael Curtiz. The huge cast includes Gene Lockhart as Molotov, attorney Dudley Field Malone as Winston Churchill, Maynart Kippen as a benign, pipe-smoking Stalin, Charles Trowbridge as Secretary Cordell Hull, Leigh Whipper as Hailie Selassie, Georges Renavent as Anthony Eden and Alex Chirva as Pierre Laval, along with the more familiar faces of Ann Harding (as Mrs. Davies), George Tobias, Eleanor Parker, Moroni Olsen, Minor Watson, Jerome Cowan, Duncan Renaldo, Mike Mazurki, Frank Faylen, Edward van Sloan, Louis-Jean Heydt, Monte Blue, Robert Shayne and even Sid (sic) Charisse. Original prints of Mission to Moscow include a 6-minute prologue delivered by the real Joseph Davies. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Huston, Ann Harding, (more)
- 1943
In this '40s film Kay Kyser parades an entertainment group all over the globe providing laughs for the boys in battle. This film realistically portrays the role of the USO during the WW II time period. ~ All Movie Guide
- Starring:
- Mischa Auer
- 1943
Eric Ambler's intriguing novel Uncommon Danger is brought down to a Republic serial level in Warner Bros.' Background to Danger. George Raft, who always seems miscast, plays an American undercover intelligence agent operating in Turkey. Sultry Osa Massen passes on some valuable secret papers to Raft just before she is killed. Our Hero then finds himself at the mercy of enemy agent Sidney Greenstreet, who knows that the papers contain Nazi plans to invade Turkey. Despite several brutal beatings, Raft and his cohorts Peter Lorre (a good guy for a change) and Brenda Marshall turn the tables on Greenstreet. Background to Danger was the first of many Warner Bros. follow-ups to the studio's megahit Casablanca; it's also the film wherein the prankish Peter Lorre stole George Raft's hat between takes--an affront that rankled the touchy Raft to his dying day. ~ Hal Erickson, All Movie Guide
- Starring:
- George Raft, Brenda Marshall, (more)
- 1943
- NR
Action in the North Atlantic is solid wartime propaganda with a rather endearing inner lining of left-wing politics, courtesy (no doubt) of scenarist John Howard Lawson, who based his screenplay on a novel by maritime specialist Guy Gilpatric. While running war goods to America's Russian allies, a merchant marine ship captained by Raymond Massey is torpedoed. The courage of Massey and his first mate Humphrey Bogart serves as an inspiration to the survivors, who manage to navigate their tiny lifeboat to America, where they are lauded as heroes. After only the briefest of compassionate leaves (Massey is reunited with wife Ruth Gordon, while Bogart strikes up a relationship with Julie Bishop), the crew is assigned a new Liberty Ship. Despite fears of being torpedoed again, Massey, Bogart, and the other men successfully bring their cargo to Russia, shooting down several German planes in the process. As the Americans are cheered on by the smiling, well-fed Russian seamen and peasants, Action in the North Atlantic fades out, with the voice of Franklin D. Roosevelt (actually radio announcer Art Gilmore) heard on the soundtrack encouraging a "United Nations" allegiance against the axis. The supporting cast of Action in the North Atlantic includes a young newcomer by the name of Bernard Zanville, whose billing was changed to "Dane Clark" upon the film's release. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Raymond Massey, (more)
Based on the novel by Ernest Hemingway, For Whom the Bell Tolls is a romantic drama set against the turbulent tapestry of the Spanish Civil War. Gary Cooper plays Robert Jordan, an idealistic American fighting with a Spanish guerilla band. He is assigned to blow up a crucial bridge in order to halt the enemy's progress. He falls in love with Maria (Ingrid Bergman), a young peasant girl who's joined the fight after being ill-used by enemy troops. Pablo (Akim Tamiroff), the eternally drunken leader of the guerillas, resents Jordan's attentions toward Maria, and he refuses to help Jordan in his sabotage work. Pablo's wife Pilar (Oscar-winner Katina Paxinou) takes over command of the guerillas and helps Jordan by arranging horses for the band's departure after their job is done. The man supplying the horses (Joseph Calleia) is killed, and Jordan is left to finish his task minus a means to escape. For Whom the Bell Tolls was a long, faithful adaptation of the Hemingway novel, with excellent performances, torrid love scenes, and first-rate Technicolor photography. Available for many years only in the 130-minute reissue version, it was restored to nearly its full original length of 168 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Ingrid Bergman, (more)
- 1943
The Iron Major is the saga of WW1 hero-cum-football coach Frank Cavanaugh, played with his usual no-nonsense professionalism by Pat O'Brien. Leaving home and hearth behind to serve his country in the Great War, Cavanaugh goes on to lead the Dartmouth, Boston College and Fordham football teams to victory. His credo throughout is "Love of God?Love of Country?Love of Family"-inspiriational words indeed in war-torn 1943. Based on the memoirs of Cavanaugh's wife Florence (played in the film by Ruth Warrick), The Iron Major suffers from repetition and overkill. But, as Humphrey Bogart once said in an unrelated interview, "Pat O'Brien was good? Pat was always good." ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Ruth Warrick, (more)
