Frank Puglia

In her final acting appearance, Susan Hayward is ironically cast as a research doctor who can no longer face up to the notion of dealing with death on a daily basis. Recently widowed, Dr. Maggie Cole is on the verge of giving up her job and going into seclusion. She is shaken back to reality by crusty but lovable "street doctor" Lou Grazzo (Darren McGavin), who coerces Maggie into accepting a job at a Chicago slum clinic. At first adjusting admirably to her new surroundings, Maggie undergoes a devastating assault to her emotions when she befriends a teenaged leukemia patient. Written by real-life M.D. Sandor Stern and originally telecast by ABC on September 27, 1972, Say Goodbye, Maggie Cole was supposed to have been the pilot for a weekly series, but plans for this project were abandoned after the death of star Susan Hayward. ~ Hal Erickson, All Movie Guide

Little Tonio (Gerald Michenaud) is convinced that flying nun Sr. Bertrille is his dead mother returning from Heaven. Trouble is, Tonio's dad, Luis (Nico Minardos), is about to walk down the aisle with his new bride, Manuela (Arlene Martel). How can Sr. Bertrille straighten things out without breaking Tonio's heart? Originally telecast on January 4, 1968, "Tonio's Mother" was written by Albert Mannheimer, John McGreevey, and Krishna Shah. ~ Hal Erickson, All Movie Guide

Posing as "Tony Maxwell", Richard Kimble (David Janssen) hides out in the Barrio of an unnamed city. Taking a job at the cigar-manufacturing business run by Jose Anza (Gilbert Roland), Kimble befriends Jose's grandson Jimmy (Tom Nardini), a troubled youth torn between the demands of his father and the peer pressure exerted by a local street gang. Offering to help Kimble hide from the police, Jimmy soons discovers that the real threat to the fugitive's safety is the boy's own hoodlum "friends". ~ Hal Erickson, All Movie Guide

In this episode from The Man from U.N.C.L.E. series, the two good guy spies must stop a criminal mastermind from altering the course of the Gulf Stream. ~ Sandra Brennan, All Movie Guide

In Volume 29 of a collection culled from the 1963-1965 science fiction anthology television series, a neighborhood is transported from Earth to an alien world that plans to use humankind as its slaves. ~ Jason Ankeny, All Movie Guide

The price of fish in New York City has gone up nearly fifty percent, and it's all because of mobster Frank Makouris (Ricardo Montalban), who wields control over Fulton's Fish Market with an iron hand, killing and maiming his enemies in broad daylight. With Elliot Ness (Robert Stack) collaborating with a Federal Grand Jury to bring Makouris down, Joe "The Teacher" Kulak (Oscar Beregi) orders Frank to lay off on the strongarm stuff. . .at least until the heat is off. But Makouris merely steps up his campaign of terror, forcing Kulak to throw a lesser hoodlum to the wolves to get the Feds off the trail--a plan that backfires disastrously. With this episode, Gene Roth becomes the first of several actors to play the role of infamous gangster Louie "Lepke" Buchalter, while Robert Wilke takes over from Lawrence Dobkin in the role of Dutch Schultz. ~ Hal Erickson, All Movie Guide

Having failed to bribe Elliot Ness (Robert Stack) so he'll drop the tax-evasion charges against him, mob boss Dutch Schultz (Lawrence Dobkin) manages to beat the rap by "buying" one of the jurors. Redoubling his efforts to nail Schultz, Ness hopes to use the bitter rivalry between the Dutchman and vice king Lucky Luciano (Robert Carricart). Although this episode is climaxed with Schultz's notoriously incoherent death speech (which one satiristic has likened to the works of James Joyce!), be assured that we haven't seen the last of this colorful reprobate. Happy Days fans will enjoy the scene in which future "Mrs. C" Marion Ross, cast as Dutch Schultz's wife, refers to her husband by his given name..."Arthur". Also, keep an eye out for Maggie Mahoney, the mother of Oscar-winning actress Sally Field, as Marsha Harper. ~ Hal Erickson, All Movie Guide

The title is Black Orchid, but the leading lady is a rose--florist Rose Bianco, played by Sophia Loren. Newly widowed, Rose holds herself responsible for the death of her husband, a well-known gangster. Anthony Quinn plays a widower who falls in love with Rose, much to the dismay of his daughter (Ina Balin), who fears that Quinn will be destroyed as thoroughly as Rose's first husband. All ends happily after Rose and her new beau align to find her unhappy runaway son (Jimmy Baird). Black Orchid tries too hard to be a "slice of life;" perhaps it might have fared better with a cast of unknowns, but then who'd go to see it? ~ Hal Erickson, All Movie Guide

One of special-effects wizard Ray Harryhausen's pre-Seventh Voyage of Sinbad efforts, 20 Million Miles to Earth borrows a few pages from King Kong. An American spaceship crashlands off the coast of Sicily. The rescue party discovers that the astronauts have inadvertently brought back a curious gelatinous mass from the planet Venus. This lump of goo rapidly evolves into be a living reptilian creature, which scientists label an "Ymir". While being subjected to laboratory experimentation, the Ymir begins growing by leaps and bounds, and before long the gigantic monstrosity has escaped and is wreaking havoc in Rome. After battling a zoo elephant and taking a swim in the Tiber, the gargantuan creature holes up in the Colosseum, where the film's pyrotechnic finale occurs. ~ Hal Erickson, All Movie Guide

The plot of The Burning Hills is motivated by revenge, which only a few years earlier had been on the Motion Picture Code's no-no list. Cattleman Trace Jordan (Tab Hunter) seeks retribution for the murder of his brother, killed at the behest of cattle baron Joe Sutton (Ray Teal). Before long, however, it is Jordan who is being pursued by Sutton's henchmen. Accompanying Jordan on his flight is his Anglo-Latino girlfriend Maria Colton (a miscast Natalie Wood). Clearly designed to cash in on the teenaged fan following of Tab Hunter and Natalie Wood, Burning Hills is nonetheless entertaining enough to please even nonfans of the stars. The film is based on a novel by Louis L'Amour. ~ Hal Erickson, All Movie Guide

Nightclub singer Ilona Vance (Vera Ralston) is Accused of Murder in this Republic programmer. And from the looks of things, Ilona is guilty; she was, after all, the last person to see crooked lawyer Hobart (Sidney Blackmer) alive. But Lt. Roy Hargis (David Brian) is convinced that Ilona is innocent, and he intends to prove it. Except for the mildly surprising denoument, there is little in Accused of Murder that is not thoroughly predictable. Star Vera Ralston, the wife of Republic chieftan Herbert J. Yates, is her usual expressionless self. ~ Hal Erickson, All Movie Guide

The 1954 musical remake of A Star is Born could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Star is Born costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Star is Born included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 A Star is Born apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, A Star is Born was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Lux Radio Theatre adaptation of the original A Star is Born). ~ Hal Erickson, All Movie Guide