The Jungle Book isn't always faithful to the Rudyard Kipling original (in fact, it seldom is), but 1942 audiences swept up in the grandeur of the production values and the lush Technicolor photography didn't mind at all. Indian juvenile-star Sabu plays Mowgli, who having been lost in the jungle as an infant has been raised by wolves. While he has no trouble conversing with his animal neighbors (whose voices aren't as ludicrous as you might think, though we never imagined that a snake could sound like Lionel Barrymore), Mowgli yearns to touch base with his human roots; thus, he returns to the native village whence he came. With the help of his jungle companions, Mowgli rescues his adoptive family, his natural mother (Rosemary DeCamp) and the rest of the humans from the greedy machinations of villains Joseph Calleia, John Qualen and Frank Puglia. Adapted for the screen by Lawrence Stallings and co-directed by Zoltan Korda and Andre De Toth, The Jungle Book scored a significant hit for its distributor United Artists, who really needed a smash at this point in time. The film would be remade (so to speak) as a Disney animated feature in 1967, and again as a live-actioner (with "politically correct" British villains) in 1994. ~ Hal Erickson, All Movie Guide
- Starring:
- Sabu, Joseph Calleia, (more)
- 1942
Secret Agent of Japan sometimes looks like a B-grade "answer" to Warner Bros.' Casablanca, except that the answer was released several months before the question. The principal character is Roy Bonnell (Preston Foster), the cynical American owner of Shanghai nightclub. On the lam from a criminal charge in the US, Bonnell prefers to keep a low profile, especially in political matters. His long-dormant patriotism is revived when he finds out that Japanese spies are buying up property in Shanghai and are mistreating the local citizens. Teaming up with glamorous British secret agent Kay Murdock (Lynn Bari), Bonnell turns spy himself, secretly reporting Axis activities to the British government-even though he's putting his own life on the line by doing so. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Lynn Bari, (more)
- 1942
A real four-hanky picture, Always in My Heart was loosely adapted from the stage play by Dorothy Bennett and Irving White. Walter Huston is a tower of strength as MacKenzie Scott, a brilliant musician falsely convicted of murder and sentenced to Life. While Scott languishes in prison, his long-suffering ex-wife Marjorie (Kay Francis) raises their two children to adulthood. Out of respect for Scott, whom she still loves, Marjorie never reveals to the kids that their father is in jail, insisting instead that Scott has long since died. Enter Philip Ames (Sidney Blackmer), who falls in love with Marjorie and lavish expensive gifts on the children. It must needs be that Scott is proven innocent and pardoned, whereupon he journeys home to visit his grown daughter Victoria (Gloria Warren), now a promising singer. At first hesitant to reveal his identity, Scott is finally urged to do so by Marjorie, who has never really given up hope that her family will one day be reunited. In the midst of all these soap-operaish intrigues, some welcome comedy relief is provided by Borrah Minevitch and his Harmonica Rascals. ~ Hal Erickson, All Movie Guide
- Starring:
- Kay Francis, Walter Huston, (more)
- 1942
In this silly but enjoyable rip-off of Arsenic and Old Lace, Boris Karloff plays an addlepated scientist who is experimenting with bringing the dead back to life. To do this, he has "killed" several travelling salesmen and placed them in suspended animation in his basement. Karloff is fiercely protected by his housekeeper (Maude Eburne), who is none too normal herself. Beauteous real estate agent Jeff Donnell approaches Karloff to buy his New England home; Donnell wishes to turn the ramshackle domicile into a rustic inn. Other visitors to the Karloff manse are Donnell's ex-husband Larry Parks, and the local sheriff/justice of the peace (Peter Lorre)! who holds the high-interest mortgage on the house. Travelling peddler Maxie Rosenbloom also shows up, and is promptly made a subject of Karloff's experimentation. It turns out that Karloff has really killed no one--all the salesmen are merely stunned, especially the dimwitted Rosenbloom--but the plot is complicated by a real murder, committed by person or persons unknown. As the convoluted storyline runs down, the Karloff home is invaded by an Italian P.O.W. (Frank Puglia) who is wired with explosives, and finally by representatives of the local booby hatch. ~ Hal Erickson, All Movie Guide
- Starring:
- Boris Karloff, Peter Lorre, (more)
- 1942
Hope Schuyler is a notorious but never-seen astrologer, inextricably linked with blackmail, political graft and murder. Special prosecutor Tom Mason (Joseph Allen Jr.) hopes to ascertain the true identity of Hope Schuyler and to put an end to her (or his) crime spree. Despite the obstacles thrown in his path by vindictive DA Anthony Pierce (Ricardo Cortez), Mason pursues his investigation with the not inconsiderable assistance of his girl friend Diane Rossiter (Mary Howard) and fearless girl reporter Lee Dale (Sheila Ryan). The trail of clues lead to a remote mountain lodge, where the story's pulse-pounding conclusion plays itself out. Who is Hope Schuyler? was based on a novel by Stephen Ransome. ~ Hal Erickson, All Movie Guide
- Starring:
- Joseph Allen, Jr., Mary Howard, (more)
